R-230, -250, -270
SECTION II
14
R-270 STOPLIST
PEDAL ORGAN
Contre Violone 32’
String tone at 32’ pitch.
Diapason 16’
The 16’ member of the Pedal principal chorus. Strongest pedal
flue stop.
Violone 16’
String tone at 16’ pitch.
(Great expression)
Bourdon 16’
Stopped flute tone of weight and solidity.
Lieblichgedackt 16’
Softer stopped flute of delicacy and definition.
(Swell expression)
Useful where a soft 16’ pitch is required.
Octave 8’
Eight foot member of the Pedal principal chorus.
Flûte 8’
Stopped flute tone of 8’ pitch, useful in adding clarity to a pedal
line in combination with the Bourdon 16’ or Lieblichgedackt
16’.
Choralbass 4’
Pedal 4’ principal tone.
Mixture III
Compound stop of principal tone. One pedal produces three
distinct pitches at octave and fifth relationships to the pedal
being pressed. Used to crown the Pedal principal chorus.
Contre Posaune 32’
Strong reed that lends strength and definition to the Pedal line.
Posaune 16’
Sixteen foot reed that lends strength and “snarl” to the Pedal
line.
Waldhorn 16’
(Swell expression)
Pedal reed of less power and harmonic development than the
Posaune.
Tromba 8’
Harmonically full, more like trombone tone than trumpet tone.
Excellent reed chorus voice. Works very well as a solo reed
voice of medium brightness.
Clairon 4’
Bright 4’ chorus reed. Combines with Waldhorn 16’ and
Tromba 8’ to form the full Pedal chorus. Also useful as a solo
voice.
