Sirus Live M416, Manual

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26 / 45
10.2. AUX 5-6 Master, L-R-M-Master
10.2.1. AUX 5 und 6 Master
These functions in the same way as described for auxes 1 to 4. In monitor
mode, the recessed REV switch reverses the AUX5 master with L, and
AUX6 with R. Here the aux signals are presented to the L and R XLR
outputs complete with their inserts. The LR mix swaps on to the Aux TRS
jack outputs. Note that the LR mix always feeds the matrix and 2-track
regardless of mode selected.
10.2.2. LR Masters
Separate 100mm faders control the main mix L and R output levels. They
p10dB maximum boost. Each master includes a 4 LED bar meter,
an AFL switch and a MUTE switch so that L and R can be separately
monitored and muted. This is most useful in monitor mode where these
masters carry the AUX5 and AUX6 signals.
10.2.3. Master
A 100mm fader adjusts the level of the signal to the M output XLR. The master is fully featured and
includes a 4 LED bar meter, an AFL switch and a MUTE switch.
The M outputs add a true touch of genius to the versatility of the mixing console. The source is
selected using two mode switches above the R fader. These are recessed to prevent accidental
operation. Use a pen or pointed object to set the position.
FOH-Mode With both switches in the up position (flush with the panel), the post-fade L and R mix are
summed together to provide a mono source. Use this to feed a mono PA, fill, delay or zone speakers
or even a mono broadcast or recording send.
Monitor-Mode Press the upper switch to create an engineer’s monitor listen wedge feed from the
AFL/PFL mix. Note that in this mode the M AFL switch is disabled. It is common to use a wedge
speaker of the same type used on the stage to listen to and check the various monitor mixes being
sent to the performers. Together with the group/aux REV function, the mixing console can be
configured as compact yet fully featured monitor console.
AUX-Fed-Subs-Mode Press only the lower switch to configure M as the master for AUX6. This
innovate feature is ideal when driving your sub bass speakers with their own mix fed from an aux, a
technique becoming more popular in FOH mixing. This mode provides all the main PA masters (L, R