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10

Digital Inputs

Use the OPTICAL IN ADAT port(s) [19] if you need to convert digital audio (e.g., the output of a DAW) 

to analogue, using the Clarett OctoPre’s ADAT 

>

 LINE mode.

The right-hand port can receive eight channels of audio at 44.1 kHz or 48 kHz sample rate via a single 

optical cable. 

At 88.2 kHz or 96 kHz sample rates, each port can receive four channels of audio. The right-hand 

port carries Channels 1 to 4, the left-hand port carries Channels 5 to 8; thus two TOSLINK cables are 

required to receive all eight channels.

At 176.4 kHz or 192 kHz sample rates, each port can receive two channels of audio. The right-hand 

port carries Channels 1 and 2, the left-hand port carries Channels 3 and 4. The OctoPre is restricted 

to four channels of digital audio at these sample rates.

Use the SAMPLE RATE switch [9] to select the desired frequency. It is essential that the sample rate 

selected on the Clarett OctoPre matches the sample rate set on the transmitting digital device.

AIR mode

An important feature of all models in the Clarett range is the new design of analogue preamplifier. 

The circuitry now includes a new AIR function, individually selectable on each channel. AIR subtly 

modifies the pre-amp’s frequency response to model the impedance and resonance characteristics 

of  Focusrite’s  classic  transformer-based  ISA  mic  preamps.  When  recording  with  good  quality 

microphones,  you  will  notice  an  enhanced  clarity  and  definition  in  the  important  mid  frequency 

range, just where it is most needed for vocals and many acoustic instruments.

Inserts

Each  pre-amplifier  channel  includes  a  switchable  insert  point  for  the  connection  of  external 

processing equipment such as compressors or noise gates. The insert comprises a send (the output 

of  the  channel’s  input  stage)  and  a  return  (an  input  to  the  channel’s  output  stage):  with  no  plug 

in  the  INSERT  socket,  the  channel  signal  path  is  uninterrupted.  The  insert  send  and  return  are 

both unbalanced. Use a TRS jack wired with the tip (return) and ring (send) of the jack wired to two 

separate cables; such cables (often referred to as ‘Y-cables”) are available from professional audio 

suppliers.

The insert point is post the AIR circuitry (thus external equipment will receive a signal modified by 

AIR), and also post the front panel GAIN controls [4]. When using an insert point, try to adjust the 

input and output levels of the external processor so that the return signal is about the same level 

as the send. If the external processor has too much gain, you run the risk of overload within the 

OctoPre, so use the channel meters [7] to check the return signal level.

RING (send)

TIP (return)

SLEEVE

RING (send)

TIP (return)

SLEEVE

With no jack inserted into the 

INSERT socket the channel 

path is uninterrupted.

INSERT socket

With aTRS jack inserted into 

the INSERT socket:

 Ring is insert send 

Tip is insert return 

INSERT socket

TRS jack (Y-cable)

Use the front panel INSERT/AIR buttons [6] to enable the insert point. (First select INSERT using the 

master switch [8].) The channel LED will illuminate green to confirm selection.

Содержание clarett octopre

Страница 1: ...User Guide www focusrite com Version 1 0 ...

Страница 2: ...s 10 ADAT to Line mode 11 Example Setups 12 1 Clarett OctoPre with audio interface OctoPre as clock source Master 12 2 Clarett OctoPre with audio interface audio interface as a clock source Master 12 3 Clarett OctoPre with Clarett 8PreX SMUX II and SMUX IV modes 13 4 Clarett OctoPre with analogue mixing desk 13 5 Clarett OctoPre in ADAT Line mode 14 6 Using Clarett OctoPre s inserts to record drum...

Страница 3: ...g system or any other ADAT equipped interface using optical cables The Clarett OctoPre can transmit and receive eight channels of audio at sample rates of 44 1 48 88 2 or 96 kHz or four channels at 176 4 or 192 kHz A switchable analogue INSERT function is provided on each input channel to permit the connection of external processors such as compressors or noise gates The OctoPre is an ideal expans...

Страница 4: ... via a 2 pole TS jack plug When INST is off the inputs are suitable for the connection of line level signals Line level signals may be connected either in balanced form via a 3 pole TRS jack or unbalanced via a 2 pole TS jack Each switch has an internal red LED to confirm selection 3 48V 1 4 5 8 two latching switches each enabling 48 V phantom power at the XLR contacts of four inputs Channels 1 to...

Страница 5: ...he current source being indicated by one of the adjacent red LEDs The source in use is stored in memory so that it is retained when the unit is switched off 11 a green Locked LED which illuminates when the unit has locked to the available sync source indicating that it is ready to use 12 ADAT LINE this soft switch modifies the operating mode of the unit When not selected Channels 1 to 8 feed both ...

Страница 6: ...re the insert send so that excessive signal level is not sent to external equipment 17 INSERTS 3 to 8 6 x TRS jack sockets providing the insert points for Channels 3 to 8 these are electrically identical to 16 18 OPTICAL OUT two TOSLINK connectors providing the digital outputs of the unit Utilisation of the two connectors is sample rate dependent as follows Sample Rate OUTPUT 1 RH port OUTPUT 2 LH...

