Roland TM-6 PRO, Список данных

Страница: 28 / 37

28
TRIGGER SETUP
Parameter Value Explanation
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the flanger sound (W)
Level 0–127 Output level
SBF-325
This effect reproduces Roland’s SBF-325 analog flanger. It provides
three types of flanging effect (which adds a metallic resonance to
the original sound) and a chorus-type effect.
Parameter Value Explanation
Mode FL1, FL2, FL3, CHO
Types of flanging effect
FL1: A typical mono flanger
FL2: A stereo flanger that preserves
the stereo positioning of the original
sound
FL3:
A cross-mix flanger that
produces a more intense effect
CHO: A chorus effect
Tempo Sync OFF, ON
Specifies whether the modulation
rate of the flanger sound is specified
as a note value (ON) or not (OFF).
Rate(#) 0.02–5.00Hz, note Rate at which the flanger sound is
modulated
Depth 0–127
Depth to which the flanger sound is
modulated
Manual 0–127
Center frequency at which the
flanger effect is applied
Feedback 0–127
Amount by which the flanging effect
is boosted
* If Mode is CHO, this setting is
ignored.
CH-R Mod Phase NORM, INV
Phase of the right channel
modulation: Typically, you will leave
this at Normal (NORM). If you specify
Inverted (INV), the modulation
(upward/downward movement) of
the right channel is inverted.
CH-L Phase NORM, INV
Phase when mixing the flanging
sound with the original sound
NORM: normal phase
INV:
inverse phase
CH-R Phase NORM, INV
Level 0–127 Output level
PHASER A
A phase-shifted sound is added to the original sound and
modulated.
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser
Manual 0–127
Adjusts the basic frequency from
which the sound will be modulated.
Tempo Sync
OFF, ON
Specifies whether the modulation
rate is specified as a note value (ON)
or not (OFF).
Rate(#)
0.05–10.00Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Polarity
INVERSE,
SYNCHRO
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE:
The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO:
The left and right phase
will be the same. Select this when
inputting a stereo source.
Resonance 0–127 Amount of feedback
Parameter Value Explanation
Cross Feedback -98–+98%
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative “-” settings will invert the
phase.
Mix 0–127 Volume of the phase-shifted sound
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Level 0–127 Output level
PHASER B
This simulates a different analog phaser than Phaser A.
Parameter Value Explanation
Speed(#) 0–100 Frequency of modulation
Depth 0–127 Depth of modulation
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Level 0–127 Output level
REVERB
Adds reverberation to the direct sound, simulating an acoustic
space.
Parameter Value Explanation
Type
ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2,
DELAY, PAN DELAY
Type of reverb
Pre Delay 0.0–100msec
Adjusts the delay time from the
direct sound until the reverb sound
is heard.
Time(#) 0–127 Time length of reverberation
HF Damp
200–8000Hz,
BYPASS
Adjusts the frequency above which
the reverberant sound will be cut
(BYPASS: no cut).
Low Gain -15–+15dB Gain of the low range
High Gain -15–+15dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the reverb sound (W)
Level 0–127 Output level
LONG REVERB
This is a very rich sounding reverb with a choice of character.
Parameter Value Explanation
Depth
0–127 Depth of the effect
Time(#) 0–127 Time length of reverberation
Pre LPF
16–15000Hz,
BYPASS
Frequency of the filter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)
Pre HPF
BYPASS,
16–15000Hz
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Peaking Freq 200–8000Hz
Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound
Peaking Gain
-15–+15dB
Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound
Peaking Q 0.5–8.0
Bandwidth of the filter that boosts or
cuts the specified frequency region
of the input sound
HF Damp
16–15000Hz,
BYPASS
Frequency at which the high-
frequency content of the resonant
sound will be cut (BYPASS: no cut)
LF Damp
BYPASS,
16–15000Hz
Frequency at which the low-
frequency content of the resonant
sound will be cut (BYPASS: no cut)