15
• DecoderStation 6
Special function buttons
Tone/LipSync
With the “TONE/LIPSYNC” button
(24)
, you can adjust
the sound and audio delay.
Adjusting the sound
1. Select the desired range by repeatedly pushing the
TONE/LIPSYNC button
(24)
briefly:
• Bass – low tones
• Treble – high tones
2. Use the navigation buttons
▲
/
▼
(25)
to set the
selected range from “–10” (decrease) to “+10”
(increase).
3. Exit the setting with the RETURN button
(26)
.
Setting audio delay
1. By pushing and holding the TONE/LIPSYNC button
(24)
for more than a second, you can adjust the au-
dio delay value (see the menu function “LIP SYNC”
on page 19) for the active input:
The current value in milliseconds (ms) is shown on
the display panel and on the screen.
2. Set the audio delay within a range from 0 to 200 ms
with the navigation buttons
▲
/
▼
(25)
.
3. Exit the setting with the RETURN button
(26)
.
Equalizer
As with the menu function (see page 18), this
provides you with ultra fine sound adjustment in nine
frequency ranges.
1. By pushing the EQUALIZER button
(36)
several
times, you can select the desired frequency.
The “Reset All” setting resets all frequencies to “0”.
2. Use the navigation buttons
▲
/
▼
(25)
to set the
level between -20 dB (decrease) to +6 dB (in-
crease).
3. Exit the setting with the RETURN button
(26)
.
Direct
In direct mode, the audio signal is emitted without
sound adjustment and surround mode.
Briefly pushing the DIRECT button
(33)
switches the
mode.
Surround mode selection
Use the SURROUND button
(38)
to toggle the sur-
round mode for stereo sources in this order:
2.1 Stereo
Stereo only via front left/right
and subwoofer
5.1 Stereo
Stereo via all channels (upmix)
Dolby PLII Movie
Dolby Pro Logic
®
II for movies
Dolby PLII Music
Dolby Pro Logic
®
II for music
Dolby Digital and DTS
Surround mode is predefined for the playback of Dol-
by Digital or DTS-coded multichannel tracks; the SUR-
ROUND button
(38)
is not functional for this reason.
24
25
26
35
36
38
33
Summary of Contents for DecoderStation 6
Page 27: ......
