manualshive.com logo in svg

Yamaha Electone EL-900, Owner'S Manual

The Yamaha Electone EL-900 is an exceptional musical instrument, designed to provide an unmatched experience for musicians of all levels. This versatile keyboard offers an extensive range of features and functions that can be easily mastered with the help of the comprehensive Owner's Manual. Download this manual for free from manualshive.com to maximize your creativity and explore the full potential of the EL-900.

Share
Download
background image

5

T abl

e 

of

 

C ont

ent

s

P anel

 

L ayout .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

. 6

M

ai

n 

F eat

ur

es .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

. 9

1

Q u i

ck  

I

n t

r

o d u ct

o r

y  

G u i

d e .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 0

1

G et

t

i

ng 

S t

ar

t

ed .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 0

2

B asi

c 

R egi

st

r

at

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 1

3

R egi

st

r

at

i

on 

M

enu 

D i

sk .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 2

4

B asi

c 

O per

at

i

on .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 9

5

U si

ng 

t

he 

L C D  

D i

spl

ay .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.2 0

6

V oi

ce 

L i

st .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.2 4

2 

 

V oi

ce 

S ect

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.2 6

1

S el

ect

i

ng 

V oi

ces 

f

r

om

 

t

he 

P anel .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.2 6

2

S el

ect

i

ng 

V oi

ces 

f

r

om

 

t

he 

D ot

t

ed 

B ut

t

ons.

.

.

.

.

.

.

.

.

.3 0

3

V oi

ce 

M

enus .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.3 2

3 

 

F l

ut

e 

V oi

ces 

(

O r

gan 

S ounds) .

.

.

.

.

.

.

.

.

.

.

.

.4 0

1

C r

eat

i

ng 

F l

ut

e 

V oi

ces .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 0

2

S ave 

t

o 

U ser

 

F l

ut

e 

V oi

ce .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 2

3

U si

ng 

P r

eset

 

and 

U ser

 

V oi

ces .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 3

4 

 

V oi

ce 

C ont

r

ol

s 

and 

E f

f

ect

s .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 4

1

S el

ect

i

ng 

f

r

om

 

V oi

ce 

C ondi

t

i

on 

P ages .

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 5

[

P A G E  

1] .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.3 7

1 )

T ouch 

T one .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 5

2 )

P i

t

ch .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

3 )

F eet .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

4 )

P an .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

5 )

R ever

b .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

6 )

V ol

um

e

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

[

P A G E  

2] .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

1 )

E f

f

ect

 

(

O n/

O f

f

) .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 6

2 )

B r

i

l

l

i

ance .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 7

[

P A G E  

3] .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 7

1 )

V i

br

at

o

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 7

2 )

T ouch 

V i

br

at

o

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.48

3 )

S l

i

de 

(

L ead 

V oi

ce 

O nl

y) .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 8

4 )

T une 

(

L ead 

V oi

ce 

O nl

y).

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 8

2

S el

ect

i

ng 

f

r

om

 

E f

f

ect

 

S et

 

P ages .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 8

1 )

T r

em

ol

o/

C hor

us .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 9

2 )

S ym

phoni

c/

C el

est

e .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 9

3 )

D el

ay .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.4 9

4 )

F l

anger .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 0

5 )

D i

st

or

t

i

on

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 1

3

S el

ect

i

ng 

f

r

om

 

t

he 

P anel.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 2

1 ) R ever

b

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 2

2 ) S ust

ai

n .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 5

3 ) T r

em

ol

o/

C hor

us .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 6

5 

 

R hyt

hm

 

and 

A ccom

pani

m

ent .

.

.

.

.

.

.

.

.

.

.

.5 9

1

S el

ect

i

ng 

R hyt

hm

s 

f

r

om

 

t

he 

P anel .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.5 9

2

R hyt

hm

 

C ondi

t

i

on 

P age .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.6 2

3

D ot

t

ed 

B ut

t

ons 

and 

U ser

 

R hyt

hm

s .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.6 4

4

R hyt

hm

 

M

enus .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.6 6

5

A ut

om

at

i

c 

A ccom

pani

m

ent

-

A ut

o 

B ass 

C hor

d

(

A .

B .

C .

) .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.6 8

6

A ccom

pani

m

ent

 

C ont

r

ol

s .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.7 0

7

P r

eset

/

U ser

 

K eyboar

d 

P er

cussi

on .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.7 1

8

M

el

ody 

O n 

C hor

d 

(

M

.

O .

C .

).

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.7 9

6  

 

R eg i

st

r

at

i

o n  

M

em

o r

y

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 0

1

S t

or

i

ng 

R egi

st

r

at

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 0

2

S el

ect

i

ng 

R egi

st

r

at

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 0

3

S avi

ng 

t

he 

R egi

st

r

at

i

on 

D at

a 

t

o 

D i

sk .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 1

4

R egi

st

r

at

i

on 

S hi

f

t .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 2

7

M

usi

c 

D i

sk 

R ecor

der.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 7

1

P r

ecaut

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 7

2

F or

m

at

t

i

ng 

a 

D i

sk .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.8 9

3

R ecor

di

ng 

ﾑ 

P unch 

I

n 

R ecor

di

ng

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.9 0

4

R ecor

di

ng 

R egi

st

r

at

i

ons 

(

and 

B ul

k 

D at

a).

.

.

.

.

.

.

.

.

.

.9 6

5

R ecal

l

i

ng 

R ecor

ded 

R egi

s

t

r

at

i

ons

 

(

and 

B ul

k 

D at

a) .

.

.

. 9 7

6

R epl

aci

ng 

R egi

st

r

at

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.9 7

7

P l

ayback 

ﾑ 

A bout

 

X G  

S ongs .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.9 8

8

O t

her

 

F unct

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.102

8

V oi

ce 

E di

t.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 1 0

1

E di

t

i

ng 

a 

V oi

ce .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.110

2

S avi

ng 

Y our

 

N ew  

V oi

ce .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.115

3

Q ui

t

t

i

ng 

V oi

ce 

E di

t.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.117

4

R ecal

l

i

ng 

an 

E di

t

ed 

V oi

ce .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.117

5

S el

ect

i

ng 

V oi

ces

 

f

r

om  

a 

V oi

ce 

D i

s

k 

(

O pt

i

onal

) .

.

.

.118

6

V oi

ce 

E di

t

i

ng 

B asi

cs .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.119

9

R hyt

hm

 

P at

t

er

n 

P r

ogr

am

 

and

R hyt

hm

 

S equence 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 2 5

O ut

l

i

ne 

of

 

t

he 

R hyt

hm

 

P r

ogr

am

m

i

ng 

O per

at

i

on

.125

1

R hyt

hm

 

P at

t

er

n 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.126

1 )

E nt

er

i

ng 

R hyt

hm

 

P at

t

er

n 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.

.126

2 )

P er

cussi

on 

S ounds 

U sed 

f

or

R hyt

hm

 

P at

t

er

n 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.128

3 )

S t

ep 

W

r

i

t

e 

and 

R eal

 

T i

m

e 

W

r

i

t

e .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.130

4 )

S el

ect

i

ng 

S t

ep 

W

r

i

t

e 

or

R eal

 

T i

m

e 

W

r

i

t

e 

O per

at

i

on .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.130

5 )

S et

t

i

ng 

t

he 

B eat

/

Q uant

i

ze 

V al

ues .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.130

6 )

E nt

er

i

ng 

P er

cussi

on 

S ounds 

t

o

a 

R hyt

hm

 

P at

t

er

n

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.131

7 )

E di

t

i

ng 

w i

t

h 

S t

ep 

W

r

i

t

e .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.132

8 )

E di

t

i

ng 

w i

t

h 

R eal

 

T i

m

e 

W

r

i

t

e .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.136

9 )

S el

ect

i

ng 

A ccom

pani

m

ent

 

P at

t

er

ns 

ﾑ

L ow er

 

R hyt

hm

i

c .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.137

1 0 ) S avi

ng 

R hyt

hm

 

P at

t

er

ns .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.140

1 1 ) Q ui

t

t

i

ng 

R hyt

hm

 

P at

t

er

n 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.141

1 2 ) R ecal

l

i

ng 

U ser

 

R hyt

hm

 

P at

t

er

ns .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.142

1 3 ) S el

ect

i

ng 

P at

t

er

ns 

f

r

om

 

a 

P at

t

er

n 

D i

sk

(

O pt

i

onal

) .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.143

2

R hyt

hm

 

S equence 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.144

1 )

S el

ect

i

ng 

a 

S equence .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.144

2 )

P r

ogr

am

m

i

ng 

a 

S equence .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.145

3 )

Q ui

t

t

i

ng 

R hyt

hm

 

S equence 

P r

ogr

am

.

.

.

.

.

.

.

.

.

.148

4 )

P l

ayi

ng 

R hyt

hm

 

S equences .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.148

5 )

P l

ayi

ng 

A l

l

 

S equences 

i

n 

O r

der.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.149

1 0

F oot

sw i

t

ches,

 

K nee 

L ever

 

and

E xpr

essi

on 

P edal

s .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 5 1

1

F oot

sw i

t

ch

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.151

2

K nee 

L ever .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.153

3

E xpr

essi

on 

P edal

s .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.155

11 

 

T r

anspose 

A nd 

P i

t

ch 

C ont

r

ol

s .

.

.

.

.

.

.1 5 7

12 

 

M

I

D I .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 5 8

13 

 

A ccessor

y 

Jacks 

and 

C ont

r

ol

s .

.

.

.

.

.

.

.1 6 0

14 

 

A ppendi

x

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.1 6 1

M

I

D I .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.161

M

I

D I

 

D at

a 

F or

m

at.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.167

M

I

D I

 

I

m

pl

em

ent

at

i

on 

C har

t.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.178

T r

oubl

eshoot

i

ng .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.181

S peci

f

i

cat

i

ons .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.184

I

ndex .

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.186

1

Voice Sections

2

Quick Introductory Guide

Flute Voices 
(Organ Sounds)

3

Voice Controls 
and Effects

4

Rhythm and 
Accompaniment

5

Registration Memory

6

Music Disk Recorder

7

Voice Edit

8

Rhythm Pattern 
Program and 
Rhythm Sequence 
Program

9

Footswitches,  Knee Lever 
and Expression Pedals

10

Transpose and 
Pitch Controls

11

13

MIDI

Accessory Jacks 
and Controls

1 4

Appendix

12

Downloaded from: 

http://www.usersmanualguide.com/

Summary of Contents for Electone EL-900

Page 1: ......

Page 2: ...efore the owner s responsibility Please study this manual carefully and consult your dealer before requesting service N A M E PLA TE LO C A TIO N The graphic below indicates the location of the name plate The model number serial number power requirements etc are located on this plate You should record the model number serial number and the date of purchase in the spaces provided below and retain t...

Page 3: ...heck theelectric plug periodically and removeany dirt or dust which may haveaccumulated on it CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property These precautions include but are not limited to the following Do not placethepower cord near heat sources such as heaters or radiators and do...

Page 4: ... generat i on t echnol ogy w i t h st at e of t he artdi gi t alel ect roni cs and feat ures t o gi ve you st unni ng sound qual i t y w i t h m axi m um m usi calenj oym ent A l arge Li qui d C ryst alD i spl ay and sophi st i cat ed yeteasy t o use i nt erface al so great l y enhance t he operabi l i t y oft hi s advanced i nst rum ent In ordert o m ake t he m ostoft he El ect one and ext ensi v...

Page 5: ... A boutX G Songs 98 8 O t her Funct i ons 102 8 V oi ce Edi t 110 1 Edi t i ng a V oi ce 110 2 Savi ng Y ourN ew V oi ce 115 3 Q ui t t i ng V oi ce Edi t 117 4 R ecal l i ng an Edi t ed V oi ce 117 5 Sel ect i ng V oi cesfrom aV oi ceD i sk O pt i onal 118 6 V oi ce Edi t i ng B asi cs 119 9 R hyt hm Pat t ern Program and R hyt hm Sequence Program 125 O ut l i ne oft he R hyt hm Program m i ng O ...

Page 6: ... REVERB MAX MIN TEMPO MARCH WALTZ SWING BOUNCE SLOW ROCK TANGO LATIN 1 LATIN 2 8 BEAT 16 BEAT USER 1 USER 2 USER 3 USER 4 A B USER 5 USER 6 USER 7 USER 8 C D RHYTHM SEQ 1 SEQ 2 SEQ 3 SEQ 4 BAR BEAT TEMPO BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN VOLUME MAX MIN BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN CLARI NET ORGAN PIANO GUITAR VIBRA PHONE COSMIC TUTT...

Page 7: ...XP PITCH MIDI VOICE DISPLAY EFFECT SET A B C M O C DISPLAY SELECT DATA CONTROL PAGE CONTRAST BRILLIANT MELLOW MAX MIN LEAD VOICE 2 VA ACOUS TIC VA VIRTUAL VA ELEC TRONIC VA CUSTOM SOLO KNEE BRILLIANCE VOLUME BRILLIANT MELLOW MAX MIN VOLUME BRILLIANT MELLOW MAX MIN BRILLIANCE PEDAL VOICE 2 ELEC BASS CONTRA BASS TUBA ORGAN BASS TO LOWER VOLUME BRILLIANT MELLOW MAX MIN MASTER VOLUME 1 1 1 1 LEAD VOIC...

