Roland XP-60 Owner'S Manual Download Page 213

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213

Chapter 12. Supplementary material

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Arpeggio style list

Style

Motif

Beat Pattern

Accent Rate

Shuffle Rate

1/4

all

1/ 4

0-100%

50-90%

1/6

all 1/

0-100%

50-90%

1/8

all 1/

0-100%

50-90%

1/12

all 1/12

0-100%

50-90%

1/16

all

1/16 1-3

0-100%

50-90%

1/32

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

1/32 1-3

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER,
GLISSANDO, BASS+UP 1-8, BASS+RANDOM 1-3,
TOP+UP 1-6

GLISSANDO

1/16 1-3, 1/32 1-3

0-100%

50-90%

SEQUENCE A

all

SEQ-A 1-7

0-100%

50-90%

SEQUENCE B

all

SEQ-B 1-4

0-100%

50-90%

SEQUENCE C

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

SEQ-C 1-2

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER,
GLISSANDO, BASS+UP 1-8, BASS+RANDOM 1-3,
TOP+UP 1-6

ECHO

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

ECHO 1-3

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER

SYNTH BASS

BASS+UP 2

SEQ-A 1, SEQ-C 1

0-100%

50-90%

SLAP BASS A

BASS+UP 5, TOP+UP 5

MUTE 02, 03

0-100%

50-90%

SLAP BASS B

BASS+UP 5, TOP+UP 5

MUTE 02, 03

0-100%

50-90%

WALK BASS

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

WALKBS, REF1

0-100%

50-90%

SINGLE RANDAM, NOTE ORDER, GLISSANDO

RHYTHM GTR A

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

MUTE 01,04

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER,
BASS+UP 1-8, BASS+RANDOM 1-3, TOP+UP 1-6

RHYTHM GTR B

CHORD

MUTE 07, 13, 14

0-100%

50-90%

RHYTHM GTR C

CHORD

MUTE 08, 12, 15

0-100%

50-90%

RHYTHM GTR D

CHORD

MUTE 09, 10, 11, 16

0-100%

50-90%

RHYTHM GTR E

SINGLE UP, SINGLE DOWN

STRUM 1-6

0-100%

50-90%

3 FINGER GTR

BASS+UP+TOP

SEQ-A7

0-100%

50-90%

STRUMMING GTR

SINGLE UP, SINGLE DOWN

STRUM 7, 8

0-100%

50-90%

KBD COMPING A

CHORD

MUTE 12, REF2

0-100%

50-90%

KBD COMPING B

BASS+CHORD 4, BASS+CHORD 5

MUTE 05, 06

0-100%

50-90%

KBD COMPING C

BASS+CHORD 2, BASS+UP 2, BASS+RANDOM 2,

1/ 6, 1/12

0-100%

50-90%

TOP+UP 2

KBD COMPING D

BASS+CHORD 2, BASS+UP 2, BASS+RANDOM 2,

1/16 1-3

0-100%

50-90%

TOP+UP 2

KBD COMPING E

CHORD

REGGAE

0-100%

50-90%

PERCUSSION

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

PERC1-4

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER,
BASS+UP 1-8, BASS+RANDOM 1-3, TOP+UP 1-6

HARP

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

HARP

0-100%

50-90%

GLISSANDO

SHAMISEN

TOP+UP 4-6

SEQ-A 2

0-100%

50-90%

BOUND BALL

SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,

BOUND

0-100%

50-90%

SINGLE RANDOM, DUAL UP, DUAL DOWN,
DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER,
GLISSANDO

RANDOM

SINGLE RANDOM, DUAL RANDOM,

1/ 4 -1/32 3, RANDOM

0-100%

50-90%

BASS+RANDOM 1-3

LIMITLESS

all

0-100%

50-90%

all:

there is no restriction on the value which can be set

Summary of Contents for XP-60

Page 1: ...nt infor mation concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Quick Start and Owner s Manual should be read in its entirety The manuals should be saved and kept on hand as a convenient reference For XP 60 Owners Even though only the XP 80 model is referred to in this manual and in the Q...

Page 2: ... only of the type described in the operating instructions or as marked on the product 1 2 3 4 5 6 7 8 9 10 11 A B C D E The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings The product should be serviced by qualified service...

Page 3: ... 45 Always grasp only the plug on the power supply cord when plugging into or unplugging from an outlet Try to prevent cords and cables from becoming entangled Also all cords and cables should be placed so they are out of the reach of children Never climb on top of nor place heavy objects on the unit Never handle the power cord or its plug with wet hands when plugging into or unplugging from an ou...

Page 4: ...e is taken to avoid the loss of data However in certain cases such as when circuitry related to memory itself is out of order we regret that it may not be possible to restore the data and Roland assumes no liability concerning such loss of data Memory Backup This unit contains a battery which powers the unit s memory circuits while the main power is off When this battery becomes weak the message s...

Page 5: ...ion is required to enable storage of large amounts of data on such a small surface area To preserve their integrity please observe the following when handling floppy disks Never touch the magnetic medium inside the disk Do not use or store floppy disks in dirty or dusty areas Do not subject floppy disks to temperature extremes e g direct sunlight in an enclosed vehi cle Recommended temperature ran...

Page 6: ... the ARPEGGIO on you can create various arpeggios and simulate cutting techniques simply by pressing a chord You can even specify the rhythmical feel you want p 35 GM System compatibility The XP 60 XP 80 provides a mode compatible with the GM System the standard format for desktop music DTM sys tems and can play back commercially available GM compat ible song data p 173 GM System GM General MIDI i...

Page 7: ...lated functions Disk mode This chapter covers disk related operations such as saving data to disk loading data from disk into internal memory etc Chapter 10 Using the XP 80 as the GM sound source This chapter explains needed procedures and parameters for using the XP 80 as a GM System compatible sound source Read this chapter before attempting to play back commercial GM score data Chapter 11 Getti...

Page 8: ...Sound List window 29 Playing fatter and richer sounds by combining Patches Layer 30 Splitting the keyboard to play separate Patches in different sections Split 30 Playing along with a song playback XP 80 used as a multitimbral sound source 31 Assigning a different Patch to a Part 32 Quick sound character changes Sound Palette 32 Playing in Rhythm Set mode 33 Selecting a Rhythm Set 33 Displaying So...

Page 9: ...rs 65 Settings common to the entire Performance Common 65 Setting the keyboard range K Range 66 Making settings for each Part Part 66 Making MIDI settings for a Part MIDI 67 Setting effects for a Performance Effects 68 Confirming MIDI information for each Part Info 69 Functions of Rhythm Set parameters 70 Naming a Rhythm Set Common 70 Modifying waveform and pitch of a Rhythm Tone Key WG 70 Changin...

Page 10: ... channels interact 104 Recording methods 104 Recording destinations of sequencer data 104 Selecting instrument sounds 105 Erasing the song from internal memory 105 Setting the time signature 105 Recording as you play Realtime recording 106 Settings for realtime recording 106 Performing realtime recording 108 Recording specific data only Recording Select 109 Changing the Phrase track during recordi...

Page 11: ...rd 11 Shift Clock 132 Thinning out sequencer data 12 Data Thin 133 Exchanging Phrase tracks Patterns 13 Exchange 134 Adjusting the song playback time 14 Time Fit 134 Deleting blank measures 15 Truncate 135 Aligning a song s timing Quantize 136 About quantizing 136 Grid quantize 137 Shuffle quantize 138 Groove quantize 139 Editing sequencer data one at a time Microscope Edit 144 Viewing the Microsc...

Page 12: ...he internal song 6 Song Init Song initialize 164 Checking internal memory consumption 7 Memory Info Internal memory information 164 Recalling factory default settings 8 Factory Factory preset 165 Chapter 9 Disk related functions Disk mode 166 About Disk mode 166 Loading a file from disk into the XP 80 1 Load 167 Saving data to disk 2 Save 168 Formatting the disk for the XP 60 XP 80 3 Format 169 Ma...

Page 13: ...f the band that s playing 180 Playing a drum referring to a XP 80 click 180 Song making techniques 180 Recording a song with a consistent volume level regardless of keyboard playing dynamics 180 Having a song fade in or out 180 Changing a sound during a song 181 Avoiding sound dropouts in a song 182 Using external MIDI devices 182 Using the XP 80 to change the sound on an external MIDI device 182 ...

Page 14: ...b on off EFX Switches the multiple effects unit EFX on off p 40 CHORUS Switches Chorus on off p 40 REVERB Switches Reverb on off p 40 E F1 F6 Function buttons Each of these buttons corresponds to a function indi cated at the display bottom The functions of these buttons change depending on the selected mode or the current display p 20 F LOCAL TX RX This button opens the LOCAL TX RX window for swit...

Page 15: ...select the Part to be modified p 43 Patch edit display TRACK PART 1 4 buttons TONE SWITCH are used to switch a Tone on off p 27 Use TRACK PART 5 8 buttons TONE SELECT to select the Tone to be modified p 40 Rhythm Set edit display Use TRACK PART 5 8 buttons TONE SELECT to select the note of the key board to be modified p 44 Sequencer mode Use TRACK PART 1 16 buttons to select a phrase track or Part...

Page 16: ...s place and 10 s place will be fixed and only the 1 s place will change This means that you can select Patches simply by pressing the numeric key for the 1 s place without having to press ENTER p 27 K Display Shows various information for the currently selected function or operation L VALUE dial This dial is used to modify values If you hold down SHIFT as you turn the VALUE dial the value will cha...

Page 17: ...rs can be connected to other MIDI devices to receive and transmit MIDI messages CLICK OUT LEVEL knob Adjusts the level of the click sound to be output to external devices p 180 CLICK OUT OUTPUT jack Connect a cable to this jack when sending clicks to external devices p 180 OUTPUT DIRECT R jack OUTPUT DIRECT L jack These jacks output only the direct sound no effects applied or EFX d sound in stereo...

Page 18: ... are the elements which collectively form a Patch Tone configuration WG Wave Generator Using the Wave Generator you select a waveform and set its pitch TVF Time Variant Filter With the Time Variant Filter you modify the waveform s frequency characteristics TVA Time Variant Amplifier With the Time Variant Amplifier you set volume level and set the sound s position in a stereo soundfield Envelope Yo...

Page 19: ... percussion instrument Parts When the XP 80 is used as a multitimbral sound source another sound configuration called a Part comes into play A Part contains a Patch or Rhythm Set For multimbral applica tions the Performance consists of 16 Parts A specific Patch can be assigned to each Part except Part 10 because Part 10 is universally set as the Drum Part to which a Rhythm Set dis cussed above is ...

Page 20: ... special mode makes the XP 80 function as a GM com patible sound source You should select this mode when you want to play back a GM score music data created for GM sound source To set GM mode hold down SHIFT and press PER FORM PERFORM PATCH and RHYTHM indicators will not light Sequencer Selecting Sequencer mode and Chain Play mode determines how the sequencer will operate One or the other of these...

Page 21: ...Common Control F3 Structure F4 Tone Key Range Lower Upper F5 Tone Vel Range Lower Upper Fade F1 Wave Param F2 Pitch F3 Pitch Envelope F1 TVF Param F2 TVF Envelope F1 TVA Param F2 TVA Envelope F1 LFO 1 Param F2 LFO 2 Param F3 Control Param F4 Control Switch F1 General F2 EFX Param F3 EFX Control F4 Chorus F5 Reverb Play Performance Mode F3 Part F4 MIDI F5 Effects F6 Info F2 K Range F1 Common Group ...

Page 22: ...hange F4 Time Fit F5 Truncate F1 Create Event F3 Move Event F6 View Select REC Step Recording Loop Window Song List Window F1 Part Palette F2 Part Information F3 Rec Filter Window F4 Auto Punch I O Window F5 Loop Window F6 Rec Quantize Window STOP PLAY Recording Realtime Rec Stand by Play Chain Play Mode F6 List F5 Save Group Display Save Chain File List Window System Mode F3 MIDI F4 Control F5 Ar...

Page 23: ... To modify a value use the VALUE dial INC DEC or 0 9 numeric keys Each parameter has a specific range so you cannot set any value smaller than the minimum value or greater than the maximum value VALUE dial Turning the VALUE dial clockwise increases the value counterclockwise decreases the value Holding down SHIFT as you move the VALUE dial increases value incre ments so you can make large value ch...

Page 24: ...responding note value is at the lower right of each numeric key Characters When assigning a name for Patches Performances files and songs you can use the numeric keys to specify alphabetic characters For details refer to Assigning a name below Restoring a previous value Undo If you wish to restore a value to its immediate previous value press UNDO REDO to return the value to its pre modified state...

Page 25: ... entered you can quickly select a desired character Procedure From any display in which you can assign a name press the following buttons to open a Name window Name Button Patch F1 General Performance F1 Common Rhythm Set F1 Common Song F1 SngName Pattern F2 PtnName Filenames and volume labels F1 Name Press F3 Prev or F4 Next to move the cursor to the location where you wish to input a character P...

