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As a final example, here’s the waveform that
results when a sawtooth is modulated by
a violin sample. The frequency and sharp
edges of the sawtooth are maintained, but
the complex timbre of the violin is added:
We can modulate the sawtooth with a sine
wave too. Here, you can see how phase
modulation maintains the character of each
waveform, giving a new timbre with the
characteristics of both the modulator and the
unmodulated carrier:
When first planning Assimil8or, I thought
phase modulation might be a neat feature.
I was really surprised to find almost nobody
had taken advantage of phase modulated
sampled sounds. My first few experiments
were really exciting, and I hope you have fun
exploring this capability of Assimil8or.
Содержание ASSIMIL8OR
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