LTO LYNX-MIX124 Скачать руководство пользователя страница 6

LYNX-MIX204

SPO

TLIGHT

21

6. PRESET LIST

Controllable Parameter

VOCAL1

Simulate a room with small delay time

Decay time

Pre-delay

Simulate a small space with slight decay time

VOCAL2

Simulate a large acoustic space of the sound

LARGE HALL

Simulate a small acoustic space of the sound

SMALL HALL

Simulate a studio room with many early reflections

LARGE ROOM

Simulate a bright studio room

SMALL ROOM

Simulate the transducers sound like classic bright
vocal plate

PLATE

TAPE REVERB

Simulate a record head and multiple playback heads
at intervals along the tape

SPRING REVERB

Simulate the analog transducers' springs lightly
stretched sound

MONO DELAY

STEREO DELAY

FLANGER

CHORUS

REV.+DELAY

REV.+FLANGER

Reproduce the sound input on the output after a
lapse of time

Recreate the input sound on the stereo output with
different time.

Recreate the illusion of more than one instrument
from a single instrument sound

Delay with room effect

Stereo flanger and large room reverb

Rate

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

NO.

Preset

Description

Flanger Rate
Rev.decay time

Chorus rate
Rev.decay time

Simulate to play with another person carrying
out same the notes on the same instrument

REV.+CHORUS

Stereo chorus and large room reverb

Parameter

Variable range

0.8~1.1s
0~79ms

Decay time

Pre-delay

0.8~2.5s
0~79ms

Decay time

Pre-delay

3.6~5.4s
23~55ms

Decay time

Pre-delay

1.0~2.9s
20~45ms

Decay time

Pre-delay

2.9~4.5s
23~55ms

Decay time

Pre-delay

0.7~2.1s
20~45ms

Decay time

Pre-delay

0.6~6.1s
10ms

Decay time

Pre-delay

1.3~5.4s
0~84ms

Decay time

Pre-delay

1.3~5.4s
0~35ms

60~650ms

0.16~2.79Hz

Period

Period
Feedback

210~400ms
37~73%

Rate

0.5~5Hz

Decay period
Rev.decay time

0.16~2.52Hz
1.5~2.9s

211~375ms
1.0~2.9s

0.5~4.74Hz
1.5~2.9s

4

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

SUB

1-2

SUB

1

-2

SUB

1-2

SUB

3

-4

SUB

3-4

SUB

3-4

MAIN

L-R

MAIN

L-R

MAIN

L-R

SOLO

SOLO

SOLO

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

SUB

1

-2

SUB

1-2

SUB

1

-2

SUB

1-2

SUB

1-2

SUB

3-4

SUB

3

-4

SUB

3-4

SUB

3-4

SUB

3-4

MAIN

L

-R

MAIN

L-R

MAIN

L-R

MAIN

L-R

MAIN

L-R

SOLO

SOLO

SOLO

SOLO

SOLO

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

SUB

1-2

SUB

1-2

SUB

1

-2

SUB

1-2

SUB

1-2

SUB

3-4

SUB

3

-4

SUB

3-4

SUB

3-4

SUB

3-4

MAIN

L-R

MAIN

L-R

MAIN

L-R

MAIN

L-R

MAIN

L-R

SOLO

SOLO

SOLO

SOLO

SOLO

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

SUB

1-2

SUB

1-2

SUB

1-2

SUB

3-4

SUB

3-4

SUB

3-4

MAIN

L-R

MAIN

L-R

MAIN

L-R

SOLO

SOLO

SOLO

10

dB

-5

-10

-20

-25

-30

-40

-60

0

5

2

3

4

5

6

7

8

9

10

11

12

13/14

15/16

17/18

19/20

LINE

USB

20

-CH

COMPACT

INTEGRATED

LIVE

SOUND

MIXER

WITH

DIGITAL

EFFECTS

RIGHT

RIGHT

RIGHT

RIGHT

SUBGROUPS

ASSIGN

TO

MAIN

MIX

OUTPUT

LEVEL

SOLO

MODE

AFL

PFL

TO

AUX

TO

AUX

MAIN

MIX

LEFT

LEFT

LEFT

LEFT

SUB

3/4

SEND2

STEREO

AUX

RETURNS

AUX

SENDS

SEND1

SOLO

ACTIVE

LEVEL

SET

2

T

KT

OM

IX

CTRL

ROOM

SUB

3-4

2TK

IN

MAIN

M

IX

SUB

1

-2

PHONES

CTRL

ROOM

SOURCE

-2

-4

-10

-20

-7

LR

-30

10

CLIP

2

4

7

0

MAX

-

8

-15

0

-10

-5

+10

+15

+5

63

500

250

125

2K

1K

-15

0

-10

-5

+15

+10

+5

16K

8K

4K

MAX

-

8

MAIN

M

IX

CTRL/R

SOLO

SOLO

SOLO

SOLO

EQ

OFF

EQ

ON

(MONO)

LEFT

(MONO)

