background image

 

14

Combinations of A, B, and C

 

Each stereo channel has three sets of output terminals, A, B, 
and C. One way of using these outputs is to group two (A+B 
or A+C) speakers together for each stereo channel. If the 
speakers for each channel are separated by about three feet 
this will give a broader front to the stereo effect. The bottom 
figure shows the set-up.

 

Another way of using the outputs is for the A speakers to be 
in one room, the B speakers in a second room and the C 
speakers in a third room. This permits full stereo operation 
in two out of three of the rooms simultaneously, as shown in 
the figure.

 

Where should the speakers be placed?

 

The best position for speakers in a room depends upon the 
room acoustics and the type (or types) of speakers you use. 
Four basic arrangement are shown in the adjacent figures. It 
is particularly in the bass region where you are likely to 
have too much or too little or an uneven sound picture.

 

Room acoustics 

Loudspeakers are designed to provide a sound picture 
judged to be correct in an "average" position in an "average" 
room. However, no two rooms and no two speakers are alike 
so it pays to consider the shape, size, structure, and 
furnishings of a room when it comes to buying and si t i ng  
loudspeakers.

 

You u su al l y cannot do much about the shape and size of a 
room except possibly by using acoustic screens to make it 
non-symmetrical. As Far as possible the floor, ceiling and 
walls should not be too hard. Thick curtains, carpets, soft 
furniture, soft wooden panels and acoustic tiles all help to 
reduce excessive reflections.

 

Stereo tips 

The following tips may help you with your stereo

 

set up.

 

1.

 

Place the speakers at the same height and (as far as 
possible) on the same level as the listener's ears. 

2.

 

Keep the space between the listener and the speakers 
clear. 

3.

 

Arrange the acoustic structures and surfaces in the room 
adjacent to the speakers to be the same for both speakers. 

Conventional siting of a moving-
coil speaker system in a corner of 
a room to obtain maximum bass 
response and even excitation of 
room modes.

 

Alternative siting of a speaker 
away from walls. This may reduce 
excessive bass response or give 
optimum coupling for an 
electrostatic speaker.

 

Using (A+B) or (A+C) parallel 
speaker outputs to obtain a 
broader stereo front.

 

 

 

 

 

 

ConventionaI siting of two speakers in 
a stereo system. The distance 
between the speakers

 

should be about 2/3 the distance

 

to the listener. The speakers may  be 
angled inwards with

 

advantage.

 

Summary of Contents for TR-2075

Page 1: ......

Page 2: ...Room acoustics Page 14 Stereo tips Page 14 Speaker selector Page 15 Output power indicator Page 15 Listening to records Page 16 Playback from tape recorders TAPE 1 and TAPE 2 Page 17 Recording from t...

Page 3: ...urn and are live as soon as the receiver power plug is live These sockets are marked UNSWITCHED and the total combined power drawn from them must not exceed 200 W These sockets are useful for connecti...

Page 4: ...If in doubt you can consult your dealer who will probably be more familiar with local receiving conditions than most people In any event you should install an antenna that is better than the one that...

Page 5: ...be fixed to any convenient non metalic structure or a flat wooden board The important requirement in all cases is that the loop should be firmly fixed horizontal and straight To obtain good reception...

Page 6: ...equency calibration of the scale is accurate to within 200 kHz So do not be confused if a station transmitting on for instance 103 9 MHz tunes in at 104 1 MHz on the scale This is still within the tol...

Page 7: ...m level dependent preemphasis At high level the preemphasis is 25 sec at lower level the preemphasis increases The utilization of the allowed modulation can thereby be improved The compatibility of th...

Page 8: ...e the ferrite rod away from the rear panel to avoid de tuning of the antenna circuit This is also important when using an outdoor antenna Outdoor antenna To give the best results an outdoor antenna sh...

Page 9: ...nd right speakers Tone Controls This receiver is equipped with three independent tone controls for controlling the BASS PREBLE and MIDRANGE audio frequencies The effects that can be achieved when thes...

Page 10: ...en you depress the second button MONO L R button depressed the two channels are mixed together and fed to both speakers this is normal full mono operation The diagrams illustrate the five possibilitie...

Page 11: ...Tins control can be used for the same purpose as the HIGH FILT 1 control it simply gives less attenuation 6 dB octave as may be seen in the graph HIGH FILL 1 and HIGH FILT 2 Depressing both these butt...

Page 12: ...ded by some people as unnatural It is a matter of personal taste Headphones today are mainly the moving coil type and are obtainable with impedances ranging from about 8 ohms up to about 2000 ohms The...

Page 13: ...re in the same room In other words the cones must move forwards and backwards together If the polarity is wrong one cone will be moving forwards when the other is moving backwards and the result will...

Page 14: ...onsider the shape size structure and furnishings of a room when it comes to buying and siting loudspeakers You usually cannot do much about the shape and size of a room except possibly by using acoust...

Page 15: ...left of the front panel to obtain an indication on the SIGNAL meter of the audio power being delivered to the speakers The meter is peak reading and indicates output voltage for the left or right chan...

Page 16: ...course you can then put a third record on the first transcription unit and play that without loss of continuity and so on You can also have both transcription units playing at the same time and switc...

Page 17: ...recorder to the TAPE 3 jack Depress the PREAMP REC button The signal will then be fed directly to the power amplifier and consequently the volume balance and tone controls will have no influence on t...

Page 18: ...udest undistorted sound that can be recorded on the tape which should be as loud as possible and the inherent hissing noise on the tape These two quantities are distinct separate properties of the tap...

Page 19: ...tion units A second transcription unit can be connected to the PHONO 2 socket so that when the record on the first transcription unit comes to an end a second record can be recorded without stopping t...

Page 20: ...TAPE MON button and follow the procedure described on page 21 Three tape recorders involved a Copying from TAPE 1 to TAPE 2 TAPE 3 Connect one tape recorder to each of the TAPE sockets and one to the...

Page 21: ...If you want to control the tonal balance and the volume of the program to be recorded depress the PREAMP REC button on the front panel The speaker volume will be reduced to a suitable monitoring level...

Page 22: ...and the TAPE MON buttons must both be released It is sometimes more convenient to carry out monitoring on the tape recorders anyway using headphones because there you can watch the level meters and a...

Page 23: ...to the TAPE 1 socket or the TAPE 2 socket or both can take place while a second program from another tape recorder connected to the TAPE 3 Simultaneous recording of a radio transcription program and p...

Page 24: ...ustable 150 mV to 600mV Z 25 kohms TAPE 2 Adjustable 150 mV to 600 mV Z 25 kohms Main amplifier input 440 mV Z 10 kohms TAPE 1 8 V Preset level control at minimum TAPE 2 8 V Preset level control at mi...

Reviews: