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UDO Super Gemini — Owner’s Manual

UPDATING THE FIRMWARE

PERFORMANCE CONTROL

SECTION

RIBBON CONTROLLER

ADDITIONAL CONTROLS &

PARAMETERS

USING THE MODULATION

MIDI SPECIFICATIONS

GLOSSARY

SUPPORT INFORMATION

PERFORMANCE CONTROL SECTION

Conceived as a true performance instrument that will greatly enhance your

expressiveness, the Super Gemini features a comprehensive performance

control section in addition to its ribbon controller and a 61-note velocity-

sensitive Fatar keyboard capable of polyphonic aftertouch. Settings in the

performance control section can affect both layers either individually or

together.

The Super Gemini’s performance control section.

The performance control section allows for a number of different

modulations and features immediate and versatile controls that can be

easily accessed and adjusted while playing.

Summary of Contents for SUPER GEMINI

Page 1: ...UDO SUPER GEMINI OWNER S MANUAL 2023 UDO AUDIO VERSION 1 0 NOVEMBER 2023 20 VOICE DUAL LAYER POLYPHONIC BINAURAL ANALOG HYBRID SYNTHESIZER UDO AUDIO COM...

Page 2: ...UDO SUPER GEMINI OWNER S MANUAL 2023 UDO AUDIO VERSION 1 0 NOVEMBER 2023 SUPPORT DOWNLOADS UDO AUDIO COM...

Page 3: ...ng a Performance 16 Editing a Performance 18 Storing a Performance 18 Patches 19 Loading a Patch 19 Starting from the Init Patch 21 Editing a Patch 22 Storing a Patch 23 Comparing an Edited With a Sto...

Page 4: ...Envelope 1 in Loop Mode 48 ENV 2 Envelope 2 50 LFO 1 Low Frequency Oscillator 1 52 Modulation Parameters 52 DDS Modulator 58 Modulation Parameters 58 Effects 63 Chorus 63 Delay 64 Delay Freeze 66 Perf...

Page 5: ...oring Sequences 97 Global Settings 98 File Management 101 File Name Convention 102 Loading Performances Stored to Your Computer 103 Loading Patches Stored to Your Computer 103 Loading Waveforms Stored...

Page 6: ...Secondary Parameter Functions 111 Multifunctional Select buttons 112 Global Settings Shift Mode 113 MIDI Specifications 114 System Real Time Messages 114 Channel Messages 114 Continuous Controller Mes...

Page 7: ...EFFECTS PERFORMANCE CONTROL SECTION RIBBON CONTROLLER ADDITIONAL CONTROLS PARAMETERS USING THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT...

Page 8: ...t and supporting furniture or stand Educating children about the dangers of climbing on furniture to reach the musical instrument 5 Do not use or store the musical instrument in the following types of...

Page 9: ...rvised by an adult 15 Ensure that the connected cables are organised and managed in a safe manner and do not cause an electrical or trip hazard 16 When you need to transport the musical instrument pac...

Page 10: ...RS USING THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION ACKNOWLEDGEMENTS Ben Croslan...

Page 11: ...ld beyond and fully focus on the unique joy of what we find ourselves engaged with If we are luckier still we can share this moment with others Yet if you are one of those who have come to own this sy...

Page 12: ...nal generation method employed by both oscillator cores of the Super Gemini At its centre is a clock signal running three orders of magnitude higher than typical audio sample rates This clock incremen...

Page 13: ...ces in single mode or five stereo super voices in dual or split mode Consequently the left and right channels and your ears are each assigned a complete synthesizer voice per layer Starting with the s...

Page 14: ...each of the two layers allowing you to program and edit two patches simultaneously in dual and split modes The bottom row of the front panel mainly covers shared controls for both layers which enable...

Page 15: ...ni Follow the steps below to setup your brand new synthesizer 1 Plug the power cable into the power connector on the rear panel of the Super Gemini 2 Use unbalanced 1 4 inch audio cables to connect th...

