Roland fp-30, Руководство по реализации MIDI

Страница: 23 / 38

MIDI Implementation
23
6
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the
number of units.
Type Cabinet Speaker Microphone
Small 1 Small open-back enclosure 10 Dynamic
Small 2 Small open-back enclosure 10 Dynamic
Middle Open back enclosure 12 x 1 Dynamic
JC-120 Open back enclosure 12 x 2 Dynamic
Built-In 1 Open back enclosure 12 x 2 Dynamic
Built-In 2 Open back enclosure 12 x 2 Condenser
Built-In 3 Open back enclosure 12 x 2 Condenser
Built-In 4 Open back enclosure 12 x 2 Condenser
Built-In 5 Open back enclosure 12 x 2 Condenser
BG Stack 1 Sealed enclosure 12 x 2 Condenser
BG Stack 2 Large sealed enclosure 12 x 2 Condenser
MS Stack 1 Large sealed enclosure 12 x 4 Condenser
MS Stack 2
Large sealed enclosure 12 x 4 Condenser
Metal Stack Large double stack 12 x 4 Condenser
2-Stack Large double stack 12 x 4 Condenser
3-Stack Large triple stack 12 x 4 Condenser
7
0120: Phaser
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
No Parameter Value Description
1
Mode 0–2
4-Stage,
8-Stage,
12-Stage
Number of stages in the
phaser
2 Manual #2 0–127 0–127
Adjusts the basic frequency
from which the sound will be
modulated.
3 Rate Mode 0–1 Hz, note
When this is set to “note,” the
effect is synchronized with
the tempo.
4 Rate #1 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
5 Rate 0–21 note
Frequency of modulation
(note)
6
Depth 0–127 0–127 Depth of modulation
7 Polarity 0–1
Inverse,
Synchro
Selects whether the left and
right phase of the modulation
will be the same or the
opposite.
Inverse: The left and right
phase will be opposite. When
using a mono source, this
spreads the sound.
Synchro: The left and right
phase will be the same. Select
this when inputting a stereo
source.
8 Resonance 0–127 0–127 Amount of feedback
9
Cross
Feedback
0–98 -98–+98 %
Adjusts the proportion of the
phaser sound that is fed back
into the effect. Negative (-)
settings will invert the phase.
10 Mix 0–127 0–127
Level of the phase-shifted
sound
11
Low Gain 0–30 -15–+15 dB Gain of the low range
12
High Gain 0–30 -15–+15 dB Gain of the high range
13
Level 0–127 0–127 Output Level
7
0129: Multi Stage Phaser
Extremely high settings of the phase difference produce a deep phaser effect.
No Parameter Value Description
1 Mode 0–5
4-Stage,
8-Stage,
12-Stage,
16-Stage,
20-Stage,
24-Stage
Number of phaser stages
2 Manual #2 0–127 0–127
Adjusts the basic frequency
from which the sound will be
modulated.
3 Rate Mode 0–1 Hz, note
When this is set to “note,” the
effect is synchronized with
the tempo.
4 Rate #1 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
5 Rate 0–21 note
Frequency of modulation
(note)
6 Depth 0–127 0–127 Depth of modulation
7 Resonance 0–127 0–127 Amount of feedback
8 Mix 0–127 0–127
Level of the phase-shifted
sound
9 Pan 0–127 L64–63R
Stereo location of the output
sound
10 Low Gain 0–30 -15–+15 dB Gain of the low range
11 High Gain 0–30 -15–+15 dB Gain of the high range
12 Level 0–127 0–127 Output Level
7
012a: Infinite Phaser
A phaser that continues raising/lowering the frequency at which the sound is
modulated.
No Parameter Value Description
1 Mode 0–3 1, 2, 3, 4
Higher values will produce a
deeper phaser effect.
2 Speed #1 0–127 -100–+100
Speed at which to raise or
lower the frequency at which
the sound is modulated
(+: upward / -: downward)
3
Resonance
#2
0–127 0–127 Amount of feedback
4 Mix 0–127 0–127
Volume of the phase-shifted
sound
5
Pan 0–127 L64–63R Panning of the output sound
6 Low Gain 0–30 -15–+15 dB
Amount of boost/cut for the
low-frequency range
7 High Gain 0–30 -15–+15 dB
Amount of boost/cut for the
high-frequency range
8
Level 0–127 0–127 Output volume