Page 26: ... INC DEC to select a Patch Selecting a Patch with Bank Number method You can select a Patch by combining BANK 1 8 and NUMBER 1 8 buttons in the center of the front panel This selection style is called the Bank Number method When selecting a Patch on the XP 80 using the Bank Number method the bank number corresponding to each Patch number is shown at the upper left of the display Patch number 001 0...

Page 27: ...t MSB LSB at the bottom line indicates the Bank Select MSB and LSB of the current Patch When changing Patches in units of 10 press either F5 10 or F6 10 Patch groups can also be changed by pressing F2 Group or F3 Group When selecting a Patch turn the VALUE dial or press INC DEC or cursor buttons to move the cursor to the desired Patch Press EXIT to close the Sound List window Making a Patch sound ...

Page 28: ...to Time Type Mode or Start parameter See p 47 for each parameter s functions Turn the VALUE dial or press INC DEC to get the value you want Press EXIT to return to the Play display PATCH and play If you press PORTAMENTO when Single Performance is selected the Portamento function can be switched on or off for the current Part When Layer Performance is selected the Portamento function can be switche...

Page 29: ...TRACK PART 1 16 at front panel center Each Performance group contains 32 Performances so you can choose a Performance using 16 buttons in subgroups a and b If you use this method to select a Performance you ll see the subgroup and number corresponding to each Performance number at the upper left of the display Performance number 01 02 03 16 17 18 19 32 Subgroup number a01 a02 a03 a16 b01 b02 b03 b...

Page 30: ...dow will also affect the Local Sw parameter value PER FORM MIDI Part MIDI After you complete your settings press LOCAL TX RX or EXIT to close the LOCAL TX RX window and return to the Play display PERFORM Now start playing The lower right of the display will indicate o for the Parts with Local Sw parameter ON and for the Parts with Local Sw parameter OFF The cursor is located on the cur rent Part s...

Page 31: ...r completing your settings press EXIT to return to the Play display PERFORM and start playing Playing along with a song playback XP 80 used as a multitimbral sound source When a Single Performance is selected the XP 80 s keyboard will play only the Part you selected from the keyboard con venient when you play the keyboard along with a song play back Selecting a Part you want to play on the keyboar...

Page 32: ...ound Palette will also be transmitted to the XP 80 s sequencer and external MIDI devices Changing sound characters If Single Performance is selected the effect applies only to the current Part With Layer Performance selected this affects only the Parts with Local Switch parameter PERFORM MIDI Part MIDI set ON Procedure Make sure that the Play display PERFORM is show ing Press FILTER ENV to light i...

Page 33: ...A D Slots These Rhythm Sets are included in optional Wave Expansion Boards and are not user rewritable But you can call up Rhythm Set settings into the temporary area modify them and then store them in user memory A Patch XP A D cannot be accessed if the Wave Expansion Board it belongs to has not been installed Procedure Press RHYTHM to call up the Play display RHYTHM Turn the VALUE dial or press ...

Page 34: ...B at the bottom line indicates the Bank Select MSB and LSB of the current Patch To call up another Rhythm Set group press F2 Group or F3 Group You can also change Rhythm Set groups by continu ously pressing F5 10 or F6 10 When selecting a Rhythm Set turn the VALUE dial or press INC DEC or cursor buttons to move the cur sor to the desired Rhythm Set Press EXIT to close the Sound List window Playing...

Page 35: ...a guitar RHYTHM GTR A RHYTHM GTR B RHYTHM GTR C RHYTHM GTR D RHYTHM GTR E 3FINGER GTR STRUMMING GTR Playing a keyboard instrument KBD COMPING A KBD COMPING B Playing a waltz KBD COMPING C KBD COMPING D Playing in reggae style KBD COMPING E Playing percussion instruments PERCUSSION There are also other styles besides the above including those used for random play and for creating your own styles Fo...

Page 36: ... B RHYTHM GTR C RHYTHM GTR D or RHYTHM GTR E Press FILTER ENV so the indicator lights Move the CUTOFF slider or RESO slider while you play a chord Playing an arpeggio from an external MIDI device The XP 80 can also produce arpeggios with incoming Note messages from an external MIDI device Procedure Connect the XP 80 s MIDI IN connector and the MIDI OUT connector of an external MIDI device with a M...

Page 37: ...layback tempo After you finish settings press EXIT Recording an arpeggio You can realtime record arpeggios just like with convention al playing Procedure Press ARPEGGIO to play an arpeggio Make sure that Arpeggiator parameters have been set correctly Press REC to get ready for realtime recording To prepare for realtime recording refer to Recording as you play p 106 Begin recording When you play a ...

Page 38: ... setting you make here will also change the Transpose Value parameter SYSTEM Setup Setup The setting you make will be maintained even if you select a different Patch Performance or Rhythm Set or turn the power off If stuck notes occur or a note does not sound Panic If a note played on the XP 80 or from an external device locks or keeps sounding and you can t shut it off hit the Panic button Do the...

Page 39: ...Performance mode GM mode The EFX Chorus and Reverb effects can be set individually for each Performance and GM mode The intensity of each effect will be set for each Part Fig 1 but the Send Level set ting for each Tone can also influence effect intensity Fig 2 Effects settings of the Patch assigned to each Part will be ignored but EFX applied to a Patch assigned to a given Part can also be applied...

Page 40: ...odify its parameters at ran dom It makes sense to start with a Patch whose sound is related to what you have in mind Deciding on the Tone to use When creating a Patch deciding on the Tones you ll use is crucial For each Tone use the TONE SWITCH 1 4 BANK 1 4 to decide whether to turn it on have it sound or off Turn off Tones you don t need to avoid using more voices than required A Tone switches on...

Page 41: ...FO Ctl and WG between LFO Ctl and TVF and between LFO Ctl and TVA display groups It s especially convenient when changing LFO depth or depth of Control 1 2 Editing Patches using the Palette display When editing a Tone in a Patch the parameter values of the four Tones can be displayed together on a single display called the Palette display Use it when you want to modify parameter values as you comp...

Page 42: ...o such settings would have no mean ing Notes for editing looped waveforms With many acoustic instruments like piano and sax radical timbral changes occur during the first few moments of the note This initial attack is what defines much of the instru ment s character The XP 80 provides a variety of waveforms containing realistic acoustic instrument attacks To obtain the maximum realism when using t...

Page 43: ...be displayed at the left of the Performance group to indicate Performance settings have been modified If you select another Performance in the group with an asterisk the modified Performance settings will be lost To keep these modified settings you must write them into user memory p 46 Editing a Performance using Palette display You can also edit a Performance using the Palette display in Performa...

Page 44: ...ton from F1 Common F6 Effects to choose the display group you want Press a F1 F6 button to call up the desired display page If you have pressed any of F2 WG F5 Key Ctl in step 1 press a key on the keyboard to select the Rhythm Tone you want to modify The selected key Note name and Wave name will be dis played at display upper right It is also possible to select a note Rhythm Tone by pressing TONE ...

Page 45: ...se this Wave data which can be called directly into the temporary area and played When playing a Patch or Rhythm Set that use the Wave data from a Wave Expansion Board the appro priate Wave Expansion Board must be installed in the XP 80 for the sound to play correctly Installing a Wave Expansion Board To install an optional Wave Expansion Board SR JV80 series the unit s bottom cover must be remove...

Page 46: ...display On this display you can assign a name to a Patch and set the volume and pan of the entire Patch Patch Name You can call the Patch any name of up to 12 alphanumeric characters Patch Level Adjust the Patch s volume level The Tone Level parameter PATCH TVA TVA Param lets you level each Tone Patch Pan Places or pans the Patch to a desired point in the stereo soundfield L64 is hard left 0 is ce...

Page 47: ...the tempo clock of external devices set the Clock Source to SEQUENCER and Sync Mode SEQUENCER Setup SEQ System Setup to SLAVE Patch Tempo Set the Patch tempo The Patch tempo clock is a reference for controlling Rate parameter PATCH LFO Ctl LFO1 2 Param Time parameter PATCH WG Wave Param and some EFX parameters and does not transmit clock messages from MIDI OUT connector Common Control display This...

Page 48: ...rm Rate parameter PATCH LFO Ctl LFO 1 Param LFO2 Adjusts the modulation rate of the LFO2 waveform Rate parameter PATCH LFO Ctl LFO 2 Param VELOCITY Velocity KEYFOLLOW Adjusts parameter value depending on the key position relative to the C4 key 0 PLAYMATE Adjusts parameter value depending on the time duration of the key press If you want to use a controller that is common to all Patches or to use a...

Page 49: ...ssing with the ring modulator The TVA for Tone 1 or 3 is used to adjust ring modulation depth TYPE6 Combines two filters boosts harmonics by ring modulation and mixes in Tone 2 or 4 As the sound from the ring modulator and Tone 2 or 4 can be mixed the TVA for Tone 1 or 3 adjusts the amount of ring modulated sound TYPE7 Sends Tone 1 or 3 which has been filtered and Tone 2 or 4 through the ring modu...

Page 50: ...ange Lower Upper Fade Tone velocity range display Here you can specify the range of velocities that will play each Tone You can make different velocities play different Tones The specified range is displayed graphically Tone 1 Tone 1 velocity range lower upper crossfade Tone 2 Tone 2 velocity range lower upper crossfade Tone 3 Tone 3 velocity range lower upper crossfade Tone 4 Tone 4 velocity rang...

Page 51: ... delays the time from when a key is pressed or released to when the Tone actually sounds Since you can change the timing of each Tone to sound you can create effects not possible with conventional delay units For instance you can change the sound for a Tone to be delayed or can play an arpeggio simply by pressing a single key if you ve assigned a different pitch to each Tone You can also sync dela...

Page 52: ...g Tone Delay If PLAYMATE has been selected for the Mode parameter a setting of 64 will set delay time to the interval between the previous Note On and the current Note On To extend time about twice as long as a 64 setting try 127 To cut the time by half try setting it to 32 At a 0 setting the Tone will not sound For example to make two notes sound one note fol lowed by the other with one key use t...

Page 53: ...e values reduce pitch envelope amount as the key is pressed with increasing force Velocity Time 1 Pitch envelope velocity time 1 sensitivity Use this parameter when you want keyboard playing dynamics velocity to impact on the Time1 parameter of the pitch envelope With positive settings a higher keyboard velocity will reduce speed up Time1 value With negative settings higher keyboard velocity will ...

Page 54: ...ff Frequency setting Resonance Emphasizes frequencies around the cutoff frequency Excessive level at some settings can cause oscillation and distortion Resonance Vel Sens Resonance velocity sensitivity Use this parameter if you want velocity to influence the Resonance parameter If you want higher keyboard veloci ties to create more changes in Resonance use positive values For less Resonance change...

Page 55: ...d To set overall volume for a Patch use the Patch Level parameter PATCH Common Common General The Tone Level parameter setting will be multiplied by the Patch Level value Tone Pan Adjusts the pan location in stereo soundfield for each Tone L64 pans hard left 0 is center and 63R pans hard right To pan a complete Patch use the Patch Pan parameter PATCH Common Common General The Tone Pan parameter se...

Page 56: ...VA envelope amount The selected curve is shown at the right of the number Velocity Sens TVA envelope velocity sensitivity Use this parameter when you want velocity to influence TVA envelope amount Positive settings increase the amount of TVA envelope as the key is pressed with increas ing force Negative settings do the reverse Velocity Time 1 TVA envelope velocity time 1 sensitivity Use this param...

Page 57: ...elay time to the Patch Tempo parameter setting PATCH Common Common General or Perform Tempo parameter setting PERFORM Common Common or sequencer s tempo clock If you want to use a fixed tempo in Patch mode set the Clock Source parameter PATCH Common Common General to PATCH and set the desired tempo If you want to use the sequencer tempo clock in Patch mode set the Clock Source parameter PATCH Comm...

Page 58: ...erse in relation from each other between positive and negative Depth para meter settings Setting a Depth parameter to a positive value for one Tone and setting another Tone with the same numerical value but negative the modula tion phase for the two Tones will be in reversed from each other This allows you to shift back and forth between two different Tones and cyclically move the stereo soundfiel...

Page 59: ... parame ter PATCH Common Common Control Control Switch display On this display you can specify whether you want each Tone to receive MIDI messages for volume pan pitch bend etc Generally volume messages control the volume pan messages control stereo location and pitch bend mes sages control the pitch of the currently sounding note However the XP 80 allows these messages to control other specific t...

Page 60: ...p 2 use the EFX Type parameter to select EFX type Detailed settings for the EFX type you ve selected should be made on the EFX Param display Adding chorus or reverb to a sound that s gone through EFX If you want to apply chorus and or reverb to the sound after it s gone through the EFX adjust the amount of chorus and or reverb using the EFX Chorus Send Level and EFX Reverb Send Level parameters If...

