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E. Programming a tape/monitor lock-out:

If  a  tape  deck  or  equalizer/signal  processor  is  connected  to  the  TheaterMaster’s  digital  or
analog  Tape/Mon  outputs,  feedback  could  result  if  this  same  tape  deck/signal  processor  is
selected  as  the  Tape/Mon  input.  This  situation  can  be  avoided  by  teaching  TheaterMaster

not 

to accept the tape deck/signal processor as the Tape/Mon input. This is accomplished by

pressing 

F - TapMon - Inp 1, Inp 2, Inp 3, Inp 4, Inp 5 

or

Inp 6

(

and,

for the 

Signature,

by

pressing 

F - TapMon - Analog - Inp 1, Inp 2, Inp 3, Inp 4, Inp 5 

or

Inp 6

),  where  the

numbers correspond respectively to the digital and analog inputs on the TheaterMaster con-
nected to the tape deck/signal processor’s outputs.* 

This feature can be defeated by pressing 

F -

TapMon - 0

or 

F - TapMon - Analog - 0

, as required.

These keys are grouped together

on page 1 of the remote control’s Setup-2 device. 

Pressing these key sequences momen-

tarily brings up the System Configuration Screen, where the programmed analog and digital
Tape/Mon lock-outs are displayed (see figure, page 18). 

*Here and throughout this manual, a remote control key sequence of the form 

A - B

means that the 

B

key should

follow  the 

A

key  within  a  2-second  “time-out”  period.  A  remote  control  key  sequence  of  the  form 

A-A

means 

“double-click” the 

A

button—i.e., press 

A

twice within a 0.8-second “time-out” period.

F. Programming Audio/Video (A/V) links:

TheaterMaster  provides  automatic  switching  of  video  inputs  whenever  audio  inputs  are
switched.* To program this automatic switching of video inputs, it is necessary to teach the
TheaterMaster which video inputs correspond with which audio inputs. 

To accomplish this, go to page 4 of the remote control’s 

Setup-1

device (first go back to the

Main  Menu  by  pressing  the  device  header  at  the  top  of  the  current  remote  control  page,
then press 

Setup 1

). Next, select a desired digital audio input by pressing

Inp 1, Inp 2, Inp

3, Inp 4, Inp 5 or Inp 6

, or a desired analog audio input by pressing 

Analog - Inp 1, Inp 2

or

Inp 3

(

Inp 4, Inp 5 

or

Inp 6

Signature 

only).* Alternatively, you may press 

NEXT

input or

PREV

input until the desired audio input is reached. 

The  next  step  is  to  select  the  desired,  corresponding composite  video  source  by  pressing

Video - Inp 1, Inp 2 

or

Inp 3

(

Inp 4, Inp 5 

or

Inp 6

Signature 

only), or S-video source by

pressing 

Video - Inp 1 - Inp 1, Inp 2 - Inp 2, 

or 

Inp 3 - Inp 3

(

Inp 4 - Inp 4, Inp 5 - Inp 5 

or

Inp 6 - Inp 6

Signature 

only).  (I.e.,  double-clicking  the  video  input  selection  bottons  is  the

technique for selecting S-video.)

Finally, once the desired audio and video inputs have both been selected, go to page 4 of the
remote control’s 

Setup 1

device, and press press 

Link A/V

. TheaterMaster will beep to con-

firm. This programs the TheaterMaster to select this video input whenever this audio input
is selected. Repeat this process until all the desired video links are programmed. (To change
any of these programmed A/V links, simply repeat the above process for a particular input.)

Pressing 

Link A/V 

(found on page 4 of the remote’s 

Setup 1

device), with a digital (or analog)

input momentarily brings up TheaterMaster’s Digital (or Analog) A/V Links Screen, allow-
ing the user to review all the current, programmed A/V links. [This and any other screen can
also be accessed at any time by pressing 

DISP

on page 4 of the remote control’s 

Theater-

Master

device, which scrolls through the various screens shown on page 17.] 

*Video  switching  with  the  Signature  requires  the  optional  SwitchMaster  professional-grade  150  Megahertz  video

switcher  (see  Chapter  XI:  “Options”).  After  installing  the  SwitchMaster  (see  Chapter  III:  “C.  Hookup”),  video
switching and programming of A/V links follows the same procedure described above.

19

Содержание TheaterMaster

Страница 1: ...Enlightened Audio Designs TheaterMaster Audiophile D to A Converter and 5 1 Channel Surround Sound Processor Owner s Manual 3 6 00 Encore Ovation Signature MPEG AUDIO 1...

Страница 2: ...ies Confidential Unpublished Works 1992 1997 Dolby Laboratories Inc All rights reserved HDCD and High Definition Compatible Digital are trademarks of Pacific Microsonics Inc SMPTE is a registered trad...

Страница 3: ...ser interface offer ease of upgradability to prevent obsolescence and to ensure years of musical and home theater enjoyment Read this Manual A multi channel surround sound processor is a sophisticated...

Страница 4: ...d phase B Setting the subwoofer level C Tweaking the system D Dipole Surrounds E Saving your setup V Manual Setup A Manual setup using the Noise Sequencer B Manual setup using the Static Noise Generat...

