Ikegami IPD-DM11, Инструкция по эксплуатации

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Using the UP, DOWN, LEFT or RIGHT button, the fi eld can be reduced.
* To quit the fi eld setting screen, hold down the SET button longer
than 2 seconds.
Once the 1SPOT ZONE screen appears, select RET and press the
SET button. The previous menu shows up.
• 2SPOT: As with the 1SPOT mode, two sensing areas can be preset.
Take the same procedure as for the 1SPOT mode.
• OFF: The backlight compensation is off.
②
W.DINAMIC: The hyper wide dynamic level can be varied. Adjust the
marker while watching an actual scene to have an optimum result.
③
IRIS LEVEL: Adjust the diaphragm.
Move the marker to the right, and the lens opens (Brightness enhanced).
Adjust the marker while watching an actual scene to have an
optimum result.
④
LENS IRIS: Select according to the type of lens used.
• DC: Select when using an auto-iris lens.
* With the IPD-DM11, remains fi xed in DC mode.
(6) GAIN
The gain control modes can be selected.
①
AGC: This is an automatic sensitivity adjustment mode.
Select AGC and press the SET button, and maximum gain setting
can be achieved. To suppress the noise lower than at the HIGH (initial)
setting, select MID or LOW.
②
HYP-AGC: This mode is higher in sensitivity than AGC. But images
may look rugged at higher sensitivities.
③
LOW: This fi xed-gain mode keeps the sensitivity low for brighter spots.
④ MID: This fi xed-gain mode keeps the sensitivity middle between
HIGH and LOW.
⑤ HIGH: The fi xed-gain mode keeps the sensitivity high for darker spots.
(7) WHITE BALANCE
The white balance mode can be selected. The manual white balance
settings are also made.
① ATW: White balance is automatically changed to full time auto-tracking.
②
ATW Ex: White balance is automatically changed to full time auto-
tracking, but the covering area of color temperature range gets
higher than the ATW mode.
Compared with the ATW mode, an accuracy of white tracking is not
very good in this mode, but in certain conditions this may powerful to
compensate color differences.
③
AWC: This is the so-called one-push automatic white balance
control. Shoot a target white subject and press the SET button, and