Roland fp-30, Руководство по реализации MIDI

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MIDI Implementation
31
7
0150: Monaural Delay
A delay that provides a long delay time.
No Parameter Value Description
1 Delay Mode 0–1 ms, note
When this is set to “note,” the
effect is synchronized with
the tempo.
2
Delay Time 0–127 1–2540 ms
Delay time from when the
original sound is heard to
when the delay sound is
heard (Hz)
3
Delay Time
#1
0–21 note
Delay time from when the
original sound is heard to
when the delay sound is
heard (note)
4 Phase 0–1
NORMAL,
INVERSE
Phase of the delay (NORMAL:
non-inverted, INVERSE:
inverted)
5 Feedback 49–89 0–+80 %
Proportion of the delay sound
that is to be returned to the
input
6
HF Damp 0–17
200–8000
Hz, Bypass
Frequency at which the
high-frequency content of the
delayed sound will be cut
(Bypass: no cut)
7
Pan 0–127 L64–63R Panning of the delay sound
8 Low Gain 0–30 -15–+15 dB
Amount of boost/cut for the
high-frequency range
9 High Gain 0–30 -15–+15 dB
Amount of boost/cut for the
high-frequency range
10 Balance #2 0–100
D100:0W–
D0:100W
Volume balance of the
original sound (D) and the
delay sound (W)
11 Level 0–127 0–127 Output volume
7
0151: Modulation Delay
Adds modulation to the delayed sound.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
effect is synchronized with
the tempo.
2 Delay Left 0–127 1–1270 ms
Adjusts the time until the
delay sound is heard. (Hz)
3
Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5
Delay Right 0–127 1–1270 ms
6
Delay Right 0–21 note
7
Feedback
Mode
0–1
Normal,
Cross
Selects the way in which delay
sound is fed back into the
effect.
8 Feedback 49–89 0–+80 %
Adjusts the amount of the
delay sound that’s fed back
into the effect.
9 HF Damp 0–17
200–8000
Hz, Bypass
Adjusts the frequency above
which sound fed back to the
effect is filtered out. If you
don’t want to filter out any
high frequencies, set this
parameter to Bypass.
10 Rate Mode 0–1 Hz, note
When this is set to “note,” the
effect is synchronized with
the tempo.
11 Rate 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
12 Rate 0–21 note
Frequency of modulation
(note)
13 Depth #1 0–127 0–127 Depth of modulation
14 Phase 0–90 0–180 deg Spatial spread of the sound
No Parameter Value Description
15 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
17 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18
Level 0–127 0–127 Output level
7
0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
effect is synchronized with
the tempo.
2
Delay Left 0–127 1–2540 ms
Adjusts the time until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–2540 ms
6 Delay Right 0–21 note
7
Delay Center
Mode
0–1 ms, note
Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8 Delay Center 0–127 1–2540 ms
9 Delay Center 0–21 note
10
Center
Feedback #1 49–89
0–+80 %
Adjusts the amount of the
delay sound that’s fed back
into the effect.
11 HF Damp 0–17
200–8000
Hz, Bypass
Adjusts the frequency above
which sound fed back to the
effect is filtered out. If you do
not want to filter out any high
frequencies, set this
parameter to Bypass.
12 Left Level 0–127 0–127 Volume of each delay
13 Right Level 0–127 0–127 Volume of each delay
14 Center Level 0–127 0–127 Volume of each delay
15 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
17
Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18 Level 0–127 0–127 Output level