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A3000 Guide 

32

Below you will find an overview of all sounds combined in  the  XMP  Multi.  The
sound-to-channel  assignments  follow  the  track  assignments  of  the  diverse  Style
Packs for YAMAHA synthesizers, in which MIDI channels 9–16 are reserved for the
"backing tracks".
Fig. 3 = XMP Multi

Sample Bank MIDI channel

Sound

 

01 Arpeggio

1

        Analog Synth for arpeggios

02 Leadsyn

2

      Solo synthesizer

03 Melody

3

Piano-like melody sound

04 VC-SAT

4

        Sound effect

05 Mezzo

5

     Sequencer Synth

06 Sweep

6

        Synthsweep

07 Percusyn

7

    Percussive Synth

08 Percussion

8

    Drum Percussion

09 Bassdrums

9

         4 Bassdrums

10 HiHat

10

            Open Hi Hat

11 Snare

11

       Snare drum

12 Bass 1

12

      Synth bass 1

13 Bass 2

13

      Synth bass 2

14 SQ

14

   Sequencer Synth

15 Softsyn

15

Soft synthesizer sound

16 Synstrings

16

Synth String ensemble

Next you can modify some parameters of these sounds to your own preferences. This
can most easily be done using the EASY EDIT function. Here the Sample Banks of
the current Program are modified.
Using  knob  1,  switch  between  the  EASY  EDIT  parameter  display  and  the
Program/Sample Select page, in which you can use knob 2 to select Sample Banks 1
to 16 for editing. You will use these two pages very often during the production of
sequencer songs.
Selecting single Sample Banks for editing can also be done automatically via MIDI
during sequencer playback. However, this only works if the corresponding sequencer
tracks are played back SOLO. To do this, simply set the parameter  MIDI>Smp to
on (Pgm-Select page = push on knob 1). If for example MIDI events are received on
channel 9, the Sample Bank set to MIDI channel 9 will automatically be selected.
However you must be careful: as soon as the sequencer track is no longer  set  to
SOLO, the selection is canceled. If you want to make certain settings while hearing
other tracks at the same time, you must switch MIDI>Smp back to off and select the
Sample  Bank  manually,  as  described  above.  Experience  shows  that  it  can  be
worthwhile to change frequently between manual and automatic selection, depending
on the situation. This is because it is a professional working method to switch back
and forth between SOLO and MIX as you edit tracks.

Another hint for LOGIC and CUBASE Users  (PC/MAC): On the QUICK DISK you
will find an Environment or  Mixer-Map, with which you can control the following
parameters for each MIDI channel: Volume, Pan, Cutoff, Q/Width, AEG  Attack,
AEG Release. The faders work if the factory-set values of the Controller Matrix have
been kept and FILTER Type is not set to BYPASS. Furthermore, some faders for
Controllers 91–94 have been created to change the  effect  parameters  assigned  in
PLAY – CONTROL. In LOGIC the CABLES from MODEM OUT must be re-routed
to the SEQUENCER INPUT if fader movements are to be recorded.

Summary of Contents for A3000

Page 1: ...A3000 Guide 1 Quick Guide by Peter Krischker YAMAHA EUROPA GMBH 6 97 PDP A3001...

Page 2: ...ects Diagram 6 Quick Start 7 Controls 7 PLAY Mode 8 EDIT Mode 13 RECORD Mode 21 DISK Mode 22 UTILITY Mode 26 The A3000 in Multi Mode 30 Introduction 30 Organizing Multis 31 Effects and their Effect 32...

Page 3: ...and sample banks selected in the Program ToPgm on are usable as active Parts or as a MULTI Part by setting a different MIDI channel for each sample or sample bank or as part of SINGLE LAYER or SPLIT...

Page 4: ...s that are spread over the keyboard i e a Multisample these can be combined into a Sample Bank and managed as a whole Another feature of the sound structure of the A3000 In addition to the actual samp...

Page 5: ...m The sample parameters of the samples and the sample banks are not actually changed instead they are modified for the Program only The EASY EDIT page is perfectly suited for multi or performance prog...

Page 6: ...utput Level Assign Output Level MIDI Receive Ch MIDI Control Effects 1 2 3 Setup A D Input parameters Controller setup A3000 Sample Waveform data mono stereo Sample Parameter Sample Start End Sample L...

Page 7: ...r rotary function is used to set the parameters displayed in the LCD or to call up other display pages A red illuminated LED above the knob indicates that a push function is available during editing H...

Page 8: ...Samples SAVE ALLSmp Saves all Samples SAVE Pgm Saves the current Program together with the Samples For all SAVE Types you can choose the target drive the target volume and the target Program if appli...

Page 9: ...Samples one after each other the A3000 converts the duplicates to real copies which use the same amount of memory as the original samples SmpSort Logical sorting of the Samples helps you keep a better...

Page 10: ...a complete list of all Edit Parameters please refer to pages 119 120 of the Owner s Manual There you will see that these are exactly the same parameters as you would find under Part Parameters of Perf...

