EXR-46 OR
43
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Chr* (Chorus Type)
(Default setting: Chorus 3) This parameter allows you to specify
the type of Chorus effect, or to switch the Chorus processor
“Off”. See p. 37.
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MFX* (MFX type)
(Default setting: Rotary) This parameter allows you to select
the desired MFX type and to switch the MFX processor off. See
p. 35 for details about the MFX. Selecting “Off” means that the
MFX is off.
Note:
MFX type selection can also be linked to Tone selection for
the Main part.
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Tone MFX°
(On/Off, Default setting: On) This parameter allows you to link
the selection of an MFX type to the Tone you assign to the
Main part. That way, a Distortion/Overdrive effect will be
selected for a rock guitar sound, Rotary for an organ, etc.
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Rev MAIN*
(0~127, Default setting: 100) This parameter allows you to set
the Reverb Send Level for the Main part (i.e. how much Reverb
should be added to the Main notes). Select “0” if the Main part
may not be processed by this effect.
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Chr MAIN*
(0~127, Default setting: 0) This parameter allows you to set the
Chorus Send Level for the Main part (i.e. how much Chorus
should be added to the Main notes). If you want this part to be
processed by the Chorus effect, you need to select a value dif-
ferent from “0”. This parameter is only used when the MFX
parameter is set to “Off”.
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Pan MAIN*
(Rnd, R63~0~L63, Default setting: 0) This parameter allows you
to set the stereo position of the Main part (i.e. its placement
between the left and right speakers). “Rnd” means that the ste-
reo position changes randomly for each note you play. Values
starting with “L” correspond to the left speaker. “0” refers to
the center, and values starting with “R” correspond to the right
speaker.
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Rev DUAL*
(0~127, Default setting: 100) This parameter allows you to set
the Reverb Send Level for Dual part (i.e. how much Reverb
should be added to the Dual notes). Select “0” if the Dual part
may not be processed by this effect.
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Chr DUAL*
(0~127, Default setting: 0) This parameter allows you to set the
Chorus Send Level for the Dual part (i.e. how much Chorus
should be added to the Dual notes). If you want this part to be
processed by the Chorus effect, you need to select a value dif-
ferent from “0”.
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Pan DUAL*
(Rnd, R63~0~L63, Default setting: 0) This parameter allows you
to set the stereo position of the Dual part (i.e. its placement
between the left and right speakers). “Rnd” means that the ste-
reo position changes randomly for each note you play. Values
starting with “L” correspond to the left speaker. “0” refers to
the center, and values starting with “R” correspond to the right
speaker.
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Rev SPLIT*
(0~127, Default setting: 100) This parameter allows you to set
the Reverb Send Level for the Split part. Select “0” if the Split
part may not be processed by this effect.
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Chr SPLIT*
(0~127, Default setting: 0) This parameter allows you to set the
Chorus Send Level for the Split part. If you want this part to be
processed by the Chorus effect, you need to select a value dif-
ferent from “0”.
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Pan SPLIT*
(Rnd, R63~0~L63, Default setting: 0) This parameter allows you
to set the stereo position of the Split part (i.e. its placement
between the left and right speakers). “Rnd” means that the ste-
reo position changes randomly for each note you play. Values
starting with “L” correspond to the left speaker. “0” refers to
the center, and values starting with “R” correspond to the right
speaker.
KB SCALE parameters
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Scale C*~Scale B* (Scale Tune)
(–64~63, Default setting: 0 for all notes) These parameters
allow you to stray away from the usual semitone-interval scale
(used in western music) by changing the pitch of the notes so
as to accommodate other musical cultures or tuning methods
(oriental, baroque music, etc.). These settings are assigned to
the ORIENTAL SCALE buttons.
As you will notice, you can change the pitch of every note of
one octave (C, C#, D, Eb, E…). The settings you make here apply
to all notes of the same name (i.e. to every “C”, every “C
#
”, etc.).
Most of the time, you will probably select the value “50” or “–
50” as they correspond exactly to half a semitone up or down
(quarter tone). Other settings may also be interesting, though.
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Scl Mode*
(MN, ALL, Default setting: MN) This parameter allows you to
specify which parts the Scale settings (see above) should apply
to: only the Main part (“MN”) or all parts (“ALL”). In some cases,
choosing “ALL” may produce a more satisfactory result.
MIDI parameters
See page 47.
Summary of Contents for Interactive Arranger EXR-46 OR
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