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Neve Custom Series 75, Руководство пользователя

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Neve Custom Series 75 Скачать руководство пользователя страница 28

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This prevents any destructive functions from effecting the 

Main Mix Output or Channel Direct Outputs.

reD lIGHT - Completes the isolated voltage circuit 

required to activate a red light if connected. Red Light 

also engages Status Lock to prevent the Main Mix Output 

or Channel Direct Outputs from being affected.

Faders

The stereo MaIn MIX Fader is fed by the Channel paths, 

and controls the level feeding the two stereo Mix Outs via 

their respective Retro and Modern Output Stages.

The two linkable and externally patchable mono 2254 

Compressors lie pre-fader, and an Insert point lies pre-

fader, post-compressor.

The stereo MOnITOr MIX Fader is fed by the Monitor 

paths, and controls the level feeding the (Modern) 

Monitor Mix Outputs. When MON 

→

 MAIN is selected in 

the Console Modes section, the output of the Monitor Mix 

Fader joins the signal on the Main Mix Fader, and on to 

the Retro and Modern Mix Outputs.

MAIN MIX

MONITOR MIX

Содержание Custom Series 75

Страница 1: ...Owner s Manual For Software Version 3 revision 2 2 15 May 2013 5 01 PM...

Страница 2: ...trols 26 Monitor Source 26 Control Room Headphones 27 Solo 27 Talkback and Listen Mic 27 Faders 28 Modifications 29 Modification 1 Insert Point Post Pre EQ 29 Modification 2 Installing Additional Modu...

Страница 3: ...ding maximum flexibility of sonic flavour Naturally the AFL busses are also replicated for correct Solo monitoring The eight Group outputs use classic circuitry with the added bonus of Stem outputs in...

Страница 4: ...ses through an input transformer and amplifying stage the mix amp This input transformer will subtly colour the signal Once the signal passes through the mix amp it hits an output transformer The outp...

Страница 5: ...ately for instructions on how to proceed Alternatively navigate to Contact Us on the Series 75 website http www customseries75 com or have the console professionally serviced at one of our service cen...

Страница 6: ...s Surround Spk Alt 2 Up to 8 surround monitors can be connected here When Alt 2 is selected as the monitor source in the Control Room section the group cuts and solos will effect the eight individual...

Страница 7: ...need for an external headphone amp the balanced outputs will need to be connected to a headphone amp Mix Insert 2TRK 1 2 Post 2254 balanced insert sends and returns appear on the first four channels o...

Страница 8: ...These carry the Insert Sends and Returns from the Channel path Connect to a patch bay or individual XLR connectors DAW In Connect the outputs of your DAW here These may feed the Monitor path or the Ch...

Страница 9: ...cuitry the console will take 15 seconds to stabilise during which all meters will light before returning to the default view The Power Supply and Soft Start A large current is needed to power the cons...

Страница 10: ...hich these sounds can be achieved however the true versatility of the Custom Series 75 is realized with the combinations of both Retro and Modern circuitry If you would like to quickly compare the sou...

Страница 11: ...er via an IC to the Modern Outputs on the Mix Out DB25 Groups Keep in mind that each of the eight Groups contains both a L0468 Input Transformer and an LO1166 Output Transformer If a Channel is routed...

Страница 12: ...e redesign of the BA338 amplifying stage has been achieved Signals on the Channel path can be routed to multiple destinations by focusing the Channel in the Assign Section using the Channel Select but...

Страница 13: ...e Console Modes section Below the Channel Meter are the Channel Path Destination LEDs These display the destination to which the Channel path output has been routed Groups 1 8 or Main Mix Direct Outpu...

Страница 14: ...for details see Modifications Monitor path Channel Output Retro The Monitor path section features a rotary trim control and two selectable inputs DAW and Line Line Retro Cut Solo and Solo Isolate are...

Страница 15: ...e Destination LEDs situated at the top of each Module below the Channel Path Meters will indicate whether the Channel Path Output is also routed to one or more of the eight Groups or the Stereo Bus vi...

Страница 16: ...0mS 4 1 2 1 1 5 1 6 1 3 1 COMP RATIO RIGHT 2254 COMP RATIO LEFT 2254 1 2 3 4 5 6 7 8 0 MAIN MIX FADER SWAP PAN GRP VIEW ESC PEAK LED SIG LED RCL STORE AUTO K K GRP1 GRP2 GRP3 GRP4 GRP5 GRP6 GRP7 GRP8...