Страница 5: ...l enhancer K Input Data Status Screen L Temperature readout M DIP switch settings VIII Customizing Your System A Labeling your analog and digital inputs B Storing multiple setups C Restoring factory d...

Страница 6: ...er state of the art surround sound processor pre amplifier and high performance video switcher all integrated in one simple to use product Large front panel display Deluxe electro luminescent LCD disp...

Страница 7: ...hnology incorporates discrete components within a single chip wafer to provide greater speed and accuracy than either discrete or conventional integrated designs can provide This results in reduced tr...

Страница 8: ...uitry offers ultra wide bandwidth flat to beyond 150 Megahertz for sharpest possible reproduction of all video signals including High Definition Television HDTV Digital Comb Filter SwitchMaster s inte...

Страница 9: ...or a line level analog source e g a tuner tape deck or VCR For Dolby Digital AC 3 5 1 channel surround sound playback from a laserdisc transport the laserdisc transport must be equipped with an AC 3...

Страница 10: ...in and more power handling capability than the other channels This is because the LFE effects channel must compete sonically with five other channels of sound As much as 10 dB of extra gain and power...

Страница 11: ...laserdisc transport to a digital input on the Theater Master for playback of non Dolby Digital material such as the Dolby Surround encoded linear PCM tracks on a laserdisc or a music CD In addition t...

Страница 12: ...directly underneath your TheaterMaster Connect the Switch Master to the TheaterMaster using the special cable provided Connect your video sources i e DVD player video laserdisc player satellite receiv...

Страница 13: ...plifiers Be careful not to press the TheaterMaster s front panel Power Mute switch until the front panel display goes dim Doing so will put the TheaterMaster into its special IR Leaning mode which is...

Страница 14: ...14...

Страница 15: ...Remote Control Key Layout 15...

Страница 16: ...rom any screen by pressing o or or scroll up by pressing DISP These two screens can also be accessed with the Main Screen VU Meter button on page 1 of the remote control s TheaterMaster device Chap VI...

Страница 17: ...atures Selection Screen Digital A V Links Screen Analog A V Links Screen Input Data Status Screen Digital Input Designators Screen Analog Input Designators Screen Chap VII Chap III Chap III Chap VII C...

Страница 18: ...invoke 3Stereo mode simply disable the surround speakers similar to disabling the subwoofer above by pressing LS or RS followed by CH in the Speaker Adjustment Screen go to page 2 of the Setup 1 devic...

Страница 19: ...the device header at the top of the current remote control page then press Setup 1 Next select a desired digital audio input by pressing Inp 1 Inp 2 Inp 3 Inp 4 Inp 5 or Inp 6 or a desired analog audi...

Страница 20: ...ution to the first of these pitfalls is to allow the user to direct bass informa tion from a given speaker called the source speaker to the subwoofer without rolling off the bass from that speaker Thi...

Страница 21: ...s is indicated by an x for x over next to the speaker on the Bass Management Screen However as explained above you may also wish to cross over additional speakers to the sub woofer speakers that do no...

Страница 22: ...he frequency spectrum Alternatively you can pick a TheaterMaster crossover frequency that is much higher than the sub woofer s internal crossover frequency and let the subwoofer crossover network do a...

Страница 23: ...toLevel and AutoDelay These adjustments are achieved through a series of pink noise bursts and pops The third requirement for optimal imaging is achieved through a variation on AutoDelay called AutoPh...

Страница 24: ...ase when driven with a positive going impulse During this latter procedure the Speaker Distance Screen see figure page 16 will be displayed If all the speakers are in absolute phase the m symbols show...

Страница 25: ...ally reliable way of setting the main subwoofer volume level is to adjust it to your personal preference while listening to program material The pink noise generator used by AutoSetup cannot be used t...

Страница 26: ...only be selected in pairs To alter your left right bal ance see Chapter V B Manual setup using the Static Noise Generator D Dipole Surrounds If you are using Lucasfilm Home THX dipolar surround speake...

Страница 27: ...lanced for your home theater environment save these settings by pressing STO Mem 1 on page 3 of the remote control s TheaterMaster device i e by pressing STO followed within 2 seconds by Mem 1 Theater...

Страница 28: ...ance all 5 speakers LF CTR RF LS and RS should be adjusted to equal sound pressure levels which can be determined either by ear or by use of a sound pressure meter See however Chapter IV C Tweaking th...

Страница 29: ...ophone is plugged in activating the Static Noise Generator automati cally brings up TheaterMaster s Calibrated SPL Meter Screen This screen can be used in place of an SPL meter to achieve accurate spe...

Страница 30: ...m 1 again In fact up to 10 different settings can be stored by pressing STO Mem 1 Mem 2 Mem 3 Mem 4 Mem 5 Mem 6 Mem 7 Mem 8 Mem 9 and with some remotes also Mem 0 Any of these setups can be recalled a...

Страница 31: ...the desired input button Inp 1 Inp 2 Inp 3 Inp 4 Inp 5 or Inp 6 on page 1 of the remote s TheaterMaster device The other way is to repeatedly press the NEXT input or PREV input buttons on the lower pa...

