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Dissertations and Theses 

Diehl, Lily Pan. An Investigation of the Relative

Effectiveness of Group and Individual Piano
Instruction on Young Beginners in an Independent
Music Studio Utilizing an Electropiano Laboratory.
D.M.A. diss., University of Southern California,
1980.

This research study focuses on the effects of group and individual
piano instruction on musical achievement for piano students ranging
from the ages of six and a half to nine and a half. Five aspects of musi-
cal achievement were measured, including aural discrimination, knowl-
edge of musical symbols, public performance, sightreading and trans-
position. Out of these five skills, the results in four categories were con-
stant between private and group study. In sightreading, however, the
author found a significantly higher level of performance in the students
who received piano instruction in groups. Students of the age of eight
who studied in groups scored even higher than their private study
counterparts in the sightreading portion of the research. In addition,
males who studied in groups achieved a significant difference in the
category of public performance. This data may serve to direct the inde-
pendent teacher toward group instruction, with particular emphasis on
the development of sightreading skills.

Magrath, Dorothy Jane. An Approach to the Teaching of

Theory/Musicianship Classes for the Pre-College
Pianist as a Supplement to Private Instruction.
D.M. diss., Northwestern University, 1982.

Emphasis on developing basic musical understanding beyond that
required to play a given piano piece is the focus in this dissertation.
Spiral learning, in which concepts are transferred from the piece in
which they were first encountered to other works, is advocated through
classes supplementing private piano lessons. A thorough integration of
concepts encompassing style, theory, analysis and aural awareness is
recommended.

Valuable sources contained in this dissertation include learning objec-
tives, a curriculum and suggestions for teaching the previously men-
tioned concepts. Procedures and appropriate materials for attainment
of these objectives are proposed. Textbooks and workbooks that may
be useful to the teacher in a group setting are listed in one of the
appendices. 

Rogers, William Forrest. The Effect of Group and

Individual Piano Instruction on Selected Aspects of
Musical Achievement. Ed.D. diss., Columbia
University, 1974.

The purpose of this study was to investigate the effects of different
modes of instruction on student achievement levels. Rogers measured
the students’ abilities in aural discrimination, knowledge of musical
symbols, sightreading, transposition and improvisation before and after
the period of study. Sixty-four students aged 7-9 participated in the
study, which took place in a school in Harlem, New York.

Results of the study indicated the group students tested higher in all

five areas of ability than their counterparts who had private instruction.
This may be attributed to several factors, including teacher training,
peer interaction, supervised practice and more instructional time for the
group piano students. Conclusions of the study focus on the greater
achievement levels of the group students; no measurable difference
was found in students of varying sex or age. An interesting point to
note is that participating teachers having experience in both group and
private methods unanimously favored group piano over the more tradi-
tional private instructional approach. 

Shender, Marie. An Evaluation of the Effectiveness of a

Group Piano Program using Electronic Keyboard
and Computer Technology. Ed.D. diss, Columbia
Teachers College, 1998.

This study identifies the educational benefits and drawbacks of a sam-
ple group piano program through feedback from students, parents and
teachers associated with the program. Parents reported musical
growth through the program, and students expressed enjoyment of
group activities involving piano lessons, group songs and use of other
instruments. High motivation was cited as a benefit, while lack of indi-
vidualized attention was mentioned as a problem. Competition
between students was regarded as healthy because it encouraged stu-
dents to progress more quickly. Advantages and disadvantages of
group instruction are discussed, with recommendations given for stu-
dents, parents and teachers taking part in piano classes. Integration of
technology into the group piano classroom is cited as a benefit, and
exposure to musical software in the home is also linked to increased
musical growth by the student.

Skiba, Marlene. Foundations of Group Piano for the

Independent Teacher. M.A. thesis, Northeastern
Illinois University, 1988.

Three main aspects of group teaching are discussed in this scholarly
yet accessible work. Group dynamics, the history of group learning and
a methodology for developing an effective group program in the private
studio serve as the headings for the three sections. Chapters 1-3 focus
on understanding the cognitive process, behavioral patterns and ways
in which the group teacher can channel competitive and cooperative
personalities to provide a conducive learning environment for the stu-
dents. A great deal of historical background is included in this section.
The author deals with the task of explaining the role of the group and
the individual’s functions within an educational setting. Group cohe-
siveness is given careful consideration.

