SPO
TLIGHT
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4. CONTROL ELEMENTS
4
5
5 LINE GAIN
When you use a line level instrument, you shall
read the ring (-20~+20 dB).For optimum
operation you shall set this control in a way
that the PEAK LED (16) blinks only occasionally
in order to avoid distortion on the input channel.
6 LEVEL SET LED
This LED will help you to detect the input level immediately. In this case the
research of the fault will become much faster!
6
7 LOW-CUT Button
By pressing this button you will activate a 75 Hz low frequency filter with a
slope of 18 dB per octave. You can use this facility to reduce the hum noise
infected by the mains power supply, or the stage rumble while using a
microphone.
8 LINE/USB Button
By pressing this button, it will switch to the USB mode, the USB signal will
send to this channel; when releasing this button, the LINE IN inputs signal
will send to the line input channels.
EQUALISER
There are 3-band EQ with sweepable MID on all mono input channel1-4 (1-8 for
LYNX-MIX164 USB, 1-12 for LYNX-MIX204 USB): HI, MID and LOW band. There
are 4-band fixed frequency EQ on the stereo channel5-12 (9-16 for LYNX-MIX164
USB, 13-20 for LYNX-MIX204 USB): HI, HI-MID, MID-LOW and LOW band. All bands
provide up to 15 dB of boost or cut.
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3. CONTROL ELEMENTS
SPO
TLIGHT
4. CONTROL ELEMENTS
59 DFX OUT Jack
This 1/4" phone jack is used to output the effect signal that comes from internal
DSP module and the signal level can be controlled by the EFFECTS OUT control.
60 FOOTSWITCH Jack
This 1/4" phone jack can be used to connect an external footswitch to turn on/
off the onboard effect module.
These 1/4" phone jacks are used to send out the signal from the AUX Bus to
external devices such as effect units and/or stage monitors.
61 AUX SENDS Jacks
Use these stereo 1/4" phone jacks to return the stereo signal of an effect unit
to the Main Mix. Alternatively you can also use them as an extra auxiliary input
using the AUX RETURN level control as volume control. The signal will be sent
directly to MAIN MIX control.
62 AUX RETURNS Jacks
63 DIRECT OUTS
These 1/4" phone jacks are used to connect the inputs of deck or secondary in
a complicated PA live sound system. You will find it is the best tool when you
operate the SUBGROUPS OUT.
64 SUBGROUPS OUT Jacks
65 SUBGROUPS INSERT
Each Mono MIC/LINE Channel (CH1-CH4 for LYNX-MIX124 USB, CH1-CH8 for
LYNX-MIX164 USB, CH1-12 for LYNX-MIX204 USB) is equipped with the 1/4"
phone jack for directing output. These jacks are used to send the signal from
the channel path to external device for recording function etc..
These 1/4" phone jacks are insert points. They are used to connect processors
such as compressor, limiter, EQ etc.. When insert external processor into
these jacks, the subgroup stereo signal will be taken out, then returned to
before subgroups fader. Of course, these
jacks must be stereo (Tip Send/
Ring Return).
used
17
MIC input, 0~40 for stereo channels); when
you use a line level instrument, you shall read
the LINE ring (+15~-35 dB for mono MIC input,
+20~-20 dB for stereo channels). For optimum
operation you shall set this control in a way
that the PEAK LED (16) blinks only occasionally
in order to avoid distortion on the input channel.
4
6
7
If you turn this control up, you will boost all the frequencies above 12 kHz (shelving
filter). You will add transparency to vocals and guitar and also make cymbals crispier.
Turn the control down to cut all frequencies above 12 kHz. In such way you can
reduce sibilances of human voice or reduce the hiss of a Tape player.
9 HI