Page 8: ...tton page 155 VOICE EDIT Button page 110 RHYTHM PATTERN PROGRAM Button page 126 RHYTHM SEQUENCE Button page 144 TREMOLO FAST Button page 58 L FLUTE VOICE Button page 40 U FLUTE VOICE Button page 40 HOLD Button page 23 COARSE Button page 23 Contrast Dial page 23 MIDI Jacks page 160 Knee Lever page 153 Jacks page 180 Speaker Unit Monitor Speakers Left Footswitch page 151 Right Footswitch page 82 Exp...

Page 9: ...yourow n ori gi nalEl ect one voi ces exceptforV A voi ces page 110 4 D ynam i c and Program m abl e R hyt hm Pat t erns The R hyt hm sect i on oft he El ect one feat uresaut hent i c drum and percussi on sounds used by expert rhyt hm program m ers i n creat i ng a t ot alof66 rhyt hm pat t erns rangi ng across al lst yl es ofm usi c page 59 A l ong w i t h t he K eyboard Percussi on funct i on pa...

Page 10: ...correct fort he El ect one The requi red vol t age i s pri nt ed on t he nam e pl at e oft he El ect one Y am aha products are m anufactured speci fi cal l y fort he suppl y vol t age i n t he area w here they are to be sold If you shoul d m ove ori fany doubtexi st s about t he suppl y vol t age pl ease consul tw i t h a qual i fi ed t echni ci an W het her you are an advanced El ect one perform ...

Page 11: ... SIC R EG IST but t ons t o sel ecteach B asi c R egi st rat i on The chartbel ow l i st s t he voi ces t hathave been setfor t he U pper Low er keyboardsand Pedal board i n each oft he fi ve B asi c R egi st rat i ons Upper Keyboard Voice 1 Lower Keyboard Voice 1 Pedal Voice 1 Basic Registration 1 Strings 1 Strings 1 Contra Bass1 Basic Registration 2 Brass 1 Horn1 Tuba Basic Registration 3 Flute ...

Page 12: ...i sk R ecorderatt he ri ghtsi de of t he El ect one O nce youﾕve securel y i nsert ed t he di sk i nt o t he sl ot t he LC D D i spl ay on the panel w ill autom atically change to show the available R egi st rat i on M enus There are dozens ofregi st rat i ons on a di sk butup t o 16 can onl y be show n i n t he LC D D i spl ay ata t i m e The page num bers 1 t hrough 5 show n att he t op ri ghtco...

Page 13: ...t t onsare used t o sel ectvoi ces rhyt hm sand vari ous funct i ons They are al so used t o rai se orl ow ervol um es and l evel s as w el las m ove t he cursorup and dow n ri ghtand l eft N O TE Inadvert ent l y pressi ng anot herbut t on on t he panelm ay change t he cont entoft he L C D during the R egistration M enu operat i on In t hi scase pressPLA Y but t on on t he M usi c D i sk R ecorde...

Page 14: ...ings 3 6 Strings 2 7 Contrabass 1 8 Strs Ens 2 1 Strings 2 2 Synth Strings 1 4 5 Strings 2 6 7 Contrabass 1 8 Strs Ens 3 1 Strings 1 2 Strings 2 Strings 5 4 5 Strings 1 6 7 Contrabass 1 8 Strs Ens 4 1 Strings 2 2 Strings 2 16 4 5 Strings 2 6 7 Contrabass 1 8 SoloVln 1 Violin 4 2 Violin 1 4 5 Strings 2 6 7 Contrabass 1 8 Strs Quart 1 Violin 1 2 4 5 Violin 3 6 7 Cello 8 Pizz Strs 1 Pizzicato Strings...

Page 15: ...mble 1 4 Swing 1 5 Muted Trombone 6 7 Upright Bass 8 Fanfare 1 Brass 2 2 Trumpet 1 4 5 Brass 4 6 7 Tuba 8 Horn Ens 1 Horn 3 2 4 5 Trombone 1 6 7 Tuba 8 Afrocuban 1 2 Trumpet 3 4 Swing 6 5 Piano 2 6 7 Upright Bass 8 JazzBallad 1 2 Flugelhorn 4 Jazz Ballad 5 Piano 1 6 7 Upright Bass 8 Dixie1 1 Clarinet 2 2 4 Dixieland 2 5 Banjo 6 7 Upright Bass 8 Dixie2 1 2 Trombone 1 4 Dixieland 1 5 Honky Tonk Pian...

Page 16: ...gs 2 6 7 Upright Bass 8 Folklore 1 2 Pan Flute 4 Country 2 5 Guitar 1 6 7 Pizzicato Bass 8 Folk Harm 1 2 Harmonica 1 4 5 Strings 2 6 7 Contrabass 1 8 BluesHarp 1 2 Harmonica 2 4 Slow Rock 3 5 Guitar 2 6 7 Upright Bass 8 Tango 1 Harmonica 2 2 Bandoneon 4 Violin 1 4 Tango 2 5 Piano 1 6 Strings 2 7 Pizzicato Bass 8 Chanson 1 Accordion 2 Harmonica 2 4 Waltz 1 5 Accordion 6 7 Pizzicato Bass 8 Jazz Org ...

Page 17: ...a 2 4 Samba 1 5 Piano 1 6 7 Upright Bass 8 Canzone 1 Mandolin 2 Chorus 3 Violin 3 4 Tango 1 5 Strings 4 6 7 Pizzicato Bass 8 Reggae 1 Steel Drum 2 4 Reggae 2 5 Pop Organ 1 6 7 Elec Bass 1 8 Japan 1 2 Shakuhachi 4 5 Koto 6 7 Koto 8 MusicBox 1 Music Box 2 Whistle 4 Slow Rock 1 5 Chorus 2 6 Strings 2 7 Pizzicato Bass 8 X masChime 1 Synth Chime 2 Chime Glockenspiel 4 Polka 1 5 Theatre Organ 1 6 Chorus...

Page 18: ...t 4 5 Elec Guitar 1 6 7 Elec Bass 2 8 Pops1 1 Synth Brass 1 2 Glockenspiel Recorder 4 8 Beat 4 5 Elec Piano 1 6 Synth Strings 2 7 Elec Bass 1 8 Pops2 1 2 Whistle 4 8 Beat 5 5 Piano 2 6 7 Elec Bass 1 8 JazzySax 1 2 Saxphone 2 4 8 Beat 5 5 Piano 2 6 7 Elec Bass 1 8 Jazz Waltz 1 2 Flugelhorn 4 Jazz Waltz 2 5 Elec Piano 1 6 Cosmic 4 7 Elec Bass 1 8 Orch Syn 1 1 Tutti 4 2 Brass 2 Synth Brass 2 4 Bounce...

Page 19: ...y adjust the rhythm Rhythm Condition Rhythm Program User Rhythm Rhythm Sequence Select the keyboard to play The Controls and Effects may be applied differently depending on the selected type of Controls and Effects See page 44 for more information Playing back Recording the performance Saving the registration data Loading the registration data Expression Pedal Adjust the total volume Master Volume...

Page 20: ... he STR IN G S but t on i n t he U pperK eyboard V oi ce 1 sect i on UPPER KEYBOARD VOICE 1 BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN ORGAN PIANO GUITAR VIBRA PHONE COSMIC TUTTI STRINGS BRASS CLARI NET CHORUS HARMO NICA SAXO PHONE 1 2 The fol l ow i ng di spl ay w i l lappear show i ng al lt he avai l abl e voi ces rhyt hm s i n t he cat egory St ri ngs C at egory i n t hi s case 2 Press t he D a...

Page 21: ...El ect one funct i ons Each pai rofbut t onscorrespondi ng t o t hesect i on oft hedi spl ay di rect l y above i ti ncreases decreases 2 t he val ue orchooses 3 a set t i ng funct i on W hen you are set t i ng t he Pan posi t i on each oft hem m oves t he cursor4 t o t he ri ght l eft U sing Page B uttons PAGE 5 These but t onsare used t o sel ect w hen avai l abl e t he vari ousﾒpagesﾓ oft he di ...

Page 22: ...ting the 2nd Expression Pedal Setting Pitch and Transpose Setting MIDI Entering Voice Edit Entering Rhythm Pattern Program Entering Rhythm Sequence Program Selecting Flute voices or setting Flute Voices Selecting and setting Tremolo Chorus Using the Data Control buttons to Select voices rhythms effects Turn on off the Accompaniment and A B C Memory Adjust Touch Tone and Reverb depth Edit the rhyth...

Page 23: ... hol di ng t he C oarse but t on dow n press t he D at a C ont rolbut t on correspondi ng t o t he val ue you w i sh t o change t he val ues w i l lchange rapi dl y t ow ard t he m axi m um or m i ni m um COARSE C ontrast D ial The C ont rastD i alatt he ri ghtsi de oft he LC D di spl ay can be used for adj ust i ng t he rel at i ve sharpness oft he charact ers di spl ayed on t he LC D CONTRAST VO...

Page 24: ...ed Tenor Sax Breath Sax Sax Ensemble 2 Synth Sax V Soprano Sax Chorus 3 Theatre Organ 2 Pop Organ 2 Jazz Organ 2 Jazz Organ 3 Jazz Organ 4 Organ 4 Bandoneon Electric Piano 2 Electric Piano 3 Clavi Guitar 3 Jazz Guitar Electric Guitar 2 Steel Guitar Distorted Guitar Muted Guitar Taisho koto Shamisen Koto Celesta Xylophone Strings 4 Strings 6 Synth Strings 2 Synth Strings 3 Synth Brass 3 Synth Lead ...

Page 25: ...uted Trumpet Trombone 1 V Trumpet Violin 3 V Kokyu Shakuhachi Pan Flute Air Reed Piccolo Grass Reed Bassoon 2 Trumpet 4 Flugelhorn Trumpet 5 Waspy Horn Trombone 2 Muted Trombone V Trombone Tutti 1 Harmonica 1 Horn 1 Tutti 2 Tutti 3 Tutti 4 Harmonica 2 Thin Reed Horn 2 Horn 3 Horn 4 Muted Horn Tutti 7 Tutti 5 Tutti 6 Muted Lead Contrabass 2 Contrabass 3 Pizzicato Bass Electric Bass 2 Electric Bass ...

Page 26: ...Flute V oice section and tw o voice sections for the Pedalboard Each voice section can of course have its ow n V oice C ondition page s w hich allow you to fi nel y setup voi ce and vol um e set t i ngs UPPER KEYBOARD VOICE 1 VIBRA PHONE HORN LOWER KEYBOARD VOICE 1 ORGAN PIANO GUITAR COSMIC TUTTI STRINGS BRASS CLARI NET SAXO PHONE CHORUS ORGAN PIANO GUITAR VIBRA PHONE COSMIC TUTTI STRINGS BRASS SA...

Page 27: ...m e cont rol s C oarse and Fi ne Coarse U se t he V O LU M E cont rol sofeach voi ce sect i on on t he panel t o sett hedesi red l evelforeach voi ce Thecont rol shaveseven vol um e set t i ngs from a m i ni m um of0 orno sound t o a m axi m um offul l vol um e UPPER KEYBOARD VOICE 1 BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN ORGAN PIANO GUITAR VIBRA PHONE COSMIC TUTTI STRINGS BRASS CLARI NET CHOR...

Page 28: ... ory see page 80 before t urni ng t he El ect one off Y ou can how ever rest ore t he panelset t i ngs t hatw ere m ade before t he El ect one w as l astt urned off See page 86 for m ore i nform at i on 5 N ow sel ectvoi cesfort he Low erkeyboard and Pedal board asyou di d fort he U pperkeyboard above A l so sett he vol um esoft he voi ces W hen t he TO LO W ER but t on i s t urned on the Lead voi...

Page 29: ...e voi cessett o t he U pper K eyboard exceptforLead V oi ce 2 are pl ayabl e from t he U pper K eyboard Each t i m e you cont rol rel ease orpress t he K nee Leveryou can al t ernat es bet w een t he Sol o M ode and U pperM ode as l ong as t he SO LO K N EE but t on i son N O TE Tur ni ng on t heSO LO K N EE but t on al l ow s you t o uset heK neeLevert o sw i t ch bet w een N orm al M ode and Sol...

Page 30: ...U servoi ces can be sel ect ed from t hese but t ons UPPER KEYBOARD VOICE 1 BRILLIANCE BRILLIANT MELLOW VOLUME MAX MIN ORGAN PIANO GUITAR VIBRA PHONE COSMIC TUTTI STRINGS BRASS CLARI NET CHORUS HARMO NICA SAXO PHONE 1 2 The dot t ed but t ons have t hree basi c uses Forpl ayi ng any voi ce oft he V oi ce M enus exceptforV A voi ces from any oft he keyboardsorPedal board Y ou can pl ay on t he U pp...

Page 31: ... page hasbeen sel ect ed N O TE Y ou can di rect l y vi ew and sel ectV oi ce M enu pages by hol di ng dow n one oft he D otted buttons and sim ultaneously pressing the desired voice buttons in successi on N O TE The V A voi cesoft he Lead V oi ce 2 sect i on are notcom pri sed i n t he 22 V oi ce M enu pages PAGE The voi ce nam e show n att he t op oft he LC D i st hatoft he current l y assi gned...

Page 32: ...s 4 Strings 5 Pizz Strings Trem Strings Synth Strs 1 Synth Strs 2 Strings 6 Strings 7 Synth Strs 3 STRINGS Upper Lower VIOLIN Violin 1 Violin 2 Cello Kokyu Violin 3 Violin 4 Violin 5 Pizz Violin VIOLIN Lead CONTRABASS Contra Bass 1 Contra Bass 2 Contra Bass 3 Pizz Bass Uprght Bass CONTRABASS Pedal BRASS Brass 1 Brass 2 Brass 3 Synth Brass 1 Synth Brass 2 Synth Brass 3 Brass 4 Brass 5 BRASS Upper L...

