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14

EMX2000—Owner’s Manual

Example setups

This section provides some ways in which the EMX2000 can be used, and explains connections and operation.

As a band PA

Here is an example of using the EMX2000 as a small PA for a band. In this example, the monitor speakers are 
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is 
also being used.

Connections

• Connect mics or instruments, such as keyboards, 

to channel input jacks 1~8.

• Connect the main speakers to the SPEAKERS R 

1/2 jacks, and connect the monitor speakers to 
the SPEAKERS L 1/2 jacks. Set the Power amp 
select switch to “MONI 1-MONO.”

• If you use an external effect such as delay or 

reverb, connect the EMX2000’s EFFECT jack to 
the input jack of the external effect, and connect 
the output jack of the external effect to the 
EMX2000’s ST SUB 1.

Note:   If you are using an external effect, we 
recommend that you turn down all the EF-
FECT controls of the digital effect section.
You can connect the output of an external ef-
fect to channels 9/10 and 11/12 to apply the 
equalizer to the effect return signal. However 
in this case, make sure that the EFFECT con-
trols are turned all the way down for the chan-
nels into which the effect sound is being input. 
If the EFFECT controls are raised, feedback 
will occur, and your speakers may be damaged.

10

0

PEAK

+8

+5

+3

+1

0

–1

–3

–5

–7

–10

–15

–20

GRAPHIC EQUALIZER

DIGITAL EFFECT

6

0

6

MAX

MIN

PROGRAM

PHANTOM

(+48V)

PHONES/C.R.OUT

10

0

ST 2

10

0

ST

MONO BRIDGE

POWER AMP

TAPE IN

LIMITER

L

R

MONO
+4dB

FOOT SW

MONI

MONI

(MONO)

PAMP

IN

2

EFFECT
+4dB

PHONES/
C-R OUT
(+4dB)

LEVEL

L/BRIDGE

ST L

MONI 1

ST R
MONO

10

0

ST

10

0

ON

PFL

PFL

11/12

PFL

PFL

AFL

AFL

MONI 2

10

10

9

7 8

11
12
13

14

15

16

2

3

4

5

6

1

0

MONI 1

10

0

MONI 1

–34

+10

GAIN

10

0

MONI 2

10

0

ST

10

0

MONI 1

10

0

MONI 2

10

0

ST

10

0

MONI 1

10

0

MONI 2

EFFECT

BAL

10

0

R

L

ON

OFF

ON

AFL

AFL

AFL

VOCAL ECHO 1

VOCAL ECHO 2

VOCAL ECHO 3

VOCAL ECHO 4

VOCAL REVERB 1

VOCAL REVERB 2

VOCAL REVERB 3

VOCAL REVERB 4

HALL 1

HALL 2

HALL 3

ROOM

PLATE 1

PLATE 2

PLATE 3

GATE REVERB

+15

–15

HIGH

PEAK

PEAK

PEAK

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

9/10

PFL

–34

+10

GAIN

10

0

MONI 1

10

0

MONI 2

EFFECT

BAL

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

8

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

7

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

6

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

5

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

4

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

3

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

2

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

–34

+10

GAIN

–60

–16

1

8

7

6

5

4

3

2

1

PFL

10

0

MONI 1

10

0

MONI 2

EFFECT

PAN

10

0

R

L

+15

–15

HIGH

+15

–15

MID

+15

–15

LOW

A

A

R

ST 1

L

R

R

R

ST 2

1

L

L

R

L

TAPE

R

L

L

ST
SUB 2

(MONO)

L

R

ST
SUB 1

(MONO)

11 L

12 R

11/12

A

A

B

B

B

B

INSERT I/O

OUT IN

0dB

(MONO)

9 L

9 L

10 R

11 L

12 R

10 R

LINE

LINE

LINE

LINE

LINE

INS
I/O

INS
I/O

INS
I/O

INS
I/O

LINE

LINE

LINE

MIC

MIC

MIC

MIC

MIC

MIC

MIC

MIC

INPUT

OUTPUT

9/10

EEEngine

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

0

5

10

15

20

25

30
40
50

A
B

A
B

8k

4k

2k

1k

500

250

125

POWER

ST1

L

R

ST SUB 1

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

ST SUB 2

MONI 1

MONO

ST 1

EFFECT

MONI 2

PEAK

PEAK

PEAK

PEAK

PEAK

PEAK

PEAK

+12

–12

6

0

6

+12

–12

+4dB

+4dB

+4dB

BRIDGE

+4dB

+4dB

+4dB

Main speakers

Monitor speakers

SPEAKERS jacks

L 1

L 2

R 1

R 2

Keyboard

Guitar

Bass guitar

D.I.*

D.I.*

Microphone

Effect processor

MONO BRIDGE

ST L

MONI 1

ST R
MONO

88

* Direct box, 

effect unit, 

pre-amp, etc.

