cameras in 24p mode which output with a pulldown (1080i60). Also works with 720p60
sources with pulldown (to 720p24) (ver1.5.31). The bit rate selected applies to the video
after
pulldown, meaning, for example, @ 280 Mbit setting the recorded bit rate will be the full 280
Mbits / second.
> Only use this option if the video source does indeed contain a pulldown.
> Do not use in combination with Pre-Record Buffer (System->PreBuffer), Crank,
720p60->30/50->25, or Time-Lapse. (ver1.5.126)
SD Aspect Ratio
For Standard Definition Video input only: select the pixel aspect ratio (16:9 or 4:3). This
setting needs to match the camera's aspect ratio setting for SD recording.
E to E Direct (SDI Output loop-through only)
Sets the SDI loop-through output to the exact same format as the incoming video format (such
as psf). This is particularly useful for looping through a PSF input. However, in E to E mode,
only embedded video/audio/timecode are looped to the output (not analog audio, nor
LTC/internal timecode). (
Note: some SDI monitors only accept 1080PSF video, not
progressive. In this case, set E to E “On” to loop out PSF from a PSF input.
)
Time-Lapse
Records individual video frames (as I-Frame only) based on a set time interval
(Hours:Minutes:Seconds). Special points to consider:
> the hour glass on the lcd screen will only change on the selected time interval.
> when a time-lapse record is stopped, there may be a delay up to the selected time interval to
close the clip. In addition, the clip will end with under a half second of regular speed footage,
which will need to be edited out.
> Use a reliable power source so as not to lose power and lose footage.
> Time-Lapse mode can support all bit rates (up to 280 Mbit) during record on approved CF
cards (including slower CF cards), due to the lower data rate; however, not all CF cards can
play back high bit rate recordings.
> Time-lapse is always I-frame only recording.
> Time-lapse is only supported in MXF and Quicktime file formats.
> System->Max File Size has an expanded range of 100% to 2% in time-lapse mode.
> At end of a time-lapse record, there may be a few extraneous video frames in the closing file.
> A minimum of 15 frames should be recorded to complete a successful record.
> Do not use time-lapse mode in combination with Pre-Record Buffer (System->PreBuffer),
Crank, 720p60->30/50->25, or 3:2 Pulldown Removal. (ver1.5.126)
Crank [ ] [Recorded Frame Rate] [Crank Frame Rate]
(ver1.5.126)
Allows frame rate overcrank / undercrank to provide slow motion / fast motion effects. The
recorded format corresponds to the incoming video format – for example, if 720p60 is the
incoming format, and recorded rate is set to 24, the recorded format will be 720p24. In this
example, if the crank rate is set to 60 then this provides a 2.5x slow motion effect.
Recorded Rate:
24, 25, 30, 50, or 60.
Can not exceed incoming video frame rate
.
Crank Rate:
Frames per second to preserve from the incoming video: 1 to 60.
Can
not exceed incoming video frame rate.
> Crank is
I-Frame only recording, minimum 50 Mbit,
and the audio is not for use in this mode,
only video.
> In Crank mode, incoming 720p60 can only be used with 60, 30, or 24 recorded rates (and
1080p30 with 30 or 24 recorded rates) .
nanoFlash
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