Page 33: ... ORGAN Organ 1 Organ 2 Organ 3 Organ 4 Jazz Organ 1 Jazz Organ 2 Jazz Organ 4 Pop Organ 1 Pop Organ 2 Theat Organ 1 Theat Organ 2 Accor dion Bando neon Jazz Organ 3 ORGAN Upper Lower ORGAN BASS Organ Bass 1 Organ Bass 2 Organ Bass 3 Organ Bass 4 ORGAN BASS Pedal PIANO Piano 1 Piano 2 Honky Tonk Harpsi chord Clavi Elec Piano 1 Elec Piano 2 Clavi chord Elec Piano 3 PIANO Upper Lower GUITAR Guitar 1 ...

Page 34: ... VA ACOUSTIC Flute Oboe Clari net Sopra Sax Trum pet Trom bone Shaku hachi Alto Sax Tenor Sax Kokyu Sitar Breath Sax VA ACOUSTIC VA VIRTUAL Pan Pipe VA VIRTUAL LEAD VOICE 2 VA VA ELECTRONIC Jazz Guitar Picked Guitar Edge Lead Dist Lead Woody Lead Muted Lead Talken Lead Saw Lead Air Reed Thin Reed Grass Reed Soft Reed Buzz String Bow Strings Waspy Horn VA ELECTRONIC VA CUSTOM Custom 1 Custom 2 Cust...

Page 35: ... ons resonances refl ect i ons and other acoustic phenom ena that occur in a real w ind or string i nst rum ent V A A dvant ages TheV A voi cesof f erm any advant agesi n t er m sofm usi calper f or m ance N otj ust i n t erm s ofsound butal so i n t erm s oft he ﾒbehavi orﾓ t hatm akes acoust i c i nst r um ent sso ﾉ w el l m usi cal Y am ahaV i r t ualA coust i cSynt hesi si ssi m pl y t he m os...

Page 36: ...s orchestra hit Brass 4 U16 L8 Trombone ensemble Brass 5 8 Tight octave brass for contemporary music Synth Brass 1 8 Synth brass with sharp attack Used for Basic Regist 5 Synth Brass 2 8 Analog type Can be used as melody line Synth Brass 3 8 Fat synth brass 5 Lower Horn 1 8 Standard horn for classicals H O R N Horn 2 8 Horn unison solo Alpenhorn Horn 3 8 For solo playing Horn 4 8 Impressive horn e...

Page 37: ...r Chorus 1 8 Female Ah C H O R U S Chorus 2 8 Male Wh Chorus 3 8 Mixed chorus Chorus 4 8 Mixed chorus with beautiful resonance Wh Chorus 5 8 Scat type vocal ensemble Vocal 8 Accentuated solo vocal Ah 14 Upper Harmonica 1 8 Standard type with pitch modulated vibrato H A R M O N IC A Harmonica 2 8 Solo harmonica with filter and amplitude modulated vibrato 15 Upper Lower Organ 1 8 Small pipe organ 8 ...

Page 38: ...e Starry chime Steel Drum 8 Steel Drum 20 Pedal Elec Bass 1 8 For multi purposes ELEC TR IC B A SS Elec Bass 2 16 Slap bass Elec Bass 3 16 Plucked bass with hard attack Elec Bass 4 16 Cele Fretless bass also suited for solo playing Synth Bass 1 16 Sustained sounds Synth Bass 2 16 With remarkable attack Synth Bass 3 16 Tone varies depending on the touch 21 Upper Lower Cosmic 1 4 Decay type For mult...

Page 39: ...ree of scraping Sounds hitting a metalic plate with a wood block Initial touch affects to change the hardness of the wood block Softer playing results in sounds of wind Applying the keyboard pressure After touch produces a distorted guitar sounds Jet noise sounds Applying the keyboard pressure produces lead sounds Sounds colliding a metalic plate with another Horizontal Pitch Pitch Pitch Pitch Pit...

Page 40: ...s 1 Press one of t he Fl ut e V oi ce but t ons U PPER or LO W ER i n t he D ISPLA Y SELECT sect i on The FO O TA G E page appears on t he LC D and t he LED above t he but t on l i ght s FO O TA G E VOICE EDIT PATTERN SEQUENCE RHYTHM PROGRAM L FLUTE VOICE TREMOLO FAST U FLUTE VOICE FOOT SW REGIST SHIFT EXP PITCH MIDI VOICE DISPLAY EFFECT SET A B C M O C DISPLAY SELECT N O TE Pressi ng t he but t o...

Page 41: ... ange 0 24 5 V ol um e D et erm i nest he overal lvol um e oft he Fl ut e V oi ce voi ce R ange 0 24 3 Presst he Page but t onst o sel ectt he vari ouspagesfort he ot herFl ut e V oi ce funct i ons A TTA CK Page PAGE 1 2 3 1 A t t ack Foot ages D et erm i nest he l evelofeach vol um e i n t he percussi ve port i on oft he voi ce Foot age set t i ngsare 4 2 2 3 and 2 2 A t t ack Lengt h D et erm i ...

Page 42: ... ol um e pages can be saved t o t he Save page except for the follow ing A ttack M ode T rem olo O n O ff R everb and V ol um e 2 Sel ectt he desi red uservoi ce num ber U SER 1 t hrough 8 t o w hi ch t he new voi ce w i l lbe saved Pressi ng t he appropri at e D at a C ont rolbut t on saves yournew Fl ut e V oi ce t o t hatm em ory space and erases any voi ce t hathad been previ ousl y saved t he...

Page 43: ...has no rel at i on t o t hatoft he V oi ce M enu page N O TE W hen you use the U pper Low er Flute V oices and or other voices atthe sam e tim e only one of the voices can be di spl ayed ata t i m e even t hough al lvoi ces m ay be operat i ve and bot h oft he U pper and Low erFl ut e V oi ce LED sare l i t N O TE R em em bert hatt he U PPER and LO W ER FL U T E V O IC E buttons are on off sw i t ...

Page 44: ...le funct i ons are i ndi cat ed by ci rcl es To change t he set t i ngs and add t he effect s di spl ay t he appropri at e page 1 V oi ce C ondi t i on page by pressi ng t he panelvoi ce but t on t w i ce or pressing the D ata C ontrol button corresponding to the sel ect ed voi ce 2 EffectSetpage by pressi ng t he EFFEC T SET but t on i n t he D I SPLA Y SELECT 3 R everb Sust ai n orTrem ol o page...

Page 45: ...ces are provi ded w i t h t hi s expressi ve funct i on m aki ng i tpossi bl e t o perfectly reproduce the subtle dynam ic and tonal changes of actual i nst rum ent s Forexam pl e pi ano voi ces sound m uch bri ght erw hen you hi t t he keysst rongl y especi al l y i n t he at t ack port i on oft he sound ﾑ exact l y asi f you w ere pl ayi ng an acoust i c pi ano 1 1 IN ITIA L Touch C ont rol s vo...

Page 46: ...reat er t he pi t ch change becom es w i t hi n t he range of ｱ one oct ave Y ou can use t hi sfunct i on com bi ned w i t h t he Touch Tone descri bed above t o pl ay a uni que perform ance t hathasnotbeen possi bl e before 1 1 1 2 1 3 1 4 1 5 1 6 1 7 N O TE H ori zont alTouch i s notavai l abl e on t he Pedal board N O TE H ori zont alTouch m ay affectnotonl y t he pi t ch butt he t i m bre on s...

Page 47: ... SER Sel ect s Preset w hi ch cal l s up t he ori gi nal fact ory vi brat o set t i ngs for t he voi ce or U ser w hi ch l et s you adj ustt he vi brat o set t i ngs yoursel f Upper Lower Pedal N O TE The U servi brat o m ay notbe effect i ve for som e voices such as H arm onica2 El ect ri c Pi ano1 and Synt h C hi m e N O TE The D el ay D ept h and Speed set t i ngs are not displayed and cannot b...

Page 48: ... pi t ch R ange 0 24 m ax 28 88 cent s 1 st ep C a 1 2cent s 2 Sel ect i ng from EffectSetPages Pressi ng t he EFFEC T SET but t on i n t he D ISPLA Y SELEC T sect i on cal l s up t he EffectSetpages The page cont ent s are t he sam e as t he ones from t he V oi ce C ondi t i on Page 2 exceptfort he B ri l l i ance See page 46 fort he funct i ons of t he PR ESET and O FF EffectSetPage VOICE EDIT P...

Page 49: ...ectofa l arge ensem bl e w hi l e C ELESTE creat est he effectof a gradual l y expandi ng sound Independent l y appl i ed t o each voi ce sect i on 2 2 1 2 2 2 1 SY M PH O N IC Sel ect st he Sym phoni c effectt o t he desi gnat ed voi ce sect i on 2 2 CELESTE Sel ect st he C el est e effectt o t he desi gnat ed voi ce sect i on 3 DELAY D el ay i sa pronounced echo effect w i t h di st i nctdel aye...

Page 50: ...g i m age oran i m age sounds m ove from ri ghtt o l eft orl eftfrom ri ght Range M O N O ST 1 ST 2 ST 3 C haract eri st i cs ofEach St ereo Type ST 1 produces t he m ostcom pl i cat ed refl ect i ons ST 2 repeat s t he peri odi calm ovem ent s i n t he fol l ow i ng order cent er ri ght l eft ST 3 adds t hi ckness and bri l l i ance t o t he m ono del ay 4 FLA N G ER Fl anger i nt roduces a sw i ...

Page 51: ... 5 D ISTO R TIO N D i st ort i on adds a di st ort ed i m age t o t he sounds usual l y found i n el ect ri c gui t ars Independent l y appl i ed t o each voi ce sect i on Distortion Effect Signal Determines the depth using LEVEL parameter Changes the timbre using HIPASS parameter 5 2 5 1 5 5 1 LEV EL D et erm i nes t he dept h oft he di st ort ed sounds Range 0dB 21 8dB 5 2 H IPA SS C hanges t he...

Page 52: ... D et erm i nes t he t ype ofreverb effect R oom H al lorC hurch Each t ype si m ul at esa di fferentacoust i c envi ronm ent R oom i st he sm al l est and C hurch t he l argest 2 LEN G Lengt h D et erm i nest he acoust i c l i vel i nessoft he si m ul at ed room i n t he effect H i gherset t i ngs m ake t he room m ore reverberant R ange 0 6 3 D EPTH Fi ne adj ust m entof t he dept h of reverbera...

Page 53: ...on Sel ect i ng D EPTH w i l ldi spl ay t he fol l ow i ng m essage Sel ect U ni form t o sett he currentD ept h val ue foral lregi st rat i onsi n t he 16 R egi st rat i on M em ori es Sel ect C ancel t o abortt he operat i on REV ERB Page2 D et erm i nest he am ountofR everb effectappl i ed t o each voi ce sect i on Each param et ercorrespondst o R EV R EV ER B i n t he V oi ce C ondi t i on pag...

Page 54: ...endent l y appl i ed t o PedalV oi ce sect i ons R hyt hm sect i on and A ccom pani m ent Each param et ercorrespondst o R EV R EV ER B i n t he respect i ve pages 3 2 PAGE 1 1 PED A L 1 2 Sect i ons D et erm i nest he am ountofreverb appl i ed t o t he PedalV oi ce sect i ons R ange 0 24 2 R H Y TH M A C C A ccom pani m ent D et erm i nes t he am ountof reverb appl i ed t o t he A ccom pani m ent...

Page 55: ...EE PEDAL The l am p of t he but t on l i ght s up t o i ndi cat e t hatsust ai n i s on Press t he but t on agai n t o t urn sust ai n off N O TE Sustain cannot be applied to the Lead voi ces N O TE If K nee Lever control of the U pper or Low ersust ai n has been t urned on fol ded dow n pressing the U pper or L ow er but t ons here w i l lnotadd sust ai n unl ess t he K nee Leveri s pushed See pa...

Page 56: ...ui tyourpl ayi ng st yl e TheTrem ol o effectcan be sw i t ched i n realt i m e as you pl ay w i t h ei t hert he frontpanel but t on ort he LeftFoot sw i t ch w hen properl y setforFoot sw i t ch operat i on Trem ol o O perat i on 1 Select turn on Tremolo effect in each Voice Condition page 2 1 Turn on Tremolo effect in VOL Volume page of Flute Voices 2 Adjust the Tremolo setting in Tremolo Contr...

Page 57: ... di spl ay one of t he V oi ce C ondi t i on pages LEAD VOICE 1 VIOLIN FLUTE OBOE TRUM PET TO LOWER BRILLIANCE VOLUME BRILLIANT MELLOW MAX MIN 1 2 Then presst he Page but t onst o sel ectt he V oi ce C ondi t i on page 2 PAGE 3 Sel ectTR EM t o t urn on Trem ol o fort he sel ect ed V oi ce sect i on ort he current l y assi gned voi ce group ForFl ut e V oi ces 1 Press t he U FLU TE V O IC E but t ...

Page 58: ...ound 3 R eal t i m e cont rolofTrem ol o effect O nce t he Trem ol o effecthas been t urned on and set you can cont rolt he effecti n realt i m e from t he panelorfrom t he LeftFoot sw i t ch Panel C ontrol Si m pl y presst heTREM O LO FA ST but t on i n t heD ISPLA Y SELECT sect i on t o t urn t he Trem ol o effect son and offw hi l e you re pl ayi ng Thi sbut t on funct i onsj ustl i ke t he fas...