LEFT

MIC

3

M

IC1

M

IC2

MIC

1

1

MIC

7

MIC

5

MIC

4

MIC

6

MIC

9

MIC

8

M

IC

10

MIC

1

2

M

IC

13

MIC

1

4

12V

0.5A

LAMP

L

TAPE

IN

R

TAPE

OUT

2-TRACK

IN/OUT

BAL/UNBAL

LINE

IN

3

BAL/UNBAL

INSERT

LINE

IN

1

BAL/UNBAL

INSERT

INSERT

LINE

IN

2

LINE

IN

11

INSERT

LINE

IN

7

INSERT

LINE

IN

5

BAL/UNBAL

INSERT

INSERT

LINE

IN

4

BAL/UNBAL

INSERT

BAL/UNBAL

LINE

IN

6

LINE

IN

9

INSERT

INSERT

BAL/UNBAL

BAL/UNBAL

LINE

IN

8

INSERT

BAL/UNBAL

BAL/UNBAL

LINE

IN

10

RIGHT

RIGHT

LINE

IN

13

LINE

IN

14

INSERT

BAL/UNBAL

BAL/UNBAL

LINE

IN

1

2

LINE

IN

1

6

BAL/UNBAL

BAL/UNBAL

LINE

IN

15

B

PHONES

A

LINE

IN

19

LEFT

(MONO)

RIGHT

LINE

IN

20

LINE

IN

17

LEFT

(MONO)

RIGHT

LINE

IN

18

LT

O

R

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

FREQ

MID

-15

+15

PAN

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

800

100Hz

8KHz

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+15

-35

LINE

MIC

dB

50

0

-15

+15

BAL

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+20

-20

LINE

MIC

dB

40

0

-15

+15

BAL

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

EQ

HI

12kHz

-15

+15

TRIM

LEVEL

SET

+20

-20

LINE

MIC

dB

40

0

-15

+15

BAL

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

EQ

HI

12kHz

-15

+15

-15

+15

BAL

RIGHT

LEFT

3

DFX1

(EXT)

-

+15

8

(INT)

DFX2

-

+15

8

4

-

+15

8

PRE

1

AUX

-

+15

8

2

POST

80Hz

LOW

-15

+15

EQ

HI

12kHz

-15

+15

HI-MID

3kHz

500Hz

MID-LOW

HI-MID

3kHz

500Hz

MID-LOW

HI-MID

3kHz

500Hz

MID-LOW

HI-MID

3kHz

500Hz

MID-LOW

3

-

+15

8

-

+15

8

4

-

+15

8

1

-

+15

8

2

3

-

+15

8

-

+15

8

4

-

+15

8

1

-

+15

8

2

-

+15

8

1

-

+15

8

2

9.

SPRING

REVERB

10.

MONO

D

ELA

Y

11.

STEREO

DELA

Y

12.

FLANGER

13.

CHORUS

14.

REVERB

+

D

ELA

Y

15.

REVERB

+

FLANGER

16.

REVERB

+

CHORUS

1.

VOCAL

1

2.

VOCAL

2

3.

LARGE

HALL

4.

SMALL

HALL

5.

LARGE

ROOM

6.

SMALL

ROOM

7.

PLA

TE

8.

T

APE

REVERB

DIGIT

AL

STEREO

EFFECT

S

PROCES

SOR

24BIT

s

LEVEL

SET

-20

+20

LINE GAIN

GAIN

LEVEL

SET

-20

+20

LINE

204

-15

+15

-15

+15

-15

+15

-15

+15

STEREO

GRAPHIC

EQ

AUX

RETURNS

S

OLO

4-DFX2

RETURN

4-DFX2

SEND

SUB

1/2

1

SUB1

SUB2

SUB3

SUB4

SUBGROUPS

MAIN

MIX

LEVEL

Содержание LYNX-MIX124

Страница 1: ... ALTO All features and content might be changed without prior notice Any photocopy translation or reproduction of part of this manual without written permission is forbidden Copyright 2007 Seikaku Group SEIKAKU TECHNICAL GROUP LIMITED NO 1 Lane 17 Sec 2 Han Shi West Road Taichung 40151 Taiwan http www altoproaudio com Tel 886 4 22313737 email alto altoproaudio com Fax 886 4 22346757 ...

Страница 2: ...es that may be sufficient to constitute the risk of electric shock or death This symbol wherever used alerts you to important operating and maintenance instructions Please read Protective Ground Terminal AC mains Alternating Current Hazardous Live Terminal ON Denotes the product is turned on OFF Denotes the product is turned off The apparatus shall be connected to a mains socket outlet with a prot...

Страница 3: ...imitation may not apply to you 3 6 This warranty gives you the specific rights and these rights are compatible with the state laws you may also have other statutory rights that may vary from state to state 1 INTRODUCTION 1 2 FEATURES 1 4 CONTROL ELEMENTS 5 5 INSTALLATION CONNECTION 15 1 INTRODUCTION 2 FEATURES 1 7 BLOCK DIAGRAM 20 8 TECHNICAL SPECIFICATIONS 22 9 WARRANTY 24 3 QUICK START 3 6 PRESE...

