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23

The 

a

100 image sensor has more than fifteen times

the image area of the typical 1/2.5-inch type sensor.

Full AP

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-

s

ize im

a

ge 

s

en

s

or

Achieving the ultimate in picture quality
in the 

a

100. 

If you want professional-grade resolution,
sensitivity and freedom from noise, there’s
simply no substitute for a professional-size
image sensor. That’s why the Sony 

a

100

Digital SLR incorporates a sensor with a live
image area almost the exactly the same size
as the APS-C film frame: 23.6 x 15.8 mm. 

To appreciate the APS advantage, compare
the 

a

100 with a typical 5.1 megapixel

camera using a 1/2.5-inch type sensor
(live image area 5.76 x 4.29 mm). The

a

100 sensor has more than fifteen times

the area of this typical sensor. And even
though the 

a

100 has twice as many pixels,

each 

a

100 pixel has more than seven

times the area of the typical pixel!

The larger image sensor has dramatic
advantages:

• Higher resolution
• Higher sensitivity
• Lower image noise
• Greater exposure latitude
• More selective focus

S

ony 

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uper HAD

CCD 

im

a

ge 

s

en

s

or

Incredible resolution, sensitivity and
clarity from the industry leader in CCD
image sensors – Sony. 

Sony is not only the industry leader in charge
coupled device (CCD) image sensors, we
supply more digital camera CCDs than all
other companies combined! This expertise,
unrivaled in the industry, is evident in our
proprietary Super HAD

CCDs. 

Sony uses a Hole Accumulated Diode (HAD)
design to achieve not only high resolution
but also low noise and superb low-light
sensitivity. The CCD structure alternates
between small light-sensitive windows and

S

ony im

a

ge

s

en

s

or

fe

a

ture

s

22

Ch

a

rge Coupled Device

(CCD) 

s

en

s

or

s

CCD stands for Charge Coupled Device.
It’s often compared to a bucket brigade.
When light enters the “bucket” of a pixel’s
image sensing area, the light generates
an electrical charge. After the exposure,
charges are passed along to other buckets,
and then to an amplifier that converts the
charges to a voltage. CCDs exhibit high
image quality, with a minimum of unwanted
image mottling or “noise.”

The ch

a

llenge of re

s

olution

Together with the lens, the image sensor is
primarily responsible for achieving high
resolution. The number of pixels in the image
sensor generally determines the maximum
number of pixels in the recorded image.
This encourages CCD manufacturers to
squeeze smaller and smaller pixels into
a given image sensor size. But smaller
pixels come at a cost: sensitivity and noise.

The ch

a

llenge of 

s

en

s

itivity 

a

nd noi

s

e

Smaller pixels represent smaller “buckets”
in which to collect electric charge. Other

things being equal, smaller pixels have
less “sensitivity” to light: they require more
light to achieve a given picture quality. In
addition, other things being equal, smaller
pixels are more prone to mottling in the
picture, the random flecks and specks of
picture “noise.” 

The import

a

nce of 

s

ize

Small pixels give you resolution. Big pixels
give you high sensitivity and low noise. It’s
a classic engineering tradeoff. One obvious
way to overcome this is to increase the
overall size of the image sensor. While
rarely prominent on the spec sheet, image
sensor size is just as important as the
number of megapixels.

Sensors are classified by “type,” measured
in fractions of an inch. Other things being
equal, each pixel in a 2/3-inch image sensor
will be four times the size of a pixel in a
1/3-inch type image sensor for dramatic
improvements in sensitivity and noise. 

Larger image sensors also help you control
depth of field to achieve “selective focus.”
This creative tool helps your subject stand
out by blurring the background. The
geometry of large image sensors makes
them inherently better suited to selective

focus than small sensors. You can choose
to open the iris to blur the background. Or
stop the iris down to keep the entire scene
tack-sharp.

The inch “types” date back to the outside
diameter of the pickup tubes of old broadcast
television cameras. This outside diameter
was always much larger than the inside
target size. This has created a paradox.
Nothing about a modern 2/3-inch type
integrated circuit image sensor actually
measures 2/3-inch! 

The ch

a

llenge of du

s

t

The image sensors of digital SLRs face
one challenge that the sensors of lens-
integral cameras never see. When you
take off the lens of a D-SLR, you expose
the image sensor to environmental dust.
Image sensor pixels are microscopically
small, from two to six micrometers across.
In comparison, dust motes can be huge:
40 micrometers across. So when a single
dust mote alights on the image sensor, it
can obscure many, many pixels. And once
dust has landed on the image sensor, it is
surprisingly difficult to remove. 