Page 16: ...wo patches assigned to the left and right halves of the keyboard in split mode See pages 81 82 for more details on each of these modes The MASTER VOLUME setting is not part of a performance and must a...

Page 17: ...oup A is loaded In the second example performance 1 from bank H of group B is loaded To load a different performance from the same bank Press one of the seven numbered buttons 1 8 that are currently u...

Page 18: ...ng is changed the LED of the currently lit numbered button 1 8 will start flashing indicating you are in edit mode Storing a Performance To store a performance 1 Press the PERF button to select group...

Page 19: ...accessible from the front panel They are organised in two groups A and B of 16 banks A1 H2 featuring 8 patches each You can edit these or use the dedicated memory slots to store your own patches Loadi...

Page 20: ...lly pressing a numbered button 1 8 loads one of eight patches within a selected bank The LEDs of buttons 1 8 A H and PATCH indicate which patch is loaded In the first example patch 5 from bank C2 of g...

Page 21: ...atch from one of the first banks A1 H1 and vice versa To load a patch from a different group 1 Press the PATCH button to select group A or hold the SHIFT button and then press PATCH to select group B...

Page 22: ...nt panel The top row contains controls for the upper layer the second row contains controls for the lower layer The sound shaping controls for a single layer The boxed sections in the bottom row start...

Page 23: ...element will have an immediate effect on the sound As soon as a patch related parameter is changed the LED of the currently lit numbered button 1 8 will start flashing indicating that you are in edit...

Page 24: ...bank first select the bank by pressing the respective button A H once or twice If you want to select a patch from another group select the desired group by pressing the PATCH button either alone or i...

Page 25: ...yer or the MANUAL LOWER button for the lower layer 2 To return to patch mode simply press the MANUAL UPPER or MANUAL LOWER button again or press the PATCH button The manual mode buttons for both layer...

Page 26: ...in patch mode release the PATCH button 2 Connect the Super Gemini to your computer using the included USB cable 3 The Super Gemini s patch drive appears as a disk drive named GEMINI on your computer...

Page 27: ...f the headphone output is controlled by the MASTER VOLUME control To prevent the risk of fire and shock hazard do not remove chassis No user servicable parts inside Refer servicing to qualified person...

Page 28: ...your performance A single footswitch sustains upper layer notes When a dual footswitch is connected the left pedal sustains the upper layer notes while the right pedal sustains the lower layer notes U...

Page 29: ...blocks of a synthesizer Without them you could neither hear a sound nor shape or modulate what is generating an audio signal The oscillator section The Super Gemini s primary sound sources are its tw...

Page 30: ...scillators that can be dynamically de phased in the stereo field by enabling one of the two super modes in the DDS Modulator section Essentially this means that DDS1 contains seven free running oscill...

Page 31: ...OICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION DDS 1 Waveform Setting Wave Modulation When moving the WAVEF...

Page 32: ...the functions the select buttons 1 8 and A H take over in wave mode W1 to W16 which stands for waveform 1 to 16 The waveform select buttons The alternative waveforms are organised in two groups of 16...

Page 33: ...To load alternative waveforms 1 Press WAVE or move the DDS 1 waveform rotary switch to the rightmost position LED A will light up indicating that you are now in wave selection mode for channel A 2 Pla...

Page 34: ...ent way The phase of the DDS 2 waveform is reset to zero with each note played to allow for binaural pitch and pulse width modulation via LFO 1 The latter wouldn t be possible if DDS 2 was operating a...

Page 35: ...esult in clangorous tones especially when applied to harmonically rich waveforms such as sawtooth or square The output signal of the ring modulator is passed through the channel of DDS 2 To fade in th...

Page 36: ...t position marked LFO DDS 2 set to LFO mode When DDS 2 is used as an LFO its signal is no longer routed to the audio path In this mode the TUNE control determines the frequency over a range of approxi...

Page 37: ...ve below the frequency of DDS 1 The WAVEFORM and TUNE controls have no effect on the sub oscillator The waveform of the sub oscillator can be either a square or a sine Choose the square wave to add ha...

