13
Input Module
The Input Module hosts the
Channel Input Selector, Gain
and Trim, Phase, 48V, and
High Pass Filter. All buttons
are recallable using the
consoles scenes.
The Input Selector cycles
through the four available
Channel path inputs. Mic,
DI and DAW are indicated
by LEDs, when no LEDs are
active the Channel input is
Line. Once the desired input
has been selected, Phantom
Power (48V), Gain and Trim
controls will adjust the input
signal level. The 12 position
gain switch (0dB
→
60dB) will
allow an approximate gain
value to be reached. The trim
control will adjust the input
signal more precisely (-10dB
→
+10dB).
If required, the Phase control
will invert the incoming signal.
The High Pass Filter with frequency selection allows
low frequencies to be rolled off using the continuously
variable control between 25Hz and 300Hz (18dB/octave).
The HPF Frequency Selector has dual functionality.
When the HPF button is selected it will act as a frequency
selector. When depressed the module will engage Fader
Swap mode.
Fader Swap will swap the Channel Path Fader with
the Monitor Path Rotary. For example, when CH IN is
selected in the Console Modes section, the Channel Path
Fader would control signals to tape, and the Monitor Path
Rotary would control Monitor Mix levels. Note that Fader
Swap can also be activated on a selected Channel in the
Assign Section, or globally activated across all Channels
in the Console Modes section.
Below the Channel Meter are the Channel Path
Destination LEDs. These display the destination to which
the Channel path output has been routed. Groups 1 - 8 or
Main Mix (Direct Outputs are always active). This is just
an indication for convenience (see the Assign Section
for how to route a Channel to a group). The Fader Swap
LED indicates if Fader Swap is active on the Channel.
auxiliaries
Each module contains two
stereo (A & B) and three mono
(Aux 1, Aux 2, Aux 3) auxiliary
sends. The order in which
Auxiliaries 1 to 3 are accessed
is bottom to top respectively.
A & B are situated above the
three mono sends. All features
other than the level controls
in the Auxiliary Section are
recallable.
auxiliary 1, 2 and 3 have
individual level controls.
auxiliary a and auxiliary B
are stereo sends that share
a level control. All Auxiliary's
default position is pre-fader on
the Channel path. When the
level controls are depressed,
they cycle through the
conventional positions in the
following order - Channel Pre,
Channel Post, Monitor Pre, Monitor Post.
If desired, Send A and B can be engaged simultaneously.
If both sends are active (i.e. for two stereo cue sends),
the shared level control will increase/decrease the overall
level and the pan will balance the level across the active
sends.
Two available stereo cue sends allow the flexibility of Aux
A being active on one module, whilst Aux B is active on
another.
+48V
INPUT
0
-10 TRIM 10
0 66 60
54
48
42
36
30
24
18
12
6
25
100
300
50
150
N2081
MIC DI DAW
2
4
6
8
SWAP
MIX
FADER
MAIN
7
5
3
1
MIC/DI GAIN
O
AUX 2
AUX 3
AUX 1
AUX B
AUX A
L PAN R