Page 59: ...el ect ed from the frontpanel The Electone has m any m ore ﾒhiddenﾓ rhyt hm s how ever A total of 66 rhythm s are available and can be selected by usi ng t he di spl ay 1 To sel ectand pl ay a rhyt hm 1 Choosearhyt hm by pressi ng oneoft heRhyt hm but t onsi n t heRhyt hm sect i on on t he panel MARCH WALTZ SWING BOUNCE SLOW ROCK TANGO LATIN 1 LATIN 2 8 BEAT 16 BEAT USER 1 USER 2 USER 3 USER 4 A B...

Page 60: ...N O TE The LeftFoot sw i t ch can al so be used t o t urn t he rhyt hm on and offi n t he m i ddl e of song To assign the Footsw itch for rhyt hm cont rol see page 151 N O TE A BO U T SY N CH RO STA RT Synchro St artfunct i ons qui t e di fferent l y w hen the A uto B ass C hord feature is turned on and the A ccom panim ent M em ory i s t urned off The rhyt hm st art s w hen a key on the Low er ke...

Page 61: ... can also be used as i nt roduct i ons si m pl y press t he FILL IN but t on before st art i ng t he rhyt hm w i t h t he STA RT orSY N CH RO STA RT but t ons N O TE PLA Y I N G PA RTI A L FI LL I N PA TTERN S Y ou can al so st artFi l lIn pat t ernsw i t hi n a bar i n ordert o pl ay onl y t he fi nalone or t w o beat s oft he Fi l lIn pat t ern and creat e addi t i onalrhyt hm i c i nt erest Si ...

Page 62: ...t i t ut es addi t i onalpat t ern vari at i onst o m ake t he rhyt hm m ore i nt erest i ng and com pl ex 2 PER C U SSIO N R EV R everb D eterm ines the am ount of reverb applied to the rhythm s and percussi on sounds used i n t he rhyt hm s W hen t he panelR EV ER B cont roli s sett o t he m i ni m um t he set t i ng here w i l lhave no effect R ange 0 24 See page 54 fort he det ai l ed i nform ...

Page 63: ...t o t he val ues setfort he ELX 1 and resett he Tune set t i ng t o t he fact ory presetval ue U si ng regi st rat i on dat a creat ed on ot herEl ect one m odel sw i l l rest ore al lInst rum entPage set t i ngs t o t he fact ory presetst at us 1 Instrum ent N am e Thi s show s t he nam e oft he current l y sel ect ed i nst rum ent To sel ect a di fferenti nst rum ent press t he key orpedalt o w ...

Page 64: ...be sel ect ed These dot t ed but t ons funct i on as ﾒw i l d cardﾓ rhythm selectors any of the rhythm s available from the panel but t ons t he R hyt hm M enus or U ser rhyt hm s can be sel ect ed from t hese buttons N O TE A sw i t h t he V oi ce sect i onsdot t ed but t ons you can sett w o ort hree rhyt hm sfrom t he sam e page t o be sel ect ed from di fferent buttons one from the originalR h...

Page 65: ...enu bel ow 3 Presst he D at a C ont rolbut t on correspondi ng t o t he rhyt hm you w i sh t o use 2 To cal lup t he U serrhyt hm s Y ou can sel ectt he U serpage and rhyt hm w hen you w i sh t o pl ay t he rhyt hm s youﾕve creat ed w i t h t he R hyt hm Pat t ern Program m erfunct i on page 142 N O TE W hen you sel ectt he userrhyt hm w i t h t he L ow er R hythm ic function turned on ﾒR H Y TH M...

Page 66: ...6 Jazz Ballad Dixie land1 Dixie land2 SWING BOUNCE Bounce 1 Bounce 2 Bounce 3 Reggae 1 Reggae 2 BOUNCE SLOW ROCK Slow Rock 1 Slow Rock 2 Slow Rock 3 SLOW ROCK TANGO Tango 1 Tango 2 Tango 3 TANGO LATIN1 Cha cha Rhumba Begui ne Mambo Salsa LATIN1 4 R hyt hm M enus This chart lists all 66 of the rhythm s available on the Electone The rhyt hm nam es i n t he chartcorrespond t o t he ones show n att he...

Page 67: ...BEAT 16 BEAT 16 Beat 1 16 Beat 2 16 Beat 3 16 Beat 4 16 Beat 5 16 Beat Funk 1 16 Beat Funk 2 16 Beat Funk 3 16 BEAT USER RHYTHM USER 1 USER 2 USER 3 USER 4 A USER 5 USER 6 USER 7 USER 8 C B D USER RHYTHM N O TE T he B aroque on the M arch page is confi gured w i t h accom pani m entonl y i t does notcont ai n any drum orpercussi on Page 4 5 6 1 2 3 7 8 9 10 11 Downloaded from http www usersmanualg...

Page 68: ...anst o obt ai n m any di fferentchord basscom bi nat i ons by si m pl y usi ng one oratm ost t w o ort hree fi ngers t o pl ay t he chords 1 3 Fi ngered C hord M ode The Fingered C hord m ode autom atically produces bass and chord accom pani m entf orchor dspl ayed i n t heLow erkeyboar d I tal l ow syou t o use aw i derrangeofchord t ypest han i n t heSi ngl eFi ngerm ode In t heFi ngered Chord m...

Page 69: ... be used i n the Single Finger m ode to add full cont i nuous chords t o your perform ance w ithoutthe use of the rhythm Sim ply l eavet herhyt hm offi n Si ngl eFi ngerm ode and pl ay Si ngl e Fi nger chords from t he Low erkeyboard N O TE M inor 7th and m inor 7th chords w ith black key roots such as B or G are pl ayed i n t he sam e w ay ast hose w i t h w hi t e key root s F G A B C D E G A B ...

Page 70: ... I A ccom pani m ent 1 Type 1 Type 4 These settings provide various types of rhythm ic and m elodic accom pani m ent and general l y becom e m ore com pl ex accordi ng t o t he t ype num ber 2 Presst he sam e rhyt hm but t on agai n t o di spl ay t he R hyt hm C ondi t i on page R hyt hm C ondi t i on Page 2 2 V ol um e D et erm i nest he vol um e oft he A ccom pani m ent A ccom pani m entcan al s...

Page 71: ... BO A RD PERCU SSIO N sect i on on t he l eftsi de oft he panel LOWER PEDAL KEYBOARD PERCUSSION 1 2 3 Sett he vol um e The vol um e oft he percussi on soundsi ssett oget her w i t h t hatoft he rhyt hm vol um e MARCH WALTZ SWING BOUNCE SLOW ROCK TANGO LATIN 1 LATIN 2 8 BEAT 16 BEAT USER 1 USER 2 USER 3 USER 4 A B USER 5 USER 6 USER 7 USER 8 C D RHYTHM SEQ 1 SEQ 2 SEQ 3 SEQ 4 VOLUME MAX MIN 1 2 4 P...

Page 72: ... n a r e D r u m R i m 1 S n a r e D r u m L i g h t S n a r e D r u m R e v e r b 1 S n a r e D r u m H e a v y S n a r e D r u m H e a v y B a s s D r u m L i g h t B a s s D r u m H e a v y C o n c e r t B a s s D r u m S y n t h T o m 1 S y n t h T o m 2 S y n t h T o m 3 T o m 1 T o m 2 T o m 3 S n a r e B r u s h S h o t 1 S n a r e B r u s h R o l l O r c h e s t r a C y m b a l 1 C r a s h...

Page 73: ...current l y sel ect ed TheM enu can besel ect ed from LK Low er K eyboard PR ESET and ei ghtU sers U SER 1 t hrough U SER 8 W hen t he PED A L 2 but t on i sused t o cal lup t he M enu di spl ay LOWER PEDAL KEYBOARD PERCUSSION 1 2 The M enu can be sel ect ed from PK Pedal board PR ESET and ei ght U sers U SER 1 t hrough U SER 8 2 Press one oft he D at a C ont rolbut t ons correspondi ng t o U SER ...

Page 74: ...w i t h t he appropri at e D at a C ont rolbut t ons 3 CLEA R Thi sfunct i on i sused t o erase U serassi gnm ent sforU ser1 C LEA R w orksi n t w o w ays ei t hert o erase a si ngl e i nst rum ent ort o erase al l i nst rum ent s See st ep 5 bel ow U ser K eyboard Percussi on C at egori es 1 CYMBAL Crash Cym1 Crash Cym2 Crash CymM Ride Cym1 Ride Cym2 Ride CymCup Orch CymM Cym March CymBr Shot Tam...

Page 75: ...urdo Mute Surdo Rim Surdo Muff Page 8 9 TIMBALES COWBELL Timba le1 H Timba le1 L Timba le2 H Timba le4 H Timba le4 L Cow bell1 Timba le2 L Timba le3 H Timba le3 L Cow bell2 Cow bell3 Cow bell4 Page 9 10 PERCUSSION1 Cabasa Mara cas L Shaker Mara cas H Guiro Short Guiro Long Casta net Vibra slap Wood High Wood Med Wood Low Claves Page 10 11 PERCUSSION2 Agogo High Agogo Low Trian gleO Trian gleC Wind...

Page 76: ... ent Si m ul t aneousl y hol d dow n t he D at a C ont rolbut t on correspondi ng to C LEA R and press the key or pedal corresponding to the i nst rum entyou w i sh t o erase A shortﾒbeepﾓ sound i ndi cat es t hat t he i nst rum enthas been erased To erase allinstrum ents 1 Press t hen rel ease t he D at a C ont rolbut t on correspondi ng t o C LEA R The fol l ow i ng di spl ay appears prom pt i n...

Page 77: ... LK PR ESET C O PY PK PR ESET C opi es Low erPresetK eyboard Percussi on PedalPresetK eyboard Percussi on t o one oft he ei ghtU sers 2 W i t h U SER 1 sel ect ed ast he M enu fort hi sexam pl e use U ser1 pressone oft he D at a C ont rolbut t onsbel ow ﾒLK PR ESETﾓ i n t he C O PY w indow The follow ing display appears prom pting confi rm at i on oft he operat i on 3 Pressany oft he D at a C ont ...

Page 78: ...dow The follow ing display appears prom pting confirm ation of the operat i on 3 Sel ecta U seras t he copy source copi ed from by pressi ng t he D at a C ont rolbut t ons correspondi ng t o t he m arks 4 Pressany oft he D at a C ont rolbut t onsbel ow C opy i n t he di spl ay t o copy from t he source U SER 1 t o t he dest i nat i on U SER 3 W hen C opy i s sel ect ed a ﾒC om pl et edﾓ m essage m...

Page 79: ...t w o not esi n a range cl ose t o t he m el ody pl ayed 3 M ode 2 Producesharm oni esofup t o t hree not esi n a range cl ose t o t he m el ody pl ayed 4 M ode 3 Produces harm oni es ofup t o fournot es i n a range rel at i vel y di st ant from t he m el ody pl ayed 5 K N EE O n off sw itch for K nee Lever control over M elody O n C hord operat i on To use t he M el ody O n C hord funct i on w i ...

Page 80: ... are V oi ce Edi tset t i ngs exceptforU servoi ce num bers current l y assi gned t o t he D ot t ed but t ons V oi ce D i sk voi ces U ser rhythm s in the R hythm Pattern Program exceptforU serrhyt hm num berscurrent l y assi gned t o t he D ot t ed but t ons R hyt hm Sequences M ID Iset t i ngs Lead Ini t i alTouch set t i ng 1 While holding down M button 2 Press desired numbered button M TO DIS...

Page 81: ...R PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO 01 There are 40 songs t en song num berson t he fourpages orm em ory l ocat i ons avai l abl e on a si ngl e di sk N O TE Y ou can freel y nam e t he songs you have recorded See page 92 fort he det ai l s 3 W hi l e hol di ng dow n t he R EC O R D but t on...

Page 82: ...e R egi st rat i on M em ory preset si n t hei rnum eri cal order A ft ert he l astpreseti sreached t he funct i on ﾒw rapsaroundﾓ t o sel ectt he fi rstpresetagai n The num bered but t onsl i ghtup ast hey are sel ect ed To sett he Shi ftm ode funct i on Press any of the D ata C ontrol buttons below SH IFT in the R egi st rat i on Shi ftpage 3 JU M P Sel ect s t he Jum p m ode In t he Jum p m ode...

Page 83: ...gai n and repeat s t he operat i on N EX T SO N G A ft ert he l astpreseti s reached t hen cal l s up t he regi st rat i on dat a oft he nextsong Thi sfunct i on i shandy foryou t o pl ay a song cont ai ni ng m ore t han 16 regi st rat i ons R ecordi ng t he songs ont o t he M D R usi ng t hi s funct i on al l ow s you t o pl ay back t hem successi vel y 3 Presst he Page but t onst o sel ectt he E...

Page 84: ...i t i al l y ent eri ng a regi st rat i on num bert o a bl ank space i n t he regi st rat i on row orforrepl aci ng a num beratt he currentcursor position To enter a num ber press the desired R egistration M em ory but t on t he sel ect ed but t on w i l ll i ght t hen press t he D at a C ont rolbut t on correspondi ng t o SET A ft erusi ng SET t o ent erregi st rat i ons t he cursorcan be m oved ...