Accumulatin

g

Bucket

Carryin

g

Bucket

Char

g

e

Amplifier

Vertical
Re

g

ister

Horizontal
Re

g

ister

Si

g

nal

Output

LIGHT

KEY

Operating principle of an “interline transfer” CCD image sensor. Buckets of charge in the light-sensing area are transferred

into the vertical registers, from which they go to a horizontal register and the amplifier. 

CAMERA 

S

Y

S

TEM

S

CAMERA 

S

Y

S

TEM

S

TRANSFER

SECTION

SENSOR

ON-CHIP MICROLENS

TRANSFER

SECTION

Li

g

ht

Effective

Ineffective

Photo shiel

d

in

g

 AI

An engineering marvel, the Sony 10.2 Megapixel Super

HAD CCD. 

The Sony microlenses maximize low-light performance by directing light onto the sensor areas and away from the

non-sensing transfer sections. 

Previous microlens designs (left) miss some of the

incoming light. Our Super HAD design (right) gathers

more light for even higher sensitivity. 

transfer sections that provide DC voltage
and output connections. To maximize
sensitivity, the Sony design uses an array
of microlenses on the CCD surface to
gather the light that might otherwise miss
the light-sensitive areas. 

And Sony CCD technology continues to
advance. Sony refinements to the silicon
substrate enable succeeding generations
of Sony digital cameras to “have their cake
and eat it, too.” Each generation features
more megapixels, while maintaining or
improving sensitivity and noise performance.

Take the lens off a digital SLR and you’ll quickly realize

why anti-dust technology is so important.

S

hooting the digit

a

l w

a

y

Summary of Contents for PICTURE STATION DPP-FP90

Page 1: ...Guide to Digital Photography Spring 2007 ...

Page 2: ...hat manages it to the media that stores it to the battery that powers the entire system Backed by these vast resources we re free to create digital cameras that change the way you see the world This guide tells you what you need to know about digital photography and digital photo printing Along the way we ll point out the unique Sony features that help you get the results you re looking for Gettin...

Page 3: ... and flash The result Great pictures every time DSC W200 Sony solves common exposure focus flash and white balance problems with Face Detection technology Sample photos for illustration purposes See page 26 for details or visit www sony com dsctraining Actual photo taken with a Sony digital camera Shutter 1 60 sec Aperture f7 1 Flash Off ISO 200 FACE DETECTION Monitor picture simulated 3 Exposure ...

Page 4: ... with music HD connecting cables sold separately DSC W80 Full HD 1080 A spectacular new way to share your still pictures with the whole crowd on your HDTV in HD resolution Enjoy High Definition using the optional VMC MHC1 cable optional CSS HD1 Cyber shot Station cradle or the DSC W80HDPR bundle connected to your HDTV sold separately Sample photos for illustration purposes See page 44 for details ...

Page 5: ...gital wizardry made possible by Sony s exclusive BIONZ processor DSC T100 Out of the shadows The interplay of highlights and shadows is the soul of photography Now Sony helps you make the most of it The unprocessed picture left is marred by lost detail in both the highlights and shadows The improvement with Sony s DRO right is plain to see Sample photos for illustration purposes See page 41 for de...

Page 6: ...tion compensates for camera shake DSC T20 Bye bye blur Handheld shots in low light have been the perfect recipe for blur Sony uses three powerful technologies to kiss blur goodbye The system uses separate vertical and horizontal sensors that detect camera shake The camera sends an equal but opposite correcting signal to a stabilization lens which moves to compensate for shake Sample photos for ill...

Page 7: ...nd ultra fast 1 4000 second shutter speed deliver razor sharp results DSC H9 Get into the action You may be on the sidelines But your pictures can get right into the action with Sony high zoom cameras Digital zoom left sacrifices resolution The original pixels can become painfully obvious Optical zoom right maintains the full resolution of the image sensor Sample photos for illustration purposes S...

Page 8: ... and even in camera retouching DSC W90 Shoot at the speed of life Life moves fast Thanks to the Sony BIONZ processor you can catch the most memorable moments before they pass you by Shutter lag left could cause you to miss the moment The BIONZ processor right reduces shutter lag to 0 01 second Times vary by camera Sample photos for illustration purposes See page 26 for details or visit www sony co...