Chapters 4-6 contain an overview of the history of group learning. The
results of a statistical survey of members of the Illinois State Music
Teachers Association are given, and the interpretation of these results
is given at a later point in the thesis. A difference in the profiles of the
private and group teacher in the independent studio present points to
ponder. For instance, results indicate that group teachers tend to be
more schooled in the areas of psychology, child development, group
teaching and improvisation. They are more likely to have a teaching
studio outside of the home, and also may own more teaching aids than
the private teacher. Group teachers tend to be more innovative, more
achievement-oriented and more interested in group activities in all

Annotated Group Teaching Bibliography

41

Summary of Contents for MTLC-16

Page 1: ...tor Lab Controller Owner s Manual and User s Guide Copyright 2001 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROL...

Page 2: ...practice solo scales and chords The interactive generation finds multimedia experiences more fulfilling Thanks to the MTLC 16 learning a musical instrument does not have to be boring it can actually b...

Page 3: ...ps Record student performances to an optional cassette or CD player recorder Virtual Lab Controller and Classroom Manager Control all MTLC 16 functions from a PC Use preset or user created classroom c...

Page 4: ...f books and articles on group keyboard teaching and a Survivor s Guide to help master the few technology components Hardware Qty MTLC 16 Lab Communication Console 1 MTLC 16 AC Adapter 1 MTLC 1 Student...

Page 5: ...splay or an In Focus projector size and image quality are extremely important you may want to splurge a bit Also listed as an option the USB to MIDI interface is another must have This connector uti l...

Page 6: ...y reading the entire score while the SMF is playing 13 SHADOW playing air play reading of the piece while the SMF is playing 13 PARALLEL SIGHTREADING methods The Best Readers are Frequent Readers 14 C...

Page 7: ...e A B C or D is held down and student number buttons are engaged the selected students can listen to talk to and play for or along with the other selected students page 21 5 Student 1 16 Buttons Esta...

Page 8: ...6 to increase the level and slide the slider towards the bottom of the MTLC 16 to decrease the level This slider is only active when an external recording device and or an external speaker system is c...

Page 9: ...ectrical Requirements Once the floor plan is defined determine the number of electrical outlets and power strips needed to supply power to all devices Isolate the MTLC 16 Communication Console from de...

Page 10: ...ices if used on a table next to the teacher s instrument Place student instruments in rows facing the teacher s instrument row configuration is optional Allow extra space behind each instrument for in...

Page 11: ...mputer and or monitor s manual Connect a headset to each student communication box as well as to the MTLC 16 the jacks are on the left side of the MTLC 16 Make sure both the Mic and Phones plugs are i...

Page 12: ...nstrument 1 to maximum this gives the best signal to noise response D Have the assistant play a few notes on student instrument 1 The assistant should hear what he or she is playing If the assistant d...

Page 13: ...h must do so IN TIME Research into the eye movements of keyboard players has detected many ways to monitor and train the eyes a tachis toscope a moving mask a pointed finger and others The goal of eac...

Page 14: ...ers we must remem ber that the learners want only one thing they want to PLAY So we may want to assume that students will ignore the first two steps With that in mind let s play OUTLINE playing select...

Page 15: ...ent has an individual visual guide to help develop good reading In addition the Visual Tutor serves as a teaching assistant for the teacher A parallel reading method is an important adjunct however on...

Page 16: ...ntion when a student uses music tutor disks SMFs to guide their progress By requiring students to use a visual tutor as they study one will see significant skill improvements The day before Make certa...

Page 17: ...re watching you intently A Insert the SMF disk for your text into the disk drive of the digital piano select the song adjust the tempo and PLAY Merely hearing the music will focus student attention on...

Page 18: ...e Markers a Set Marker A b Set Marker B c Turn on Repeat or loop button and practice this spot until it is polished d Turn Repeat button off and continue playing e Clear Markers A B Outline Play slowl...

Page 19: ...rn on Repeat or loop button and practice this spot until it is polished d Turn Repeat button off and continue playing e Clear Markers A B F Play a tempo 1 Since you are near perfection now congratulat...

Page 20: ...ers towards the bottom of the MTLC 16 decreases the listening level Teacher s Instrument While playing the teacher s instrument set the Inst slider at a comfortable listening level Sliding the slider...

Page 21: ...ate the teacher s microphone The LED next to the Mic button will light when the teacher s microphone is activated B Press a student s number button 1 16 on the lower row of the MTLC 16 to monitor or c...

Page 22: ...p hears the instruments and microphones of other students assigned to the group and his or her own instrument and microphone The teacher hears his or her own instrument and microphone The unassigned s...

