130
R
h
y
th
m
P
a
tt
e
rn
P
ro
g
ra
m
a
n
d
R
h
y
th
m
S
e
q
u
e
n
c
e
P
ro
g
ra
m
9
3)
S t
ep
W
r
i
t
e
and
R eal
T i
m
e
W
r
i
t
e
T her
e
ar
e
t
w o
di
f
f
er
ent
m
et
hods
you
can
use
t
o
pr
ogr
am
r
hyt
hm
s:
S t
ep
W
r
i
t
e
and
R eal
T i
m
e
W
r
i
t
e.
S t
ep
W
r
i
t
e
al
l
ow s
you
t
o
ent
er
per
cussi
on
sounds
as
i
ndi
vi
dual
not
e
val
ues.
A s
a
m
et
hod,
i
t
i
s
ver
y
si
m
i
l
ar
t
o
w r
i
t
i
ng
dow n
t
he
not
es
on
a
sheet
of
m
usi
c
paper
;
each
not
e
i
s
ent
er
ed
one
at
a
t
i
m
e,
and
t
hough
you
can
hear
each
i
ndi
vi
dual
not
e
ent
er
ed,
you
cannot
act
ual
l
y
hear
t
he
pat
t
er
n
pl
ayi
ng
as
you
cr
eat
e
i
t
.
R eal
T i
m
e
W
r
i
t
e
on
t
he
ot
her
hand,
i
s
si
m
i
l
ar
t
o
usi
ng
a
m
ul
t
i
t
r
ack
t
ape
r
ecor
der
;
you
can
hear
pr
evi
ousl
y
r
ecor
ded
par
t
s
of
t
he
pat
t
er
n
as
you
r
ecor
d
new
par
t
s
on
t
op.
E ach
m
et
hod
has
i
t
s
ow n
advant
ages
and
us
es
.
S t
ep
W
r
i
t
e
i
s
good
f
or
pr
eci
s
i
on
and
f
or
ent
er
i
ng
per
cussi
on
sounds
w hose
not
e
pl
acem
ent
and
r
hyt
hm
i
c
val
ue
has
been
det
er
m
i
ned,
such
as
a
bass
dr
um
t
hat
pl
ays
ever
y
beat
i
n
a
m
easur
e.
R eal
T i
m
e
W
r
i
t
e
i
s
best
f
or
capt
ur
i
ng
t
he
メf
eel
モ
of
a
r
hyt
hm
,
because
i
t
al
l
ow s
you
t
o
act
ual
l
y
pl
ay
t
he
pat
t
er
n
as
you
ar
e
cr
eat
i
ng
i
t
.
W
hi
ch
m
et
hod
you
use
depends
par
t
l
y
on
t
he
t
ype
of
r
hyt
hm
you
i
nt
end
t
o
cr
eat
e
and
par
t
l
y
on
your
ow n
per
sonal
pr
ef
er
ence.
Y ou
can
even
sw i
t
ch
bet
w een
t
he
t
w o
m
et
hods
i
n
edi
t
i
ng
t
o
cr
eat
e
a
si
ngl
e
r
hyt
hm
by
t
he
use
of
bot
h
m
et
hods.
T hi
s
w oul
d
com
e
i
n
handy,
f
or
exam
pl
e,
i
n
pr
ogr
am
m
i
ng
t
he
basi
c
beat
s
of
a
r
hyt
hm
w i
t
h
S t
ep
W
r
i
t
e,
t
hen
usi
ng
R eal
T i
m
e
W
r
i
t
e
t
o
add
per
cussi
on
accent
s
and
em
bel
l
i
shm
ent
s.
4)
S el
ect
i
ng
S t
ep
W
r
i
t
e
or
R eal
T i
m
e
W
r
i
t
e
O per
at
i
on
S t
ep
W
r
i
t
e
and
R eal
T i
m
e
W
r
i
t
e
can
be
sel
ect
ed
f
r
om
ei
t
her
t
he
B E A T /
Q U A N T I
Z E
page
or
t
he
E D I
T
page.
W
hi
ch
m
ode
of
oper
at
i
on
i
s
sel
ect
ed
depends
on
t
he
pl
ay
st
at
us
of
t
he
r
hyt
hm
.
I
f
t
he
r
hyt
hm
i
s
st
opped,
S t
ep
W
r
i
t
e
i
s
aut
om
at
i
cal
l
y
sel
ect
ed.
I
f
t
he
r
hyt
hm
i
s
pl
ayi
ng,
R eal
T i
m
e
W
r
i
t
e
i
s
sel
ect
ed.
S i
m
pl
y
pr
ess
t
he
S T A R T
but
t
on
i
n
t
he
R hyt
hm
sect
i
on
on
t
he
panel
t
o
st
ar
t
or
st
op
t
he
r
hyt
hm
and
sw i
t
ch
bet
w een
t
he
t
w o
m
odes.
SYNCHRO
START
START
5)
S et
t
i
ng
t
he
B eat
/
Q uant
i
ze
V al
ues
T he
B E A T /
Q U A N T I
Z E
page
i
s
aut
om
at
i
cal
l
y
di
spl
ayed
w hen
cal
l
i
ng
up
t
he
R hyt
hm
P at
t
er
n
P r
ogr
am
.
I
t
i
s
used
i
n
bot
h
S t
ep
W
r
i
t
e
and
R eal
T i
m
e
W
r
i
t
e
f
or
sel
ect
i
ng
t
he
basi
c
t
i
m
i
ng
set
t
i
ngs
of
t
he
pat
t
er
n.
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