background image

OUTPUT LEVEL

L

R

AFL

PFL

PAN

PAN

PAN

PAN

10

10

dB

dB

-5

-5

-10

-10

-20

-20

-25

-25

-30

-30

0

0

5

5

10

dB

-5

-10

-20

-25

-30

0

5

10

dB

-5

-10

-20

-25

-30

0

5

10

dB

-5

-10

-20

-25

-30

0

5

-40

-40

-60

-60

-40
-60

-40
-60

-40
-60

SUB1

SUB2

SUB3

SUB4

L

MAIN

MAIN R

SOLO MODE

TO AUX

TO AUX

TO L R

TO L R

MAIN MIX

CTRL R

SEND2

STEREO AUX RETURNS

SOLO

AUX SENDS

SEND1

SOLO ACTIVE

SOLO

SOLO

10
20

7

30

0

TO L R

TO L R

2TK IN

MAIN MIX

1

1

2

2

3

10

dB

-5

-10

-20

-25

-30

0

5

-40
-60

1

2

4

3

MAIN MIX

SUB 3 4

LEVEL SET

CTRL ROOM SOURCE

SOLO

10

CLIP

7

SUB 1 2

TO MAIN MIX

PHONES

CTRL ROOM

2TK IN

SUB 1 2

SUB 3 4

PWR

4

MAX

4 DFX2 RETURN

4 DFX2 SEND

AUX RETURNS SOLO

48

CONTROL ELEMENTS

30

25

21

22 23

23- Master STEREO AUX RETURNS Controls

These four controls set the level of
effects that received from the stereo
AUX RETURN connectors, which can
be varied from -

to +15 dB. They

are used to provide the further gain
for low level effects.

24

24- TO AUX SEND1/2

The both rotary knobs assign the AUX
RETURN signals to their respective
AUX SEND outputs: The "TO AUX
SEND1" assign the signal from AUX
RETURN1 to AUX SEND1 bus, and "TO
AUX SEND2" assign the signal from
AUX RETURN2 to AUX SEND2 bus.
The adjustable range goes from -

to

+15 dB.

31

27

16

28

29

37

36

35

34

33

AUX RETURN3 is equipped with the Main Mix & Ctrl/R button. Release the
button to send the stereo signal from AUX RETURN3 to MAIN MIX buses;
Engage the button, then the stereo signal will be sent to CTRL/R output.

26- MAIN MIX & CTRL/R Button

32

26

25- AUX RETURNS SOLO Button

The function of AUX RETURN SOLO is like the channel SOLO button. Engaging
it sends the signal from AUX RETURN (1-4) to the CTRL OUT, PHONES outputs
and Meters display. It can also be affected by SOLO mode button, and the LED
next to the button will illuminate.

27- SUB1-2/SUB3-4/MAIN MIX Buttons

These three buttons are configured for AUX RETURN4, they can be regarded
as the signal assignment switches. When engaging the SUB1-2, the stereo
signal from AUX RETURN4 will be assigned to Subgroup1/2; in the same way,
SUB3-4 for Subgroup3/4, MAIN MIX for MAIN MIX buses.

28- SUBGROUPS ASSIGN TO MAIN MIX

Through these switches, you can operate the subgroup faders as a master
control for assigning the subgroups to MAIN MIX. Engage the LEFT switch to
send the corresponding subgroup signal to MAIN MIX L, and the RIGHT
switch for MAIN MIX R. When engaging the both switches, the signal will be
sent to L/R of MAIN MIX.

-12

EQ OFF

EQ ON

0

-8

-4

+8

+12

+4

63

500

250

125

2K

1K

-12

0

-8

-4

+12

+8
+4

16K

8K

4K

STEREO GRAPHIC EQ

OPTION MODULES

Each one of these faders will boost or attenuate (+/-12 dB) the selected frequency
at a preset bandwidth. When all the faders are in the cent r position, the output

e

of the equalizer is flat response.

57- EQ Switch

Engage this button to add the stereo graphic EQ to the main mix output
circuit.It can be used to modify the frequency "contour" of a sound. If you
release the button, the stereo graphic EQ will be bypassed.

58- STEREO GRAPHIC EQ

57

OPTION MODULES SECTION

MX1642 offer two positions for modules assemblage, meanwhile there are three
selected modules, of which you can select two or one or none. The two modules
as factory setting are DSP module and

.

9-band EQ module

On the right of the front panel there are two pieces module covers. Open the top
module panel cover, you can see there are three interfaces. The left one is EQMOD
module interface, the middle one is

interface and the right one is MP3

DSP module

player module interface. (DO NOT MISTAKE THE CONNECTOR INTERFACE, OR IT
WILL DESTROY YOUR MODULES AND MIXER)

9-band EQ module
install

Take out the short circuit wire which connects

interface.

Plug in the

connection wire to the EQMOD CONNECTOR. Fix

the

at one of the two module places with the two attached

screws (Safekeeping the short circuit wire. Put the short circuit wire back into the
EQMOD CONNECTOR when you take out the

, or the output

will be cut)

9-band EQ module

9-band EQ module

9-band EQ module

9-band EQ module

function

58

MIX

MIX

4

5

9

14

Summary of Contents for MX1642

Page 1: ...0 40 40 40 40 60 60 60 60 60 60 60 60 60 60 40 60 11 12 13 14 15 16 2 3 4 5 6 7 8 9 10 1 FREQ FREQ FREQ FREQ MID MID MID MID BAL BAL BAL BAL BAL BAL 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW 800 800 800 800 100Hz 100Hz 100Hz 100Hz 8KHz 8KHz 8KHz 8KHz EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI HI HI HI HI HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz...

