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AUTOCOM PRO MDX1400

Clipping

In contrast to the two previously mentioned limiters, the clipping mode features infinitely fast control times, an

infinite compression ratio and creates an unsurpassable barrier (“brickwall”) for all signals above a certain level.

To be able to control the signal peaks, the clipping function radically cuts signals above the threshold, without

affecting the amplitude of the original signal.  If used in normal applications, this function remains inaudible and

under certain circumstances it can even lead to an improved sound, because cutting the transients creates

artificial harmonics. If misused, clipping can cause very obvious and distasteful distortion, which in an extreme

manner, will convert the signal’s waveform into a square wave signal. This effect is often produced in guitar

distortion devices (“fuzz boxes”).

3.2 Expander/Gate Section

The main task of the Expander/Gate is to “inaudibly” eliminate undesirable background noise from the usable

signal. As additionally described in chapter 6.4, a downward expander automatically reduces the overall level

for all signals below an adjustable threshold. The expander therefore operates in opposite way to that of a

compressor/limiter. Expanders generally function with a flat ratio curve, so that the signal continually fades.

Noise gates however, can be seen as “high ratio” expanders. If the signal falls below the threshold, it is

radically attenuated.
The BEHRINGER AUTOCOM PRO is equipped with a newly developed IRC (Interactive Ratio Control)

Expander, the ratio of which is automatically adjusted dependent on the program material. The response

characteristics  of  conventional  expanders  tend  to  cut  into  the  signal  abruptly  and  the  result  of  this  is

unacceptable most of the time. Gain changes become audible.
The IRC Expander is therefore equipped with a soft, interactive non-linear ratio curve, which is best suited to

human hearing. Critical signals in the vicinity of the threshold level are processed with a minute expansion

ratio, whereas signals that reduce in level will be subjected to an increasingly higher ratio, which will result in

greater attenuation.

Threshold

Gain 0 dB

Input

Output

1:oo

Noise Gate,

Expander, 1:8

IRC-Curve

Fig. 3.1: IRC curve characteristic of the Expander

The result is expansion, which is less critical to adjust and which is more tolerant of useable signals, whose

level is slightly above that of the noise floor. Expansion therefore occurs extremely “soft” with low ratio settings,

while the known negative effects of expansion are inaudible. The Attack time of the IRC expander is set

automatically and program-dependent, i.e. extremely short for quickly changing signals and slower for a more

balanced program material. Since the expander/gate adapts itself automatically to the program material,

you will note that the new IRC (Interactive Ratio Control) circuit produces considerably better results than

conventional expanders.

3.2.1 Controlling Leakage In The Studio

Expander/gates are most commonly used to suppress undesirable leakage of sound from one track to another

during recording or playback. They are usually used when recording drum kits, where the mics are very close

to each other. High volume levels of individual instruments often cause considerable leakage onto all the

3. APPLICATIONS

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Содержание Autocom Pro MDX1400

Страница 1: ...D AUTOCOM PRO MDX1400 www behringer com ENGLISH User s Manual Version 1 4 June 2001 Downloaded from www Manualslib com manuals search engine...

Страница 2: ...rs that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance Grounding or Polarization P...

Страница 3: ...portant member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you unc...

Страница 4: ...lows for inaudible elimination of disturbing noise signals s Dynamic Enhancer for compression dependent equalization s Extremely low noise operational amplifiers and high grade VCA s s High quality de...

Страница 5: ...uplication 17 4 1 1 The AUTOCOM PRO In Digital RecordingAnd Sampling 18 4 1 2 TheAUTOCOM PRO In Mastering 18 4 2 TheAUTOCOM PROAs AProtective Device 18 4 2 1 Protection Of ASystem With A Passive Cross...

Страница 6: ...ncept of a hard knee compressor with the characteristics of a soft knee approach This program dependent regulation scheme forms the prerequisite both for inaudible and musical program compression and...

Страница 7: ...packaging and its contents for any signs of physical damage which may have occurred during transit If the unit is damaged please do not return it to BEHRINGER but notify your dealer and the shipping...

