14
EFFECT
BASS S-BEND
Parameter
Value
Explanation
TRIGGER
OFF, ON
When TRIGGER is ON, the S-bend effect is
applied.
You can assign this to a number pedal or a
CTL pedal and operate it.
PITCH
-3oct, -2oct, -1oct,
+1oct, +2oct,
+3oct, +4oct
Adjusts the amount of pitch shift in octave
steps.
RISE TIME
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to
the maximum.
FALL TIME
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to
the original.
WARP
Parameter
Value
Explanation
TRIGGER
OFF, ON
When TRIGGER is ON, the warp effect is
applied.
You can assign this to a number pedal or a
CTL pedal and operate it.
RISE TIME
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to
the maximum.
FALL TIME
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to
the original.
LEVEL
0–100
Adjusts the volume of the effect sound.
* If a mono effect or a loop is connected after this effect, the stereo effect is lost.
FEEDBACKER
Parameter
Value
Explanation
TRIGGER
OFF, ON
When TRIGGER is ON, the feedback effect
is applied.
You can assign this to a number pedal or a
CTL pedal and operate it.
DEPTH
0–100
Adjusts the ease with which feedback will
occur when the FEEDBACKER is on.
SUB DELAY
Parameter
Value
Explanation
TYPE
Selects the type of delay.
MONO
This delay effect outputs the same sound
from both L channel and R channel.
PAN
Provides a tap delay effect that divides
the delay time between L channel and R
channel.
TIME
(DELAY TIME)
1 ms–1000 ms,
BPM –
Adjusts the delay time.
* When set to BPM, the value of each
parameter will be set according to
the value of the “MASTER BPM” (p. 26)
specified for each patch. This makes it
easier to achieve effect sound settings
that match the tempo of the song.
* If, due to the tempo, the time is longer
than the range of allowable settings, it is
then synchronized to a period either 1/2
or 1/4 of that time.
FEEDBACK
0–100
Adjusts the volume that is returned to the
input. Higher settings will result in more
delay repeats.
E.LEVEL
(EFFECT LEVEL)
0–120
Adjusts the volume of the delay sound.
HIGH CUT
630 Hz–12.5 kHz,
FLAT
This sets the frequency at which the high
cut filter begins to take effect. When “FLAT”
is selected, the high cut filter will have no
effect.
TAP TIME *1
0–100%
Adjusts the delay time of L channel delay.
This setting adjusts L channel delay time
relative to R channel delay time (considered
as 100%).
D.LEVEL
(DIRECT LEVEL)
0–100
Adjusts the volume of the direct sound.
100=±0 dB
*1
Setting available when TYPE is set to PAN.
* If a mono effect or a loop is connected after this effect, the stereo effect is lost.