Page 85: ...earsw hen t he 80 spaceshave been fi l l ed Fi rstdel et e unnecessary regi st rat i ons t hen perform t he operat i on agai n Reset t i ng t he El ect one t o t he Fact ory Preset Pow erO n Reset A l lcurrentset t i ngs i ncl udi ng R egi st rat i on M em ori es U servoi ces and U serrhyt hm scan bedel et ed atonceby usi ng t hePow erO n Resetfunct i on To resett he al lset t i ngs 1 Turn offt he...

Page 86: ... he El ect one off Y ou can how ever rest ore t he panelset t i ngs t hatw ere m ade before t he El ect one w asl astt urned off In doi ng t hi s fi rstbe carefulN O T t o press any panelbut t ons except i ng t hose i n B asi c R egi st rat i on aft eryou t urn t he El ect one back on Then t o rest ore t he previ ous set t i ngs hol d dow n t he M TO D ISK M em ory but t on and press D D i sabl e ...

Page 87: ...ks and disk copy operation w hich m akes it possible to create a backup disk 1 Precaut i ons B e sure t o handl e fl oppy di sks and t reatt he di sk dri ve w i t h care Fol l ow t he i m port antprecaut i ons bel ow To ej ecta fl oppy di sk B efore ej ect i ng t he di sk be sure t o confi rm t hat t he M D R i sst opped check i ft he LED above t he STO P but t on i n t he M D R sect i on i sl i t...

Page 88: ... can ej ectt he di sk w heneveryou are notusi ng t he M D R and donﾕtw antt o be bot hered w i t h t he readi ng sound C l eani ng t he D i sk D ri ve R ead W ri t e H ead C l ean t he read w ri t e head regul arl y Thi s i nst rum entem pl oys a preci si on m agnet i c read w ri t e head w hi ch aft eran ext ended peri od ofuse w i l lpi ck up a l ayerofm agnet i c part i cl esfrom t he di sks us...

Page 89: ...h song num berdoesnﾕt cont ai n any dat a Sel ect i ng U TIL C hange N am e al l ow syou t o change t he song nam e you have recorded See page 92 fort he det ai l s PAUSE STOP PLAY SONG SELECT RECORD UPPER LOWER PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO PAUSE STOP PLAY SONG SELECT RECORD UPPER LOWER...

Page 90: ... i on overt he song num ber press t he R EC O R D but t on agai n Ifyou donﾕt w ant sel ectanot hersong num berforrecordi ng orpress t he STO P but t on t o cancelrecordi ng PAUSE STOP PLAY SONG SELECT RECORD UPPER LOWER PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO 01 PAUSE STOP PLAY SONG SELECT RECORD...

Page 91: ...DER TEMPO N everej ectt he fl oppy di sk before t he STO P l am p l i ght s up N O TE W hen t he avai l abl e m em ory reaches ﾒ008ﾓ orl ess t he num bers begi n fl ashi ng t o w arn you Ift hi s happens st op recordi ng before t he di spl ay reaches ﾒ000 ﾓ 8 To hearyournew l y recorded perform ance presst hePLA Y button Pl ay back w i l lbegi n aft era coupl e ofseconds Form ore inform ation on p...

Page 92: ... lchangesyou m akeon t heEl ect oneduri ng yourperform ancearerecorded i n realt i m e Thesei ncl uderegi st rat i on changes t he use oft he expressi on pedal s foot sw i t ches and knee l ever C hangi ng t he Song N am e 1 Press t he t op ri ghtD at a C ont rolbut t on i n t he Song N am e di spl ay Edi tSong N am e di spl ay appears prom pt i ng you t o edi t t he song nam e 1 2 3 1 1 M oves t ...

Page 93: ...u w i l lrecord your perform ance 4 Press t he R EC O R D but t on t o m ake t he M usi c D i sk R ecorderready t o record 2 Sel ectt he part sforrecordi ng Pressi ng t he R EC O R D i n t he procedure 1 4 above t urns on t he al lpart sﾕ LED s i n t he upperl eftrow i ndi cat i ng t hateach parti s ready t o record Press t he R EC O R D but t ons foreach parti n t he upper l eftrow t o t urn offt...

Page 94: ... h your perform ance t o st op recordi ng N ow t hatyouﾕve recorded t he fi rstpart s ofyourperform ance 5 Presst he R EC O R D but t on t o setup recordi ng oft he next part In t hi scase t he song num ber cont ai nst he perform ance dat a oft he Low erand Pedali n addi t i on t o t he regi st rat i on and set up dat a The sm al lbars ﾒ ﾓ appearatt he l eft partofLED di spl ay and fl ash al ong w...

Page 95: ...and dat a ot hert han t he regi st rat i on dat a N O TE The l engt h ofa subsequent l y recorded partcannotexceed t he l engt h oft he previ ousl y recorded part s Ifyou w ant t o change t he song l engt h fi rstdel et e t he exi st i ng song see Song D el et e on page 106 and record agai n Punch i n R ecordi ng Y ou can ret ry t o change a speci fi c partw hi ch you donﾕtw ant t o use To execut ...

Page 96: ...nd bul k dat a 1 O n t he El ect one sett he regi st rat i ons and al lot herdat a you w antt o record 2 Sel ectt he song num bert o w hi ch you w i sh t o record t he regi st rat i ons 3 W hi l e hol di ng dow n t he R EC O R D but t on presst he M TO D ISK M em ory but t on on t he R egi st rat i on M em ory panel Sm al lbarsfl ash acrosst he LED di spl ay from l eft to right indicating that the...

Page 97: ... o record t hem i n t he ordert hat youﾕl luse t hem i fpossi bl e 2 D uri ng t he perform ance aft eral l16 regi st rat i onsfrom a cert ai n song num berhave been used sel ectt he next song num ber and press the PLA Y button on the M D R T his replaces all 16 registrations in R egi st rat i on M em ory w i t h t he new ones from t he sel ect ed song num ber 3 B y repeat i ng t he above st eps yo...

Page 98: ...M SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO 03 N O TE W hen you pl ay back t he dat a w hi ch i s m ade by ot her El ect one m odel s such as EL 90 87 and w hi ch i ncl udes the separately recorded Lead K eyboard Percussion part s Lead partw i l lbe offand K eyboard Percussi on w i l lbe on as t he defaul t s To t urn on t he Lead part pressU PPER PLA Y w hi l e hol di ng dow n t he SH IFT 2...

Page 99: ...t el y To st op pl ayback presst he STO P but t on 3 To repeat edl y pl ay back onl y t he sel ect ed song 1 A gain hold dow n the SH IFT button and si m ul t aneousl y presst he SO N G R EPEA T but t on ﾒSi nG ﾓ appearson t he LED di spl ay t o i ndi cat e t hat a si ngl e song w i l lbe repeat edl y pl ayed back 2 Presst hePLA Y but t on t o begi n pl ayback oft hesong Pl ayback w i l lbegi n fr...

Page 100: ...ol o pl ayback st at us The solo playback part is indicated by a square A ll other parts w ill be m ut ed aut om at i cal l y 4 M U TE B rings the partatthe cursor posi t i on t o m ut ed st at us The m ut ed part s are i ndi cat ed by a hyphen 5 V O L V O LU M E A dj ust st he vol um e ofeach partw i t hi n a range 0 24 If you have sel ect ed A LL you can adj ust overal lvol um e X G pagew i l lb...

Page 101: ...re t ryi ng t o convert 2 Sel ectt he song t o be convert ed t o t he X G dat a 3 W hi l e hol di ng dow n t he bot t om ri ghtD at a C ont rolbut t on not hi ng i s di spl ayed i n t he correspondi ng sect i on of t he LCD di pl ay presst heRECO RD but t on i n t heM D R sect i on The fol l ow i ng m essage appears t o confi rm t he operat i on 4 Presst he D at a C ont rolbut t onscorrespondi ng ...

Page 102: ...D PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO 0000 N O TE Ifyou hol d dow n t he SH IFT and pressC U STO M PLA Y ori fyou execut e t he fol l ow i ng R ead and A ut o Increm ent function alldata exceptfor thatof R hythm Pattern Program R hythm Sequence U ser voices K eyboard Percussion assignm ents and Instrum ent rhythm set t i ngs w i l lbe l oaded and pl ayed ba...

Page 103: ...LOWER PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO N O TE W hen t em po i s changed t he LED di spl ay i ndi cat es t he change as a percent age oft he ori gi nalrecorded t em po 100 V al ues l ess t han 100 i ndi cat e a sl ow er t em po val ues great ert han 100 i ndi cat e a fast ert em po PAUSE STO...

Page 104: ... MUSIC DISK RECORDER TEMPO 0102 N O TE Them essageﾒFU LLﾓm ayappearw hent heavai l abl em em or y i sshort N O TE Ifyou w antt o abortt he operat i on press STO P but t on 4 U se t he SO N G SELEC T but t ons t o sel ecta dest i nat i on song num berforcopyi ng Fol l ow t hi sst ep i fyou w i sh t o sel ectadi fferentdest i nat i on song num bert han t he one di spl ayed The M D R w i l l di spl a...

Page 105: ... SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO 00 4 Presst he R EC O R D but t on The R EC O R D l am p l i ght s up and t he LED cont i nues t o i ndi cat e ﾒ00 ﾓ asshow n att he ri ght 5 Press t he Ej ectbut t on t o t ake outt he source di sk N O TE A l t hough ej ect i ng t he di sk w hi l e t he R EC O R D l am p i s l i ti s prohi bi t ed you are al l ow ed t o ej ectt he di sk i n t hi s ...

Page 106: ...ng num ber i n t hi sst ep by usi ng t he SO N G SELEC T but t ons PAUSE STOP PLAY SONG SELECT RECORD UPPER LOWER PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FROM SONG DEL SONG COPY TO MUSIC DISK RECORDER TEMPO dL04 PAUSE STOP PLAY SONG SELECT RECORD UPPER LOWER PEDAL CONTROL UPPER LOWER PEDAL CONTROL CUSTOM PLAY SHIFT RECORD PLAY FORMAT SONG REPEAT FRO...

Page 107: ... End 3 Insertt he source di sk i nt o t he di sk sl ot The M D R st art sreadi ng t he dat a i n t he source di sk ﾒout1ﾓ appearson t he LED di spl ay 4 Press t he ej ectbut t on t o t ake outt he source di sk ﾒIn 2ﾓ appears on t he LED di spl ay t o urge you t o i nsert t he dest i nat i on di sk 5 Insertt he dest i nat i on di sk The num ber ﾒ160ﾓ appears on the LED display and count i ng dow n ...

Page 108: ... t ern D i sks The M D R al so al l ow s you t o sel ectvoi ces and rhyt hm s from di sks Form ore i nform at i on aboutV oi ce D i sks see page 118 for m ore on Pat t ern D i sks see page 143 11 C opy Prot ect Som eoft heD i sksavai l abl efort heEl ect onearepurposel y prot ect ed from bei ng copi ed orerased Y ou cannotsave t he dat a t o anot her fl oppy di sk Ifyou t ry t o l oad dat a from s...

Page 109: ... he STO P but t on and repl ace t he di sk t hen st artt he operat i on overagai n The i nst al l ed di sk cannotbe pl ayed back on t he M D R Press t he STO P but t on t hen i nserta com pat i bl e di sk R ecordi ng cannotbe perform ed because t oo m uch dat a w as recei ved atonce Press t he STO P but t on The di sk i s defect i ve and cannotbe form at t ed Press t he STO P but t on t hen i nser...

Page 110: ...ul d be sett o M IN N O TE O nl y t he A W M V oi ce M enu voi cescan be edi t ed w i t h t he V oi ce Edi tcont rol s The V A voi cesfrom t he Lead V oi ce 2 sect i on cannotbe edi t ed A l so t he Fl ut e voi ces have t hei row n edi t i ng cont rol sand cannot be edi t ed here VOICE EDIT PATTERN SEQUENCE RHYTHM PROGRAM L FLUTE VOICE TREMOLO FAST U FLUTE VOICE FOOT SW REGIST SHIFT EXP PITCH MIDI...

Page 111: ... from t he l eft t o sel ectan O perat or The current l y sel ect ed O perat or num ber i s surrounded by t he ﾒBracket s ﾓ Pressi ng t he A but t on m ove t he ﾒB racket sﾓ count ercl ockw i se and pressi ng t heB but t on m ovet heﾒBracket sﾓ cl ockw i se M ove t he ﾒB racket sﾓ t o t he O perat or2 2 Then pressone oft he farl eftpai rofD at a C ont rolbut t onst o t urn t he sel ect ed O perat ...

Page 112: ... L param et erfrom 0 t o 110 by usi ng t hepai rofD at aCont rol but t onsj ustbel ow t he O L Pressi ng t he A but t on rai sest he l evel and pressi ng t he B but t on l ow ers t he l evel N O TE T he param eter value can be changed qui ckl y w hen you press t he D at a C ont rol but t on w i t h t he C O A R SE but t on hel d A dj ustt he A R A t t ack R at e param et er Pl ay t he voi ce and n...

Page 113: ...ect N O TE N o sound w ill be produced nor w ill adj ust i ng t he t op row O perat ors have any effecti fal loft he bot t om row O perat ors have been turned off or set to their m i ni m um l evel B e sure t o t urn on t he bot t om row ofO perat ors and sett hem t o a suitable level before changing the param et ers oft he t op row O perat ors N O TE R ai si ng t he O L oft he O perat or2 t o m a...

Page 114: ...t i ngs The A W M O perat ordi spl ay appears as soon as t he A W M O perat or hasbeen sel ect ed 2 A dj ustt he LO W set t i ng and l i st en t o how t hey affectt he sound C hangi ng t hi s param et er affect s t he l ow er range of t he keyboard R ai si ng t hi s param et erboost s t he out putoft he l ow errange 3 A dj ustt he H IG H set t i ng and l i st en t o how t hey affectt he sound The ...

