7
Patch Mode
Parameter
Value/Explanation
7
This type applies a filter to tone 1 (3) and ring-modulates it
with tone 2 (4) to create new overtones.
8
This type sends the filtered tone 1 (3) and tone 2 (4) through
a ring modulator, and then mixes in the sound of tone 2 (4)
and applies a filter to the result.
9
This type passes the filtered sound of each tone through a
ring modulator to create new overtones. The tone 1 (3) TVA
will control the volume balance of the two tones, adjusting
the depth of ring modulator.
10
This type passes the filtered sound of each tone through a
ring modulator to create new overtones, and also mixes in
the sound of tone 2 (4). Since the ring-modulated sound
can be mixed with tone 2 (4), tone 1 (3) TVA can adjust the
amount of the ring-modulated sound.
MEMO
5
When type 2–10 is selected and one tone of a pair is turned off, the other tone will be
sounded as type 1 regardless of the displayed setting.
5
If you limit the keyboard area in which a tone will sound (Key Range Upper, Lower) or limit
the range of velocities for which it will sound (Velo Range Upper, Lower), the result in areas
or ranges where the tone does not sound is just as if the tone had been turned off. This
means that if type 2–10 is selected and you create a keyboard area or velocity range in which
one tone of a pair does not sound, notes played in that area or range will be sounded by the
other tone as TYPE 1 regardless of the displayed setting.
Booster
1 & 2, 3 & 4
When a Structure Type of 3 or 4 is selected, you can adjust the depth of
the booster. The booster increases the input signal in order to distort
the sound. This creates the distortion effect frequently used with electric
guitars. Higher settings will produce more distortion.
0, +6, +12, +18
Key Fade Upper,
Lower
This determines what will happen to the tone’s level when a note that’s
higher/lower than the tone’s specified keyboard range is played.
Higher settings produce a more gradual change in volume. If you don’t
want the tone to sound at all when a note below the keyboard range is
played, set this parameter to “0.”
0–127
Key Range
Upper, Lower
Specifies the highest/lowest note that the tone will sound for each tone.
*
If you attempt to raise the lower key higher than the upper key, or
to lower the upper key below the lower key, the other value will be
automatically modified to the same setting.
(Upper) LOWER–G9, (Lower) C-1–UPPER
Pitch
Level
Fade Lower
Fade Upper
Range Lower
Range Upper
TMT Velocity
Control
TMT Velocity Control determines whether a different tone is played or not
depending on the force with which the key is played (velocity).
*
Instead of using Velocity, you can also have tones substituted using the
Matrix control (p. 12). However, the keyboard velocity and the Matrix
control cannot be used simultaneously to make different tones to
sound. When using the Matrix control to switch tones, set the Velocity
Control to “OFF.”
OFF
Tones are not velocity-switched.
ON
Tones are switched according to the keyboard playing
velocity.
RANDOM
The patch’s constituent tones will sound randomly,
regardless of the velocity.
CYCLE
The patch’s constituent tones will sound consecutively,
regardless of the velocity.
Velo Fade Upper,
Lower
This determines what will happen to the tone’s level when the tone is
played at a velocity Upper/lower than its specified velocity range. Higher
settings produce a more gradual change in volume. If you want notes
played outside the specified key velocity range to not be sounded at all,
set this to “0.”
0–127
Parameter
Value/Explanation
Velo Range
Upper, Lower
Sets the highest/lowest velocity at which the tone will sound.
*
If you attempt to set the Lower velocity limit above the Upper, or the
Upper below the Lower, the other value will automatically be adjusted
to the same setting.
(Upper) LOWER–127, (Lower) 1–UPPER
MEMO
When using the Matrix Control to have different tones played, set the lowest value (Lower) and
highest value (Upper) of the value of the MIDI message used.
Velocity
Level
Fade Lower
Fade Upper
Range Lower
Range Upper
TMT Control
Switch
Use the Matrix control to enable (ON), or disable (OFF) sounding of
different tones.
*
You can also cause different tones to sound in response to notes
played at different strengths (velocity) on the keyboard (p. 7).
However, the Matrix control and the keyboard velocity cannot be used
simultaneously to make different tones to sound. When you want to
make the different tones to sound, set the TMT Velocity Control (p. 7)
to “OFF.”
OFF, ON
PITCH
Parameter
Value/Explanation
Tone Coarse Tune
Adjusts the pitch of the tone’s sound up or down in semitone steps (±4
octaves).
-48–+48
Tone Fine Tune
Adjusts the pitch of the tone’s sound up or down in 1-cent steps (±50
cents).
-50–+50
Random Pitch
Depth
Specifies the width of random pitch deviation that will occur each time a
key is pressed. If you do not want the pitch to change randomly, set this to
“0.” These values are in units of cents (1/100th of a semitone).
0–1200
Pitch Keyfollow
Specifies the amount of pitch change that will occur when you play a key
one octave higher (i.e., 12 keys upward on the keyboard).
If you want the pitch to rise one octave as on a conventional keyboard, set
this to “+100.” If you want the pitch to rise two octaves, set this to “+200.”
Conversely, set this to a negative value if you want the pitch to fall. With a
setting of “0,” all keys will produce the same pitch.
-200–+200
Pitch
Key
Pitch Bend Range
Up, Down
Specifies the degree of pitch change in semitones when the Pitch Bend
lever is all the way right (left).
For example if this is set to “+48 (-48)” and you move the pitch bend lever
all the way to the right (left), the pitch will rise (fall) 4 octaves.
(Up) 0–+48, (Down) 0– -48