Page 23: ...t commonly used for duet style practice However the teacher can monitor or communicate with any pair by following the instructions for Pairs Duet Style Monitoring and Communication Each student pair h...

Page 24: ...e teacher s microphone The LED next to the Mic button will light when the teacher s microphone is activated B Press the All button on the lower right corner of the MTLC 16 The LED above the All button...

Page 25: ...lass Procedure A Press the Tape In or Aux In button on the upper left corner of the MTLC 16 Pressing Tape In cancels Aux In and pressing Aux In cancels Tape In The LED next to the Tape In or Aux In bu...

Page 26: ...TLC 16 decreases the listening level D Press record or play and record on the external audio source E While playing the instrument and or speaking into the microphone being recorded set the Mon Out sl...

Page 27: ...t to the class by following the instructions in sections Single and Multiple Student Monitoring and Communication Group Monitoring and Communication Pairs Duet Style Monitoring and Communication Class...

Page 28: ...these button icons instead of holding down a Group Assign button i e A B C D while selecting students click on a Group Assign button icon to engage it click on selected student number button icons to...

Page 29: ...t Student Broadcast or Press Ctrl T Pairs A Click the Pairs button icon or B Click Options in the menu bar and select Pairs or C Press Alt O and then use the arrow keys to select Pairs or D Press Ctrl...

Page 30: ...ear All buttons B Click the Arrange button icon the Arrange button icon should now say Control C Click a student station icon over the student station number and not over the keyboard icon and hold Th...

Page 31: ...Alt F and then use the arrow keys to select New Class D Type the class name and press enter or click OK Open Class A Opens a previously saved classroom configuration Click File in the menu bar and sel...

Page 32: ...pe the class name and press enter or click OK Gradebook In order to open the Gradebook the current Class must be saved To save the current class see Save Class under File above Once the current class...

Page 33: ...student name in the student name box located in the upper left corner of the screen B Click the Print Student button Hardware Detection TX Transmit This virtual LED blinks when the VMTLC 16 software...

Page 34: ...n display to fluently guide and tutor the music learner s eyes Its sequencing functions are limited to the basics one would encounter in a real time classroom situation such as recording a pattern or...

Page 35: ...imized The F2 moving score options will visually prompt students to move their eyes along with music as well as highlighting the oft forgotten black keys sharps or flats in other colors This colored s...

Page 36: ...trated parts These alterations may illustrate a musical concept may highlight a passage or may be used for an I wonder how it would sound if exploration HOW Press F4 function button 4 or click on the...

Page 37: ...merit system which can be applied to the group class Bennett Beulah Varner The Group Ideal for Teaching Fundamentals Clavier Vol 11 No 10 December 1972 pp 38 41 This article centers on the idea of usi...

Page 38: ...icks Kathy Nafius and Sue Collier Hepp points to specific areas in which group instruction boosts stu dents reading skills including development of the musical area of reading utilizing rhythm drills...

Page 39: ...g 2000 pp 16 19 The excitement of group piano teaching is captured here by teachers who have made the transition from private to group teaching Each of the three authors writes insightfully about the...

Page 40: ...em ber or consider in group teaching Many of these items are second nature to the group teacher but others may need constant notice and work in order to become incorporated in the techniques of the te...

Page 41: ...nt Social factors creative activity and ensemble experience are all listed as virtues of the group piano class A concluding paragraph in the chapter links these advantages with recommendations for tea...

Page 42: ...her training peer interaction supervised practice and more instructional time for the group piano students Conclusions of the study focus on the greater achievement levels of the group students no mea...

Page 43: ...groups of piano stu dents Many questions may be answered in this informative third sec tion of Skiba s thesis Additional References Bradley J Ideas for Great Group Piano Classes American Suzuki Journa...

Page 44: ...lmost square 1 4 x 1 4 and should fit into the female USB connector of your MIDISport 5 Power up your computer so you can install the software drivers SOFTWARE Installation 1 For the hardware to commu...

Page 45: ...il you see the Options menu 3 Use the Options menu to pull down the Connection Setup option 4 Then proceed with the selection until you have selected the INput as MIDISport 2X2 and the OUTput as MIDIS...

Page 46: ...er s normal repair turn around time at the factory is approximately 15 business days from receipt of product to ship ping Your actual turn around time will include return shipping Actual turn around t...

Page 47: ......

Page 48: ...Roland Corporation U S 5100 S Eastern Avenue Los Angeles CA 90040 2936 www rolandus com 2944US...

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