+4

+18

+4

+18

Summary of Contents for mix EMX 2000

Page 1: ...6 5 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 34 10 GAIN 60 16 4 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 34 10 GAIN 60 16 3...

Page 2: ...ne of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits o...

Page 3: ...wo speakers to each speaker output jack Monaural main bridge connection The two channel power amp is bridge con nected and the main monaural mix signal is out put from BRIDGE jack You can connect only...

Page 4: ...e internal circuitry voids the warranty 5 Always power off before making connec tions Always turn the power OFF before connecting or disconnecting cables This is important to pre vent damage to the un...

Page 5: ...is flat when the knobs are in the position Rotating it toward the right will boost the corresponding frequency band and rotating it toward the left will cut it The base frequency or center frequency...

Page 6: ...ed to the ST SUB 1 2 jacks on the input output panel A MONI 1 monitor 1 control The MONI 1 knob adjusts the amount of the sig nal sent from the ST SUB 1 and 2 jacks input output panel 4 to the MONITOR...

Page 7: ...1 MONO this fader also adjusts the level of the signal sent from the SPEAKERS R 1 2 jacks to the speakers If the Power amp select switch V is set to MONO BRIDGE this fader adjusts the level of the sig...

Page 8: ...acks input output panel 8 and MONO jack input output panel 0 S ON switch This switch turns the graphic equalizer on off Power amp section This section allows you to select the signals that will be inp...

Page 9: ...als is adjusted by the master MONI 1 fader and the MONO fader MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack The final level of this signal is adjusted...

Page 10: ...al input output levels are 0 dB MONO 4dB FOOT SW MONI MONI MONO PAMP IN 2 EFFECT 4dB PHONES C R OUT 4dB 8 7 6 5 4 3 2 1 A A R ST 1 L R R R ST 2 1 L L REC 10dBV R L TAPE R L L ST SUB 2 MONO L R ST SUB...

Page 11: ...fader control panel F respectively to adjust the final level of the signals output from these jacks The nominal output level is 4 dB 0 MONO monaural jack This phone jack mixes the STEREO bus signals...

Page 12: ...er channel The maximum output is 200W 200W with two 4 speakers If you wish to use two speakers per channel use 8 16 speakers The maximum output is 200W 200W with 8 impedance When the Power amp select...

Page 13: ...m can be connected to the ST 1 2 MONO and MONI 1 2 jacks on the front panel Connecting a single speaker to the BRIDGE jack Connecting one speaker to each of the L R jacks Connecting two speakers to ea...

Page 14: ...ect allow ing reverberation or ambiance to be added to vocals or instrumental sounds 1 Connect a mic or instrument to the desired channels and adjust the volume and tone 2 Press the ON switch of the d...

Page 15: ...REVERB 2 VOCAL REVERB 3 VOCAL REVERB 4 HALL 1 HALL 2 HALL 3 ROOM PLATE 1 PLATE 2 PLATE 3 GATE REVERB 15 15 HIGH PEAK PEAK PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10...

Page 16: ...PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10 0 MONI 2 EFFECT BAL 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 8 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15...

Page 17: ...RB 2 VOCAL REVERB 3 VOCAL REVERB 4 HALL 1 HALL 2 HALL 3 ROOM PLATE 1 PLATE 2 PLATE 3 GATE REVERB 15 15 HIGH PEAK PEAK PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10 0 MON...

Page 18: ...trol at maximum 80 dB EFFECT SEND MONITOR OUT Master fader at maximum level and all channel level controls at minimum Maximum voltage gain 91 dB MIC IN to SPEAKER OUT CH 1 8 64 dB MIC IN to ST OUT CH...

Page 19: ...15 5 mV 10 dB 2 45 V 14 dB 155 mV 30 dB 24 5 V PHONE JACK TRS 2 ST INPUT 9 12 MAX MIN 10 k 600 Lines 34 dB 15 5 mV 10 dB 2 45 V 14 dB 155 mV 30 dB 24 5 V PHONE JACK3 ST SUB IN 1 2 10 k 600 Lines 4 dB...

Page 20: ...19 EMX2000 Owner s Manual Dimensions Unit mm 167 6 W 480 D 454 H 125 277 7...

Page 21: ...GRAM FOOT SW DSP EFFECT PEAK A B 10R 12R 9L 11L 10R 12R 9L 11L 11 12 INPUT 9 10 MONO B A L MONO L R ST SUB 1 2 to to from from IN R P AMP ST 1 ON LINE LINE INPUT 5 8 INPUT 1 4 TAPE R EFFECT MONITOR AF...

Page 22: ...YAMAHA CORPORATION VZ42360 R1 1 IP 24 Pro Audio Division 18 3 P O Box 3 Hamamatsu 430 8651 Japan NP Printed in Taiwan...

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