Страница 8: ...f channel 1 take over the functions of channel 2 Should you wish to use the SC EXT function in stereo mode then be sure that both SC RETURN jacks are connected to the external control signal and that...

Страница 9: ...ttack and release controls will function 10 The OUTPUT control allows for the increase or decrease of the output signal by a maximum of 20 dB Thus a level loss due to the compression or limiting proce...

Страница 10: ...t between Off and 6 Dynamic enhancement allows you to replenish any high frequencies lost through the compression process for absolutely natural sounding dynamics control Enhancement is only added whe...

Страница 11: ...ression Levelling Limiting Clipping Now that the functions of the individual sections have been clearly explained we would like to acquaint you with more terms and relationships of the dynamics proces...

Страница 12: ...nt on the program material The response characteristics of conventional expanders tend to cut into the signal abruptly and the result of this is unacceptable most of the time Gain changes become audib...

Страница 13: ...Now turn the control clockwise until all unwanted noise is removed and only the sound of the desired instrument can be heard To adapt the unit to the program material properly you can additionally cho...

Страница 14: ...fined threshold The reverberation can be controlled by using the THRESHOLD control and the RELEASE switch The decay characteristics of the instrument can be controlled using the release switch so that...

Страница 15: ...h IN SC EXT switch OUT SC MON switch OUT INTERACTIVE switch IN SC FILTER switch OUT THRESHOLD control 20 dB RATIO control 3 1 AUTO switch IN OUTPUT control 0 dB Tab 3 2 Initial settings for the compre...

Страница 16: ...ame effect is experienced when processing reverberated or ambient sounds The solution commonly used to this basic problem is either to reduce the compression ratio or to slow down the attack time so t...

Страница 17: ...one should always take care to utilize the full dynamic range of the tape recorder DAT recorder etc Principally it is possible to control the recording level by riding faders which means with low lev...

Страница 18: ...AT recorder Now increase the recording level of the recorder back to unity The result is a clearly louder recording without any loss of sound 4 2 The AUTOCOM PRO As A Protective Device Sound system di...

Страница 19: ...the loudspeaker In some units the crossover frequencies in the crossover unit are further changed during high signal levels to achieve a loudness contour suited to the human hearing But in many cases...

Страница 20: ...ive amount of high frequency information within the program material as in a normal compressor the VCA is activated and the overall level is reduced As this type of compression affects the whole frequ...

Страница 21: ...ick actions Generally it can be said that relatively high threshold settings prevent the overall sound from being impaired and lead to the compression of solo instruments or very loud sounds 5 2 4 Emp...

Страница 22: ...requencies are equally affected we term this white noise It is fairly obvious that electronics cannot function without components Even if special low noise components are used a certain degree of basi...

Страница 23: ...control is simply not fast enough to be satisfactory t P dB 20 0 20 40 60 80 Clipping Headroom Operating level Effective SNR Noise floor Fig 6 2 The interactive relationship between the operating lev...

Страница 24: ...fect noise will be masked and thus becomes inaudible as soon as considerably louder sound signals in the same frequency band are added Nevertheless the further the level that the desired signal decrea...

Страница 25: ...ty Please ensure that only qualified persons install and operate the AUTOCOM PRO During installation and operation the user must have sufficient electrical contact to earth Electro static charges migh...

Страница 26: ...z 0 0 5 dB Frequency Response 0 35 Hz to 200 kHz 0 3 dB Noise 95 dBu unweighted 22 Hz to 22 kHz THD 0 008 typ 4 dBu 1 kHz Gain 1 0 04 typ 20 dBu 1 kHz Gain 1 IMD 0 01 typ SMPTE Crosstalk 100 dB 22 Hz...

Страница 27: ...ement LED display 1 2 4 6 9 12 15 18 21 24 27 30 dB Input Output Level 12 element LED display 30 24 18 12 6 0 3 6 9 12 18 dB Expander Gate Threshold 2 LEDs for under and above Function switch LED indi...

Страница 28: ...RINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in any country which is not the country for which...

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