Page 61: ...ough EFX will be output to the MIX OUTPUT jack If Chorus and or Reverb is selected all these effects are output together with the direct sound DIR The sound that passes through EFX will be output to the DIRECT OUTPUT jack If Chorus and or Reverb is selected these settings have no effect Chorus Level Adjusts volume level of chorus sound This setting also affects the Level parameter PATCH Effects Ch...

Page 62: ...IX EFX Output Level 1 127 EFX Chorus Send Level 0 EFX Reverb Send Level 0 Chorus Level 1 127 Chorus Output Assign REV Reverb Level 1 127 Connecting EFX Chorus and Reverb in series Output Assign EFX Mix EFX Send Level 1 127 Chorus Send Level 0 Reverb Send Level 0 EFX Output Assign MIX EFX Output Level 1 127 EFX Chorus Send Level 1 127 EFX Reverb Send Level 1 127 Chorus Level 1 127 Chorus Output Ass...

Page 63: ...tch can have two controller assignments EFX Ctrl 1 2 and you can assign the following controllers to Control Source OFF A controller will not be used SYS CTRL1 System controller 1 SYS CTRL2 System controller 2 MODULATION Modulation MIDI controller number 1 BREATH Breath MIDI controller number 2 FOOT Foot MIDI controller number 4 VOLUME Volume MIDI controller number 7 PAN Pan MIDI controller number...

Page 64: ...ameter PATCH Effects General value Rate Chorus rate Adjusts modulation speed for the chorus Depth Chorus depth Adjusts modulation depth for the chorus Pre Delay Adjusts time from when the direct sound begins to when the chorus sound is heard Higher values create a more spacious sound Feedback Chorus feedback level Adjusts the amount of chorus sound that is returned fed back to the chorus Higher va...

Page 65: ...ERFORM MIDI Part MIDI set ON will sound as the keyboard is played MIDI messages will be transmit ted from the keyboard to the sequencer as determined by the Local Sw parameter PERFORM MIDI Part MIDI setting for each Part Transmission of MIDI messages from the keyboard to exter nal MIDI devices is determined by the Tx Switch parameter PERFORM MIDI Part MIDI setting for each Part SINGLE With a Singl...

Page 66: ...ke the two values will change together If you ve used OCT or OCT or the Transpose parameter SYSTEM Setup Setup to transpose XP 80 keyboard pitch the keyboard area specified by Key Range will also shift Switch Key range switch Specifies if key range setting is to be used or not The key range setting is used when the Switch parameter is ON It is also possible to switch between ON and OFF by pressing...

Page 67: ...he controller sec tion from the internal sound source ON or not OFF for each Part At OFF the keyboard will not play that Part but keyboard performance data MIDI messages will be sent from MIDI OUT This is normally left ON but you can set it OFF when you want the XP 80 keyboard and controllers to only control external sound sources This setting can also be switched using the Local Sw parameter in t...

Page 68: ... If Chorus and or Reverb is selected these effects are output together with the direct sound EFX The direct sound is sent to EFX After passing through EFX the sound travels to the destination specified by the EFX OUTPUT Assign parameter DIR Only direct sound is output to the DIRECT OUT jack If Chorus and or Reverb is selected these settings have no effect PAT The direct sound is output as specifie...

Page 69: ...ion When you modify a value shown on the Part Information display excluding Voice the MIDI message of the modified value will be transmitted to the current Part and to the XP 80 s sequencer or external MIDI devices on that Part s MIDI channel simultaneously If Layer Performance has been selected this MIDI message will not be transmitted to external MIDI devices if the Tx Switch parameter PERFORM M...

Page 70: ...his is where to set the pitch envelope how pitch changes over time The pitch envelope is displayed graphically Time1 4 Pitch envelope time 1 4 Sets pitch envelope s time Time 1 4 Higher settings extend the duration over which pitch changes from one point to another for example time for the pitch to change from Level 1 to Level 2 for Time 2 Level1 4 Pitch envelope level 1 4 Sets pitch envelope leve...

Page 71: ...ry depending on Cutoff Frequency setting Resonance Emphasizes frequencies around the cutoff frequency Excessive level at some settings can cause oscillation and distortion Resonance Vel Sens Resonance velocity sensitivity Use this parameter if you want velocity to influence the Resonance parameter If you want higher keyboard veloci ties to create more changes in Resonance use positive values For l...

Page 72: ...o the reference volume specified Tone Level value Velocity Sens TVA envelope velocity sensitivity Use this parameter when you want velocity to influence TVA envelope amount Positive settings increase the amount of TVA envelope as the key is pressed with increas ing force Negative settings do the reverse Velocity Time TVA envelope velocity time sensitivity Use this parameter when you want velocity ...

Page 73: ...for a Performance p 68 With the Arpeggiator on closing the Arpeggio win dow in the Play display RHYTHM will assign the function to re open the Arpeggio window to F6 To set effects parameters hold down SHIFT as you press F6 to call up the relevant display General Effects general display Output Assign Specifies how each Rhythm Tone will be output MIX The direct sound is output to the MIX OUTPUT jack...

Page 74: ... area specified by the P1 Freq parame ter and P1 Q parameter settings P2 Freq Peaking 2 frequency Adjust the frequency of Peaking 2 mid range P2 Q Peaking 2 Q This parameter adjusts the width of the area around the P2 Freq parameter that will be affected by the Gain setting Higher values of Q will result in a narrower area being affected P2 Gain Peaking 2 gain Adjust the gain for the area specifie...

Page 75: ...nter and 63R is far right Level Output level Adjust the output level 5 SPECTRUM Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies It is simi lar to an equalizer but has 8 frequency points fixed at loca tions most suitable for adding character to the sound Band 1 Band 1 gain Adjust the 250 Hz level Band 2 Band 2 gain Adjust the 500 Hz le...

Page 76: ...uency fast rate Adjust the fast speed FAST of the low frequency rotor Low Accleration Low frequency acceleration Adjust the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow or slow to fast speed Lower values will require longer times Low Level Low frequency level Adjust the volume of the low frequency rotor High Slow Rate High frequency slow ...

Page 77: ...the direct sound begins until the processed sound is heard Pre Delay Deviation adjusts the differences in Pre Delay between each chorus sound Depth Deviation Adjust the difference in modulation depth between each chorus sound Pan Deviation Adjust the difference in stereo location between each chorus sound With a setting of 0 all chorus sounds will be in the center With a setting of 20 each chorus ...

Page 78: ...w the cutoff frequency Cutoff Freq Cutoff frequency Adjust the basic frequency of the filter Low Gain Adjust the gain of the low frequency range High Gain Adjust the gain of the high frequency range Balance Effect balance Adjust the volume balance between the direct sound and the processed sound Level Output level Adjust the output level 15 STEREO FLANGER This is a stereo flanger The LFO has the s...

Page 79: ...ce Tempo PERFORM Common Common or the tempo clock of the XP 80 s sequencer If you want to use a fixed tempo in Patch mode Patch Tempo parameter setting set the Clock Source parameter PATCH Common Common General to PATCH and set the desired tempo If you want to use the sequencer s tempo clock in Patch mode set the Clock Source parameter PATCH Common Common General to SEQUENCER If you want to use a ...

Page 80: ...djust the time from the original sound until when the left delay sound is heard Delay Right Delay time right Adjust the time from the original sound until when the right delay sound is heard Feedback Feedback level Adjust the proportion of the processed sound that is fed back into the effect Negative settings will invert the phase Feedback Mode Select the way in which processed sound is fed back i...

Page 81: ...st the volume of center delay sound Left Level Adjust the volume of left delay sound Right Level Adjust the volume of right delay sound HF Damp Adjust the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequen cies of the feedback set this parameter to BYPASS Low Gain Adjust the gain of the low frequency range High Gain Adjust the gain of the high...

Page 82: ... Negative settings will invert the phase HF Damp Adjust the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequen cies of the feedback set this parameter to BYPASS Pan Output pan Adjust the stereo location of the processed sound L64 is far left 0 is center and 63R is far right Low Gain Adjust the gain of the low frequency range High Gain Adjust t...

Page 83: ...ttingswillinvertthephase Low Gain Adjust the gain of the low frequency range High Gain Adjust the gain of the high frequency range Balance Effect balance Adjust the volume balance between the direct sound and the processed sound Level Output level Adjust the output level 24 REVERB The Reverb effect adds reverberation to the sound simulat ing an acoustic space Type Reverb type Select the type of Re...

Page 84: ...h the chorus and the overdrive sound that is not sent through the chorus With a setting of D100 0E only the overdrive sound will be output With a setting of D0 100E only the overdrive sound that is sent through the chorus will be output Level Output level Adjust the output level 27 OVERDRIVE FLANGER This effect connects an overdrive and a flanger in series OD Drive Adjust the degree of overdrive d...

Page 85: ...series The parameters are the same as for 27 OVERDRIVE FLANGER 31 DISTORTION DELAY This effect connects a distortion and a delay in series The parameters are the same as for 28 OVERDRIVE DELAY 32 ENHANCER CHORUS This effect connects an enhancer and a chorus in series EH Sens Enhancer Sensitivity Adjust the sensitivity of the enhancer EH Mix Enhancer Mix level Adjust the ratio with which the overto...

Page 86: ... to the delay input will be cut If you do not want to cut the high frequencies of the delay feedback set this parameter to BYPASS Delay Balance Delay balance Adjust the volume balance between the enhancer sound that is sent through the delay and the enhancer sound that is not sent through the delay With a setting of D100 0E only the enhancer sound will be output With a setting of D0 100E only the ...

Page 87: ...er sound that is not sent through the delay With a setting of D100 0E only the flanger sound will be output With a setting of D0 100E only the flanger sound that is sent through the delay will be output Level Output level Adjust the output level 37 CHORUS FLANGER This effect connects a chorus and a flanger in series Chorus Pre Delay Chorus pre delay time Adjust the time delay from when the direct ...

Page 88: ...want the notes that are sounding to remain ON or turn off OFF when you select a new Patch or Rhythm Set Power Up Mode Specifies how you want the state of the XP 80 when power is turned on LAST SET The XP 80 remains in the state it was when power was turned off DEFAULT The XP 80 will be ready to play Patch USER 001 Character Style Selects large character type for Patch names file names etc shown on...

Page 89: ...ing the keyboard scale in Patch mode press SYS TEM in Patch mode and press F2 Tune to call up the Tune display Tuning the notes of a single octave C B will tune the pitch of all octaves When setting a scale in other modes press SYSTEM in the respective mode and press F2 Tune to call up the Tune display If the notes of a sin gle octave C B are tuned the pitch of all octaves for the Part currently s...

Page 90: ...r For transmitting or receiving System Exclusive messages set this parameter to match the device ID number of the other MIDI device Rx Sys Excl Receive system exclusive switch Set ON if you want System Exclusive messages to be received If not set OFF Tx Edit Data Transmit edit data switch If you want System Exclusive messages to be transmitted for each change you make while editing a Patch Perform...

Page 91: ...external MIDI device Device ID Number For transmitting or receiving System Exclusive messages set this parameter to match the device ID number of the other MIDI device Rx GM ON Message Receive GM ON switch If you want to receive GM ON messages set this ON If not set it OFF MIDI Param 2 MIDI parameter 2 display Rx Program Change Receive program change switch If you want to receive Program Change me...

Page 92: ...tings so that the MIDI messages transmitted by the selected controllers will be received For most control change messages the function per formed by message number is defined in MIDI specifi cations Please note these settings allow you to use control change messages without regard to officially defined functions Pedal Assign display Use this display for assigning functions to the pedals Pedal 1 Pe...

Page 93: ...el aftertouch and polyphonic aftertouch The XP 80 s keyboard will not transmit polyphonic aftertouch messages Arpeggio settings Arpeg Arpeggio display This is where to set Arpeggiator parameters Style Sets the style of the arpeggio Select from the following 33 options For creating your own style choose LIMITLESS 1 4 Beats with a quarter note interval 1 6 Beats with a quarter note triplet interval ...

Page 94: ...n random order NOTE ORDER Notes will sound in the order that they were pressed Up to 32 notes can be stored so you can create melody lines by pressing keys in the appropriate order GLISSANDO Notes will be played in an ascending and descending chromatic scale between the lowest and the highest keys that are pressed Simply press two notes the lowest and highest CHORD All notes that are pressed will ...

Page 95: ...peggio Window Specifies whether you want or don t want the Arpeggio win dow to open when the Play display of a sound source mode is up Specify ENABLE if you want the Arpeggio window to open each time ARPEGGIO is pressed If not set this para meter to DISABLE If you have selected ENABLE for the Arpeggio Window parameter and close the Arpeggio window by pressing F6 Close or EXIT F6 Arpeg on the Play ...