Page 38: ...e balance between the audio signals from DDS 1 and DDS 2 or DDS 1 and the sub oscillator The mixer section MIX At 12 o clock the signals from both audio sources are equally balanced If set to the left...

Page 39: ...by a 1 pole 6 dB per octave analog high pass filter The filter section The low pass filter LPF subtracts frequency content above its cutoff frequency The frequency content below the cutoff frequency...

Page 40: ...cutoff frequency of the high pass filter LPF This fader controls the cutoff frequency of the low pass filter RES This fader controls the amount of resonance the low pass filter responds with As you i...

Page 41: ...ich LFO 1 modulates the low pass filter s cutoff frequency DDS 2 This fader controls the amount by which DDS 2 modulates the low pass filter s cutoff frequency The result can range from subtle texture...

Page 42: ...one of two fixed envelopes allowing the second envelope to be freed up for other tasks if desired The VCA section ENV LEVEL This fader controls the amount by which envelope 2 or one of the fixed enve...

Page 43: ...dulation tasks but prefer your sound to fade out after playing a note The DYNAMICS toggle switch allows you to determine whether and to what extent the VCA level and the low pass filter will respond t...

Page 44: ...ope generators we can specify how a sound evolves over time Typically envelope generators are mapped to filters and amplifiers to change the harmonic content and the overall volume of a sound through...

Page 45: ...k stage to begin after hitting a key The attack hold stage can be as long as 10 seconds At its minimum setting this parameter has no effect i e the envelope then behaves as if it had only four or five...

Page 46: ...E This fader determines the duration of the envelope s release stage The higher the setting the slower the release time and the longer it takes for the envelope to fade out after you release a key The...

Page 47: ...e you can use envelope 1 as an additional LFO which can even be key tracked Low attack decay hold and decay settings can generate sonic results that resemble frequency modulation The KEYTRACK toggle s...

Page 48: ...onsider that the effect the inverted envelope has on its modulation destination is the opposite of envelope 1 set to default mode Creating Periodic Modulation Shapes With Envelope 1 in Loop Mode Below...

Page 49: ...USING THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION sustain level Amplitude ATTACK...

Page 50: ...ines the duration of the envelope s attack stage The higher the setting the slower the attack time and the longer it takes for the envelope to reach its maximum level The attack stage can be as short...

Page 51: ...SPECIFICATIONS GLOSSARY SUPPORT INFORMATION S USTAIN This fader determines what level the envelope will be held at when you hold a note past the decay stage This is the only envelope parameter that is...

Page 52: ...te tremolo effects LFO 1 can also be set to high frequencies allowing you to use it either as a third oscillator as a drone or for audio rate modulation LFO 1 essentially consists of ten individual LF...

Page 53: ...THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION Setting Clock Division LFO 1 Duty Cyc...

Page 54: ...vision LFO 1 Duty Cycle Duration Dotted 1 16 note 3 8 of 1 beat 1 8 note triplet 1 3 of 1 beat 1 16 note 1 4 of 1 beat Dotted 1 32 note 3 16 of 1 beat 1 16 note triplet 1 6 of 1 beat DELAY This fader...

Page 55: ...ERFORMANCE CONTROL SECTION RIBBON CONTROLLER ADDITIONAL CONTROLS PARAMETERS USING THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI...

Page 56: ...es are alternately hard panned between the left and right channels In SOLO and LEGATO modes non binaural voices are not panned In these instances SPREAD only controls phase offsets for LFO 1 WAVEFORM...

Page 57: ...y default LFO 1 is set to a sine wave in this mode The MODE toggle switch allows you to choose between three types of LFO behaviours FREE With this setting LFO 1 is free running ONCE With this setting...

Page 58: ...e DDS Modulator section This section provides dedicated controls for modulating the Super Gemini s oscillators in numerous ways to add tonal variety to your sounds The first subsection contains contro...

