Eventide H90 Harmonizer, Руководство пользователя

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Vintage Delay
Simulates the sound of analog and digital delays from days gone by. To replicate a range of delay devices
from the past, a ‘Bits’ parameter recreates the effect of primitive analog-to-digital converters. Anyone
remember when it was a 10 bit world? The delays can be modulated to achieve chorusing or more
extreme effects. A
fi lter parameter controls the tone of the delayed signals.
Mix: wet/dry mixer, 100% is all wet signal.
Delay Mix: Controls the relative level of Delay A and Delay B. Delay Mix’s mixing behavior depends
on whether you’re using mono or stereo outputs.
For mono output:
Delay Mix = 0%, output 1 will have only delay A’s contribution.
Delay Mix = 50%, output 1 has an equal amount of delay A and delay B.
Delay Mix = 100%, output 1 will have only delay B’s contribution.
For stereo output:
Delay Mix = 0%, both outputs will have only delay A’s contribution.
Delay Mix = 50%, delay A goes to output 1 only and delay B goes to output 2 only.
Delay Mix = 100%, both outputs will have only Delay B’s contribution.
Delay A: Sets delay time for Delay A from 0 to 3000 ms (milliseconds). With Tempo Sync OFF,
delay is displayed in ms. With Tempo Sync ON, delay can be sync’d to the tempo and is displayed as
a rhythmic sub-division of the tempo beat value - changing this from 0 to a whole note in common
note increments.
Delay B: Same as Delay A.
Feedback A: Controls level of Feedback A, the number of repeats.
Feedback B: Same as Feedback A.
Bits: Selects the number of bits of resolution. Early digital delays used analog to digital converters
with limited resolution. Theory predicts that each bit equals 6 dB of resolution; so that an 8 bit
converter would deliver, at best, a mere 48 dB of dynamic range. Vintage Delay simulates the
effects of limited resolution - the sound of nasty digital noise from years gone by.
Modulation Depth: Selects the amount of delay modulation (0 = Off, 10 = Max).
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10. ALGORITHM GUIDE
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