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Topp Music Gear MX1642, User Manual, Page: 7 / 14

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Topp Music Gear MX1642 User Manual Download Page 7

RIGHT

RIGHT

RIGHT

RIGHT

RIGHT

RIGHT

B

LINE IN 13

LINE IN 11

LINE IN 9

LINE IN 7

LINE IN 5

LINE IN 14

LINE IN 12

LINE IN 10

LINE IN 8

LINE IN 6

INSERT

INSERT

INSERT

INSERT

BAL UNBAL

BAL UNBAL

BAL UNBAL

BAL UNBAL

LINE IN 4

LINE IN 3

LINE IN 2

LINE IN 1

LINE IN 16

(MONO)

(MONO)

(MONO)

(MONO)

(MONO)

LEFT

LEFT

LEFT

LEFT

LEFT

BAL UNBAL

BAL UNBAL

BAL UNBAL

BAL UNBAL

BAL UNBAL

(MONO)

LEFT

BAL UNBAL

PHONES

A

L

TAPE IN

R

TAPE OUT

2-TRACK IN OUT

LINE IN 15

INSERT

INSERT

MAIN MIX
OUTPUT L

MAIN MIX
OUTPUT R

5V

0.5A

LAMP

MIC1

MIC2

MIC3

MIC4

MIC5

MIC6

MIC7

MIC8

MIC9

MIC10

BAL UNBAL

BAL UNBAL

16-CH COMPACT INTEGRATED LIVE
SOUND MIXER

MX1642

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

1

2

3

LARGE GIG HOOKUP DIAGRAM

STAGE MONITOR

ACTIVE SPEAKERS

COMPUTER

CD PLAYER

WIRELESS

MICROPHONE 1

GUITAR

D/I BOX

BASS

KEYBOARD

DRUM MACHINE

HEADPHONE

CD PLAYER

MIC 1 MIC 2 MIC 3 MIC 4

WIRELESS

MICROPHONE 2

ACTIVE SPEAKERS

INSTALLATION AND CONNECTION

Strain Clamp

Sleeve

Tip

Ring

Sleeve=Ground/Screen

Ring=Return Signal

Tip=Send Signal

Use for Insert Points

1/4" Stereo (TRS) Jack Plug

2=Hot(+)

3=Cold(-)

1=Ground/Screen

(seen from soldering side)

Use for Balanced Mic Inputs

(For unbalanced use, connect pin 1 to 3)

3-pin XLR Male Plug

2=Hot(+)

3=Cold(-)

1=Ground/Screen

3-pin XLR Line Socket

(seen from soldering side)

1

2

3

1

2

3

Use for Main output

(For unbalanced use, leave pin3 unconnected)

Strain Clamp

Sleeve

Tip

Sleeve=Ground/Screen

Tip=Signal

Use for Mono Line In, Mono 1/4"Jack Plugs

1/4" Mono (TS) Jack Plug

Strain Clamp

Sleeve

Tip

Ring

Sleeve=Ground/Screen

Ring=Right Signal

Tip=Left Signal

Use for Headphone

1/4" Stereo (TRS) Jack Plug

You can connect unbalanced equipment to balanced inputs and outputs. Simply
follow these schematics.

Audio Connections

MIX

MIX

6

19

4

AUX RETURNS

4

CH4

CH3

CH1

CH2

3

AUX SENDS

L

L

4

3

R

R

1

2

L

L

1

2

R

R

PHANTOM

POWER

DIRECT OUTS (BAL/UNBAL)

ON

OFF

USB

RECORD

PLAY BACK

L

CTRL OUT

MONO

R

(BAL/UNBAL)

+15

-

8

0

4

SUBGROUPS OUT

3

2

1

4

3

2

1

SUBGROUPS INSERT

SUB

1/2

CH

15/16

MAIN

MIX.

MAIN

MIX.

AC INPUT
100-240V 50/60Hz

RATED POWER CONSUMPTION: 50W

Fuse: T1.25AL AC250V

SERIAL

MODEL

MADE IN CHINA

Use only with a 250V fuse

Summary of Contents for MX1642

Page 1: ...0 40 40 40 40 60 60 60 60 60 60 60 60 60 60 40 60 11 12 13 14 15 16 2 3 4 5 6 7 8 9 10 1 FREQ FREQ FREQ FREQ MID MID MID MID BAL BAL BAL BAL BAL BAL 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW 800 800 800 800 100Hz 100Hz 100Hz 100Hz 8KHz 8KHz 8KHz 8KHz EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI HI HI HI HI HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz...

Page 2: ...24 MIX MIX The mains plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable ...

Page 3: ...t 1 kOhm Equalization Hi Mid Stereo 15 dB 3 kHz Mid bell Mono 15 dB frequency range 100 Hz 8 kHz Mid Low Stereo 15 dB 500 Hz Low Cut Filter 75 Hz 18 dB Oct 22 dBu Balanced XLR Main Mix Section Noise Bus Noise Fader 0 dB all input channels assigned and set to Fader 0 dB Channels Muted 100 dBr ref 4 dBu UNITY Gain 90 dBr ref 4 dBu Max Output AUX Returns Gain Range to 15 dB 22 dBu Unbalanced 1 4 jack...

