Out C - D
Adjusts the overall level of detuner voice C or D. Ranges from Off to 100%.
Pan C - D
Controls the stereo soundfield placement of detuner voice C or D. Ranges from -99 (all left) to 99 (all right).
Out LA - LB
Adjusts the left side level of detuner voice A or B. Ranges from Off to 100%.
Out RA - RB
Adjusts the right side level of detuner voice A or B. Ranges from Off to 100%.
Spread
Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image. The lower the setting,
the more monophonic the effect becomes. Ranges from 1 to 10.
Delays
A delay produces discrete, repeating echoes of the source material at a specified interval. In digital delays, the input signal is "sampled" or
recorded into memory, where it is held for the amount of time you specify with the delay time setting, after which the sample is replayed at
the output. The RP-20 Valve’s delays have a feedback meter that is used to send a portion of the delayed signal back to the input to be re-
recorded along with new source material. The feedback setting determines how long the delay repeats take to decay to inaudibility.
When do I use delay?
When you’re the lone guitarist in a band, the Delay can be your best friend. The Delay repeats can create the
illusion that there is more than one guitar being played. One trick to using delays effectively is setting the delays to fall in time with the
music. This used to mean grabbing a calculator, dividing 60 by the tempo (beats per minute), then dividing that answer by the desired sub-
beats . . . Sound like a hassle? Yeah, we thought so too. So the RP-20 Valve takes care of all the calculations for you! All you have to do is tap
the TapIt (assign the tapit parameter to a footswitch) and manually tap in the desired delay time and the new time is added.
Another common use for delay is for stereo imaging. Very small amounts of delay (10-25ms) can be used to make a signal sound like it is
panned to one side. This trick works because of the way the brain interprets sounds. When your left ear hears something before the right
ear, it thinks that the source of that sound is found somewhere to your left. You can also use delays set at 30-60ms, which spreads a sound
to the extremes of the stereo image. Be careful with this technique if your mix has a chance of being listened to in mono.
Delay Parameters
Note: not all of the parameters listed below are available in all Delay modules.
FX: Lvl
Controls the signal input level fed to the Module. Ranges from Off to 100%.
Dry: Lvl
Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.
Balance
Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).
Dly Time
Sets the maximum delay time available to each delay voice. For example, if DELAYTIME is set to 1000 ms, each delay
voice can be set from 0 to 100% of that delay time. Ranges from 0 to 1.4 seconds (Maximum delay times differ
between 4th, 3/4, HLF, and FUL module Types.) Half bandwidth delay times automatically double the set delay time
used used.
RP-20 Valve
User Guide
Section - 4 Editing Modules
45
Содержание RP-20 VALVE
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