Page 9: ...nd more We call it the Auto Touch Up function You ll call it amazing DPP FP90 Picture perfect printing Any printer can print your pictures Sony printers improve them actually correcting defects and achieving quality that will amaze you With the touch of a single button Sony printers will analyze your picture data identify faults and correct them automatically Sample photos for illustration purpose...

Page 10: ... far back as 1985 To the casual user it s obvious that the camera takes the picture But to accomplished photo professionals it s really the lens that takes the picture The lens is responsible for so much of what defines a great image including field of view focus and the selection of what objects are in focus color contrast and detail Focal length The angle of view that a lens takes in is most oft...

Page 11: ...million Maxxum lenses dating back to 1985 Each lens defines a view of the world and establishes its own set of creative possibilities That s why Sony built the a100 on the foundation of 16 million Maxxum lenses dating back to 1985 These include such cherished Minolta glass as the classic 135mm Smooth Transition Focus STF the awe inspiring 300mm f2 8 G and the 500mm f8 Reflex the world s only AF te...

Page 12: ...re megapixels create images ready to use in printed flyers and brochures And higher megapixel counts enable you to crop the image or use digital zoom without sacrificing too much picture detail Use the polarizing filter of the Sony VF 30CPKS to control reflections off water or glass Sample photos for illustration purposes The neutral density filter of the Sony VF 30NK helps control bright outdoor ...

Page 13: ...ngineering tradeoff One obvious way to overcome this is to increase the overall size of the image sensor While rarely prominent on the spec sheet image sensor size is just as important as the number of megapixels Sensors are classified by type measured in fractions of an inch Other things being equal each pixel in a 2 3 inch image sensor will be four times the size of a pixel in a 1 3 inch type im...

Page 14: ...ed as one of 16 384 x 16 384 x 16 384 or 4 4 trillion possible shades Conversion to a data file Before it can be recorded the digitized de mosaiced data still needs to be configured as a computer file typically in the Joint Photographic Experts Group JPEG format This formatting is another function of the image processor Analyzing the picture content The image processor is also required to evaluate...

Page 15: ...fter the fact Selected Cyber shot cameras can achieve creative results that might otherwise require painstaking image manipulation in a PC Red eye Reduction filter Sony s pre flash system can minimize the ghoulish red that sometimes occurs when a person s retinas reflect light from the camera flash But if you forget to use this feature you can still correct pictures after you ve shot them with the...

Page 16: ... shutter speed to 1 15 second or choose an ISO of 800 for a shutter speed of 1 30 second With high ISO sensitivity you gain the flexibility to get the shot While some digital cameras can reach ISO 400 or so most Sony cameras achieve settings up to ISO 1000 Several models can attain ISO 3200 while the DSC W200 can be switched into a 3 Megapixel mode for an ISO rating of 6400 These operational setti...

Page 17: ...color correction and image enhancement you can perform on your computer Attempt too much enhancement and JPEG picture quality suffers That s why serious photographers prefer uncompressed RAW image files These files capture the data straight out of the analog to digital converter prior to de mosaicing and other camera processing operations Instead of using the relatively limited resources of the ca...

Page 18: ...ies and up to three times the voltage of Nickel Metal Hydride NiMH Lithium Ion technology also resists memory effect the tendency of some batteries to lose staying power if they re not completely drained before recharging And unlike some other designs when you charge a Lithium Ion battery it actually stays charged InfoLITHIUM battery with AccuPower meter A Sony exclusive accurate readout of remain...

Page 19: ...minator The camera throws a special light on the subject prior to the shot so the camera can see the subject s contrast You get accurate focusing even in low light Multi Point Auto Focus Automatically finds the focus even when your subject isn t in the center of the frame CAMERA CONTROL CAMERA CONTROL Sony solves common focus problems with Face Detection technology Sample photos for illustration p...

Page 20: ...ply the amount of incoming light Wide apertures low f numbers result in limited depth of focus So the background tends to blur Narrow apertures high f numbers tend to keep the entire scene in focus photography In Monitor AF the camera is always pre focusing and doesn t lock until you press the shutter halfway Thanks to pre focusing the camera is faster to take the shot improving your chances of ge...

