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10.
Master section
10.1. Group/Aux Masters
10.1.1. AUX Masters
Each aux mix has a master level control that adjusts the output level to match
external equipment, or trims the monitor, effect or other send without affecting the
mix balance. Up to +10dB boost is available above the normal 0dB position. Note
that this becomes the group or master in monitor mode.
10.1.2. AUX AFL
Press AFL to listen the post-level aux mix in the headphones and local monitor
without affecting the main outputs. The console monitor meters are interrupted with
aux (group) signal. The yellow indicator lights to show that AFL has been selected
on the master. USE AFL to check the signal being sent to the monitors, effects or
other destination. AFL is pre-mute so that you can check the signal before sending
it to its destination.
10.1.3. REV
These switches reverse the function of the group and aux masters, the heart of the
dual functionality pioneered by us. They are recessed to prevent accidential
operation. Use a pen or pointed object to set their position. In the up position (flush
with panel), the group is controlled by the fader and the aux by rotary master. This is
typical for FOH mode where the faders are used for subgroups feeding the main
stereo mix. When pressed, the aux uses the fader as the master and the group is
moved to the rotary control. The aux mix is now presented to rear group XLR
complete with insert. The group mix apppears at the aux TRS jack. This is used for
monitor mode where the aux are the main mix feeding the stage monitors. You can
select any combination for the FOH and monitor mode, e.g. just 3, 4 giving you two
fader aubgroups, two monitor sends on faders, and main LR mix.
Note: The groups always feed the matrix and the subgroups controls (PAN and
GRP TO LR) regardless of the mode. This means the group mix can still perform a
useful function when the console is configured in monitor mode.
10.1.4. PAN
Summary of Contents for Live M416
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