Page 96: ... playback the overall tempo of the song will be controlled by the setting you make Beat track The Beat track records the time signature of each measure of a song Set the Beat track when recording a new song or when you want to change time signature during a song Pattern track You can also use the Pattern track to record musical pas sages separately from the Phrase tracks Musical data in the Patter...

Page 97: ...ong is 00 File name When a song is selected by changing the song number its file name will be displayed The file name is the name used to save a song to the disk If the internal song is selected the display will indicate Internal Song Song name The song name represents the title of the currently selected song If the selected song does not have a name nothing will be displayed Next Programmed song ...

Page 98: ... if the song uses the RPS function If you have interrupted song playback may be dis played at the right of the measure number This indi cates that the song is stopped in mid measure If you press STOP PLAY instead of ENTER in step 4 above playback will begin immediately Displaying a song list To view the list of songs that can be quick played you open the Song List window Up to seven songs can be d...

Page 99: ...ll be cancelled Changing the Part to be played from the keyboard When playing the keyboard along with an ensemble song playback select the Part to be played from the keyboard This will allow you to play bass or drums from the key board Procedure Make sure that the Play display SEQ Song is up Move the cursor to PART If you move the cursor to PART while a song is play ing back the button indicators ...

Page 100: ... the Part s to be muted go off Parts turned off indicator off will be indicated with _ To play the muted Part press the appropriate button again to make its indicator light Press EXIT or LOCAL TX RX to close the window This setting can be saved as part of the Performance settings Playing back a song with a tempo change When playing back a song the XP 80 s sequencer follows the tempo recorded on th...

Page 101: ...ch Pattern PART If Performance mode is selected the display will show the Part to be played from the keyboard current Part with o and those not to be played with _ If a Layer Performance is selected however Parts with the Local Switch parameter PERFORM MIDI Part MIDI set ON will be indicated with o meaning that all such Parts will be played from the key board If you are in Patch mode or Rhythm Set...

Page 102: ...he specified number of times ALL The entire song will play back the specified number of times If you have selected a song saved on disk you can choose either OFF or POINT only Pressing LOOP will toggle between OFF and POINT To select another value load the song into internal memory Set the Loop points and playback repeat number in the Loop window that can be opened by pressing F5 Loop p 120 If you...

Page 103: ...tte to adjust each Part s panning The Sound Palette can also be used as a mixer since you can also control aftertouch and pitch bend ing depending on the setting When Patch mode or Rhythm Set mode is selected this operation cannot be executed Procedure Make sure that the Play display SEQ Song is up Raise the sliders to appropriate positions Press PERFORM then F6 Info to call up the Part Informatio...

Page 104: ...e most recent recorded data will be added to mixed with the original data The original data is not erased This method is useful for first recording your right hand performance then the left hand And by using this method together with loop recording you can keep recording over a specific area without erasing the previous data just layering instruments handy for building up rhythm instrument group p...

Page 105: ...hannel parameter PERFORM MIDI Part MIDI for all Parts that are to be played simultane ously from the keyboard You can also select a Patch on the Realtime Rec Stand by display SEQ In this case the Bank Select number and Program number of the Patch will be recorded at the recording start position Erasing the song from internal memory When you record a song the data is stored in internal mem ory If i...

Page 106: ...asures FOR 4 Loop recording will occur from the specified start recording measure to over four measures FOR 8 Loop recording will take place from the specified start recording measure to over eight measures FOR 16 Loop recording will occur from the specified start recording measure to over 16 measures ALL Loop recording will take place from the beginning to the end of a song Set the Loop points in...

Page 107: ... Recording will begin immediately when you press STOP PLAY 1 When you press STOP PLAY a 1 measure count play back will be included just before recording start position and recording will commence when the start position is reached 2 When you press STOP PLAY a 2 measure count play back will be included before recording start position and recording will commence when the start position is reached Wa...

Page 108: ...sing TRACK PART 1 16 will also select the correspondingly numbered Phrase track When changing the Patch or Rhythm Set move the cursor to the group or number and select a different Patch Rhythm Set If you want to change the Performance press PERFORM to call up the Play display PERFORM and select another Performance To return to the Realtime Rec Stand by display SEQ press SEQUENCER If you select ano...

Page 109: ...fic MIDI channel select that MIDI channel Normally this parameter is set to ALL Poly Aft Polyphonic aftertouch Ctrl Change Control change Prog Change Program change Channel Aft Channel aftertouch Pitch Bend Pitch bend Sys Excl System exclusive message After you ve completed settings press EXIT or F3 Rec Sel to close the Recording Select window Changing the Phrase track during record ing Non stop L...

Page 110: ...start method Recording will begin according to the method speci fied by Count In As soon as recording begins song playback will start Change the tempo Input a tempo at the Song position you want to change tempo using the numeric keys For gradual tempo changes like ritardando and accelerando use the VALUE dial or INC DEC You can also use the Tap Tempo function to specify tempo changes In that case ...

Page 111: ...PERFORM Info of the MIDI message you want to check by pressing the appropriate button from F1 F6 After checking press EXIT or SEQUENCER to return to the previous display Changing the sound character of each Part during recording When adding attack or modifying decay of the Patch assigned to each Part using the Sound Palette you can record the slider movements which modify the song s sound characte...

Page 112: ...ation of each Part within a song by using the Sound Palette s four sliders Pan data should later be mixed combined with sequencer data after recording all your performance You can also control aftertouch or pitch bending depending on the setting so the Sound Palette can also be used as a mixer If Patch mode or Rhythm Set mode has been selected this operation cannot be executed Pan data of all Part...

Page 113: ...d the new song press F5 OK If you decide not to erase the song from the internal memory press F6 Cancel Press REC to call up the Step Recording display SEQ Micro Move the cursor to Step Time and specify the length of the note the distance between one note on to the next note on as a note value You can also use the numeric keys to input the note value Move the cursor to Gate Ratio gate time ratio a...

Page 114: ...ording However the Phrase track contains only Pattern Call messages that instruct the Pattern to play back not the actual data of the Pattern If you re record the Pattern later on the song playback will vary When you assign a Pattern to a Phrase track and play it back the Pattern s time signature Pattern beat will be ignored instead the time signature of the Beat track is used If the Pattern beat ...

Page 115: ...ting the disk press F5 OK If you decide not to format the disk press F6 Cancel Saving sound data along with a song You can save a song together with its sound data used for recording as an MRC Pro song file to disk Use this method if you going to play back the song using the same sound used for recording This method of saving a song limits MRC Pro sequencers other than the XP 80 s from playing it ...

Page 116: ...ndard MIDI File format You can save a recorded song in the Standard MIDI File for mat to disk Use this method if you re going to play back your song from other equipment such as external MIDI sequencer Procedure Insert a disk to the disk drive Press DISK Press the numeric key 2 then ENTER Move the cursor to File Type and select SMF 0 or SMF 1 If you wish to save the entire sequencer data in a sing...

Page 117: ...y Stop and Locate will be transmitted The XP 80 will not receive MMC related commands Frame Mode Use this parameter when you want to sync the XP 80 s sequencer to the VS 880 Referring to the values below set this parameter to the same value as set for the MTC Type parameter of the VS 880 VS 880 XP 80 24 24 25 25 29D 29D 29N 30 30 30 When connecting the XP 80 to the VS 880 it is recom mended to set...

Page 118: ...C DEC the numeric keys or the VALUE dial When you are assigning a song name in the Name window press F1 SngName Repeat steps 5 and 6 to assign the song name you want When you finish entering the song name press EXIT to return to the Play display SEQ Song Naming a Pattern Pattern Name You can assign a new name to a Pattern or modify the exist ing name Up to 15 alphanumeric characters can be specifi...

Page 119: ...nternal Song Load anyway If you want to erase the song from the internal memory and load the new song press F5 OK If you decide not to erase the song from the internal memory press F6 Cancel To change the Phrase track being displayed press the appropriate button from TRACK PART 1 16 To display a Pattern press PATTERN and input the Pattern number Move the cursor to Output and specify the data out p...

Page 120: ... LOC0 Rec Top and LOC9 Rec End cannot be reset Move the cursor to the desired measure beat clock or hour minute second frame Use the numeric keys to input the value you want Close the Locate window after you finish settings by pressing LOCATE or EXIT To return to the display for normal Locate position settings press F3 Edit again Moving right to a Locate position Procedure Press LOCATE to open the...

Page 121: ...specified sequencer data areas Delete Deletes specified sequencer data areas Copy Copies a specified sequencer data area to another Song posi tion Insert Meas Insert measure Inserts blank measures into a specified position of a song Transpose Transposes pitch of notes in a specified area Menu 2 Chg Velocity Change velocity Modifies velocity of note data over the specified area Chg Channel Change M...

Page 122: ...set Target the setting is retained for other track editing Set the parameters of various functions in the lower section of the display Press F6 Execute to execute the operation After the operation is completed the display indicates COMPLETE To interrupt operation press EXIT If you don t like the change you ve made you can undo the most recent track edit Press UNDO REDO to restore it to its pre mod...

Page 123: ...you want to erase all sequencer data set this parame ter to ALL To erase sequencer data of one specific MIDI channel only select that MIDI channel If you set the Target parameter to TRK T or if the Status parameter is set to EXC TUNE or PTN the Channel parameter will not be available Procedure Make sure that the Track Edit Menu display SEQ TrkEdit is up Press F6 Menu to select Menu 1 then press F1...

Page 124: ...nt deleting to end Press F6 Execute to begin deleting Copying a phrase 3 Copy This function copies a specified area of sequencer data It is convenient for repeating the same phrase several times You can copy Patterns to a Phrase track or copy data from a Phrase track to a Pattern Source track Selects the copy source track s or Pattern TRK ALL Phrase tracks 1 16 the Beat track and the Tempo track T...

Page 125: ... not be available Procedure Make sure that the Track Edit Menu display SEQ TrkEdit is up Press F6 Menu to select Menu 1 then press F3 Copy to call up the Copy display SEQ TrkEdit This display can also be called up by moving the cur sor to 3 Copy and pressing ENTER on the Track Edit Menu display SEQ TrkEdit Or press the numeric key 3 and press ENTER Move the cursor to Source track and select the tr...

Page 126: ...the number of blank measures to be inserted If you have set the Target track to TRK All move the cursor to Beat and set the time signature of the blank measures to be inserted Press F6 Execute to insert blank measures Transposing the pitch 5 Transpose This transposes the pitch of notes within a specified area over a 99 semitone range Use this function to modulate from one key to another in a song ...

Page 127: ... parameter to 12 When you want to change percussion sounds You can also use the Transpose function to change percus sion sounds Suppose you want to change conga to tom If conga is assigned to note D4 note and tom to note C3 set the Note Range parameter to D4 D4 To set the Bias parame ter move the cursor to Bias and press C3 key to specify 14 C3 Only when the Note Range parameter is set in the form...

Page 128: ...ge MIDI channel This function transfers the MIDI channel of a specified area of sequencer data into a different MIDI channel Target track Selects the Phrase track s or Pattern in which you want to reassign the MIDI channel of the data TRK ALL Phrase tracks 1 16 TRK 1 TRK 16 The specified Phrase track PTN 001 PTN 100 The specified Pattern Measure From for to Editing area Specifies the area of measu...

Page 129: ...the right Press F6 Execute to initiate channel change Changing note length 8 Chg Gate Time Change gate time This function modifies the gate time time from note on to note off of notes within a specified area Depending on the setting you can also create staccato or tenuto Target track Selects the Phrase track s or Pattern whose gate time you want to modify TRK ALL Phrase tracks 1 16 TRK 1 TRK 16 Th...

Page 130: ...e to begin gate time change Combining two Phrase Tracks Patterns into one 9 Merge This function merges combines sequencer data of two Phrase tracks or Patterns into one of them Source track Selects one of the Phrase tracks or Patterns to be merged After merging is completed original sequencer data in this track or Pattern will be erased TRK 1 TRK 16 The specified Phrase track PTN 001 PTN 100 The s...

Page 131: ...act all Controller numbers or Program numbers spec ify 0 127 To extract Controller Program number 4 speci fy 4 4 To extract Controller Program numbers from 3 to 14 specify 3 14 Channel MIDI channel Selects the MIDI channel s of the data to be extracted To extract all sequencer data set this parameter to ALL To extract just the sequencer data of a specific MIDI channel select that MIDI channel If y...

Page 132: ...d by pressing keyboard keys To shift the timing of all Controller numbers or Program numbers specify 0 127 To shift the timing of number 4 specify 4 4 To shift the timing of numbers from 3 to 14 specify 3 14 Channel MIDI channel Selects the MIDI channel of the data to be shifted in time To shift clocks of all sequencer data set this parameter to ALL To shift the sequencer data clock of just one sp...

Page 133: ...ch data from C3 to C4 set C3 C4 To thin all Controller numbers set 0 127 To thin number 4 set 4 4 To thin numbers from 3 to 14 set 3 14 Channel MIDI channel Selects MIDI channel of the data to be thinned To thin all sequencer data set this parameter to ALL To thin sequencer data of just one specific MIDI channel select that MIDI chan nel Procedure Make sure that the Track Edit Menu display SEQ Trk...