Page 21: ...t the Program Auto Exposure when backlighting or unusually bright subjects might throw the exposure off 38 CAMERA CONTROL CAMERA CONTROL Taking your best shot Fast shutter speed freezes the runner and the background Sample photos for illustration purposes You can also introduce an evocative blur to the subject with slow shutter speed Slow shutter speed enables you to blur the background as you pan...

Page 22: ...e perfect shot might occur Burst mode gives you a range of choices Burst mode shoots rapidly and repeatedly with the number of shots depending on image size and memory transfer speed Also depending on memory transfer speed the a100 can continue taking pictures at 3 frames per second up to the limit of the memory card ISO sensitivity adjustment Electronic adjustment for increased sensitivity when y...

Page 23: ...ill Flash automatically fires for the correct exposure right Sample photos for illustration purposes Normal flash photography left would miss the background Slow Sync Flash right combines flash for the girls along with long shutter speed for the background to capture both in one shot Sample photos for illustration purposes Red eye Reduction filter suppresses the ghoulish red even after you ve take...

Page 24: ...t new high definition source selected Sony Cyber shot cameras Sony is the expert in all things HDTV and our BRAVIA televisions are the market leaders So it s no coincidence that you can now connect a Cyber shot camera to your HDTV and enjoy your pictures with over four times the detail of conventional standard definition TV Full HD 1080 still image viewing is a great way to share your still pictur...

Page 25: ... our earlier DSC F828 V3 and R1 Cyber shot digital cameras PictBridge compatibility Print without a computer just connect the camera directly to the printer PictBridge is an industry standard that enables the camera to control a printer for photo prints without a computer You first connect the digital camera to a PictBridge compatible printer via USB Then you can select shots on the camera s LCD m...

Page 26: ...t Sony DPP FP70 and DPP FP90 dye sublimation printers can print three dye colors cyan magenta and yellow The CIE l a b color chart demonstrates the superiority of Sony dye sublimation printing SONY DYE SUBLIMATION PRINTER SILVER HALIDE PHOTO INKJET PRINTER CYAN GREEN YELLOW RED BLUE MAGENTA CIE LAB COLOR SPACE BRILLIANT COLOR a 100 80 60 40 20 20 40 60 80 100 a b 100 80 60 40 20 0 20 40 60 80 100 ...

Page 27: ...or viewable area measured diagonally makes framing and reviewing pictures easy 8 1 12 1 megapixels 3x optical zoom Li Ion rechargeable battery DSC W90 also available in Black DSC T20 CYBER SHOT DIGITAL CAMERA Barely the size of a deck of cards and thin sleek lens door doubles as on off switch Full HD 1080 output using optional accessory adaptor cable Face Detection identifies your subjects for pre...

Page 28: ...n low light when flash would spoil the mood Face Detection identifies your subjects for precise focus exposure white balance and flash NightShot function uses infrared technology to take pictures even when there is no visible light 8 1 megapixels 15x optical zoom Li Ion rechargeable battery The world s biggest digital camera monitor as of June 15 2007 Monitor picture simulated Monitor picture simu...

Page 29: ...z 159 g Viewable area measured diagonally Requires optional accessories compatible HDTV Not all products with USB connectors may communicate with each other due to chipset variations Non metric weights and measurements are approximate and may vary Standard kit lens DT 18 70mm f3 5 5 6 DSC T100 1 2 5 CCD 8 1 MP Carl Zeiss 5X f3 5 4 3 5 8 29mm 35 175mm 0 25X VGA 2X 10X Ttl Auto 9 Area Center AF Spot...

Page 30: ...itor 30 Full HD 1080 4 5 26 44 45 Geometric accuracy lens 17 High Definition 4 5 26 44 45 Histogram 41 ImageStation com 44 47 In camera retouching 26 27 InfoLITHIUM battery 33 Internal memory 31 Internet printing 44 47 ISO sensitivity 9 27 28 37 40 JPEG file format 25 31 Kiosk printing 44 47 LCD monitor 29 30 41 48 Lens and sensor size 16 Lenses integral and interchangeable 17 18 Lithium Ion batte...

Page 31: ... other Memory Stick Memory Stick Duo Memory Stick PRO Memory Stick PRO Duo the Memory Stick logo NightShot PictureStation Print by Sony Real Imaging Processor Remote Commander Smart Zoom Stamina SteadyShot Super SteadyShot SuperCoat2 Super HAD TruFast and XFine are trademarks of Sony PSP Xross Media Bar and XMB are trademarks and PLAYSTATION is a registered trademark of Sony Computer Entertainment...

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