Page 115: ... ngi ng el ect roni c pi ano sounds N O TE The O perator on off settings you m ade here are t em porary Even t hough you t urn offan O perat orw hen edi t i ng a voi ce t he on offst at usoft he O perat orsw i l lforci bl y be changed and saved as ﾒonﾓ i n a U ser voi ce Ifyou w antan O perat orm ut ed sett he O L param et eroft he sel ect ed O perat ort o t he m inim um N O TE A ft erm aki ng cha...

Page 116: ... t o save t he voi ce orpress any oft he but t ons bel ow C ancel t o abortt he operat i on W hen the voice has been saved the m essage ﾒC om pleted ﾓ t em porari l y appears Thi sSave page show st he sam e voi cesast he l astpage U SER oft he dot t ed but t onsﾕ V oi ce M enu Thi s operat i on aut om at i cal l y erases any voi ce t hathad been previ ousl y saved t o the selected U ser voice num ...

Page 117: ...oi ce O nce the voice has been saved it can be selected from the last page U SER oft he dot t ed but t onsﾕ V oi ce M enu page 31 To recal la U servoi ce 1 Pressone oft he dot t ed but t onsi n t he voi ce sect i on you w antt o use 2 U se Page but t onst o sel ectt he U SER page PAGE 3 Press t he D at a C ont rolbut t on correspondi ng t o t he saved voi ce VOICE EDIT PATTERN SEQUENCE RHYTHM PROG...

Page 118: ...e oft he fourD at a C ont rolbut t onsbel ow Save i n t he di spl ay t o save t he voi ce orone oft he fourbut t ons bel ow C ancel t o abort t he operat i on and ret urn t o t he previ ous di spl ay W hen t he voi ce hasbeen saved a ﾒcom pl et ed ﾓ m essage appears 2 Sel ectt he V O IC E D ISK page w i t h t he Page but t ons The m essage ﾒInsertV oi ce D i sk ﾓ appears and prom pt s you t he ope...

Page 119: ...o how ever w hen one si ne w ave i s used t o m odul at e a second si ne w ave t oget hert hey resul ti n a new com pl ex w aveform AWM FM Operators 1 4 FM Operators 5 8 Structure of the Operators Modulator Carrier FM Operator Sampling AWM Operators 2 M odul at ors C arri ers and A l gori t hm s The t op O perat or w hi ch sends t he m odul at i on si gnali s notsurpri si ngl y cal l ed t he m odu...

Page 120: ... D et erm i nes how qui ckl y t he O perat orw i l lreach i t s m axi m um l evel aft ert he key i spl ayed Low erval uesproduce a sl ow erat t ack R ange 64 63 3 D R D ecay R at e D et erm i nes how m uch t i m e i tt akes for t he O perat or t o reach i t s second l evel R ange 64 63 4 R R R el ease R at e D et erm i nes how m uch t i m e i tt akes fort he l evelt o reach 0 aft ert he key i srel...

Page 121: ...at or t o reach i t s second l evel seti n t he D ecay 1 Levelparam et er R ange 0 31 4 D 1L D ecay 1 Level D et erm i nes t he second l evelset t i ng oft he O perat or R ange 0 63 5 D 2R D ecay 2 R at e D et erm i nes how m uch t i m e i tt akes for t he O perat or t o reach i t s t hi rd l evel ort he m i ni m um l evelbefore t he key i srel eased R ange 0 31 6 R R R el ease R at e D et erm i n...

Page 122: ...veloft he carri erchanges t he vol um e w i l lchange Keyon Keyoff AR D1R D1L D2R RR OUTPUT LEVEL 2 3 4 1 5 6 Feedback The out putofa m odul at orcan al so be ci rcl ed back t o i t si nput al l ow i ng i tt o m odul at ei t sel fasw el last heO perat orbel ow i t Thi si scal l ed feedback and i tadds harm oni c com pl exi t y t o t he t one O perat ors usi ng feedback are i ndi cat ed by a l i ne...

Page 123: ...e sound rapidly R ai se 3 and 5 oft he carri erand m odul at or R ai se 9 oft he A W M 12 To reduce the sound slow ly Low er3 and 5 oft he carri erand m odul at or Low er9 oft he A W M 13 To getno or shorter sustain R ai se 6 oft he carri erand m odul at or R ai se oft he A W M 14 To getl onger sust ai n Low er6 oft he carri erand m odul at or Low er oft he A W M 15 To change the tim bre rapidly R...

Page 124: ...he sound w arm erby decreasi ng t he O ut putLevelofO perat or2 Increasi ng t he O ut putLevelofO perat or3 m akes fora rougheredge orm ore ﾒbi t eﾓ i n t he organ sound Ex 3 A ddi ng t he 5t h pi t ch t o t he Synt h Lead 5 t o creat e suspended 4t h O perat or1 i s setw i t h t he 4t h pi t ch w hi l e O perat or5 w i t h t he 5t h pi t ch and current l y m ut ed Sett he O ut putLevelofO perat o...

Page 125: ... ve created in the above steps to disk Press the PATTERN button to call up the Rhythm Pattern Program and select the BEAT QUANTIZE page Make Beat Quantize and Metronome settings Select the EDIT page to record percussion sounds and program the pattern Up to 16 tracks can be used to enter each percussion instrument sound Optional Select the Accompaniment page to determine which accompaniment pattern...

Page 126: ...t on i n t heD ISPLA Y SELECT sect i on The LED oft he but t on l i ght sand t he di spl ay prom pt syou t o sel ecta rhyt hm VOICE EDIT PATTERN SEQUENCE RHYTHM PROGRAM L FLUTE VOICE TREMOLO FAST U FLUTE VOICE FOOT SW REGIST SHIFT EXP PITCH MIDI VOICE DISPLAY EFFECT SET A B C M O C DISPLAY SELECT N O TE Pressi ng t he PA TTER N but t on here al so autom atically stops the rhythm s and rhyt hm sequ...

Page 127: ...at t erns Sel ect the rhythm to w hich the desired Fill In or Ending belongs beforehand Then presst he FILL IN orIN TR O EN D IN G but t on w hi l e hol di ng dow n t he PA TTER N but t on N O TE TheU serrhyt hm you havecreat ed can al so be copi ed t o t he R hyt hm Pat t ern Program Y ou can edi ti tagai n and i m prove i t N O TE W hen presetrhythm s are copied to the R hythm Pattern Program th...

Page 128: ... C l o s e d P e d a l 1 H i h a t C l o s e d P e d a l 2 S n a r e D r u m A c c e n t 1 S n a r e D r u m A c c e n t 2 S n a r e D r u m R i m 2 S n a r e D r u m R e v e r b 2 S y n t h S n a r e D r u m B a s s D r u m f o r M a r c h B a s s D r u m A t t a c k S y n t h B a s s D r u m H a n d C l a p A g o g o H i g h A g o g o L o w W o o d B l o c k H i g h W o o d B l o c k L o w C o w...

Page 129: ... b o r i m M u t e S u r d o O p e n S u r d o R i m S u r d o M u f f l e d S u r d o M u t e T a m b o u r i n e C r a s h C y m b a l 1 A n a l o g H i h a t O p e n A n a l o g H i h a t C l o s e d S n a r e D r u m L i g h t A n a l o g S n a r e D r u m S n a r e D r u m H e a v y S n a r e D r u m H e a v y A n a l o g B a s s D r u m 2 A n a l o g B a s s D r u m 1 Ext end ed Set C onsi s...

Page 130: ...you use dependspart l y on t he t ype ofrhyt hm you i nt end t o creat e and part l y on your ow n personalpreference Y ou can even sw i t ch bet w een t he t w o m et hods i n edi t i ng t o creat e a si ngl e rhyt hm by t he use ofbot h m et hods Thi s w oul d com e i n handy forexam pl e i n program m i ng t he basi c beat sofa rhyt hm w i t h Step W rite then using R ealTim e W rite to add per...

Page 131: ... avai l abl e N O RM A L 91 di fferenti nst rum ent s are assi gned t o t he U pperand Low erkeyboards EX TEN D 29 di fferenti nst rum ent s are assi gned t o t he U pperand Low erkeyboards NOTE The m et ronom e i saut om at i cal l y sett o O N w hen a bl ank pat t ern has been sel ect ed and i ssett o O FF w hen an exi st i ng pat t ern i s copi ed B EA T Q U A N TIZE PageﾑR ealTi m e W ri t e 6...

Page 132: ...avai l abl eem pt y rhyt hm t rack 2 U se t he l eft m ostD at a C ont rolbut t onsundert he rhyt hm t rack num bert o st ep t hrough t he avai l abl e si xt een rhyt hm t racks The nam e oft he i nst rum entcurrent l y assi gned t o t he sel ect ed t rack i s di spl ayed att he t op ri ghtoft he LC D Si nce t hi sm et hod al l ow s you t o sel ectonl y from am ong t he assi gned i nst rum ent s u...

Page 133: ...ntyou w i sh t o erase A shortﾒbeepﾓ sound i ndi cat es t hatt he i nst rum enthas been erased Y ou can eraseal loft hesoundson al lrecorded t racksoft hepat t ern by holding dow n the D ata C ontrolbutton corresponding to C LEA R and si m ul t aneousl y pressi ng t he l ow estkey C 1 on t he Low erkeyboard B e carefulnott o do t hi s i nadvert ent l y si nce al lsounds w i l lbe i nst ant l y and...

Page 134: ...on val ue N O TE Y ou can record up to sixteen different instrum ent sounds in a single rhythm w i t h each i nst rum entoccupyi ng one oft he si xt een avai l abl e t racks Inst rum ent s can onl y be ent ered i ft here are em pt y t racksrem ai ni ng Ifal lsi xt een t racks have been used no subsequent l y sel ect ed i nst rum ent s can be recorded T he R hythm Pattern Program has pol yphoni c c...

Page 135: ...w hen you sel ectO FF W i t h St ep W ri t e Ital l ow s you t o aut om at i cal l y correctt he l engt h durat i on and t i m i ng of each not e you ent er 3 3 3 Quarter note 1 beat 16th note 1 4 beat Quarter note triplet 2 3 beat 16th note triplet 1 6 beat Eighth note 1 2 beat 32nd note 1 8 note Eighth note triplet 1 3 beat OFF 1 24 beat OFF 3 OFF Quantize Values 3 3 3 1 2 3 4 5 6 7 8 9 10 11 12...

Page 136: ...hel ow estkey C1 on t heLow er keyboard B e carefulnott o do t hi si nadvert ent l y si nce al lsounds w i l lbe i nst ant l y and perm anent l y erased 3 W hi l e t he rhyt hm i s runni ng pl ay t he percussi on sounds from t he U pperand orLow erkeyboards Li st en t o t he m et ronom e cl i ck as you pl ay t he sounds usi ng i tas a gui de t o keep i n t i m e and t em po The pat t ern w i l lau...

Page 137: ... ROCK TANGO LATIN 1 LATIN 2 8 BEAT 16 BEAT USER 1 USER 2 USER 3 USER 4 A B USER 5 USER 6 USER 7 USER 8 C D RHYTHM SEQ 1 SEQ 2 SEQ 3 SEQ 4 VOLUME MAX MIN 1 2 3 Sel ectt he desi red rhyt hm from t he m enu w i t h t he D at a C ont rol but t ons The accom pani m entt ype sel ect ed here can be saved w i t h t he user rhythm H ow ever you cannot save the selection of the A ccom pani m entTY PE and t ...

Page 138: ...A N G E V O IC E Sel ect s t he voi ce used fort he rhyt hm i c pat t ern from t he 16 di fferent voi ces To creat e yourow n backi ngs w i t h t he Low erR hyt hm i c funct i on Y ou can add backi ngs l ow errhyt hm i c pat t ern t o t he rhyt hm The l ow er rhyt hm i c pat t ern usi ng one t rack can be ent ered by t he sam e m et hod ast he one fort he rhyt hm 1 Sel ectt he A C C A ccom pani m ...

Page 139: ...di ng D at a C ont rolbut t ons advances or reverses t he rhyt hm cl ock by one st ep The si ze ofa si ngl e st ep i s det erm i ned by t he Q uant i ze val ue seti n t he B eat Q uant i ze page 5 A CCEN T R ecordst he sel ect ed voi ce and det erm i nesi t svol um e orA ccentl evel 4 Sel ecta voi ce used fort he rhyt hm i c pat t ern 5 Ifnecessary C hoose t he B EA T Q U A N TIZE page and sel ect...

Page 140: ... ng onl y a U ser num ber you m ustal so sel ecta vari at i on t ype A B C D orFILL Fi l l In Incl udi ng t he Fi l lIn pat t erns up t o 40 di fferentrhyt hm s 8 U ser num bers x 5 vari at i ons can be saved SA V E Page 1 2 3 4 1 U SER 1 8 U SER N um bers 2 A D V ari at i ons 3 FILL Fi l lIn 4 R em ai ni ng M em ory Indi cat es t he am ountofm em ory avai l abl e forst ori ng rhyt hm s Thi s i s ...

Page 141: ...y If t he rhyt hm current l y bei ng edi t ed cannotbe saved because ofa l ack ofm em ory space erase som e oft he l ess necessary percussi on sounds w i t h t he C l ear funct i on and t ry savi ng t he pat t ern agai n 11 Q ui t t i ng t he R hyt hm Pat t ern Program Y ou can qui tt he R hyt hm Pat t ern Program from any ofi t sdi spl ay pages To do t hi s 1 Presst he PA TTER N but t on i n t he...

