Rane TTM 56S, Manual

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+12 -12
+12 -12
OL
10 0
R L +6 OFF
10 0
6 4
2 8
6 4
2 8
10 0
6 4
2 8
OL
+8
+4
+2
0
–4
–2
–8
–16
–24
PERFORMANCE MIXER
10 0
6 4
2 8
+6 OFF
+6 OFF OUT
IN
OUT
R L
OUT
IN
OUT
+6 OFF
+6 OFF
+6 OFF
10 0
2
4
8
6
10 0
2
4
8
6
10 0
2
4
8
6
MIC LOW
MIC HIGH
AUX IN
OUTPUT
LEVELS
MAIN
SOURCE
PGM 1 PGM 2
2 1
AUX OUT
PAN HIGH
PHONES
MID
EQ
GAIN GAIN
LOW
SOURCE
4 3
HIGH
MID
LOW
TTM 56S
A B
PGM 1
CUE
PGM 2 DRY
FlexFX
WET
MASTER
CUE
SLOW
FADER 1 CONTOUR
FAST SLOW
FADER 2 CONTOUR
FAST SLOW
CROSSFADE CONTOUR
FAST
MIC LEVEL
CHANNEL
SWAP
REVERSE REVERSE REVERSE
EQ
PAN
KILL KILL
STEREO HOUSE
MONO PGM1 / PGM2
PGM 1 PGM 2
Meters
Meters
provide switchable true stereo Master Mix or dual-mono
PGM1 / PGM2 indication of Pre-Program fader signal levels.
Ten-segment resolution is provided with a one second, peak
hold. Use the meter to set the GAIN controls. With the program
fader set to maximum, the input GAIN should be set to indicate
an average level of about +4 dB.
Headphone Cueing
PHONES
Level control sets the output level of the headphone
amplifier.
MASTER / CUE
switch is used to select the headphone
monitor source:
Use
MASTER
( out ) to rehearse your performance. This
signal is the same as the Master Out, but is not affected by the
Master Level control.
Use
CUE
( in ) to monitor the Program Input signal before
fading in. This signal is not affected by the Program Faders or
Crossfader. Because the Effects Loop is after the Fader, you will not
hear effects in the Cue.
CUE slider Pans between PGM 1 and PGM 2 in the head-
phones when the CUE switch is depressed. When the switch is
released, this control has no effect.
The headphone amp in the TTM 56S has a high power
output (unlike most you have used before). There are notable
differences…
• The headphone output of the TTM 56S delivers very high
volume.
• To avoid pain, never put headphones on your head before
plugging them in.
• Always start with the PHONES Level turned down, and
then turn it up.
• Because of the high current and low output impedance,
never short one side to ground, or short left and right together as
is possible with mono cup headphones.
• Low power headphone stages
typically use large resistors on their
outputs, which allow shorting, but
prevent high power. The TTM 56S
gives you high power, but does not
allow shorting.
HEADPHONES