Страница 32: ...alog Input Attenuation Screen by repeatedly pressing the DISP button on page 4 of the remote s TheaterMaster device see page 16 D Selecting a tape monitor or 2nd audio zone input Choosing a digital so...

Страница 33: ...oosing a playback mode e g Pro Logic Matrix Mono Enhanced or Stereo is accomplished by pressing Surround Matrix Stereo or Mono respectively on page 2 of the remote control s TheaterMaster device The S...

Страница 34: ...trol or with a rear panel switch on the DVD player If there is such a switch set this switch permanently in the Dolby Digital AC 3 position When Dolby Digital 5 1 channel source material is present th...

Страница 35: ...ks will be displayed as Dolby Digital Stereo soundtracks on the Main Screen For such soundtracks Dolby Pro Logic decoding is the preferable playback mode In the even rarer case of a Dolby Digital mona...

Страница 36: ...for recording on a VCR or other two channel recording device 4 MPEG2 audio Playback of MPEG audio requires dedicating an MPEG input on the TheaterMaster either temporarily or permanently To temporaril...

Страница 37: ...happens frequently or occurs at normal listening levels it means that certain speakers have been set too high relative to other speakers during setup This can happen if one speaker has insufficient s...

Страница 38: ...while the TheaterMaster device is selected Standby mode main tains power to certain key analog components but reduces power consumption and disables all digital signal processing thereby preventing an...

Страница 39: ...movies mixed for movie theaters can seem overly bright when played back through a true full range high end sound system For this reason TheaterMaster offers CinEQ a proprietary high quality digital h...

Страница 40: ...tionally recorded loud Dolby Digital provides a dialog normalization function that automatically lowers the volume on some programs so that all programs have subjectively similar loudness Dialog norma...

Страница 41: ...the main selected program material Connect your digital recording device s i e DAT player or recordable CD digital input to the TheaterMaster s digital Tape Mon output Select any desired digital inpu...

Страница 42: ...lts are obtained by selecting the Dolby Surround linear PCM soundtracks and choosing Stereo listening mode as described in 2 or by using the laserdisc player s analog audio outputs as described in 1 R...

Страница 43: ...s no separate Tape Mon comb filter I RS 232 control All TheaterMaster functions can be controlled via the RS 232 port on the rear panel For detailed information concerning the TheaterMaster s RS 232 c...

Страница 44: ...enhancer SwitchMaster only The SwitchMaster s digital comb filter composite to S video converter contains a vertical enhancer circuit that can increase the vertical picture resolution on some program...

Страница 45: ...digital data stream are indicated by an asterisk appearing next to the digital input This is in the same position as the analog input clipping indicator see Chapter VI C Selecting an analog input If t...

Страница 46: ...can detect digital errors far below the threshold of audibility Occasional errors generally present no cause for concern Exit the Input Data Status Screen by pressing or o L Temperature readout As a...

Страница 47: ...ion HDCD Override SwitchMaster download Stereo VU meter mode VU meter setting Reserved Reserved OFF default towards front English Digital input 2 operates normally Digital input 3 operates normally Di...

Страница 48: ...the subwoofer for movie soundtracks Some owners who like to listen to music in Matrix mode find their rear sur rounds LS and RS too loud for music if they have been setup for surround sound playback...

Страница 49: ...ff low med or high defaults to OFF on Standby Other parameters are memory specific i e they are stored in specific memory locations 1 0 by pressing STO Mem 2 Mem 3 Mem 4 Mem 5 Mem 6 Mem 7 Mem 8 Mem 9...

Страница 50: ...RF CTR LS and RS are crossed over to the LFE subwoofer The CTR LS and RS speakers are rolled off assumes small speakers The subwoofer crossover frequency is set to 80 Hz Analog input attenuation is s...

Страница 51: ...ith the IR window on the Theater Master front panel The directions of maximum intensity are at 45 from the front panel not perpendicular to the panel 4 The TheaterMaster s front panel VFD will display...

Страница 52: ...field upgrade offers a truly stunning cost effective enhancement in the all aspects of the TheaterMaster s sonic performance Signature Upgrades The TheaterMaster Encore and Ovation are designed to be...

Страница 53: ...musical signal An RF demodulator is required for playback of AC 3 soundtracks from laserdisc players equipped with AC 3 RF outputs XII Servicing TheaterMaster contains no user serviceable parts Refer...

Страница 54: ...typical THD Noise Encore 88 dB typical Ovation 92 dB typical Signature 100 dB typical Stopband Attenuation Encore 70 dB Ovation 120 dB Signature 120 dB Passband Ripple Encore 0 01 dB Ovation 0 0001 dB...

Страница 55: ...20 connector Wavelength 660 nm typical Cable length 0 2 10 meters Analog Input Sensitivity 2 Volts rms 0 dB 4 Volts rms 6 dB Analog Output Voltage 0 dB Single Ended Encore 4 Volts rms Ovation 8 Volts...

Страница 56: ...Enlightened Audio Designs 406 West Depot Avenue Fairfield Iowa 52556 Tel 641 472 4312 Fax 641 472 3566 www eadcorp com...

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