Page 11: ...gth of a drum loop to the song tempo using the BEAT CHANGE effect As a starting point to this endeavor you can call up the Program ModWheel The effect parameters can in general be used without modific...

Page 12: ...her the Control values are reset after a Program change on or not off Besides Portamento S H Speed AD Pan AD Level and Program Level almost all effect parameters are controllable By controlling the A3...

Page 13: ...mple is selected via MIDI by watching the Orig Low and High keys In this way you can select Samples for editing in any page of EDIT Mode This is particularly useful when editing drum sets Switch any d...

Page 14: ...ing the start point to the end of the Sample Move the start point towards the beginning and find the lowest value the earliest position where still nothing can be heard Transfer the found value to the...

Page 15: ...SAMPLE parameters like Filter LFO and Envelope settings as default values for any new Samples into a special memory area These settings are non volatile and are not lost after switching off Special H...

Page 16: ...idth modifies the stereo spread using PAN The lower the Width value the narrower the spread Special Hint Expand function The Expand parameters offer some of the most impressive possibilities for modif...

Page 17: ...rate is set to 127 only a short click can be heard as the Decay Rate is extremely short AEG The Amplitude Envelope Generator controls volume change over time by applying the ADSR envelope AEGMode Wit...

Page 18: ...Owner s Manual p 203 207 F6 MIDI CTRL RCh Alt For each of the Samples or Sample Banks you can specify a MIDI ReceiveCh However if the MIDI channels have already been set at the Program level using EA...

Page 19: ...the ASSIGN key This assignment is made by UTILITY PANEL PLAY Knob Set Thus for a new program the above parameters following ASSIGN can be instantly controlled with the knobs Controllers 74 and 71 can...

Page 20: ...ates as MIDI files into your sequencer program the illustration will be helpful only as an overview since in this case the tracks will not divided into parts The TestSQ in the last track can be used t...

Page 21: ...you specify a Pre Trigger Period The recording will then have already begun before the trigger level is reached which avoids cutting off the beginning of the attack of the recorded sound However this...

Page 22: ...mpting to add effects to the sound being recorded in order to make the effects section available for other tasks In most cases however it is best to record without the effects or at least to record an...

Page 23: ...l tracks or several sounds of a track you can also start a recording series On the Target page set the parameter Sample to New However the parameters Scr Level and Pre Trigger must be very well adjust...

Page 24: ...isk i e Program 001 to 001 002 to 002 etc With All all Programs of the selected Volume are loaded completely overwriting Programs residing in memory If you want to load Programs to any desired Program...

Page 25: ...Owner s Manual p 252 258 and 268 271 F6 IMPORT Using the IMPORT function you can load Samples that have not been saved in the A3000 format Standard MIDI Files SMF can also be imported ImpSmp loads sin...

Page 26: ...mes in handy when a MIDI keyboard is not within reach of the A3000 and you need to audition Sounds Special Hint Realtime control The result of adjusting the controllers with the knobs depends on the a...

Page 27: ...after importing these as SMF files see above you can play them back as sequences and control any GM or XG sound module In the same way you can create your own songs or edit existing ones using an exte...

Page 28: ...t defaults are Last Function and Last Page FreeMem These are the amounts of free memory space for both the waveform memory Wave and the parameter memory Param COMMAND functions SAVESYS and LOADSYS let...

Page 29: ...Bend data Bulk Protect on disables the reception of Bulk data If for example a MIDI Sample Dump is to be received from a computer or another sampler Protect must be set to off The Device sets the dev...

Page 30: ...kely to be used as Setup data for sound settings rather than for mixing functions Volume Pan or for realtime control parameters of the Controller Matrix On the A3000 it is not recommended that you use...

Page 31: ...plete set and set to MIDI channel 10 This would be possible though since single drum instruments in a drum set programmed as a Sample Bank can still be individually edited as Samples However editing i...

Page 32: ...g can also be done automatically via MIDI during sequencer playback However this only works if the corresponding sequencer tracks are played back SOLO To do this simply set the parameter MIDI Smp to o...

Page 33: ...ds the possibilities of an effects processor We are pleased to say that using Expand EQ and Filter Gain the sound of a Sample can already be manipulated in many ways before passing to the actual effec...

Page 34: ...fter that the effects are free again to be used with other sounds You can proceed in the same way if you are creating your own drum loops by playing several drum instruments at a time via the sequence...

Page 35: ...a MIDI File Format 1 74DOW1 MID as Standard MIDI File Controller Templates for CUTOFF control 074 Format 0 8 bars each descending 74DOW2 MID as Standard MIDI File Controller Templates for CUTOFF cont...

Page 36: ...s the expand function and effects etc are used to the fullest The waveforms constitute the basis for all popular synthesizer sounds analog oscillators complex sound textures wave sequences synth pads...

Page 37: ...ice Peter Krischker Am Langberg 97 A 21033 Hamburg Germany Phone 49 40 738 62 23 Fax 49 40 739 84 12 _____________________________________________________________________ ______ Further sound material...

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