
A
l e x A n d r i A
x l F O
w n e r
’
s
M
A n u A l
50
W i l s o n A u d i o S p e c i a l t i e s
ing through the slots provided in the module handle. There are alignment
tracks that accommodate the spikes. Refer to the Propagation Delay Table
to determine the numbered indent in which to rest the rear spike.
• It is now safe to install the rear spike by lifting the module by its rear han-
dle and carefully screwing in the spike.
• The rear spike track is indexed numerically. Refer to your marks on the
Propagation Delay Table in Section 8 to determine the numbered detent in
which to rest the rear spike.
Install the High Frequency Module (HFM) as follows:
• With the front pair of short spikes pointing down, carefully lower the HFM
between the alignment wings and set the front two spikes on top of the
LMRM enclosure. Align the spikes into the alignment tracks. Install the rear
spike by lifting the rear of the HFM and carefully screwing it in.
• Refer to the Propagation Delay Table in Section 8 to determine the proper
location of the rear spike, noting that the position will be different from
the LMRM.
Install the Upper Midrange Module (UMRM) as follows:
• With the front pair of short spikes pointing down, carefully lower the
UMRM between the alignment wings. Set the front two spikes on top of the
HFM enclosure, into the tracks. Install the rear spike by lifting the rear of
the UMRM and carefully screwing it in.
• Refer to the Propagation Delay Table in Section 8 to determine the proper
location of the rear spike, noting that the position will be different from
the other two modules.
Section 4.4—Connecting the Upper Modules’ Signal Cable
The Alexandria uses binding posts that were designed in-house and are manufac-
Summary of Contents for Alexandria XLF
Page 1: ...A l e x a n d r i a X L F O w n e r s M a n u a l...
Page 2: ......
Page 7: ...S e c t i o n 1 I n t r o d u c t i o n S e c t i o n 1 I n t r o d u c t i o n...
Page 8: ......
Page 16: ...A l e x a n d r i a XL F O w n e r s M a n u a l 16 Wi l s o n A u d i o S p e c i a l t i e s...
Page 17: ...S e c t i o n 2 I n Yo u r R o o m...
Page 18: ......
Page 32: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 33: ...S e c t i o n 3 I n i t i a l S e t u p...
Page 34: ......
Page 41: ...S e c t i o n 4 F i n a l S e t u p...
Page 42: ......
Page 65: ...S e c t i o n 5 C a r e o f t h e A l e x a n d r i a...
Page 66: ......
Page 71: ...S e c t i o n 6 T r o u b l e s h o o t i n g S e c t i o n 6 T r o u b l e s h o o t i n g...
Page 72: ......
Page 76: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 77: ...S e c t i o n 7 S p e c i f i c a t i o n s S e c t i o n 7 S p e c i f i c a t i o n s...
Page 78: ......
Page 81: ...S e c t i o n 8 A l i g n m e n t Ta b l e s...
Page 82: ......
Page 89: ...S e c t i o n 9 Wa r r a n t y I n f o r m a t i o n...
Page 90: ......
Page 94: ...A l e x a n d r i a XL F O w n e r s M a n u a l 94 Wi l s o n A u d i o S p e c i a l t i e s...