Page 142: ...desi red U serrhyt hm from t he LC D di spl ay by usi ng t he D at a C ont rolbut t ons B e sure t o sel ectbot h a U sernum berand a vari at i on t ype A B C or D Pl ayi ng U serFi l lIn Pat t erns Y ou can pl ay U serFi l lIn pat t erns by sel ect i ng t he desi red U ser num berand pressi ng t he FILL IN but t on i n t he R hyt hm sect i on on t he panel N O TE W hen you sel ectt he userrhyt hm...

Page 143: ...l R efert o t he l i sti ncl uded w i t h your Pat t ern D i sk forpat t ern num bers and nam es 4 U si ng any oft he D at a C ont rolbut t on pai rs sel ectt he pat t ern you w i sh t o l oad 5 St artt he rhyt hm t o check t he pat t ern t o be cal l ed up Sel ectot her pat t erns as you di d i n st ep 4 above and check t hose pat t erns as w el l 6 Ifyou w antt o save t he currentpat t ern t o a...

Page 144: ...ythm Sequence operat i ons Pattern row to be entered Position Indication Current cursor position N O TE W hen you sel ectone oft he sequences i n t hi sst ep any edi t i ng done t o t hatsequence i si nst ant l y and aut om at i cal l y saved Thi s m eanst hati fyou sel ecta sequence t hati s al ready program m ed any edi t i ng you do w i l lperm anent l y change t he sequence and t he ori gi nal...

Page 145: ...n Currently selected pattern or the pattern at the current cursor position Y ou can program t he rhyt hm sequence a m easure ata t i m e Every U ser rhyt hm consi st s oft w o m easures Ifyou w antt o program t w o m easure U serrhyt hm s you are requi red t o ent eri tt w i ce fort he fi rst m easure and t he second m easure W hen entered the first m easure is displayed as positive box and the se...

Page 146: ... 63 16 Beat 5 64 16 Beat Funk 1 65 16 Beat Funk 2 66 16 Beat Funk 3 01 March 1 02 March 2 03 March 3 04 Polka 1 05 Polka 2 06 Country 1 07 Country 2 08 Broadway 09 Baroque 10 Waltz 1 11 Waltz 2 12 Waltz 3 13 Waltz 4 14 Waltz 5 15 Jazz Waltz 1 16 Jazz Waltz 2 17 Jazz Waltz 3 18 Bolero 19 Swing 1 20 Swing 2 21 Swing 3 22 Swing 4 23 Swing 5 24 Swing 6 25 Jazz Ballad 26 Dixieland 1 27 Dixieland 2 28 B...

Page 147: ...i st ered asa m easure and t he currentm easure di spl ay show s ﾒ B arﾓ even though a pattern has been ent ered N O TE The C oarse but t on can al so be used w i t h the cursor controls to m ove the cursor severalst epsata t i m e N O TE To creat e yourow n rhyt hm sequence you need t o assi gn t he rhyt hm s you use t o t he rhyt hm but t ons and dot t ed but t ons on t he panelbeforehand 2 D at...

Page 148: ...R hyt hm Sequence Program Presst he SEQ U EN C E but t on i n t he D ISPLA Y SELEC T sect i on once agai n The LED oft he but t on w i l lt urn off 4 Pl ayi ng R hyt hm Sequences To pl ay any of t he rhyt hm sequences you have creat ed 1 Press t he appropri at e Sequence but t on on t he panel MARCH WALTZ SWING BOUNCE SLOW ROCK TANGO LATIN 1 LATIN 2 8 BEAT 16 BEAT USER 1 USER 2 USER 3 USER 4 A B U...

Page 149: ...m sequencesst artfrom t he l ow estnum berand pl ay i n order aut om at i cal l y t o t he hi ghestnum ber For exam pl e i f you press Sequence but t ons 4 2 and 1 i n t hatorder t he sequences w i l lbe pl ayed back i n t hei r num eri c order 1 2 t hen 4 Thi s funct i on effect i vel y al l ow syou t o m ake a l ong rhyt hm sequence t hatexceeds t he 120 pat t ern m em ory l i m i tofa si ngl e ...

Page 150: ... o di sk D oi ng so al l ow s you t o free up m em ory i n t he El ect one forcreat i ng addi t i onalrhyt hm s and sequences A l so t he U ser rhyt hm s and sequences youﾕve saved t o di sk can be l oaded back t o t he El ect one any t i m e R hyt hm Pat t ern and R hyt hm Sequence dat a are i ncl uded i n t he bul k dat a t hati s saved w hen you record regi st rat i ons t o di sk R efert o t he...

Page 151: ...he LeftFoot sw i t ch can be sett o cont rolone of t he fol l ow i ng funct i ons G l i de Trem ol o rhyt hm controls A ssi gnm ent s of t he funct i ons are m ade i n t he FO O TSW ITC H pages To sel ectt he Foot sw i t ch pages Presst he FO O T SW but t on i n t he D ISPLA Y SELEC T sect i on FO O TSW ITCH LEFT page O FF C ancel sLeftFoot sw i t ch cont rol VOICE EDIT PATTERN SEQUENCE RHYTHM PRO...

Page 152: ...er G lide Pressing the Footsw itch i m m edi at el y l ow erst he pi t ch oft he sel ect ed voi ce orvoi cesby a hal fst ep and rel easi ng i tsl ow l y ret urnst he pi t ch t o t he ori gi nal W hen t he G l i de set t i ng i s chosen t he fol l ow i ng di spl ay appears FO O T SW ITC H LEFT PageﾑG l i de 2 1 1 V oi ce Sect i ons G LID E C O N TR O L The G l i de funct i on can be appl i ed t o a...

Page 153: ... o M ode U pperM ode 1 Sust ai n To sel ectK nee Levercont roloverSust ai n 1 M ake sure t hatt he U pperand orLow erSust ai n effectpanelcont rol s have been t urned on ot herw i se t he K nee Leverw i l lhave no effect SUSTAIN UPPER KNEE LOWER KNEE PEDAL 2 Fol d t he K nee Leverdow n 3 Press t he K nee Levert o t he ri ghtw i t h yourknee w hen you w antt o have sust ai n 1 W hen t he K nee Leve...

Page 154: ...FAST U FLUTE VOICE FOOT SW REGIST SHIFT EXP PITCH MIDI VOICE DISPLAY EFFECT SET A B C M O C DISPLAY SELECT N O TE Ift he K N EE i s sett o O N t he M el ody O n C hord cannotbe appl i ed w i t houtusi ng t he K nee Lever 3 Lead Sl i de To sel ectK nee Levercont roloverLead Sl i de 1 C al lup t he Lead C ondi t i on di spl ay by pressi ng a Lead V oi ce but t on t w i ce ort he D at a C ont rolbut ...

Page 155: ... i t ones t he set t i ng 12 W ID E resul t s i n a l arge am ountofpi t ch vari at i on w i t hi n ｱone oct ave Thi s cont roli s t he sam e as forTem po bel ow t he t w o cannotbe used i ndependent l y 2 V oi ce Sect i ons PITC H B EN D Sel ect s t he voi ce sect i ons t o w hi ch t he Pi t ch B end funct i on w i l lbe appl i ed Pi t ch B end can be sel ect ed i ndependent l y ort oget herfor U...

Page 156: ...Pi t ch B end above t he t w o cannotbe used i ndependent l y 3 TEM PO O n offsw i t ch forcont rolovert he rhyt hm t em po W hen on pressi ng t he pedalw i t h yourt oe speeds up t he t em po pressi ng i tw i t h your heelsl ow si tdow n R el easi ng t he pedalfrom ei t herposi t i on causesi t t o ret urn t o cent er rest ori ng t he ori gi nalt em po N O TE D onﾕtuse t he Pi t ch B end and Tem ...

Page 157: ...nel y adj ustt he t uni ng These feat ures m ake i teasy t o change t he key of a song t o accom m odat e a vocal i st ﾕs range or t o preci sel y m at ch t he t uni ng of anot her i nst rum ent N O TE The defaul tPi t ch i s 440 0H z A 3 N O TE The pi t ch changes cannotbe recorded t o t he M usi c D i sk R ecorder Transpose and Pitch Controls 11 A boutt he Pi t ch Each voi ce i s t uned w i t h ...

Page 158: ...w i t h t he Page but t ons M ID IC O N TR O L Page 1 PAGE 1 O ut put Transm i t C hannel s For setting the channels over w hich M ID I inform ation w ill be t ransm i t t ed A ny channelfrom 1 t hrough 16 can be assi gned t o each keyboard the U pper keyboard the L ow er keyboard and the Pedal board U PPER 1 16 LO W ER 1 16 PED A L 1 16 The M ID Irecei ve channelofeach connect ed M ID Idevi ce sh...

Page 159: ... oneﾕs panelcont rol s Set t i ng t hi s t o Ext ernalgi ves t i m i ng cont rolt o t he connect ed rhyt hm m achi ne 3 EX P D et erm i nest he cont roloft he expressi on pedalfunct i ons O rdi nari l y t hi scont roli ssett o A ut o H ow ever w hen i ti ssett o IN T you can m anual l y cont rolt he expressi on pedalfunct i ons duri ng M D R pl ayback W hen sett o EX T anot her ext ernal El ect on...

Page 160: ... s on t he connect ed devi ce 2 O utput Jacks 2 1 A U X O U T Phone L R 2 2 A U X O U T R C A L R These t w o separat e set s of st ereo out put s are for connect i on t o ext ernal am pl i fi cat i on speakersyst em s 3 H EA D PH O N ES Phone Forconnect i on ofa st ereo headphone set W hen headphones are connect ed t o t hi sj ack sound t o t he El ect oneﾕsbui l t i n speakersyst em i saut om at...

Page 161: ...M ID Ichannel settings N O TE See page 163 form ore i nform at i on on t he M ID Im essages Set t i ng exam pl es U si ng t he TO H O ST t erm i nal Ifyou w antt o connectyourEl ect one w i t h a personalcom put er a M ID Ii nt erfacew i l lbenecessary H ow ever usi ng aseparat el y avai l abl e Seri alC abl e al l ow s you t o di rect l y connectt hem bet w een t he TO H O ST t erm i nalofyourEl ...

Page 162: ...t o be pl ayed usi ng El ect oneﾕsvoi ces The M ID It ransm i tchanneloft he M ID Ikeyboard m ustm at ch t he recei ve channelofyourEl ect one The channel s1 2 and 3 fort he U pper Low erand pedalvoi ces respect i vel y EL 900 can be pl ayed as a rhyt hm m achi ne by pl ayi ng t he ext ernalM ID Idevi ce The M ID It ransm i t channeloft he M ID Ikeyboard shoul d be 15 i n t hi s case EL 900 w i l ...

Page 163: ... on not e range i s C 2 0 ﾐ G 8 127 C 3 60 V el oci t y Indi cat eshow hard t he key i shel d The range i s1 ﾐ 127 N ot e O ff G enerat ed w hen a key i srel eased Program C hange The Program C hange m essagesal l ow you t o change voi cesi n t he m i ddl e ofa song W i t h t hese m essagesyou can change t he regi st rat i onsoft he EL 900 Appendix 14 N O TE Form ore det ai l ed i nform at i on se...

Page 164: ...onalcom put er and w hi ch can send and recei ve syst em excl usi ve m essages Send t he R egi st rat i on D at a from t he EL 900 t o t he PersonalC om put er PC Preparation 1 Sett he St ri ngsvoi ce on t he U pperK eyboard oft he EL 900 PressSTR IN G S but t on fort he U pperK eyboard V oi ce 1 sect i on and sel ectSt ri ng 1 from t he St ri ngsM enu 2 St ore t he regi st rat i on t o t he R egi...

Page 165: ...PC t o yourEL 900 m akesi t possi bl e t o change t he regi st rat i on on t he EL 900 2 Send t he Program C hange m essage ﾒC F 00ﾓ H exadeci m al t o t he EL 900 O nce the Program C hange m essage is received the E L 900 aut om at i cal l y t urns t he R egi st rat i on M em ory but t on 1 on Sendi ng t he N ot e O n M essages 3 Send t he N ot e O n m essage ﾒ90 30 7Fﾓ H exadeci m al t o t he EL...

Page 166: ...deci m al from t he sequenci ng soft w are PC t o t he EL 900 N D evi ce N um ber O nce the X G System O n m essage is received the internaltone generat orw i l lbe i n t he X G M ode al l ow i ng t he EL 900 t o al lt he M ID I m essagesdefi ned by t he X G form atsuch asN R PN and B ank Sel ect N O TE The M D R sect i on oft he EL 900 al l ow s you to play back the com m ercially avai l abl e X ...

Page 167: ... forV A V oi ces 1ch 1ch U K B n 40 00 7F H ol d 5 14ch X G B n 41 00 7F Portam ento 5 14ch X G B n 42 00 7F Sostenuto 5 14ch X G B n 43 00 7F Soft Pedal 5 14ch X G B n 47 00 7F R esonance 5 14ch X G B n 48 00 7F R elease T im e 5 14ch X G B n 49 00 7F A t t ack Ti m e 5 14ch X G B n 4A 00 7F B rightness 5 14ch X G B n 54 00 7F Portam ento C ontrol 5 14ch X G B n 5B 00 7F R everb Send Level 5 14ch...