Page 134: ...ack in a specified time Measure From for to Editing area Specifies the area of measures for playback time to be calcu lated or for which the Tempo track data will be modified Time The playback time for the area specified by the Target para meter is indicated in parentheses Set a new playback time for the specified area in the section to the right of the arrow Procedure Make sure that the Track Edi...

Page 135: ...om to Deleting area The display will show the beginning position of the Phrase track or Pattern specified by the Target track parameter From and the position of the first note on to Procedure Make sure that the Track Edit Menu display SEQ TrkEdit is up Press F6 Menu to select Menu 3 then press F5 Truncate to call up the Truncate leading Blank dis play SEQ TrkEdit You can also call up this display ...

Page 136: ...ith the Target sec tion display right half For Quantize settings you can specify whether you want each Phrase track quantized or not To choose Phrase tracks to be quantized press TRACK PART 1 16 to light the button indicators If you wish to quantize only one Phrase track hold down SHIFT and press the corresponding TRACK PART 1 16 button If you press this button combination again all Phrase tracks ...

Page 137: ... than 100 make the note move less toward the nearest timing interval Target track Specifies Phrase track s or Pattern to be quantized TRACK The specified Phrase track s A o symbol on the graphic display indicates the Phrase tracks to be quantized and a symbol shows Phrase tracks which won t be quantized PTN001 100 The specified Pattern 1 100 Measure From for to Editing area Specifies the area of m...

Page 138: ...e Specifies the range of note numbers to be quantized Procedure On the Play display SEQ Song press F2 Quantiz Press F2 Shuffle to call up the Shuffle Quantize dis play SEQ Quantize Move the cursor to Resolution and set quantization time interval Move the cursor to Rate and specify how far apart an up beat will be from the down beat specified by the Resolution parameter Move the cursor to Target tr...

Page 139: ...ng PRE 025 Reggae small dynamics PRE 026 Reggae large dynamics PRE 027 Reggae light swing PRE 028 Reggae heavy swing PRE 029 Reggae dragging beats small dynamics PRE 030 Reggae dragging beats large dynamics PRE 031 Reggae dragging beats light swing PRE 032 Reggae dragging beats heavy swing PRE 033 Reggae pushing beats small dynamics PRE 034 Reggae pushing beats large dynamics PRE 035 Reggae pushin...

Page 140: ...by pressing keys on the keyboard Press F6 Execute to perform Groove quantization Tips on using preset groove templates The preset groove templates are designed with a lot of atten tion to detail so that you will able to achieve a perfect perfor mance making use of Groove Quantize Here are some tips on using the preset groove templates Use Groove Quantize with drums and bass performance Drum and ba...

Page 141: ...Swing 013 16 Norm Fusion L Acc 014 16 Norm Fusion H Acc 015 16 Norm Fusion L Swg 016 16 Norm Fusion H Swg 017 16 Heavy Fusion L Acc 018 16 Heavy Fusion H Acc 019 16 Heavy Fusion L Swg 020 16 Heavy Fusion H Swg 021 16 Pushed Fusion L Acc 022 16 Pushed Fusion H Acc 023 16 Pushed Fusion L Swg 024 16 Pushed Fusion H Swg 16Beat Fusion Normal Heavy Pushed Light Accent Hard Accent Light Swing Hard Swing ...

Page 142: ...ting name a win dow asks File Name duplicate Overwrite To rewrite the file press F5 OK To cancel saving press F6 Cancel When you try to save data to a disk which has not been formatted for the XP 80 a window asks Unformatted disk Format When formatting the disk press F5 OK If you decide not to format the disk press F6 Cancel Press DISK to return to the original display Editing a preset template Fo...

Page 143: ...me window press F1 Name To view the list of user groove template files on the disk press F5 List To select a file from the list move the cursor to the desired file and press F6 Select or ENTER Repeat steps 4 and 5 to assign a name you want to the template file Press F6 Execute to save the file The file name extension SVT appears If you try to save a file with a pre existing name a win dow asks Fil...

Page 144: ... through the data by pressing INC DEC or turning the VALUE dial If you wish to move in steps of a measure move the cur sor to the measure and press INC DEC or turn the VALUE dial You can also move in steps of a measure by pressing BWD FWD If you wish to move in steps of one beat move the cur sor to the beat and press INC DEC or turn the VALUE dial To return to the Play display SEQ Song press EXIT ...

Page 145: ...he Tempo Change value differs from the playback tempo it shows that playback tempo has been modified temporari ly As the Tempo Change value has not yet been rewritten this temporary setting will be lost if another song is selected or power off If you wish to use the same tempo when play ing back the song for the next time save the song again to disk This will rewrite the Tempo Change value so that...

Page 146: ...a to be modi fied Press l or r to move the cursor to the parameter to be modified then specify the desired value The note number note name of the Note or Polyphonic Aftertouch data can be changed by press ing a key on the keyboard to specify the note number You can also press a numeric key while holding down SHIFT to specify a note name C B or an accidental mark b To modify the OnV On Velocity or ...

Page 147: ... be changed in the middle of a Pattern Also you cannot delete move and copy Pattern Beat Procedure Make sure that the Microscope display SEQ Micro is up To select a Pattern press PATTERN to open the Pattern Select window and specify the Pattern number Press TEMPO BEAT Specify the Pattern Beat Inserting new sequencer data into a Phrase track Pattern You can insert new sequencer data into any Song p...

Page 148: ... Tempo track and so on Move the cursor to an appropriate position measure beat clock and specify the Song position at which Tempo Change will be inserted using the numeric keys Press F1 Create The Tempo Change has been inserted The inserted Tempo Change contains the default value Change the value as desired If you don t like the Tempo Change you ve created you can undo the most recent Press UNDO R...

Page 149: ...o move to the data that you wish to move Press F3 Move to call up the Move Event display SEQ Micro The display will show only the data to be moved Move the cursor to the measure beat and clock and input each value to specify the new Song position to which the data will be moved Press F6 Execute to move the data The Microscope display SEQ Micro will appear If you don t like the change after moving ...

Page 150: ...nd bridge is never played at the same time You can make sure this will never happen if you set the fill and bridge to the same Mute Group number You can set up to 32 Mute Groups If you don t want to use a Mute Group set this parameter to OFF Individual settings for the following parameters can be created for each song Trigger Quantize Selects how the Pattern will begin playing back when the key is...

Page 151: ...splay appears Each time F3 MIDI is pressed the display will cycle through MIDI Param 1 display MIDI Param 2 display and Bank Select Group display then back to the MIDI Param 1 display and so on Move the cursor to Remote Keyboard Sw and set this parameter ON Press EXIT to return to the Play display SEQ Song Now you can play back a Pattern from the external MIDI device Make sure that the RPS setup h...

Page 152: ...lso play the keyboard normally with the Pattern parameter Song Setup RPS Setup OFF you need to consider a range of keys to use for RPS Because keys to which Patterns are assigned cannot be checked while playing it is a good idea to decide on your key assignments to be sure they re appropriate for the type of Patterns Chapter 6 Realtime Phrase Sequencing RPS ...

Page 153: ...be loaded Press FWD to advance to the next step Repeat steps 3 to 5 to configure a chain To directly move to the last step hold down SHIFT as you press FWD To return to the previous step press BWD To return to the first step hold down SHIFT as you press BWD To insert a new step press F1 Insert The step currently displayed with a symbol current step will move back and a new step will be inserted Th...

Page 154: ...st of chain files saved on disk press F6 List To select a chain file from the list move the cur sor to the desired chain file and press F6 Select or ENTER Pressing STOP PLAY instead of ENTER will imme diately load the chain file and start chain play Move the cursor to Loop Mode and specify how the chain is to play back ONEWAY The chain will play back once REPEAT The chain will play back repeatedly...

Page 155: ...function resets all the settings stored in the XP 80 to the factory default settings Basic Procedure Press UTILITY to call up the Utility Menu display UTILITY The type of data that will be written copied and ini tialize depends on the mode you are in when you press UTILITY Press F6 Menu to select the menu containing the function you want Each time F6 Menu is pressed the selection will cycle throug...

Page 156: ...the writing destination Patch press F1 Write or EXIT to return to the Patch Write display UTILITY Write Please be aware that when the Compare function is used to play a Patch it may sound different from when it is played normally Rhythm Set write The settings of the current Rhythm Set will be written into user memory Press UTILITY in Rhythm Set mode then perform Write operation Source Temp indicat...

Page 157: ...e Part then select the copy source Part You can also select the Part by pressing TRACK PART 1 16 Press d to move the cursor to Part Destination Part then select the copy destination Part You can also select the Part by pressing TRACK PART 1 16 Press F6 Execute to copy the Part settings Performance effects copy The effects settings of a Performance or Patch will be copied to the current Performance...

Page 158: ... F1 Tone to call up the Patch Tone Copy dis play UTILITY Copy Move the cursor to Source and change the group and number to select the copy source Patch To select the current Patch specify TEMP Press r to move the cursor to Tone Source Tone and select the copy source Tone The Source Tone can also be selected by pressing TONE SELECT 1 4 Press d to move the cursor to Tone Destination Tone and select ...

Page 159: ... moving the cursor to 2 Copy and pressing ENTER on the Utility Menu display UTILITY or pressing the numeric key 2 then ENTER Press F1 Key to call up the Rhythm Key Copy dis play UTILITY Copy Move the cursor to Source then change the group and number to select the copy source Rhythm Set To select the current Rhythm Set specify TEMP Press r to move the cursor to the source key and select the copy so...

Page 160: ...s UTILITY in Performance mode and execute initialization Patch initialize To initialize Patch settings press UTILITY in Patch mode and execute initialization Rhythm Set initialize To initialize Rhythm Set settings press UTILITY in Rhythm Set mode and execute initialization There are two ways to initialize a Rhythm Set One is to ini tialize only the settings of the specified key of the Rhythm Set K...

Page 161: ...Set 11 System Number 6 cannot be selected from Patch mode In addition Volume and Pan messages to be transmitted are not part of the selected Performance s data they are global settings for the entire XP 80 instead To check the data use the Part Information display PER FORM Info Destination to MIDI means that data will be transmitted to an external MIDI device Procedure Make sure that the Utility M...

Page 162: ...cannot be selected Procedure Make sure that the Utility Menu UTILITY is up Press F6 Menu to select Menu 1 then press F4 Xfer to select Data Transfer You can also select Data Transfer by moving the cursor to 4 Data Transfer and pressing ENTER on the Utility Menu display UTILITY or pressing the numeric key 4 then ENTER Press F2 to Seq to call up the Data Transfer to Seq display UTILITY Xfer Move the...

Page 163: ...mber 27 System recorded in a data file It is not possible to select 12 15 or 22 25 when an Expansion Board is not installed into the specified slot p 45 When 6 16 26 or 27 is selected you can view the list of data files stored on disk by pressing F5 List To select a data file from the list move the cursor to the desired data file and press F6 Select or ENTER Destination to User means that data wil...

Page 164: ...elect Menu 2 then press F1 SngInit to select Song Initialize You can also select Song Initialize by moving the cursor to 6 Song Init and pressing ENTER on the Utility Menu dis play UTILITY or pressing the numeric key 6 then ENTER Press F6 Execute to perform song initialization When song initialization is completed the Play display SEQ appears Checking internal memory con sumption 7 Memory Info Int...

Page 165: ...iscarded Procedure Make sure that the Utility Menu display UTILITY is up Press F6 Menu to select Menu 3 then press F1 Preset to select Factory Preset You can also select Factory Preset by moving the cursor to 8 Factory and pressing ENTER on the Utility Menu display UTILITY or pressing the numeric key 8 then ENTER Press F6 Execute to perform Factory Preset opera tion After performing Factory Preset...

Page 166: ...containing the function you want Each time F6 Menu is pressed the selection will cycle through Menu 1 Menu 2 and Menu 3 back to Menu 1 and so on Press any button from F1 to F5 to select the function you want The display of the function you ve selected will appear The desired function can be selected by pressing INC DEC or cursor buttons or turning the VALUE dial to move the cursor and pressing ENT...

Page 167: ...N or SOUND can be selected SOUND can not be selected when GM mode is chosen When SOUND is selected the entire data file will be loaded If you wish to load a specific Performance Patch or Rhythm Set use the Data Transfer function UTILITY Xfer Transfer to User File Name Selects the file to be loaded If SONG or TRACK is selected for the File Type parameter the song name will appear in parentheses Pro...

Page 168: ...distin guished through file name extension Save Mode This parameter will be specified only if you ve selected SONG for the File Type parameter If you want to save only the song specify SONG ONLY If you want to save current sound settings along with the song specify SONG SOUND The file name extension SVQ is automatically attached regardless whether data is saved as SONG ONLY or SONG SOUND These two...