Page 59: ...reas DDS 1 is free running When an oscillator is free running there is no fixed starting point from which to offset its phase The Super mode wave modulation and pulse width controls in the DDS Modulat...

Page 60: ...LE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION Frequency Amplitude 0 DDS 1 s centroid oscillator When super mode is off only this oscillator generates a sound...

Page 61: ...r controls the amount of wave modulation applied to DDS 1 The latter allows you to morph either between two adjacent DDS 1 waveforms or between the currently loaded alternative waveforms assigned to c...

Page 62: ...ader controls the amount of cross modulation By default DDS 2 modulates DDS 1 with exponential FM Use this parameter to create complex or bell like timbres Enabling hard sync reverses the default cros...

Page 63: ...uencer or to an external clock source The effects are routed in series with the chorus being the first and the delay being the last in the signal chain Chorus The chorus section The Super Gemini s cho...

Page 64: ...ond to 1 second The LED at the top right of this control provides a visual indication of the delay time If you enable the SYNC option in the arpeggiator and sequencer section the delay time will be sy...

Page 65: ...ing Clock Division Delay Time 1 16 note 1 4 of 1 beat 1 8 note triplet 1 3 of 1 beat Dotted 1 16 note 3 8 of 1 beat 1 8 note 1 2 of 1 beat 1 4 note triplet 1 3 of 2 beats Dotted 1 8 note 3 4 of 1 beat...

Page 66: ...Gemini 2 Connect a single or dual footswitch to the delay freeze input on the rear panel When using a single footswitch it controls the upper layer delay freeze function When a dual footswitch is conn...

Page 67: ...ATION PERFORMANCE CONTROL SECTION Conceived as a true performance instrument that will greatly enhance your expressiveness the Super Gemini features a comprehensive performance control section in addi...

Page 68: ...o horizontal left right as well as vertical upwards movements The bender A pressure pad is used to measure the vertically applied force and convert it to a modulation amount The lever is not designed...

Page 69: ...t can be switched on permanently The type and amount of modulation controlled by LFO 2 is determined by the faders DDS VCF and VCA located below LFO 2 s primary controls The primary LFO 2 controls WAV...

Page 70: ...triggered TRIG With this setting pushing the bender upwards will trigger LFO 2 AT TRIG With this setting both aftertouch and pushing the bender upwards will trigger LFO 2 If you use the bender and ap...

Page 71: ...ated according to the envelope shape The phase of the per voice LFOs can be synchronised again by toggling the leftmost toggle switch in the performance control section Oscillator and Layer Selection...

Page 72: ...ctave 12 semitones should be applied to the oscillators of the upper layer and a pitch bend range of a fifth 7 semitones should be applied to the oscillators of the lower layer 1 Toggle the layer sele...

Page 73: ...the portamento setting You have the choice between three options BOTH Select this option if you want the same portamento setting for both layers If you toggle to this position from either UPPER or LOW...

Page 74: ...selector toggle switch Use the layer selector toggle switch next to the PORTAMENTO fader to select the layer for which you would like to adjust the octave setting You have the choice between three opt...

Page 75: ...ases the frequency You can adjust the global fine tuning over a range of 100 cents Pressing the FINE ADJ encoder clears the current fine tune setting and resets it to 440 Hz As soon as you touch or mo...

Page 76: ...ange of a pitch bend upwards place your finger at the bottom of the ribbon controller and slide it to the top To achieve the maximum range of a pitch bend downwards place your finger at the top of the...

Page 77: ...ULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION The ribbon controller always sends a coarse...

Page 78: ...tures overarching controls and parameters that either affect the instrument as a whole or are relevant for setting up a performance Master Volume The master volume control MASTER VOLUME This parameter...

Page 79: ...lative to the external tempo Detune This parameter is only available for the lower layer It allows you to either slightly detune the lower layer relative to the upper layer to thicken a dual mode perf...