Page 168: ...ch LEA D 1 B n 05 00 7F Portam ento Tim e 1 16ch B n 06 00 7F D ata Entry 1 16ch B n 26 00 7F B n 07 00 7F V olum e 1 16ch B n 0A 00 7F P an 1 16ch B n 0B 00 7F E xpression 16ch 1 16ch C ont rol B n 10 00 7F A ft erTouch forV A V oi ces 1ch U K B n 40 00 7F H ol d 1 16ch B n 41 00 7F Portam ento 1 16ch B n 42 00 7F Sostenuto 1 16ch B n 43 00 7F Soft Pedal 1 16ch B n 47 00 7F R esonance 1 16ch B n ...

Page 169: ...hen i n t he Ext m ode 3 Syst em Excl usi ve M essages 3 1 Form at U niversal R ealtim e M essages C ode H exadecim al M essage T ransm it R eceive F0 7F 7F 04 01 SS T T F7 X G M ast er V ol um e ｯ X N U niversal N on R ealtim e M essages C ode H exadecim al M essage T ransm it R eceive F0 7E 7F 09 01 F7 G M O N ｯ X N X G N at i ve C ode H exadecim al M essage T ransm it R eceive F0 43 1N 4C A H A...

Page 170: ...o Send D ata ｯ 78 ｯ I D ｯ F0 43 70 70 nn 2 F7 R equest to R eceive D ata ｯ 78 ｯ I D ｯ F0 43 70 70 01 ID 1 ID 2 SPl SPh D C l D C h F7 R equest to Send V oice param eter data ｯ 78 ｯ I D ｯ F0 43 70 70 02 ID 1 ID 2 SPl SPh D C l D C h F7 R equest to R eceive V oice param eter data ｯ 78 ｯ I D ｯ F0 43 70 70 30 F7 R equest to Send M odel ID data ｯ F0 43 70 70 38 7F F7 B ulk D um p A cknow ledge ｯ 00 B u...

Page 171: ...7F ｯ 00 7F V ol um e D at a 00 M A X 7F M IN 1A R hythm ｯ 00 7F ｯ 00 7F V ol um e D at a 00 M A X 7F M IN 1B R everb ｯ 00 7F ｯ 00 7F D ept h D at a 00 M A X 7F M IN Fl ut e V oi ce C o d e Sw itch T ransm it T x R ange R eceive R x R ange R em arks 30 U pper Fl ut e V oi ce ｯ 00 01 ｯ 00 01 00 O FF 01 O N 31 Low er Fl ut e V oi ce ｯ 00 01 ｯ 00 01 00 O FF 01 O N To Low er C o d e Sw itch T ransm it ...

Page 172: ...B Low er K eyboard ｯ 00 01 ｯ 00 01 00 O FF 01 O N 5C Pedal B oard ｯ 00 01 ｯ 00 01 00 O FF 01 O N D i sabl e C o d e Sw itch T ransm it T x R ange R eceive R x R ange R em arks 5F D isable ｯ 00 01 ｯ 00 01 00 O FF 01 O N Trem ol o C o d e Sw itch T ransm it T x R ange R eceive R x R ange R em arks 60 Trem olo ｯ 00 01 ｯ 00 01 00 SLO W 01 FA ST R hyt hm Sequence C o d e Sw itch T ransm it T x R ange R...

Page 173: ... MAX 00 MIN 7F MAX 00 Brilliant 40 Center 7F Mellow 00 Preset 01 16Feet 02 8Fee 03 4Feet 04 2Feet 00 Right 40 Center 7F Left 00 Min 7F Max 00 Min 7F Max 00 PRESET 01 USER 00 Short 7F Long 00 Min 7F Max 00 Slow 7F Fast 00 Narrow 7F Wide 00 OFF 01 ON 00 OFF 01 ON 00 OFF 01 ON 02 KneeControl 02 Slow 7F Fast 00 Normal 24 TuneUP 00 OFF 01 ON 00 OFF 01 ON 00 7F 00 0F 00 0D 00 7F 00 7F 00 15 2B 40 55 6B ...

Page 174: ...01 ON 00 MIN 7F MAX 00 MIN 7F MAX 00 07 PresetParameter 40 47 UserParameter 40 47 UserParameter 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 43 7F 00 7F 00 7F 00 7F 30 48 00 7F 00 01 00 7F 00 7F 00 07 40 47 40 47 fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 01 7F 00 7F 00 7F 00 07 40 47 40 47 Addr...

Page 175: ...00 02 00 02 01 02 01 02 00 02 00 02 00 02 00 02 00 02 00 02 00 00 00 00 00 00 00 00 01 00 01 10 11 40 42 48 4A 50 58 5B 60 62 68 69 00 0B 10 11 12 14 15 16 17 00 03 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 1 00 01 00 0C 00 01 00 08 00 65 67 98 00 0B 00 7F 00 7F 00 01 00 7F 00 01 00 03 00 01 00 01 15 3D 00 01 00 01 08 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 62 00 0B 00 7F 00 7F 00 01 00 7F 00 01 00 01 ...

Page 176: ...0 7F 00 03 00 01 00 01 00 03 00 01 Pattern Selector Number Volume Mute Volume Reverb Send Level A B C Mode Lower Memory Pedal Memory M O C Mode M O C Knee Cntrol 00 01 02 03 00 01 00 7F 00 7F 00 01 02 03 00 01 00 01 00 01 02 03 00 01 fl fl fl fl fl fl fl fl fl 00 01 02 03 00 01 7F 00 7F 00 7F 00 04 7F 01 02 03 00 01 7F 00 01 7F 00 04 7F 01 02 03 00 01 7F Parameter Content Transmit Tx Range Rx Rang...

Page 177: ...mal 46 KeyUp 01 100 0C 1200 00 OFF 01 Rhythm 02 Glide 03 Tremolo 3C PitchDown 40 Normal 4F PitchUp 01 Slow 05 Fast 34 Upper 40 Center 4C Lower 00 Mode1 01 Mode2 00 Internal 01 External 00 01 00 01 3A 40 46 01 0C 00 01 02 03 3C 4F 04 1C 34 4C 00 01 00 01 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl 00 01 7F 00 01 7F 3A 40 46 01 0C 00 04 7F 01 02 03 3C 4F 00 7F...

Page 178: ...nH v 1 127 fl 9nH v 0 8nH fl fl 6 fl 6 fl 7 fl 6 fl 6 7 fl 8 fl 6 fl 6 fl 6 fl 6 fl 6 fl 6 fl 11 fl 9 fl fl 123 127 11 fl Mode 3 0 127 4 fl fl 5 Bank Select 2nd Expression Pedal Data Entry Expression Pedal VA After Touch Data Entry SW Sound Controller NRPN RPN FAH FCH fl YES NO Date 14 Jan 1998 Version 1 00 YAMAHA Electone EL mode Model EL 900 Mode 2 OMNI ON MONO Mode 4 OMNI OFF MONO Transmit Func...

Page 179: ...ter Touch Data Entry SW Sound Controller NRPN RPN Date 14 Jan 1998 Version 1 00 YAMAHA Electone XG mode Model EL 900 Mode 1 OMNI ON POLY Mode 3 OMNI OFF POLY fl YES NO Mode 2 OMNI ON MONO Mode 4 OMNI OFF MONO Transmit 12 Function Receive Remarks Basic Channel Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Messages Notes...

Page 180: ...180 Appendix 14 M em o Downloaded from http www usersmanualguide com ...

Page 181: ...be t he source oft he probl em Thi si scaused by t he proxi m i t y ofa hi gh pow erbroadcast i ng st at i on an am at eur ham radi o set up ora m obi l e phone B ecause t he El ect one i scapabl e ofproduci ng pow erfulbasssounds resonance m ay be caused i n surroundi ng obj ect s such ascabi net sorgl assw i ndow s To avoi d t hi s rel ocat e t he obj ect sorl ow ert he El ect oneﾕsvol um e Thi ...

Page 182: ...pl ay page 68 TO LO W ER but t ons i n t he Pedalvoi ce sect i ons are t urned on Turn t he funct i on off Thi s m ay occur w hen you com pare t he El ect oneﾕs sounds w i t h t he one of pi anos B ecause oft he di fference oft he harm oni csst ruct ure t he t uni ng syst em oft he El ect one i sdi fferentfrom t he pi anoﾕsi n t he hi gherand l ow erranges Y ou m ay fi nd t hese m ai nl y i n t he...

Page 183: ... m um of40 songs The am ountofrecorded dat a on t he di sk i scl ose t o t he m axi m um l i m i t Ei t her use anot herdi sk ordel et e t he dat a ofany unnecessary song num ber The M D R is designed so thatthe rhythm cannotbe started atthe very begi nni ng of a recordi ng If you w i sh t o use t he rhyt hm st arti taft er t he avai l abl e m em ory di spl ay appearson t he M D R di spl ay D urin...

Page 184: ...Upper 1 2 Lower 1 2 Lead 1 2 Pedal 1 2 Manual Balance Flute Voices 16 8 51 3 4 22 3 2 13 5 1 Attack 4 22 3 2 Length Mode Each First Click Response Tremolo On Off Reverb Volume 8 Presets 8 User Voices On Off Control Upper Lower On Off Operator 1 2 3 4 5 6 7 8 Output Level Attack Rate Decay 1 Rate Decay 1 Level Decay 2 Rate Release Rate AWM Output Level Attack Rate Decay Rate Release Rate Low High O...

Page 185: ... Lead 1 2 Time Tremolo On Off Right Regist Shift Mode Off Shift Jump User On Off Sustain Upper Lower MOC Lead Slide Solo Upper Mode Pitch Bend On Off Upper LeadPedal 1 2 Range 1 12 Tempo Range 1 12 Transpose 6 6 Pitch 438 8Hz 444 5Hz 480 x 160 Full Dot Power On Off Exp Pedal Right Left Footswitches 2nd ExpressionPedal Pitch Control Transpose Master Volume Display Select Data Controls Page Coarse H...

Page 186: ...M 121 E EACH FLUTE VOICE 41 EDIT REGIST SHIFT 84 EDIT RHYTHM PROGRAM 132 136 EDIT VOICE EDIT 110 EFFECT 46 EFFECT SET 48 ENDING 60 Envelope Parameter VOICE EDIT 122 EXP EXPRESSION 11 155 EXP PITCH MIDI 155 158 159 EXTEND ED Set 63 129 131 F Fast Forward Reverse 102 FB DELAY 50 FB FLANGER 51 Feed Back VOICE EDIT 122 FEET 46 FILL IN 61 Fingered Chord 68 FIRST FLUTE VOICE 41 FLANG FLANGER 47 50 FM 12...

Page 187: ...REVERB 52 SET SEQUENCE 147 SHIFT END 83 SHIFT MDR 89 SHIFT REGIST SHIFT 82 Single Finger 68 SLIDE 48 SLOW CHORUS 58 SOLO KNEE 29 SOLO Mode 29 SONDIUS X G 4 SONG COPY 104 SONG DELETE 106 SONG NAME 92 SONG REPEAT 99 SONG SELECT 90 SPEED FLANGER 51 SPEED TREMOLO 58 SPEED VIBRATO 47 START 60 STEP WRITE 130 132 STOP CHORUS 58 STOP MDR 91 98 STOP SHIFT END 83 SUSTAIN 55 SYMP SYMPHONIC 47 49 SYNCHRO STAR...

Page 188: ... tv dvd and othes Manual users user manuals user guide manual owners manual instruction manual manual owner manual owner s manual guide manual operation operating manual user s manual operating instructions manual operators manual operator manual product documentation manual user maintenance brochure user reference pdf manual Downloaded from http www usersmanualguide com ...

Reviews:

No comments

Related manuals for Electone EL-900

BIGFUN BF-420 Manual preview
BF-420
Brand: BIGFUN Pages: 4
Hamlet XKK400ITA User Manual preview
XKK400ITA
Brand: Hamlet Pages: 9
Krüger & Matz KM0758 Owner'S Manual preview
KM0758
Brand: Krüger & Matz Pages: 20
Chinavision CVPT-A163 User Manual preview
CVPT-A163
Brand: Chinavision Pages: 5
Acrox Technologies KB15 User Manual preview
KB15
Brand: Acrox Technologies Pages: 8
Electron Analog Keys Getting Started Manual preview
Analog Keys
Brand: Electron Pages: 20
POSIFLEX PST KB136 Series User Manual preview
PST KB136 Series
Brand: POSIFLEX Pages: 42
POSIFLEX KB3100 User Manual preview
KB3100
Brand: POSIFLEX Pages: 58
Evolve LK642 User Manual preview
LK642
Brand: Evolve Pages: 4
TT Tech SnapNType User Manual preview
SnapNType
Brand: TT Tech Pages: 10
Roland Edirol PCR-80 Owner'S Manual preview
Edirol PCR-80
Brand: Roland Pages: 184
IBM 3277 Troubleshooting Manual preview
3277
Brand: IBM Pages: 124
Incipio ClamCase Pro Quick Start Manual preview
ClamCase Pro
Brand: Incipio Pages: 25
Mad Catz S.T.R.I.K.E. 7 User Manual preview
S.T.R.I.K.E. 7
Brand: Mad Catz Pages: 17
Ergotron 97-487-800 User Manual preview
97-487-800
Brand: Ergotron Pages: 7
Goldtouch GTP-0044 User Manual preview
GTP-0044
Brand: Goldtouch Pages: 4
perixx VALUE CREATOR PX-5300 User Manual preview
VALUE CREATOR PX-5300
Brand: perixx Pages: 117
Palm Portable Keyboard Handbook preview
Portable Keyboard
Brand: Palm Pages: 24

Brands by name

Popular brands

Load more brands