7
This is a peaking filter and it will boost/cut frequencies from 100Hz to 8kHz
depending on the position of the MID freq control. This control will affect
especially upper male and lower female vocal ranges and also the harmonics
of most musical instruments.
10 MID
9 HI
16
14
15
11 HI-MID
This control gives you up to 15 dB boost/cut at 3 kHz. It is useful for controlling
voice. It can accurately polish your performance via adjusting this knob.
12 MID-LOW
This control gives you up to 15 dB boost or cut at 500 Hz.
13 LOW
If you turn this control up, you will boost all frequencies below 80 Hz. You will give
more punch to bass drum and bass guitar and make the vocalist more "macho".
Turn it down, you will cut all the frequencies below 80 Hz. In this way you can avoid
low-frequency vibrations and resonance thus preserving the life of your woofers.
SPO
TLIGHT
4. CONTROL ELEMENTS
14 AUX SENDS Level Control
These four controls are used to adjust the
level of the respective signal sent to AUX
bus, AUX1 and AUX2 can be switched to
PRE/POST-FADER via the PRE/POST button.
so, generally, they can be used for monitor
application and effects & sound processors
Input. AUX3 and AUX4 are configured as
POST-Faders. In this typical compact unit,
excluding sending out the signal directly to
the external effect or processor equipment,
they can also be assigned to the internal
onboard effect module.
RIGHT
LEFT
(INT)
(INT)
DFX2
DFX2
4
4
PAN
RIGHT
LEFT
1
1
2
2
3
3
AUX
DFX1
(INT)
POST
PRE
POST
PRE
AUX
DFX1
(INT)
POST
PRE
POST
PRE
BAL
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
MUTE
MUTE
If you turn this control up, you will boost all the frequencies above 12 kHz (shelving
filter). You will add transparency to vocals and guitar and also make cymbals crispier.
Turn the control down to cut all frequencies above 12 kHz. In such way you can reduce
sibilances of human voice or reduce the hiss of a Tape player.
