6
CHANNEL SWAP
switch allows the left-hand or right-
hand Fader to alternately control PGM 1 or PGM 2. (Don't
confuse with the REVERSE switches, see below.)
CONTOUR
controls allow smooth, continuous adjustment
of contour. The range of control is from SLOW blend to FAST
cut, adjustable independently for each fader and the crossfader.
See the illustrations on the next page.
REVERSE
switches change the direction of the faders.
When a Reverse switch is engaged on a PGM fader, up is down
and down is up (hamster). When the Reverse switch is engaged
on the Crossfader, PGM 1 goes to the B side and PGM 2 goes to
the A side.
HIGH
tone controls affect frequencies above 4 kHz. The
range of control is +6 dB to Off (full kill). The center detent
position leaves this filter inactive. This filter is just above the vo-
cal range, and can make small tonal changes, or eliminate high
frequency signals.
MID
tone controls affect frequencies from 300 Hz to 4 kHz
(vocal midrange). The range of control is +6 dB to Off (full kill).
The center detent position leaves this filter inactive. Use for small
tonal changes or to cut midrange signals.
LOW
tone controls affect frequencies below 300 Hz. The
range is +6 dB to Off (full kill). The center detent position leaves
the filter inactive. These filters influence signals below the vocal
range. Use to adjust or eliminate bass beats.
PAN
controls adjust the Left and Right
balance of PGM 1 and PGM 2.
KILL
switches provide quick program
mute, much like the Transform switches on
the previous TTM 56. The signal is
ON
in the
up
postion, the straight out position Kills the
signal.
Aux Input
AUX IN
adds another line-level input to the
mix. This input comes in
after
the Crossfader
and FlexFX Loop.
FlexFX Loop
FlexFX
switches send PGM 1, PGM 2 or both
to the stereo effects loop. The effects loop is
post-fader and post-crossfader. You get great
results when using the program faders or cross-
fader with reverb or other delay effects. The
effects loop provides separate stereo send and
return jacks. The green indicator lights when
FlexFX is engaged for either Program.
WET/DRY
pan control lets you set the
amount of effect in the mix. DRY equals no
effect, WET gives maximum effect.
Output Levels
MASTER
control sets the level for both the
unbalanced and balanced Master Outputs.
AUX OUTPUT
control sets the level going
to the Auxiliary Outputs.
Faders
The
program faders and crossfader
are
mag-
netic, non-contact
faders. This means
No travel
noise or bleed !
The electrical performance of
the faders is unaffected by use. The program
faders and crossfader each have their own Con-
tour and Reverse (hamster) controls. Magnetic
faders are very different from what you are used
to. Read"Maintaining Magnetic Faders" on
page 8.
Channel faders and Crossfader illustrating the effects of the Reverse and Contour controls.
FULL ON
OFF
FULL ON
OFF
FULL ON
OFF
FULL ON
OFF
SLOW
FADER 1 CONTOUR
FAST
REVERSE
SLOW
FADER 2 CONTOUR
FAST
REVERSE
SLOW
FADER 1 CONTOUR
FAST
REVERSE
SLOW
FADER 2 CONTOUR
FAST
REVERSE
SLOW
CROSSFADE CONTOUR
FAST
REVERSE
SLOW
CROSSFADE CONTOUR
FAST
REVERSE
