UDO Super Gemini — Owner’s Manual
72
Use the layer selector toggle switch to select the layer for which you would
like to adjust modulation settings related to the bender and LFO 2. You
have the choice between three options:
• BOTH:
Select this option if you want to create the same bender and
LFO 2 specific modulation settings for both layers. If you toggle to this
position from either
UPPER
or
LOWER
, the current settings for the
upper layer are applied to both layers.
• LOWER:
Select this option if you want to create bender and LFO 2
specific modulation settings for the lower layer.
• UPPER:
Select this option if you want to create bender and LFO 2
specific modulation settings for the upper layer.
Suppose you would like individual pitch-bend ranges for two pad sounds
layered in dual mode. A pitch-bend range of one octave (+/- 12 semitones)
should be applied to the oscillators of the upper layer and a pitch-bend
range of a fifth (+/- 7 semitones) should be applied to the oscillators of the
lower layer:
1. Toggle the layer selector switch to
UPPER
.
2. Toggle the oscillator selector switch to
1 + 2
.
3. Move the rightmost
DDS
fader to the highest position.
4. Toggle the layer selector switch to
LOWER
.
5. Toggle the oscillator selector switch to
1 + 2
.
6. Move the rightmost
DDS
fader to the position where the pitch-bend
range equals a fifth.
Moving the bender horizontally to its extreme positions bends the pitch
of the upper layer oscillators by an octave, while bending the pitch of the
lower layer oscillators by a fifth. This allows you to introduce complex
harmonic relations by moving just one performance control. After tweaking
the settings to your liking, make sure to save either the performance or
both patches.
Portamento
When portamento is enabled, the pitches of the notes you play slide from
one note to another. The higher the portamento time, the longer it takes for
a note to slide to the pitch of the following note.
The portamento time is also determined by the intervals between the
played notes. Smaller intervals result in faster pitch slides, while larger
intervals result in slower pitch slides.
When you change chords, each note slides at a different rate depending
on the pitch of each note and the intervals between the triggered voices.
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