Page 169: ... format the disk press F6 Cancel Formatting the disk for the XP 60 XP 80 3 Format This function initializes formats a disk so that XP 60 XP 80 data can be saved to it Before a new disk or a disk used on another device can be used on the XP 60 XP 80 it must be formatted on the XP 60 XP 80 Please be aware that formatting will erase all the data already resident on the disk Master disk releases of St...

Page 170: ...tted disk Format When formatting the disk press F5 OK If you decide not to format the disk press F6 Cancel If you insert a 2DD disk when the backup source disk is 2HD or vice versa the display will show Different formatted disk Insert a disk of the same type and press ENTER After a while the display will show Insert Source Disk When this display appears remove the backup destination disk and inser...

Page 171: ...e cursor to File Name and select the file you want to delete To select a file in the File List window press F5 List Press F6 Execute to delete the file A window will ask Delete OK To delete the file press F5 OK To cancel deleting press F6 Cancel Renaming a file 8 Rename This function changes the name of a file File name extensions cannot be changed Files on the master disks of the Standard MIDI Fi...

Page 172: ...n regarding that song will be stored in the SONGLIST SV file The Total includes this file too but this file cannot be checked from the XP 80 Disk Capacity The available memory of the disk will be shown to the left of Disk Capacity and the total disk capacity to the right Procedure Make sure that the Disk Menu display DISK is up Press F6 Menu to select Menu 3 then F1 Info to call up the Disk Inform...

Page 173: ...M MIDI Param2 is set OFF GM System On messages cannot be received Playing back a GM score When the XP 80 is in GM mode it plays back GM scores cor rectly But beyond this the XP 80 provides many extended features not defined in GM System specifications and if you create music data using these extended features your song may not play back correctly on other GM compatible sound sources The XP 80 is n...

Page 174: ...Adjusts the reference pitch of each Part in semitone steps 4 4 octaves The pitch will change relative to the pitch of the GM Patch 0 Fine Tune Makes fine adjustments over 50 50 cents in 1 cent steps 1 100th of a semitone for the pitch specified in Coarse Tune for the Part Making effects settings in GM mode Effects Parameter configurations of GM effects and Patch effects are almost the same For det...

Page 175: ...y pressing F6 Menu press F1 F5 to call up the display page for each MIDI message Modulation F1 Mod Breath F2 Breath Foot F3 Foot Volume F4 Volume Pan F5 Pan Expression F1 Exp Hold 1 F2 Hold Pitch Bend F3 Bend Channel Aftertouch F4 Aft Voices F5 Voices The number of voices MIDI message transmission When you modify a value shown on the Part Information display excluding Voice the MIDI message of the...

Page 176: ...he Performance name or Patch name will appear in parentheses Destination GM Temporary means the effects settings will be copied to GM mode Procedure Make sure that the GM Utility Menu display UTILI TY is up Press F6 Menu to select Menu 1 and then press F2 Copy to call up the GM Effect Copy display UTILI TY Copy This display can also be called up by moving the cursor to 2 Copy and pressing ENTER or...

Page 177: ...want To record GM mode settings as the song s initial set tings create a 1 measure blank at the beginning of the song and record the data in this measure If you record the data without creating a blank measure the timing of data playback may be affected Source GM Ctrl means that each Part s settings will be transmitted GM Patch program number Volume controller number 7 Panpot controller number 10 ...

Page 178: ...n and set Ctrl 1 s Peak Hold to HOLD Press a note and press the pedal switch as you move the modulation lever forward When the note and modulation lever are released both the note and the effect produced by the modulation lever will be held Syncing the LFO cycle to sequencer tempo Procedure Select PR B 052 Blade Racer on the Play display PATCH Set the Clock Source parameter PATCH Common Common Gen...

Page 179: ...he Control Assign display SYSTEM Control Set the C1 Slider s Assign to CC10 PANPOT With other Assign settings you can try different variations Select a Patch on the Play display PATCH Move the C1 slider while you play the keyboard You ll notice that sound will pan right and left To better hear panning changes turn EFX CHO RUS and REVERB off Using the XP 80 to play live Changing multiple sounds of ...

Page 180: ...ormance The song s playback tempo will change in accordance to the time interval you press the pedal switch Playing a drum referring to a XP 80 click Procedure Connect the drummer s set of headphones to the CLICK OUT OUTPUT jack When the song is played back a click will be heard Adjust CLICK OUT LEVEL control to get the desired click volume level Adjust the volume balance between the amplifier for...

Page 181: ...28 84 2 1 128 XP B 129 256 84 3 1 128 XP C 1 128 84 4 1 128 XP C 129 256 84 5 1 128 XP D 1 128 84 6 1 128 XP D 129 256 84 7 1 128 Changing the Performance Group Performance Bank Select Program Number MSB LSB number USER 1 32 80 0 1 32 PR A 1 32 81 0 1 32 PR B 1 32 81 1 1 32 When selecting another Performance the MIDI chan nel of the Bank Select number and Program number to be recorded must match t...

Page 182: ... display PERFORM Part Set the Voice Reserve parameter to the number of notes to be reserved Using external MIDI devices Using the XP 80 to change the sound on an external MIDI device Procedure Press LOCAL TX RX to open the LOCAL TX RX window Press F2 Tx P C or F3 Tx P C to call up the Transmit Program Change window Set the Channel MIDI channel P C Number Program number Bank Select MSB and Bank Sel...

Page 183: ...ay SEQ Song Set the Sync Mode parameter SEQ Setup SEQ System Setup to SLAVE Set the external sequencer so that it will transmit MIDI clock messages When you start playback on the external sequencer the XP 80 s sequencer will begin playback When the playback ends on the external sequencer the XP 80 s sequencer will also stop playback To interrupt play back stop playback on the external sequencer If...

Page 184: ...he same value as the VS 880 s MTC Type para meter setting If the VS 880 s MTC Type parameter is set to 29N set this parameter to 30 When connecting the XP 80 to the VS 880 it is recom mended to set both units parameters to 30 Offset Time parameter SEQ Setup SEQ System Setup To allow the XP 80 and VS 880 to locate the same Song posi tion set this parameter to the same value as the VS 880 s Ofs para...

Page 185: ...I cables as shown below Select the XP 80 song you want to sync to the VS 880 Set the VS 880 s parameters to prepare for synchro nization SYS MIDI PRM MIDIThr parameter Out SysEx Rx parameter ON MMC parameter SLAVE CtrType parameter Off SYS SYNC Tempo Source parameter INT Gen parameter MIDIclk or SyncTr For details refer to the VS 880 s instructions Start playback a Song Put MMC Output parameter SE...

Page 186: ...nch in recording with the Loop function use manual punch in recording Recording on the XP 80 To re record drums bass or other instrument parts you ve created on the XP 80 after completing the recording of acoustic instrument performance or vocals use the following procedure When recording on the XP 80 with the VS 880 sync d to the XP 80 it is not possible to record loops on the XP 80 Make sure tha...

Page 187: ... the Master Tune parameter SYSTEM Tune p 89 Pitch has been affected by Pitch Bend messages received during song playback via pedal operation or from an exter nal MIDI device Use the Panic function to correct pitch by holding down SHIFT as you press EXIT longer than one sec ond p 38 If you are in Performance mode access the Part Information display PERFORM Info and reset the Pitch Bend value p 69 E...

Page 188: ...sk drive is suspect ed If the disk drive is malfunctioning it could damage the disk Consult your dealer or closest Roland service station Disk Write Protected SITUATION Since the write protect tab of the disk is in the Protect position data cannot be written to the disk ACTION Set the write protect tab to the Write position and retry the operation File Name Duplicate SITUATION A file with the same...

Page 189: ...sage User Memory Write Protected SITUATION Since the System Exclusive Message parameter UTILITY Protect User Memory Protect is set ON the System Exclusive message could not be received ACTION Reset the System Exclusive Message parameter OFF Unformatted Disk SITUATION This disk cannot be used by the XP 80 ACTION Format the disk on the XP 80 User Memory Damaged SITUATION The data in user memory has ...

Page 190: ...ler 1 control source MODULATION Ctrl 1 Peak Hold Controller 1 peak hold OFF HOLD PEAK Ctrl 2 Control Source Controller 2 control source 1 Ctrl 2 Peak Hold Controller 2 peak hold OFF HOLD PEAK Ctrl 3 Control Source Controller 3 control source 1 Ctrl 3 Peak Hold Controller 3 peak hold OFF HOLD PEAK 1 OFF SYS CTRL1 SYS CTRL2 MODULATION BREATH FOOT VOLUME PAN EXPRESSION PITCH BEND AFTERTOUCH LFO1 LFO2...

Page 191: ...HOLD PLAYMATE CLOCK SYNC KEY OFF N KEY OFF D TEMPO SYNC 2 When the Mode parameter is set to CLOCK SYNC or TEMPO SYNC this is set as a Note value Pitch Display P 52 Parameter Name Full Name of Parameter Value Coarse Tune Coarse tune 48 48 semitone Fine Tune Fine tune 50 50 cent Random Pitch Depth Random pitch depth 1 Pitch Keyfollow Pitch keyfollow 2 1 0 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90...

Page 192: ...velocity curve 1 7 Velocity Sens TVA envelope velocity sensitivity 100 150 Velocity Time1 TVA envelope velocity time1 sensitivity 1 Velocity Time4 TVA envelope velocity time 4 sensitivity 1 Time Keyfollow TVA envelope time keyfollow 1 1 100 70 50 40 30 20 10 0 10 20 30 40 50 70 100 LFO Ctl Group LFO 1 Param Display LFO 2 Param Display P 57 Parameter Name Full Name of Parameter Value Waveform LFO w...

Page 193: ...Control Display P 63 Parameter Name Full Name of Parameter Value EFX 1 Control Source EFX 1 Control Source 1 EFX 1 Control Depth EFX 1 Control Depth 63 63 EFX 2 Control Source EFX 2 Control Source 1 EFX 2 Control Depth EFX 2 Control Depth 63 63 EFX Ctrl Peak Hold EFX control source peak hold OFF HOLD PEAK 1 OFF SYS CTRL1 SYS CTRL2 MODULATION BREATH FOOT VOLUME PAN EXPRESSION PITCH BEND AFTERTOUCH ...

Page 194: ...ave Shift Octave shift 3 3 Voice Reserve Voice reserve 0 64 MIDI Group Part MIDI Display P 67 Parameter Name Full Name of Parameter Value Channel MIDI channel 1 16 Rx Switch Receive switch OFF ON Tx Switch Transmit switch OFF ON Local Switch Local switch OFF ON Rx Prog Chg Switch Receive program change switch OFF ON Rx Volume Switch Receive volume switch OFF ON Rx Hold 1 Switch Receive Hold 1 swit...

Page 195: ... STAGE1 STAGE2 HALL1 HALL2 DELAY PAN DLY 2 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS Info Group Part Information Display P 69 Parameter Name Full Name of Parameter Value Modulation Modulation 0 127 Breath Breath 0 127 Foot Foot 0 127 Volume Volume 0 127 Pan Pan L64 0 63R Expression Expression 0 127 Hold 1 Hold 1 0 127 Pitch Bend Pitch Bend 128 127 Chan...

Page 196: ...epth 63 63 Velocity Sens TVF envelope velocity sensitivity 100 150 Velocity Time TVF envelope velocity time sensitivity 1 1 100 70 50 40 30 20 10 0 10 20 30 40 50 70 100 Key TVA Group TVA Param Display P 72 Parameter Name Full Name of Parameter Value Tone Level Rhythm tone level 0 127 Tone Pan Rhythm tone pan L64 63R Random Pan Depth Random pan depth 0 63 Alternate Pan Depth Alternate pan depth L6...

Page 197: ...depth 63 63 EFX Ctrl Peak Hold EFX control peak hold OFF HOLD PEAK 1 OFF SYS CTRL1 SYS CTRL2 MODULATION BREATH FOOT VOLUME PAN EXPRESSION PITCH BEND AFTERTOUCH Chorus Display P 64 Parameter Name Full Name of Parameter Value Level Chorus level 0 127 Rate Chorus rate 0 127 Depth Chorus depth 0 127 Pre Delay Chorus pre delay 0 127 Feedback Chorus feedback level 0 127 Output Chorus output assign MIX R...

Page 198: ... OFF SYS CTRL1 SYS CTRL2 MODULATION BREATH FOOT VOLUME PAN EXPRESSION PITCH BEND AFTERTOUCH Chorus Display P 64 Parameter Name Full Name of Parameter Value Level Chorus level 0 127 Rate Chorus rate 0 127 Depth Chorus depth 0 127 Pre Delay Chorus pre delay 0 127 Feedback Chorus feedback level 0 127 Output Chorus output assign MIX REVERB MIX REV Reverb Display P 64 Parameter Name Full Name of Parame...

