ELECTRO-ACOUSTIC
An additional session at SC studios captured more
‘rattle’ sounds - another drum kit, room rattles,
boxes of screws, tins - a selection of small sonic
artefacts that could be triggered with drums at a
low level to give a real life, organic recording feel.
The combination of the channels captured at the
two studios made a very exciting set of different
colours to work with to create new drum sounds.
Combing these into a flexible Kontakt instrument
was the next challenge, turning into one of the
most complex programming jobs on many of our
instruments.
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