Page 2: ...24 MIX MIX The mains plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable ...

Page 3: ...t 1 kOhm Equalization Hi Mid Stereo 15 dB 3 kHz Mid bell Mono 15 dB frequency range 100 Hz 8 kHz Mid Low Stereo 15 dB 500 Hz Low Cut Filter 75 Hz 18 dB Oct 22 dBu Balanced XLR Main Mix Section Noise Bus Noise Fader 0 dB all input channels assigned and set to Fader 0 dB Channels Muted 100 dBr ref 4 dBu UNITY Gain 90 dBr ref 4 dBu Max Output AUX Returns Gain Range to 15 dB 22 dBu Unbalanced 1 4 jack...

Page 4: ...s and Direct Outputs on each mono channel plus Main Insert for flexible connection of outboard equipment Thank you for purchasing the TOPP PRO MX1642 compact integrated mixers which available for 16 channels Your MX1642 is a remarkable compact mixer that doesn t find many equals in the market today With 10 MIC and 6 Stereo Line level inputs for serious live performances There is a 3 band EQ on mon...

Page 5: ...0 60 60 60 60 60 60 60 60 40 60 11 12 13 14 15 16 2 3 4 5 6 7 8 9 10 1 FREQ FREQ FREQ FREQ MID MID MID MID BAL BAL BAL BAL BAL BAL 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW 800 800 800 800 100Hz 100Hz 100Hz 100Hz 8KHz 8KHz 8KHz 8KHz EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI HI HI HI HI HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz...

Page 6: ...rd into one of the s channel of your MX1642 tereo line inputs Here you are It is your first GIG with your MX1642 QUICK START Sing or speak into the microphone with normal volume and adjust the channel LEVEL control to half e Sleeve Ground Screen Tip Signal Sleeve Ground Screen Ring Return Signal Connected together To Channel Insert To Tape or FX Input Tapped Connection Direct Output Lead Enables t...

Page 7: ...ve Tip Ring Sleeve Ground Screen Ring Return Signal Tip Send Signal Use for Insert Points 1 4 Stereo TRS Jack Plug 2 Hot 3 Cold 1 Ground Screen seen from soldering side Use for Balanced Mic Inputs For unbalanced use connect pin 1 to 3 3 pin XLR Male Plug 2 Hot 3 Cold 1 Ground Screen 3 pin XLR Line Socket seen from soldering side 1 2 3 1 2 3 Use for Main output For unbalanced use leave pin3 unconne...

Page 8: ...e level instruments such as keyboards drum machines and effect devices MIX MIX 6 4 5 18 OUTPUT LEVEL L R AFL PFL PAN PAN PAN PAN 10 10 dB dB 5 5 10 10 20 20 25 25 30 30 0 0 5 5 10 dB 5 10 20 25 30 0 5 10 dB 5 10 20 25 30 0 5 10 dB 5 10 20 25 30 0 5 40 40 60 60 40 60 40 60 40 60 SUB1 SUB2 SUB3 SUB4 L MAIN MAIN R RIGHT RIGHT RIGHT RIGHT RIGHT RIGHT B LINE IN 13 LINE IN 11 LINE IN 9 LINE IN 7 LINE IN...

Page 9: ...the line input channels You have to install the MP3 MOUDLE first There are 3 band EQ with sweepable MID on all mono input channel1 4 HI MID LOW band There are 4 band fixed frequency EQ on the stereo channel 5 16 HI HI MID MID LOW and LOW band All bands dB of boost or cut and provide up to 15 5 8 OPTION MODULES U US MP3 NORMAL NORMAL NOTE Basic interface instruction When the player isn t connected ...

Page 10: ...and resonance thus preserving the life of your woofers application and effects sound processors input AUX3 and AUX4 are configured as POST Faders In this typical compact unit excluding sending out the signal directly to the external effect or processor equipment AUX SEND4 can also be assigned to the internal onboard effect module 18 20 12 13 10 11 14 15 16 17 19 OPTION MODULES For connecting with ...

Page 11: ...ill also be affected by PAN 21 Master AUX SENDS Controls 22 SOLO Button These four controls are used to dete rmine the master AUX SEND levels which can be varied from to 15 dB When the external effect units which connected to mixer you can get a further 15 dB gain available from these Aux Send outputs As to the AUX4 it can also provide the lovable level adjustment for the internal effect signal ha...

Page 12: ... When engaging the SUB1 2 the stereo signal from AUX RETURN4 will be assigned to Subgroup1 2 in the same way SUB3 4 for Subgroup3 4 MAIN MIX for MAIN MIX buses 28 SUBGROUPS ASSIGN TO MAIN MIX Through these switches you can operate the subgroup faders as a master control for assigning the subgroups to MAIN MIX Engage the LEFT switch to send the corresponding subgroup signal to MAIN MIX L and the RI...

Page 13: ...r is switched on CONTROL ELEMENTS These 1 4 phone jacks will be used to send the Control Room signal to the studio monitor speakers or a second set of PA 51 CTRL OUT Jacks This 1 4 phone jack is balanced unbalanced mono mix output connector it can be regarded as a sum output of the left and right of MAIN MIX 50 MONO OUTPUT Jack This knob sets the level of mono mix output signal which can be varied...

Page 14: ...signal will be taken out after the EQ and returned into the MAIN MIX output before the MAIN MIX fader 41 MAIN MIX OUTPUT These stereo outputs are supplied with both the XLR and 1 4 phone jacks and it is controlled by the Main Mix Level 41 37 MAIN MIX LEVEL Fader This fader sets the amount of signal send either to the Main Mix Output or to the Tape Output 38 CONTROL ELEMENTS REAR PANEL This switch ...

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