Page 199: ...rameter Name Full Name of Parameter Value Sens Sensitivity 0 127 Mix Mix level 0 127 Low Gain Low gain 15 15 dB High Gain High gain 15 15 dB Level Output level 0 127 07 AUTO WAH P 76 Parameter Name Full Name of Parameter Value Filter Type Filter type LPF BPF Sens Sensitivity 0 127 Manual Manual 0 127 Peak Peak 0 127 Rate Rate 0 05 10 0 Hz Depth Depth 0 127 Level Output level 0 127 08 ROTARY P 76 P...

Page 200: ...0 05 10 0Hz Depth Depth 0 127 Feedback Feedback level 98 98 Phase Phase 0 180degree Step Rate Step rate 0 05 10 0Hz note Low Gain Low gain 15 15 dB High Gain High gain 15 15 dB Balance Effect balance D100 0E D0 100E Level Output level 0 127 17 STEREO DELAY P 79 Parameter Name Full Name of Parameter Value Delay Left Delay time left 0 0 500ms Delay Right Delay time right 0 0 500ms Feedback Feedback ...

Page 201: ...in 15 15 dB High Gain High gain 15 15 dB Balance Effect balance D100 0E D0 100E Level Output level 0 127 24 REVERB P 83 Parameter Name Full Name of Parameter Value Type Reverb type ROOM1 ROOM2 STAGE1 STAGE2 HALL1 HALL2 Pre Delay Pre delay time 0 0 100 ms Time Reverb time 0 127 HF Damp HF damp 1 Low Gain Low gain 15 15 dB High Gain High gain 15 15 dB Balance Effect balance D100 0E D0 100E Level Out...

Page 202: ...HF damp 1 Delay Balance Delay balance D100 0E D0 100E Level Output level 0 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000Hz BYPASS 35 CHORUS DELAY P 86 Parameter Name Full Name of Parameter Value Chorus Pre Delay Chorus pre delay time 0 0 100ms Chorus Rate Chorus rate 0 05 10 0Hz Chorus Depth Chorus depth 0 127 Chorus Balance Chorus balance D100 0E D0 100E Dela...

Page 203: ...100E Level Output level 0 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000Hz BYPASS 40 CHORUS FLANGER P 88 Parameter Name Full Name of Parameter Value Chorus Pre Delay Chorus pre delay time 0 01 100 ms Chorus Rate Chorus rate 0 05 10 0Hz Chorus Depth Chorus depth 0 127 Chorus Balance Chorus balance D100 0E D0 100E Flanger Pre Delay Flanger Pre delay time 0 0 100m...

Page 204: ...32 Rx Sys Excl Receive system exclusive message switch OFF ON Tx Edit Data Transmit edit data switch OFF ON Rx GM ON Message Receive GM ON switch OFF ON MIDI Param 1 Display PATCH P 90 Parameter Name Full Name of Parameter Value Patch Rx Ch Patch Receive channel 1 16 RX CH OFF Patch Tx Ch Patch Transmit channel 1 16 Local Switch Local switch OFF ON Remote Keyboard Sw Remote Keyboard switch OFF ON ...

Page 205: ...MPO OCT UP OCT DOWN Control Source Display P 93 Parameter Name Full Name of Parameter Value Hold Hold control source OFF HOLD 1 SOSTENUTO SOFT HOLD 2 Peak Peak control source OFF HOLD 1 SOSTENUTO SOFT HOLD 2 Volume Volume control source VOLUME VOL EXP Aftertouch Source Aftertouch control source CHANNEL POLY CH POLY Arpeg Group Arpeggio Display P 94 Parameter Name Full Name of Parameter Value Style...

Page 206: ... 50 HeavenC 024 E Piano 2A 075 JC Strat A 126 Fingerd Bs A 177 Bari Sax f A 228 Fine Wine 025 E Piano 2B 076 JC Strat B 127 Fingerd Bs B 178 Bari Sax f B 229 D 50 Brass A 026 E Piano 2C 077 JC Strat C 128 Fingerd Bs C 179 Bari Sax f C 230 D 50 Brass B 027 E Piano 3A 078 JC Strat A 129 E Bass 180 Harmonica A 231 D 50 Brass C 028 E Piano 3B 079 JC Strat B 130 Fretless A 181 Harmonica B 232 D 50 Bras...

Page 207: ...Orch Hit 176 Loop 6 024 Lead Wave 075 Brush Roll 126 REV TeknoHit 177 Loop 7 025 Synth Reed 076 Dry Stick 127 REV Back Hit 178 R8 Click 026 Synth Saw 1 077 Side Stick 128 REV PhillHit 179 Metronome 1 027 Synth Saw 2 078 Lite Kick 129 REV Steel DR 180 Metronome 2 028 Syn Saw 2inv 079 Hybrid Kick1 130 REV Tin Wave 181 MC500 Beep 1 029 Synth Saw 3 080 Hybrid Kick2 131 REV NatrlSN1 182 MC500 Beep 2 03...

Page 208: ...0 JV Rhodes 4 POLY 094 Bass Marimba 4 POLY 031 Tortured 4 POLY 095 Archimede 3 POLY 031 EP Mod Pad 4 POLY 095 Nomad Perc 3 POLY 032 Flying Waltz 4 POLY 096 Stage EGrand 4 POLY 032 Mr Mellow 4 POLY 096 Ethno Metals 4 POLY 033 Sop Sax mf 2 POLY 097 Nylon Rhodes 4 POLY 033 Comp Clav 1 POLY 097 Islands Mlt 4 POLY 034 Dist TB 303 2 SOLO 098 1key Chord 3 POLY 034 Klavinet 4 POLY 098 Steelin Keys 3 POLY ...

Page 209: ...ox 3 POLY 094 Albion 2 POLY 031 Occitan Bass 3 POLY 095 Flute 2 POLY 031 Doos 1 POLY 095 Running Pad 4 POLY 032 Hugo Bass 4 SOLO 096 Piccolo 1 POLY 032 Synvox Comps 4 POLY 096 Stepped Pad 4 POLY 033 Multi Bass 2 POLY 097 VOX Flute 4 POLY 033 Vocal Oohz 3 POLY 097 Random Pad 4 POLY 034 Moist Bass 2 SOLO 098 Air Lead 2 POLY 034 LFO Vox 1 POLY 098 SoundtrkDANC 4 POLY 035 BritelowBass 4 SOLO 099 Pan P...

Page 210: ...093 Bowed Glass 3 POLY 030 Overdrive Gt 1 POLY 094 Metal Pad 2 POLY 031 DistortionGt 1 POLY 095 Halo Pad 3 POLY 032 Gt Harmonics 3 POLY 096 Sweep Pad 2 POLY 033 Acoustic Bs 3 POLY 097 Ice Rain 2 POLY 034 Fingered Bs 1 POLY 098 Soundtrack 2 POLY 035 Picked Bs 1 POLY 099 Crystal 2 POLY 036 Fretless Bs 1 POLY 100 Atmosphere 2 POLY 037 Slap Bass 1 1 POLY 101 Brightness 3 POLY 038 Slap Bass 2 2 POLY 10...

Page 211: ... Timbale Timbale Timbale Timbale Tin Wave Timbale Timbale Timbale Timbale Timbale Timbale Timbale Timbale Timbale Agogo Timbale Timbale Timbale Timbale Agogo Agogo Agogo Agogo Agogo Lite Kick Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Agogo Cabasa Cut Cabasa Up Cabasa Up Cabasa Up Cabasa Up Lite Kick Cabasa Up Cabasa Up Cabasa Up Cabasa Up Maracas Maracas Maracas...

Page 212: ...INGLE 14 Multi Sax LAYER 14 Pop Set 3 SINGLE 14 Dixieland SINGLE 15 Cosmic Dawn LAYER 15 Pop Set 4 SINGLE 15 Big Band Set SINGLE 16 Bass Lead LAYER 16 L A Ballad SINGLE 16 Cont Jazz 1 SINGLE 17 S H Pad LAYER 17 Hip Hop Set SINGLE 17 Cont Jazz 2 SINGLE 18 AcPiano Pad LAYER 18 Funk Rock SINGLE 18 Ac Jazz Set SINGLE 19 Kicks Attack LAYER 19 Funk Fusion SINGLE 19 Gospel Set SINGLE 20 Step Brass LAYER ...

Page 213: ... DOWN SINGLE UP DOWN MUTE 01 04 0 100 50 90 SINGLE RANDOM DUAL UP DUAL DOWN DUAL UP DOWN DUAL RANDOM NOTE ORDER BASS UP 1 8 BASS RANDOM 1 3 TOP UP 1 6 RHYTHM GTR B CHORD MUTE 07 13 14 0 100 50 90 RHYTHM GTR C CHORD MUTE 08 12 15 0 100 50 90 RHYTHM GTR D CHORD MUTE 09 10 11 16 0 100 50 90 RHYTHM GTR E SINGLE UP SINGLE DOWN STRUM 1 6 0 100 50 90 3 FINGER GTR BASS UP TOP SEQ A7 0 100 50 90 STRUMMING ...

Page 214: ...h No MSB LSB 80 0 0 127 User 1 128 81 0 0 127 PR A 1 128 81 1 0 127 PR B 1 128 81 2 0 127 PR C 1 128 81 3 0 127 GM 1 128 84 0 0 127 XP A 1 128 84 1 0 127 XP A 129 256 84 2 0 127 XP B 1 128 84 3 0 127 XP B 129 256 84 4 0 127 XP C 1 128 84 5 0 127 XP C 129 256 84 6 0 127 XP D 1 128 84 7 0 127 XP D 129 256 The Performance corresponding to each Bank Select are as follows Bank Select Program No Group P...

Page 215: ...A TVA Envelope will change relatively Sound Controller 5 Controller number 74 status 2nd byte 3rd byte BnH 4AH kkH n MIDI channel number 0H FH ch 1 ch 16 vv control value 00H 40H 7FH 64 0 63 The Cutoff Frequency parameter PATCH TVF TVF Param will change relatively General Purpose Controller 5 Controller number 80 status 2nd byte 3rd byte BnH 50H kkH n MIDI channel number 0H FH ch 1 ch 16 vv contro...

Page 216: ... Rx Program Change parameter SYSTEM MIDI MIDI Param 2 is OFF When received on the Control channel the Performance will change Not received in Performance mode when the Rx Switch parameter PER FORM MIDI Part MIDI is OFF Channel Aftertouch status 2nd byte DnH vvH n MIDI channel number 0H FH ch 1 ch 16 vv Channel Aftertouch 00H 7FH 0 127 Not received in Performance mode when the Rx Switch parameter P...

Page 217: ...tings of the instrument to the GM initial state General MIDI System Level 1 A GM instrument that receives this message will automatically enter a state in which it can correctly perform a GM score status data byte status F0H 7EH 7FH 09H 01H F7H Byte Remarks F0H Exclusive status 7EH ID number Universal Non realtime message 7FH device ID Broadcast 09H sub ID 1 General MIDI Message 01H sub ID 2 Gener...

Page 218: ...esponds to the setting of the Assign parameter SYSTEM Control Control Assign of C1 Slider or C2 Slider Assign parameter SYSTEM Control Pedal Control of Pedal 1 4 you can transmit any desired control change Bank Select Controller number 0 32 status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n MIDI channel number 0H FH ch 1 ch 16 mm ll Bank number 00 00H 7F 7FH bank 1 bank 16384 This message is not t...

Page 219: ...n MIDI channel 0H FH ch 1 ch 16 pp Program number 00H 7FH prog 1 prog 128 This message is not transmitted when the Tx Program Change parameter SYSTEM MIDI MIDI Param 2 is OFF Channel Aftertouch status 2nd byte DnH vvH n MIDI channel 0H FH ch 1 ch 16 vv Channel Aftertouch 00H 7FH 1 128 Pitch Bend Change status 2nd byte 3rd byte EnH llH mmH n MIDI channel number 0H FH ch 1 ch 16 mm ll Pitch Bend val...

Page 220: ...ame processing will be done as when an All Note Off message is received System Exclusive messages status data byte status F0H iiH ddH eeH F7H F0H System Exclusive message status ii ID number This is the ID number manufacturer ID that specifies the manufacturer whose exclusive mes sage this is Roland s manufacturer ID is 41H ID numbers 7EH and 7FH are defined in an expan sion of the MIDI standard a...

Page 221: ...e 03H DEFERRED PLAY MCS F7H EOX End Of Exclusive LOCATE MCP FORMAT2 LOCATE TARGET status data byte status F0H 7FH dev 06H 44H 06H 01H hrH mnH scH frH ffH F7H Byte Remarks F0H Exclusive status 7FH Universal System Exclusive Realtime Header 7FH Device ID 06H MMC Command Message 44H LOCATE TARGET 06H Byte count 01H TARGET sub Command hrH Standard Time Specification with subframes type ff mnH scH frH ...