Page 80: ...s UPPER With this option enabled the notes of the upper layer will continue to be sustained after you release all keys LOWER With this option enabled the notes of the lower layer will continue to be s...

Page 81: ...voices By default single mode is set to the upper layer You can switch between layers by using the select buttons in the layer section DUAL In dual mode the upper and lower layers are stacked with th...

Page 82: ...Layer The layer section The select buttons in the layer section allow you to toggle between each layer s patch settings which are set in the shared controls section for both layers The front panel are...

Page 83: ...numbered and lettered select buttons and there are two different methods of creating modulation mappings that are described below The front panel section relevant to the modulation matrix Before we di...

Page 84: ...a modulation source modulates a modulation destination is determined by using the MOD AMOUNT encoder The endless encoder used for dialling in the modulation amount By turning the MOD AMOUNT encoder y...

Page 85: ...source is actively modulating any destination in the matrix the LEDs of the respective buttons A H will flash Press any destination button to create a mapping The LEDs of the source and destination bu...

Page 86: ...o create a direct parameter mapping press and hold any of the eight modulation source buttons 1 8 To increase the potential of LFO 1 this method also applies to the button labelled LFO 1 4 While holdi...

Page 87: ...owing table lists the modulation destinations available per layer when direct parameter mappings are created Modulation Destination Modulation Destination 1 DDS 2 Tune 13 Envelope 2 Decay 2 Low Pass F...

Page 88: ...A H indicates that all modulation assignments have been cleared To clear all modulation mappings from a particular modulation source 1 Press MOD ASSIGN to enter the modulation matrix 2 Press the butto...

Page 89: ...like a monophonic synthesizer meaning that only one note can be played at a time This mode differs from solo mode in that each time a note is played while playing the legato style the envelopes are n...

Page 90: ...naural mode in which its 20 voices are twinned to form either ten stereo super voices in single mode or five stereo super voices in dual or split mode The left and right channels are assigned a comple...

Page 91: ...is indicated by a lit LED Pressing the CLK DIV encoder resets the clock division to 1 16 SYNC With this option enabled the rate of LFO 1 and the delay time will be synchronised to the playback speed...

Page 92: ...clock is still running In both modes transport control is achieved via Note On Off messages This gives you easy control over when a sequence should start or stop and also allows you to transpose a se...

Page 93: ...hold on the keyboard and the corresponding notes in the octave above will be arpeggiated 3 The notes you actually hold on the keyboard and the corresponding notes in the two octaves above will be arpe...

Page 94: ...uence length settings Up to 16 sequences can be stored and recalled Although a sequence can be linked to a patch when saved the independent sequencer memory allows you to try out different sequences w...

Page 95: ...all other playback modes related to the arpeggiator see page 93 SEQ REC Pressing this button arms the sequencer for recording Its LED will then flash indicating that you are now in recording mode TRAC...

Page 96: ...ndicated by lit LEDs REST This track allows you to specify which steps to omit An active rest causes the note or chord you recorded to that step to be skipped Active rests are indicated by unlit LEDs...

Page 97: ...e LEDs of buttons 1 8 and A H indicate which of the 16 available sequences is currently selected Press any of the other 15 buttons to load a different sequence Let s say you would like to load sequenc...

Page 98: ...channel the Super Gemini should respond to The LEDs of buttons 1 8 and A H indicate which of the 16 available MIDI channels is currently selected Press any of the other 15 buttons to select a differe...

Page 99: ...mitted BUTTON 2 When enabled LED lit program change messages are received To exit this parameter press TX RX P again DUMP Reserved for future use LOCAL This button toggles Local Control on or off Disa...

Page 100: ...W TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION GLOBAL RESET If your Super Gemini is not behaving as expected you can reset the global parameters to their default settings 1 Tu...

Page 101: ...ding progress 4 Once the LEDs indicate that the Super Gemini is in patch mode release the PATCH button The Super Gemini s patch drive appears on your computer s desktop as a drive named GEMINI and can...

