Eventide H90 Harmonizer, Руководство пользователя

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Modulation Speed: Speed multiplier for fi lter modulation.
Filter: Controls the mix of dry/ fi ltered signal input to ping-pong delay.
Head Space
An authentic emulation of classic tape delays from days past; only this time you’re in complete control.
Adjustable playback heads let you decide just how many you have and where they are in relation to the
record head. Wow and Flutter, Drive, Hiss, and Filter controls can change this machine from one that’s
come fresh from the factory into one that just got dug up from the deepest, dustiest corners of the gear
closet while two performance parameters can add some dramatic emphasis to live performances.
Mix: Controls the levels of the dry and wet (tape delayed) signals to the output of the effect. 0 to 5
mixes in the delayed signals. 5 to 10 mixes out the dry signal.
Delay Time: Controls the longest delay length possible of any one Head by changing the tape speed.
Use a Head Div of 1 to reach full delay time of any one tap. 200-3000 ms.
Speed: Runs the tape emulation at either Half or Full speed while keeping the overall delay
amounts the same. At Full speed the machine ranges from 30 ips to 1.875 ips. At Half the machine
ranges from 15 ips to a glacially slow speed of 0.9375 ips.
Rec Drive: Higher levels saturate the tape creating an overdriven sound
Feedback: Master Feedback control for all Heads. Capable of driving the tape delay into self
oscillation from around 7 to 10 (not precise due to other settings affecting feedback structure and
levels in the feedback loop).
Fdbk Path: Controls which Heads contribute their output to the feedback loop. The options are:
1, 2, 3, or 4
1 & 2
1 & 3
1 & 4
2 & 3
2 & 4
3 & 4
1 & 2 & 3
1 & 2 & 4
1 & 3 & 4
2 & 3 & 4
All
Wow & Flutter: Controls the amount of mechanical anomalies of a real tape machine. These
anomalies manifest as pitch warbles and delay variations. Use 0 for a perfectly constructed and
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10. ALGORITHM GUIDE
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