USER’S GUIDE 20
ELECTRONAUT COMPANY
M97 COMPRESSOR/LIMITER
UNDERSTANDING THE EFFECTS OF
THE AC AND DC THRESHOLD CONTROLS
Not all variable-mu compressors provide(d) the means to adjust the
DC threshold. The Fairchild 660 and 670 did provide such a control,
although it was relegated to the rear panel with the assumption that a
technician would calibrate the setting, and the audio engineer would
work within the range set by the technician. However, moving the DC
control to the front panel enables the audio engineer to expand the
range of operability to their liking.
To understand how the DC and AC THRESHOLD controls a
ff
ect the
limiting action, consider the waveforms shown in Figure 25.
WAVEFORM A
represents a signal with an average level occurring most
of the time and a peak transient happening occasionally.
WAVEFORM B
represents the e
ff
ect of the AC Threshold, which
controls the overall amplitude of the signal reaching the controlling
amplifier (thus setting the amount of limiting action), and the DC
Threshold, which e
ff
ectively blocks out the average part of the
waveform, leaving only the peaks.
WAVEFORM C
is the result of the settings in B — no signal reaches the
controlling amplifier (and thus no limiting action occurs) except during
the duration of any peaks that exceed the DC Threshold.
The DC and AC threshold controls work interdependently; by varying
the AC and DC Threshold controls it is possible to obtain peak limiting
without a
ff
ecting the basic program material dynamic range; i.e. - it
is possible to calibrate the unit so that basic program material is not
compressed more than 2dB while spikes from snare drums and the
harmonics from di
ffi
cult to control French horns are controlled to
within 6dB of average program; or it is possible to compress in the
ratio of 10:1 or greater by slowing the attack time ratios so there is an
apparent increase in program level of 10 dB or more.
DC THRESHOLD
(CLOCKWISE INCREASE)
AC THRESHOLD
(CLOCKWISE INCREASE)
A
B
C
Average
Peak
Figure 25 —
The DC and AC THRESHOLD controls a
ff
ect the audio that reaches the
Controlling Amplifier, and therefore a
ff
ect the type of limiting behavior.