Страница 17: ...icate which signal each is metering The following is an explanation of the possible scenarios REV Bargraphs are displaying the four stereo Reverb Returns 1L 1r 2L 2r 3L 3r 4L 4r MIX Bargraphs are disp...

Страница 18: ...r an external signal which has been patched into the rear panel of the Master Section 2254 Controls COMP IN Switches the Compressor in up and out down of the circuit COMP THRESHOLD Can be varied in 2d...

Страница 19: ...ct Outputs are always active regardless of whether or not the Channel path output has been routed elsewhere When a Channel is selected it is focused in the Assign Section and the previous Channel is d...

Страница 20: ...t Scene Group Buttons will flash again 6 Select the Scene Group Button under which you wish to copy the selected Scene to 7 Select STORE to confirm Custom User Features The following features are aime...

Страница 21: ...or output level select CAL The trim screw adjacent to the level control will now adjust the output level and the Main Output VUs in the Master Section Meterbridge will meter 0dB displaying the trim sc...

Страница 22: ...y currently assigned Channels to that Group or Activate the Group Insert Return of which the send is Group Out Ins Send ISO Solo Isolates the Group resulting in the Group not being Cut when another Ch...

Страница 23: ...ioned as headphone sends during recording they could be used for other purposes such as stereo effects sends or 4 mono sends in which case the pan pot will become a secondary level control Auxiliary M...

Страница 24: ...AUX PFL Meter the Auxiliary Master levels and the PFL Outputs A1 A2 A3 AL Ar bL br PF REV RET Meter the four stereo Reverb Returns 1L 1r 2L 2r 3L 3r 4L 4r VU Meters The two VU Meters in the Master Se...

Страница 25: ...r Path Rotaries controlling the to tape levels and faders controlling the from tape levels Note This function swaps the level controls only Solos Cuts Select Line and Retro buttons on each module rema...

Страница 26: ...RCUT and MONO are selected the opposite occurs Further still if MONO and SWAP are selected the left and right channels of the selected Monitor Source are subtracted and only the difference is heard Wh...

Страница 27: ...to the AFL bus and on to the Speaker Outputs The AFL bus is stereo and soloing is non destructive solo does not affect the Channel Direct Output or Main Mix Out signals PFL A Pre Fader Listen signal w...

Страница 28: ...annel paths and controls the level feeding the two stereo Mix Outs via their respective Retro and Modern Output Stages The two linkable and externally patchable mono 2254 Compressors lie pre fader and...

Страница 29: ...mage below 5 Three jumpers indicated J601 J602 and J603 need to be moved 6 If all three jumpers are placed on the two pins closest to the front panel of the Module the Insert will fall post EQ 7 If al...

Страница 30: ...3 AL AR BL BR Channel Pre Channel Post Monitor Pre Monitor Post Mic Stage 1 Pre 17 41db DAW Line PAD PAD Mic DI 48v PAD Mic Stage 2 Pre 18db 10db Trim Ins Snd Ins Rtn Line Amp BA283 Panpot I P Tfmr 10...

Страница 31: ...fer DAW Playback Insert Return DAW Bus Relay Stem Output Fader Buffer Balance Bus Drive To PFL To AFL To AFL To MIX To MIX Mix Busses PFL Local Mix L Local Mix R AFL L AFL R Bus Amp BA283 O P Tfmr LO1...

Страница 32: ...Buffer Bal Out Local Mix Buffer Bal Out 2254 In 2254 In 2254 2254 2254 Out 2254 Out Insert R R Insert L L Insert In Insert In Bal Buffer Bal Buffer Osc Osc Osc to Mix Osc to Mix Bal Buffer Bal Buffer...

Страница 33: ...Post Fade R Aux A Post Fade R Aux B Post Fade R 2 TRACK 1 R 2 TRACK 2 R Mon Mix R Mix Retro R Mix Modern R Listen Mic PCB Right Pre Limiter CW Listen Level Listen mic overrides all other sources Surr...

Страница 34: ...ce CW Level CW Level CW Buffer Buffer Bal In Buffer Bal In Buffer Left Right Rev Ret 1 Reverb Return 1 2 3 4 Identical Aux 1 Out Aux A L Out Aux A R Out Bal Buffer Bal Buffer Bal Buffer Bal Buffer Bal...