Page 4: ...s and Direct Outputs on each mono channel plus Main Insert for flexible connection of outboard equipment Thank you for purchasing the TOPP PRO MX1642 compact integrated mixers which available for 16 channels Your MX1642 is a remarkable compact mixer that doesn t find many equals in the market today With 10 MIC and 6 Stereo Line level inputs for serious live performances There is a 3 band EQ on mon...

Page 5: ...0 60 60 60 60 60 60 60 60 40 60 11 12 13 14 15 16 2 3 4 5 6 7 8 9 10 1 FREQ FREQ FREQ FREQ MID MID MID MID BAL BAL BAL BAL BAL BAL 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW 800 800 800 800 100Hz 100Hz 100Hz 100Hz 8KHz 8KHz 8KHz 8KHz EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI HI HI HI HI HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz...

Page 6: ...rd into one of the s channel of your MX1642 tereo line inputs Here you are It is your first GIG with your MX1642 QUICK START Sing or speak into the microphone with normal volume and adjust the channel LEVEL control to half e Sleeve Ground Screen Tip Signal Sleeve Ground Screen Ring Return Signal Connected together To Channel Insert To Tape or FX Input Tapped Connection Direct Output Lead Enables t...

Page 7: ...ve Tip Ring Sleeve Ground Screen Ring Return Signal Tip Send Signal Use for Insert Points 1 4 Stereo TRS Jack Plug 2 Hot 3 Cold 1 Ground Screen seen from soldering side Use for Balanced Mic Inputs For unbalanced use connect pin 1 to 3 3 pin XLR Male Plug 2 Hot 3 Cold 1 Ground Screen 3 pin XLR Line Socket seen from soldering side 1 2 3 1 2 3 Use for Main output For unbalanced use leave pin3 unconne...

Page 8: ...e level instruments such as keyboards drum machines and effect devices MIX MIX 6 4 5 18 OUTPUT LEVEL L R AFL PFL PAN PAN PAN PAN 10 10 dB dB 5 5 10 10 20 20 25 25 30 30 0 0 5 5 10 dB 5 10 20 25 30 0 5 10 dB 5 10 20 25 30 0 5 10 dB 5 10 20 25 30 0 5 40 40 60 60 40 60 40 60 40 60 SUB1 SUB2 SUB3 SUB4 L MAIN MAIN R RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT B LINE IN 13 LINE IN 11 LINE IN 9 LINE IN 7 LINE IN...

Page 9: ...the line input channels You have to install the MP3 MOUDLE first There are 3 band EQ with sweepable MID on all mono input channel1 4 HI MID LOW band There are 4 band fixed frequency EQ on the stereo channel 5 16 HI HI MID MID LOW and LOW band All bands dB of boost or cut and provide up to 15 5 8 OPTION MODULES U US MP3 NORMAL NORMAL NOTE Basic interface instruction When the player isn t connected ...

Page 10: ...and resonance thus preserving the life of your woofers application and effects sound processors input AUX3 and AUX4 are configured as POST Faders In this typical compact unit excluding sending out the signal directly to the external effect or processor equipment AUX SEND4 can also be assigned to the internal onboard effect module 18 20 12 13 10 11 14 15 16 17 19 OPTION MODULES For connecting with ...

Page 11: ...ill also be affected by PAN 21 Master AUX SENDS Controls 22 SOLO Button These four controls are used to dete rmine the master AUX SEND levels which can be varied from to 15 dB When the external effect units which connected to mixer you can get a further 15 dB gain available from these Aux Send outputs As to the AUX4 it can also provide the lovable level adjustment for the internal effect signal ha...

Page 12: ... When engaging the SUB1 2 the stereo signal from AUX RETURN4 will be assigned to Subgroup1 2 in the same way SUB3 4 for Subgroup3 4 MAIN MIX for MAIN MIX buses 28 SUBGROUPS ASSIGN TO MAIN MIX Through these switches you can operate the subgroup faders as a master control for assigning the subgroups to MAIN MIX Engage the LEFT switch to send the corresponding subgroup signal to MAIN MIX L and the RI...

Page 13: ...r is switched on CONTROL ELEMENTS These 1 4 phone jacks will be used to send the Control Room signal to the studio monitor speakers or a second set of PA 51 CTRL OUT Jacks This 1 4 phone jack is balanced unbalanced mono mix output connector it can be regarded as a sum output of the left and right of MAIN MIX 50 MONO OUTPUT Jack This knob sets the level of mono mix output signal which can be varied...

Page 14: ...signal will be taken out after the EQ and returned into the MAIN MIX output before the MAIN MIX fader 41 MAIN MIX OUTPUT These stereo outputs are supplied with both the XLR and 1 4 phone jacks and it is controlled by the Main Mix Level 41 37 MAIN MIX LEVEL Fader This fader sets the amount of signal send either to the Main Mix Output or to the Tape Output 38 CONTROL ELEMENTS REAR PANEL This switch ...

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