CHOOSING THE PROCESSING CURVE (FM and ST)
ENG
Page 64
SUPER BASS
PRESET DESCRIPTION
LEVEL TYPE
BASS
LEVEL
MID 1 MID 2 MID 3 HIGH
WIDE
DENSITY
BRILLIANCE
(T)=test
(S)=sign
(Q)=quality
01 CDG
FLAT
0
d.soft
0
0
0
0
0
0
0
(T)
02
CHI
FLAT
0
d.soft
0 0 0 0 0 2.5
0
(Q)
03 DFW
FLAT
0
d.soft
0
0
0
0
0
4.0
-1
(Q)
04 FCO
FLAT
0
d.soft
0
0
0
-1
+1
6.0
-3
(T)
05 MOW
LIVE
0
d.soft
+1
-2
-1
-1
0
5.0
-1
(Q)
06 SYD
LIVE
0
d.soft
+1
-2
-1.5
-1
0
8.0
-1
(Q)
07 TYO
VOCAL
0
d.soft
-3
+1
0
-2
-1
9.0
0
(Q)
08
ATH
LIVE
0 d.soft -1 -2.5 -1.5 -1 +2 5.0
+1
(Q)
09 HKG
VOCAL
0
d.soft
-3
0
0
-2
-2
10.0
-4
(Q)
10
MSY
POP
4 d.soft -1 -2.5 -1 -1 +2 3.0
+4
(S)
11 VIE
POP
6
d.soft
-2
-3
-1.5
-0.5
0
5.0
0
(S)*
12 ATL
POP LIVE
5
d.soft
-1.5
-0.5
-2.5
0
+1
5.5
0
(Q)
13 JFK
POP LIVE
6
d.soft
-1.5
+0.5
-2
-1
+1
4.0
-2
(Q)
14
MXP
SOFT
4 d.soft -1 -2.5 -2.5 -1 0
6.0
+2
(Q)
15 YMQ
SOFT
2
c.long
-1
0
0
-1
0
4.0
+1
(Q)
16 BER
DISCO
4
c.long
-2 -3.5
-0.5 -1 +1 5.0
+1
(S)*
17 LAX
VOCAL
4
c.long
-2
-0.5
-2.5
-1.5
+1
7.0
+1
(Q)
18 RIO
DISCO
3
c.long
-1.5 -2 -1 -1 -1 8.0
0
(S)*
19 SCL
LIVE
4
c.long
0
0
0
0
0
5.0
0
(Q)
20
BOM
LOUD
6 d.soft -2 -3 -1.5 -1 +1 7.0
2
(Q)
21 LHR
LOUD
8
d.soft
-3
-2.5
-0.5
-1.5
+1
6.0
-2
(S)*
22
MAD
BASS
6 d.soft -2 -3 -1.5 -1.5 +1 8.0
+2
(S)
23 BOS
BASS
5
c.long
-1.5
-2.5
-1
-1.5
0
6.0
0.5
(S)
24 SHA
LOUD
4
c.long
0 -3
0.5
-1
+1 7.0
0
(S)
25 YYZ
LOUD
7
d.soft
-2
-3
-1
-2
0
8.0
-0.5
(S)*
26 BUE
VOCAL
2
c.long
-1.5 -0.5 -0.5 -2 -3.5 8.0
-2
(Q)
27 MEL
VOCAL
2
d.soft
-1.5
+0.5
-3.5
-2
-2.5
8.0
-2
(Q)
28 AMS
VOCAL
2
t.hard
-1.5
+0.5
0
-2
-2.5
8.0
-2
(Q)
29 CCS
VOCAL
2
c.long
-1.5
-2
-2
-2.5
-3.5
8.0
-3
(Q)
30 MEX
VOCAL
3
t.hard
-1.5
-1.5
-1
0
0
7.0
-4
(Q)
21.4 CREATING A NEW CURVE VIA THE MENU
NOTE: the procedure for setting a new curve is easier if carried out using the PC control software
(see chapter 22).
As already explained in other sections of the manual, the DSPs in the processor implement five
compressors, which affect the 5 bands: Bass, Mid 1, Mid 2, Mid 3 and High.
Using the Bass, Mid1, Mid2, Mid3 and High controls (available in the ‘Edit process’ menu), you may shift the
trip threshold of the individual processors, so that the corresponding frequencies are more or less present in
the final signal.
The five meter bars displayed on the front panel indicate the level of compression exerted on each frequency
(in other words, the more notches shown, the more the corresponding frequency is compressed, and thus
the less will be audible).
Example: if the Mid1 control is set to a value of –6 dB, the corresponding compressor will be activated each
time the Mid1 frequency contains sound components with a level of at least – 6 dB. On the other hand, if the
Mid1 control is set to + 2 dB, the corresponding compressor will begin functioning later, thus only when the
related sound component r 2 dB and all of this translates into a stronger presence in the output
signal of the audio components of Mid1 frequencies.
Содержание Falcon 35
Страница 2: ......
