R-230, -250, -270
SECTION III
19
SWELL SOLO VOICES AND CLASSIC SECOND VOICING
SWELL SOLO ORGAN VOICES
In addition to the comprehensive stop specification of the R-270, there are a variety of solo
stops that can be accessed from the Swell manual using the Solo Organ Voices. These second
voices are accessed from stop tablets in the Swell division. The stop names are printed on the
stop tablets in red superscript as follows: Orchestral Flute, Clarinet, French Organ and Cor
Anglais. The Solo Organ Voices are activated by first depressing the Solo Organ Voices stop
tablet and then selecting the desired stop in the Swell division.
SWELL
Orchestral Flute 8’
An open wood or metal Flute of 8’ manual pitch.
Clarinet 8’
An imitative reed stop of 8’ pitch.
French Horn 8’
Imitative of the orchestral instrument
Cor Anglais 8’
Imitative of the orchestral instrument.
CLASSIC SECOND VOICING GREAT - PEDAL
The characteristics of several stops in the Great and Pedal divisions can be changed using the
Classical Voicing Gt-Pd control. As in the Swell division, the second voices in the Great and
Pedal divisions are accessed from stop tablets. Certain stop tablets in the Great and Pedal
have two stop names, one engraved in black, the other in red. Standard specification stops are
shown in black; Classic Second Voices are shown in red. Classical Second Voices are accessed
by first depressing the Classical Voicing Gt-Pd stop tablet and then selecting the desired stops
in the Great and Pedal divisions.
GREAT
*
Quintaton 16’
Thin flute tone with highly developed third harmonic.
Prinzipal 8’
More articulate than a Diapason
∗
Holzgedackt 8’
A stopped wooden flute.
Oktav 4’
Brighter and more articulate than Octave.
∆
Metalgedackt 8'
Bright stopped metal flute.
∆
R-230, R-250
∗
R-270 only