Страница 35: ...lkback On On CW CW Level Level Bal Out Bal Out SLS Left SLS Left Studio Loudspeaker SLS Sine Osc Pink Noise Cal Trim Level CW Cal To Mix To Channels To Groups Osc to Mix Osc to Direct Outs Osc to Grou...

Страница 36: ...idth 167cm 65 75 in Depth 99cm 38 98 in Height without stand 45cm 17 72 in 24 Channel Frame Width 135cm 53 15 in Depth 99cm 38 98 in Height without stand 45cm 17 72 in 16 Channel Frame Width 102cm 40...

Страница 37: ...Recall Sheets The following pages contain printable Recall sheets for the Custom Series 75 37...

Страница 38: ...L R L BAL R L BAL R 0 0 0 0 0 0 0 0 10 0 1 0 1 0 1 REV RET 4 HP 2 HP 1 MAIN MIX SOLO MON MIX SOLO ISO HP 2 HP 1 MAIN MIX SOLO MON MIX SOLO ISO HP 2 HP 1 MAIN MIX SOLO MON MIX SOLO ISO HP 2 HP 1 MAIN M...

Страница 39: ...I S O 10 SIG 180 330 100 33 OFF 390 470 330 220 OFF 560 680 1k 1 2k 820 L PAN R SWAP 0 0 AUX 2 AUX3 AUX 1 LINE EQ RETRO 48V O SEL HI Q INS AUX B HI Q SOLO CUT AUX A INPUT 0 10 TRIM 10 0 66 60 54 48 42...

Страница 40: ...oadcast Users Note Pin 13 of the DB25 is CHASSIS whilst other earth or ground pins 25 11 22 8 19 5 16 2 are connected to 0 Volts Pin 13 can be used to connect to outer shield of cables with double shi...

Страница 41: ...s Surround Spk Alt2 As mentioned previously the following labels are just a guide Labels have not been added to the console maintaining consistency between the 7 1 input wiring and the Surround Spk Al...

Страница 42: ...AUX Out 3 22 0V 10 AUX Out 2 2 23 AUX Out 2 11 0V 24 AUX Out 1 1 12 AUX Out 1 25 0V 13 Chassis SLS Red Light TB Listen The Studio Red Light is to be connected to Channel 5 taking into consideration t...

Страница 43: ...ction Cable 1 2254 In R 8 14 2254 In R 2 0V 15 2254 In L 7 3 2254 In L 16 0V 4 2254 Out R 6 17 2254 Out R 5 0V 18 2254 Out L 5 6 2254 Out L 19 0V 7 Retro R 4 20 Retro R 8 0V 21 Retro L 3 9 Retro L 22...

Страница 44: ...13 Chassis DAW Ins Return Pin Connection Cable 1 DAW 8 8 14 DAW 8 2 0V 15 DAW 7 7 3 DAW 7 16 0V 4 DAW 6 6 17 DAW 6 5 0V 18 DAW 5 5 6 DAW 5 19 0V 7 DAW 4 4 20 DAW 4 8 0V 21 DAW 3 3 9 DAW 3 22 0V 10 DAW...

Страница 45: ...4 DAW 6 6 17 DAW 6 5 0V 18 DAW 5 5 6 DAW 5 19 0V 7 DAW 4 4 20 DAW 4 8 0V 21 DAW 3 3 9 DAW 3 22 0V 10 DAW 2 2 23 DAW 2 11 0V 24 DAW 1 1 12 DAW 1 25 0V 13 Chassis Line Inputs Pin Connection Cable 1 Lin...

Страница 46: ...3 DIR 7 16 0V 4 DIR 6 6 17 DIR 6 5 0V 18 DIR 5 5 6 DIR 5 19 0V 7 DIR 4 4 20 DIR 4 8 0V 21 DIR 3 3 9 DIR 3 22 0V 10 DIR 2 2 23 DIR 2 11 0V 24 DIR 1 1 12 DIR 1 25 0V 13 Chassis 1 1 2 2 3 3 4 4 5 5 6 6...

Страница 47: ...olypropylene film or Rubycon ZLH electrolytic chosen for long life and superior sonic performance All relays switches and connectors in the audio signal path have gold plated contacts Retro Output Sta...

Страница 48: ...egorz Rozek Software Design Rod Harris Design Engineer Murray Irvine Design Engineer Attila Acs Website Graphics Photos Dirk Terrill Documentation The Team wishes to thank the numerous people whose va...

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