Страница 7: ...5 Gnd 7 Output 4 hot 20 Output 4 cold 8 Output 4 Gnd 21 Output 3 hot 9 Output 3 cold 22 Output 3 Gnd 10 Output 2 hot 23 Output 2 cold 11 Output 2 Gnd 24 Output 1 hot 12 Output 1 cold 25 Output 1 Gnd 13 n c 21 WORD CLOCK OUT a BNC connector carrying the Clarett OctoPre s word clock this may be used to synchronise other digital audio equipment forming part of the recording system The source of sampl...

Страница 8: ...erformance Specifications on page 16 for input sensitivity specifications The red O L LED should never illuminate if it does the gain is set too high Phantom Power The two 48V switches apply 48 V phantom power to Mic inputs 1 to 4 and 5 to 8 respectively Phantom power is required by most condenser capacitor microphones and also active ribbon microphones Phantom power is only applied to the XLR con...

Страница 9: ...he desired sample rate frequency It is essential that the sample rate selected on the Clarett OctoPre matches the sample rate set on the receiving digital device Digital Synchronisation Two synchronisation options are available Clarett OctoPre as Clock Source Master Connect the OctoPre to the receiving digital device via the OPTICAL OUT port s and ensure that the receiving device is set to source ...

Страница 10: ...d definition in the important mid frequency range just where it is most needed for vocals and many acoustic instruments Inserts Each pre amplifier channel includes a switchable insert point for the connection of external processing equipment such as compressors or noise gates The insert comprises a send the output of the channel s input stage and a return an input to the channel s output stage wit...

Страница 11: ...nversion DEMULTIPLEXER and D A CONVERSION OPTICAL INPUTS Ch 1 Ch 8 LINE OUTPUTS 1 8 ADAT LINE mode not selected ADAT LINE mode selected 8 chs 8 chs OPTICAL OUTPUTS This mode enables the Clarett OctoPre be used to connect an 8 channel ADAT format output from a DAW for example to a set of analogue inputs typically the channels of an analogue mixing console to permit such a mixer to be used to mix do...

Страница 12: ...hus be ideal for recording a live band It would also be appropriate for any other audio interface which has an ADAT input 2 Clarett OctoPre with audio interface audio interface as a clock source Master Clarett 8PreX Clarett OctoPre Clock set to WORD via the front panel Clock set to Internal via Focusrite Control Here OPTICAL OUT on the Clarett OctoPre is connected to OPTICAL IN on a Focusrite Clar...

Страница 13: ...Clarett 8PreX is the sync master as before This setup is also applicable with 192 kHz sample rate SMUX IV mode each optical cable will then carry two channels of audio The setup in this example would also be appropriate for any other 96 192 kHz capable audio interface with two ADAT inputs and a word clock output 4 Clarett OctoPre with analogue mixing desk Clarett OctoPre ANALOGUE MIXING DESK This ...

Страница 14: ...ng DAW and Focusrite Control Clarett OctoPre 2 Clarett OctoPre 1 To Mixer Channels 11 to 18 To Mixer Channels 1 to 10 To Mixer Channels 19 to 26 ANALOGUE MIXING DESK This example shows how to connect a greater number of DAW tracks to an analogue mixing desk for mixdown The 10 analogue outputs of a Clarett 8PreX interface are connected to desk Channels 1 to 10 Its OPTICAL OUT ports are connected to...

Страница 15: ... Internal via the front panel Clarett 8Pre Clock set to ADAT using Focusrite Control When recording acoustic drums dynamics control may be applied in various ways to get the sound you re after Compression is frequently added to kick and snare drums to thicken up the sound while noise gates are effective on tom toms to minimise spillage between the various drum mics Use looms with a TRS jack on one...

Страница 16: ...128 dBu A weighted Maximum input level 18 dBu 0 5 dB Gain Range 57 dB Line Inputs Frequency Response 20 Hz to 35 kHz 0 1 dB Dynamic Range Insert off 117 dB A weighted Dynamic Range Insert active 115 dB A weighted THD N 0 001 Maximum input level 26 dBu 0 5 dB Gain Range 57 dB Instrument Inputs Frequency Response 20 Hz to 35 kHz 0 1 dB Dynamic Range Insert off 116 dB A weighted Dynamic Range Insert ...

Страница 17: ... rear panel for Line use TRS jack Mic Line switching Automatic Phantom power 48 V switchable Chs 1 4 5 8 in groups Outputs Analogue outputs 8 x balanced on rear panel 25 way female D sub Other I O ADAT I O 4 x TOSLINK optical connectors 8 channels at 44 1 48 kHz both ports 8 channels at 88 2 96 kHz Chs 1 4 5 8 4 channels at 176 2 192 kHz Chs 1 2 3 4 Word clock output 2 5 V correctly terminated BNC...

Страница 18: ...ind articles covering numerous troubleshooting examples COPYRIGHT AND LEGAL NOTICES Focusrite is a registered trade mark and Clarett OctoPre is a trade mark of Focusrite Audio Engineering Limited All other trade marks and trade names are the property of their respective owners 2016 Focusrite Audio Engineering Limited All rights reserved ...

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