Страница 4: ...reo 15 dB 3 kHz Mid bell Mono 15 dB frequency range 100 Hz 8 kHz Hi shelving 15 dB 12 kHz Mid Low Stereo 15 dB 500 Hz Low Cut filter 75 Hz 18 dB Oct A D and D A converters 24 bit DSP resolution 24 bit Type of effects Hall Room Vocal Plate REVERBS Mono Stereo DELAY max DELAY TIME 650ms REVERB DELAY REVERB CHORUS Chorus Flanger Reverb MODULATIONS REVERB FLANGER combinations 16 position PRESET Select...

Страница 5: ...3 SPOTLIGHT 22 7 BLOCK DIAGRAM LYNX MIX164 ...

Страница 6: ...UT BAL UNBAL LINE IN 3 BAL UNBAL INSERT LINE IN 1 BAL UNBAL INSERT INSERT LINE IN 2 LINE IN 11 INSERT LINE IN 7 INSERT LINE IN 5 BAL UNBAL INSERT INSERT LINE IN 4 BAL UNBAL INSERT BAL UNBAL LINE IN 6 LINE IN 9 INSERT INSERT BAL UNBAL BAL UNBAL LINE IN 8 INSERT BAL UNBAL BAL UNBAL LINE IN 10 RIGHT RIGHT LINE IN 13 LINE IN 14 INSERT BAL UNBAL BAL UNBAL LINE IN 12 LINE IN 16 BAL UNBAL BAL UNBAL LINE ...

Страница 7: ...o keyboard into channel 9 10 and repeat the sequence for LYNX MIX164 USB Here you are It is your first gig with your L YNX MIX USB Series f Sing or speak into the microphone with normal volume and adjust the channel LEVEL control of half 3 QUICK START Connect your stereo keyboard into channel 13 14 and repeat the sequence for LYNX MIX204 USB 5 Sleeve Ground Screen Tip Signal Sleeve Ground Screen R...

Страница 8: ...AGE MONITOR ACTIVE SPEAKERS COMPUTER ACTIVE SPEAKERS CD PLAYER WIRELESS MICROPHONE 1 GUITAR D I BOX BASS KEYBOARD DRUM MACHINE HEADPHONE CD PLAYER MIC 1 MIC 2 MIC 3 MIC 4 WIRELESS MICROPHONE 2 19 5 INSTALLATION AND CONNECTION Strain Clamp Sleeve Tip Ring Sleeve Ground Screen Ring Return Signal Tip Send Signal Use for Insert Points 1 4 Stereo TRS Jack Plug 2 Hot 3 Cold 1 Ground Screen seen from sol...

Страница 9: ...o read the following section carefully to be the real master of your own mix Not paying enough attention to the input signal level the routing of the signal and the assignment of the signal will result in unwanted distortion a corrupted signal or no sound at all So you should follow this procedure for every single channel 1 Turn down all Input and output gain controls 2 Connect phantom powered mic...

Страница 10: ...o external devices such as effect units and or stage monitors 61 AUX SENDS Jacks Use these stereo 1 4 phone jacks to return the stereo signal of an effect unit to the Main Mix Alternatively you can also use them as an extra auxiliary input using the AUX RETURN level control as volume control The signal will be sent directly to MAIN MIX control 62 AUX RETURNS Jacks 63 DIRECT OUTS These 1 4 phone ja...

Страница 11: ...ntrol in center position then the signal will be positioned in the middle of stage 9 10 11 12 13 14 15 16 17 18 19 9 SPOTLIGHT 4 CONTROL ELEMENTS 16 SPOTLIGHT 4 CONTROL ELEMENTS 50 MAIN MIX OUTPUT This button sets the main mix output level to match the input of the device that you are ready to connect Engage this button to reduce the output level from MAIN MIX OUTPUT by 30 dBu it is used to match ...

Страница 12: ... IN via these Matrix switches Engaging these switches the stereo signals will be delivered to the Phones Control Room and Meters display Note When any SOLO switch was engaged the SOLO signal will replace other signals and also be sent to the Control Room Phones and Meters 21 PHONES CTRL ROOM Controls Rotate these knobs to adjust the stereo level of CTRL ROOM and PHONES outputs separately which can...

Страница 13: ... SEND2 bus The adjustable range goes from to 15 dB 26 27 28 29 30 31 32 33 34 AUX RETURN3 is equipped with the MAIN MIX CTRL R button Release the button to send the stereo signal from AUX RETURN3 to MAIN MIX buses Engage the button then the stereo signal will be sent to CTRL R output 26 MAIN MIX CTRL R Button 3 CONTROL ELEMENTS SPOTLIGHT 4 CONTROL ELEMENTS 14 39 DSP MUTE Switch PEAK LED This switc...

Страница 14: ...hey can be regarded as the signal assignment switches When engaging the SUB1 2 the stereo signal from AUX RETURN4 will be assigned to Subgroup1 2 in the same way SUB3 4 for Subgroup3 4 MAIN MIX for MAIN MIX buses 28 AUX RETURNS SOLO Button The function of AUX RETURN SOLO is like the channel SOLO button Engaging it sends the signal from AUX RETURN 1 4 to the CTRL OUT PHONES outputs and Meters displ...

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