Page 102: ...ch_name usg p4_patch_name usg p5_patch_name usg p6_patch_name usg p7_patch_name usg p8_patch_name usg p1_patch_name usg p2_patch_name usg p3_patch_name usg p4_patch_name usg p5_patch_name usg p6_patch...

Page 103: ...nd pasted so that it matches the desired performance location Make sure to manually delete the performances you would like to replace in the selected folder if the names of the new performances are no...

Page 104: ...s the desired waveform location Make sure to manually delete the waveforms you would like to replace if the names of the new waveforms are not identical to the names of the old waveforms Empty the tra...

Page 105: ...ny other flash drive 3 Click on the icon of the GEMINI drive 4 Click on the folder performances_a or performances_b and copy and paste it to your computer s hard drive You may also navigate to one of...

Page 106: ...desktop as a drive named GEMINI and can be accessed like any other flash drive 3 Click on the icon of the GEMINI drive 4 Click on the folder waveforms or alt_waveforms and copy and paste it to your co...

Page 107: ...off the Super Gemini Connect the Super Gemini to your computer using the included USB cable Hold the PATCH button and turn on the Super Gemini to unlock its patch drive The LEDs of buttons 1 8 and A H...

Page 108: ...d folder to waveforms or alt_ waveforms depending on which folder you would like to replace 3 Follow steps 1 4 on page 101 to unlock the Super Gemini s patch drive 4 The Super Gemini s patch drive app...

Page 109: ...Super Gemini to the MIDI ports of your audio interface in case your audio interface is equipped with MIDI ports or the USB port of your computer 2 Once the Super Gemini is connected to your MIDI equi...

Page 110: ...up B SHIFT PATCH Select patch group B SHIFT MANUAL UPPER or LOWER Load init patch into the upper lower layer Press and hold button 1 8 in performance mode Store performance Press and hold button 1 8 i...

Page 111: ...ave sub oscillator LR Phase Binaural off Pan Spread LFO 1 Mode LFO 1 Wave HF HF TRK LFO 1 Routing Norm LFO 1 as audio rate modulation source DDS 1 LFO 1 signal through DDS 1 channel DDS 2 LFO 1 signal...

Page 112: ...SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION Multifunctional Select buttons Buttons Mode Function 1 8 Performance Load performance 1 8 1 8 Patch L...

Page 113: ...INFORMATION Global Settings Shift Mode Parameter Function MIDI CH Set MIDI channel 1 16 buttons 1 8 A H TX RX E 1 MIDI CC Transmit on off 2 MIDI CC Receive on off 3 NRPN Mode on off TX RX P 1 Program...

Page 114: ...SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION MIDI SPECIFICATIONS System Real Time Messages Control Function Transmit Receive MIDI Timing Clock Ye...

Page 115: ...ontroller messages CCs that are mapped to the controls of the Super Gemini These messages are transmitted and or received according to the TX RX E configuration in the global settings see pages 98 99...

Page 116: ...set DDS 2 LFO 1 Mode 21 0 127 DDS LFO 1 Amount 22 0 127 DDS Envelope 1 Amount 23 0 DDS 1 43 Both 85 DDS 2 DDS Modulator Destination 24 0 Off 43 1 2 85 On Super Mode 25 0 127 PW Detune 26 0 127 PW Wave...

Page 117: ...ameter Name 37 0 127 Oscillator Mix 38 0 127 LSB for Control 6 Data Entry 39 40 41 0 Off 43 1 85 2 VCF Drive 42 0 127 VCA LFO 2 Amount 43 0 Off 43 1 2 85 On VCF Keytrack 44 0 ENV 1 43 1 2 85 ENV 2 VCF...

Page 118: ...RMATION CC Value Range Parameter Name 58 0 127 Envelope 2 Sustain 59 0 Off 64 On Manual Mode 60 0 Trig 43 AT Trig 85 LFO 2 On AT Bend LFO 2 Trigger Source 61 0 DDS 1 43 1 2 85 DDS 2 Performance Contro...