Page 222: ...1 Switch 0 1 OFF ON 00 3E 0aaa aaaa Bank Select Group1 MSB 0 127 00 3F 0aaa aaaa Bank Select Group1 LSB 0 127 00 40 0000 000a Bank Select Group2 Switch 0 1 OFF ON 00 41 0aaa aaaa Bank Select Group2 MSB 0 127 00 42 0aaa aaaa Bank Select Group2 LSB 0 127 00 43 0000 000a Bank Select Group3 Switch 0 1 OFF ON 00 44 0aaa aaaa Bank Select Group3 MSB 0 127 00 45 0aaa aaaa Bank Select Group3 LSB 0 127 00 4...

Page 223: ...aa Patch Group Type 0 2 1 00 03 0aaa aaaa Patch Group ID 0 127 00 04 0000 aaaa Patch Number 0 254 001 255 0000 bbbb 00 06 0aaa aaaa Part Level 0 127 00 07 0aaa aaaa Part Pan 0 127 L64 63R 00 08 0aaa aaaa Part Coarse Tune 0 96 48 48 00 09 0aaa aaaa Part Fine Tune 0 100 50 50 00 0A 0000 0aaa Output Assign 0 4 2 00 0B 0aaa aaaa Mix EFX Send Level 0 127 00 0C 0aaa aaaa Chorus Send Level 0 127 00 0D 0a...

Page 224: ... Controller 3 Depth 4 0 126 63 63 00 2D 0000 0aaa LFO1 Waveform 0 7 4 00 2E 0000 000a LFO1 Key Trigger 0 1 OFF ON 00 2F 0aaa aaaa LFO1 Rate 0 127 00 30 0000 0aaa LFO1 Offset 0 4 5 00 31 0aaa aaaa LFO1 Delay Time 0 127 00 32 0000 00aa LFO1 Fade Mode 0 3 6 00 33 0aaa aaaa LFO1 Fade Time 0 127 00 34 0000 00aa LFO1 External Sync 0 2 7 00 35 0000 0aaa LFO2 Waveform 0 7 4 00 36 0000 000a LFO2 Key Trigge...

Page 225: ... 0E 000a aaaa Random Pitch Depth 0 30 3 00 0F 000a aaaa Pitch Envelope Depth 0 24 12 12 00 10 0aaa aaaa Pitch Envelope Velocity Sens 0 125 100 150 00 11 0000 aaaa Pitch Envelope Velocity Time 0 14 4 00 12 0aaa aaaa Pitch Envelope Time 1 0 127 00 13 0aaa aaaa Pitch Envelope Time 2 0 127 00 14 0aaa aaaa Pitch Envelope Time 3 0 127 00 15 0aaa aaaa Pitch Envelope Time 4 0 127 00 16 0aaa aaaa Pitch Env...

Page 226: ...ne for G 0 127 64 63 48 0aaa aaaa Scale Tune for G 0 127 64 63 49 0aaa aaaa Scale Tune for A 0 127 64 63 4A 0aaa aaaa Scale Tune for A 0 127 64 63 4B 0aaa aaaa Scale Tune for B 0 127 64 63 Total Size 00 00 0C Note In order for a GS Exclusive message to be correctly received by the XP 60 XP 80 the starting address of the message must be the Start address of each Part the address of Scale Tune C i e...

Page 227: ...meter value of 0C 00H to RPN parameter number 00 00H on MIDI CH 4 and then sets the RPN parameter number to 7F 7FH The function assigned to RPN parameter number 00 00H is Pitch Bend Sensitivity and the MSB of the parameter value indicates semitone steps Since the MSB of this parameter value is 0CH 12 the maximum width of pitch bend is being set to 12 semitones 1 octave GS sound sources ignore the ...

Page 228: ...ize to the start address of Performance Mode Temporary Patch Part 16 Tone 4 to get 02 0F 00 00H 16 00H 00 00 01 01H 02 0F 17 01H Thus the size of the retrieved data will be 02 0F 17 01H 01 00 00 00H 01 0F 17 01H F0 41 10 6A 11 01 00 00 00 01 0F 17 01 F7 1 2 3 4 5 address size checksum 6 1 Exclusive status 2 ID number Roland 3 device ID 17 4 Model ID XP 60 XP 80 5 command ID RQ1 6 EOX Calculating t...

Page 229: ...Tone 4 Level O O Reverb O Chorus O O x O O 1 O X X X X X X X X X O 1 X 1 16 1 16 Mode 3 Mode 3 4 M 1 O O 0 127 0 127 O 1 O 1 O O 1 0 127 O 1 X X X X X O 120 126 127 O X O 123 127 O X Bank select Modulation Breath type Foot type Portamento time Data entry Volume Balance Panpot Expression Hold 1 Portamento Sostenuto Soft Hold 2 Sound Controller 2 Sound Controller 3 Sound Controller 4 Sound Controlle...

Page 230: ...60 XP 80 Date Feb 1 1998 Version 1 00 MIDI Implementation Chart Mode 1 OMNI ON POLY Mode 3 OMNI OFF POLY Mode 2 OMNI ON MONO Mode 4 OMNI OFF MONO O Yes X No There is no specific basic channel 1 O X is selectable 2 OMNI OFF and POLY ON are transmitted on all channels upon power up 3 Recognized when the Sync Mode parameter SEQUENCER Setup SEQ System Setup is set to SLAVE or REMOTE 4 Recognized when ...

Page 231: ...ard MIDI Files format 0 Standard MIDI Files format 1 Sound Data Files Resolution 96 ticks per quarter note Recording Methods Realtime Step Maximum Simultaneous Input Notes during real time recording 64 notes Maximum Simultaneous Output Notes 64 notes Tempo 10 to 250 5 to 500 with the playback tempo Time Signatures 1 to 32 16 1 to 32 8 1 to 32 4 1 to 32 2 Others Keyboard XP 60 61 keys with velocity...

Page 232: ...lter p 54 F2 TVF Env Setting the TVF envelope p 54 Pressing F4 TVA F1 TVA Prm Setting volume level panning etc of each Tone p 55 F2 TVA Env Setting the TVA envelope p 56 Pressing F5 LFO Ctl F1 LFO 1 Modulating sound with vibrato and tremolo p 57 F2 LFO 2 Modulating sound with vibrato and tremolo p 57 F3 Control Altering sound using controllers p 58 F4 Ctrl Sw Setting how MIDI messages are received...

Page 233: ...indow p 29 Pressing F6 Info F1 Mod Confirming the Modulation message receive status and transmitting values p 69 F2 Breath Confirming the Breath message receive status and transmitting values p 69 F3 Foot Confirming the Foot message receive status and transmitting values p 69 F4 Volume Confirming the Volume message receive status and transmitting values p 69 F5 Pan Confirming the Pan message recei...

Page 234: ...Altering a Rhythm Tone p 73 Pressing F6 Effects F1 General Setting effects routing p 73 F2 EFX Prm Setting EFX parameters p 74 F3 EFX Ctl Modifying EFX using controllers p 63 F4 Chorus Setting chorus parameters p 64 F5 Reverb Setting reverb parameters p 64 Pressing LOCAL TX RX F1 PartRx Setting Rx Switch for each Part and Part 10 s Rhythm Set MIDI channel p 67 F2 System Setting Local Switch and Pe...

Page 235: ...6 Info F1 Mod Confirming the Modulation message receive status and transmitting values p 175 F2 Breath Confirming the Breath message receive status and transmitting values p 175 F3 Foot Confirming the Foot message receive status and transmitting values p 175 F4 Volume Confirming the Volume message receive status and transmitting values p 175 F5 Pan Confirming the Pan message receive status and tra...

Page 236: ...ied sequencer data p 149 REC Step recording p 113 Pressing F5 Loop Setting loop play parameters p 120 Pressing F3 TrkEdit Menu 1 F1 Erase Erasing unwanted sequencer data area p 123 F2 Delete Deleting unwanted sequencer data p 124 F3 Copy Copying a phrase p 124 F4 Insert Inserting blank measures Insert Measure p 126 F5 Trans Transposing pitch Transpose p 126 Menu 2 F1 Chg Vel Modifying velocity Cha...

Page 237: ...tiz Performing quantization at recording p 106 F5 Loop Setting Loop recording parameters p 120 F6 A Punch Setting Punch points auto punch in recording area p 108 START STOP Starting recording p 106 F5 Erase Deleting unwanted data during recording Realtime Erase p 110 During recording Mix F6 Rehrsal Checking instrument sounds or phrases during recording p 109 During recording except manual punch in...

Page 238: ...sing F1 Setup Adjusting LCD contrast keyboard touch etc p 88 Pressing F2 Tune Adjusting tuning p 89 Pressing F3 MIDI Setting Local Switch Performance Ctrl Ch etc p 90 Setting MIDI message receive transmit parameters p 91 Setting the Bank Select group p 91 Pressing F4 Control Assigning functions to C1 C2 sliders and System Controllers 1 and 2 p 92 Assigning functions to Pedals 1 4 and the Hold Peda...

Page 239: ...settings Initialize p 160 Pressing F4 Xfer Transmitting Patch Performance or Rhythm Set settings Data Transfer p 161 Pressing F5 Protect Preventing user memory from being rewritten User Memory Protect p 164 Menu 2 Clearing the internal song Song Initialize p 164 Pressing F1 SngInit Pressing F2 Memory Checking the amount of data in internal memory Internal Memory Information p 164 Pressing F1 Facto...

Page 240: ...ing a disk p 169 Pressing F4 Backup Creating a backup disk p 170 Pressing F5 Verify Checking files on disk p 170 Menu 2 Assigning a new name volume label to a disk Change Volume Label p 170 Pressing F1 Volume Pressing F2 Delete Deleting unwanted files from disk p 171 Pressing F3 Rename Renaming a file p 171 Pressing F1 Info Menu 3 Displaying remaining disk memory etc Disk Information p 172 Each ti...

Page 241: ...20 Display name 6 20 E Edit Editing area 122 Editing a GM 174 Editing a Patch 40 42 46 65 Editing a Performance 43 65 69 Editing a Rhythm set 44 70 73 Microscope edit 144 149 Track edit 121 135 Quantize 136 143 Effects Chorus 39 40 60 64 EFX 39 40 60 64 EFX Parameter 74 88 Examples of Routing effects 61 63 Reverb 39 40 60 64 Routing effects 60 Effects on off 40 EFX 39 40 60 Envelope Pitch envelope...

Page 242: ... Utility mode 20 155 165 MRC Pro song 96 Multitimbral sound source 20 Mute Muting Phrase tracks 100 Muting the Tempo track 101 N Name Assigning a name 24 File name 97 168 Patch name 26 Pattern name 101 118 Performance name 29 Rhythm set name 33 Song name 97 118 Volume label 97 170 Name window 24 Non stop loop recording 109 Number File number 166 Patch number 26 181 Pattern number 101 Performance n...

Page 243: ...rb 39 40 60 64 Rhythm set 19 Editing a Rhythm set 44 70 73 Rhythm set group 33 181 Rhythm set mode 20 33 34 44 70 73 Rhythm set number 33 181 Rhythm set parameters 70 73 Selecting a Rhythm set 33 RPS 150 152 S Save Chain file 154 Song File 168 User groove template file 142 User groove template 143 Sequencer 18 20 96 Sequencer mode 20 96 154 Shift clock 132 Shuffle quantize 138 Simultaneous voices ...

Page 244: ...fit 134 Transpose 126 Truncate 135 Track information 119 Transmit program change window 182 Transpose Transpose 38 Transpose Track edit 126 Tuning 89 U Undo Redo 24 112 115 122 136 148 149 User groove template 142 143 User groove template file 143 168 User memory 45 User memory protect 164 Utility mode 155 165 V Verify 170 Voice priority 47 Voice reserve 67 Volume label 97 170 Modifying a volume l...

Page 245: ...245 ...

Page 246: ...Center Khaled Ibn Al Walid St P O Box 13520 Damascus SYRIA TEL 011 2235 384 TURKEY Barkat Muzik aletleri ithalat ve ihracat limited ireketi Siraselviler Cad Billurcu Sok Mucadelle Cikmeze No 11 13 Taksim Istanbul TURKEY TEL 0212 2499324 U A E Zak Electronics Musical Instruments Co Zabeel Road Al Sherooq Bldg No 14 Grand Floor DUBAI U A E P O Box 8050 DUBAI U A E TEL 04 360715 EGYPT Al Fanny Tradin...

Page 247: ...es shielded interface cables in order to meet FCC class B Limit This product complies with the requirements of European Directives EMC 89 336 EEC and LVD 73 23 EEC For EU Countries For EU Countries Apparatus containing Lithium batteries ADVARSEL Lithiumbatteri Eksplosionsfare ved fejlagtig håndtering Udskiftning må kun ske med batteri af samme fabrikat og type Levér det brugte batteri tilbage til ...

Page 248: ...OWNER S MANUAL 01458056 99 7 E3 51K ...

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