Page 119: ...ato 64 Poly 1 96 Poly 2 Voice Assign Mode 79 1 Half of all available voices 2 All available voices 3 Octave 4 Fifth octave Unison Size 80 0 Off 64 On Binaural mode 81 0 Off 64 On Clock Sync 82 0 1 oct...

Page 120: ...rement 97 Data Decrement 98 0 127 Non Registered Parameter Number NRPN LSB 99 0 127 Non Registered Parameter Number NRPN MSB 100 0 127 Registered Parameter Number RPN LSB 101 0 127 Registered Paramete...

Page 121: ...ER ADDITIONAL CONTROLS PARAMETERS USING THE MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATI...

Page 122: ...RPN MSB CC101 RPN LSB CC100 Data Entry Value Parameter Name 0 00H 00H MSB 12 semitones Pitch Bend Sensitivity 1 00H 01H 00H 00H 100 cents 40H 00H A440 7FH 7FH 100 cents Channel Fine Tuning 2 00H 02H...

Page 123: ...Patch Related Parameters NRPN NRPN MSB CC99 NRPN LSB CC98 Value Range Parameter Name 1024 1025 08H 01H 0 16383 Modulation Lever 1026 1027 08H 03H 0 16383 Tempo 1028 1029 08H 05H 0 16383 Portamento Ti...

Page 124: ...SPECIFICATIONS GLOSSARY SUPPORT INFORMATION NRPN NRPN MSB CC99 NRPN LSB CC98 Value Range Parameter Name 1049 08H 19H 0 16383 PW Detune 1050 08H 1AH 0 16383 PW Wave Modulation 1051 1052 08H 1CH 0 16383...

Page 125: ...Parameter Name 1075 1076 08H 34H 0 16383 Envelope 1 Attack Hold 1077 08H 35H 0 16383 Envelope 1 Attack 1078 08H 36H 0 16383 Envelope 1 Decay 1079 08H 37H 0 16383 Envelope 1 Sustain 1080 08H 38H 0 163...

Page 126: ...ATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION NRPN NRPN MSB CC99 NRPN LSB CC98 Value Range Paramete...

Page 127: ...E MODULATION MATRIX VOICE ASSIGN ARPEGGIATOR SEQUENCER GLOBAL SETTINGS FILE MANAGEMENT HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION NRPN NRPN MSB CC99 NRPN LSB CC98 Value...

Page 128: ...gle mode or five stereo super voices in dual or split mode The effect on the sound ranges from subtle to extreme stereo movement and an enhanced sense of spatial positioning compared to conventional m...

Page 129: ...tween a pure signal a gentle level boost with resonance compensation and a hard saturation Dual Mode In this mode the upper and lower layers are stacked with the 20 available voices split evenly betwe...

Page 130: ...bass frequencies MIDI Musical Instrument Digital Interface MIDI is a standardised protocol that allows various devices from different manufacturers to communicate with each other This not only include...

Page 131: ...n LFO or an envelope resulting in a thicker or more harmonically interesting sound Resonance This filter parameter emphasised the frequencies around the cutoff frequency The Super Gemini s low pass fi...

Page 132: ...s DDS 1 can be dynamically de phased in the stereo field resulting in a thick wide sound from a single oscillator Swing Swing is a rhythmic variation in which the first and second consecutive notes of...

Page 133: ...nd white noise A sine wave contains only the first harmonic the fundamental which is why it is considered the purest waveform It is ideal for glassy sounds or an added fundamental A sawtooth wave cont...

Page 134: ...HOW TO GUIDE CHEAT SHEET MIDI SPECIFICATIONS GLOSSARY SUPPORT INFORMATION SUPPORT INFORMATION If you are experiencing any issues with your Super Gemini contact our technical support at support udo au...

Page 135: ...UDO SUPER GEMINI OWNER S MANUAL 2023 UDO AUDIO VERSION 1 0 NOVEMBER 2023 SUPPORT DOWNLOADS UDO AUDIO COM...

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