Rane TTM 56S Manual Download

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©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5000 USA TEL 425-355-6000 FAX 425-347-7757 WEB dj.rane.com

Parameter

Specification

Conditions & Comments

Program Inputs: Phono:

Switchable Line / Phono

Unbalanced RCA jacks

..........Response

RIAA

±1 dB

..........Gain

40 dB

1 kHz

..........Input Impedance

47.5 kΩ, 200 pF

.....Line:

Switchable Line / Phono

Unbalanced RCA jacks

..........Gain

Off to +12 dB

1 kHz

..........Input Impedance

20 kΩ

1 kHz

.....Tone Control (EQ)

3-Band, Accelerated-Slope™

Full Cut, see figures on next page

Auxiliary Input:

1 stereo

Unbalanced RCA jacks

..........Input Impedance

20 kΩ

1 kHz

..........Gain

Off to +10 dB

1 kHz

FlexFX Return:

Stereo

Unbalanced ¼" TS (tip-sleeve) phone jack

..........Input Impedance

12 kΩ

Minimum

..........Gain

Unity

1 kHz

Mic Input:

Active Balanced

Balanced ¼" TRS (tip-ring-sleeve) phone jack

..........Input Impedance

20 kΩ

10 kΩ, each leg to ground

..........Gain

44 dB

1 kHz, Master Out, max gain

..........Frequency Response

30 to 20 kHz

+0, -3 dB, max gain

..........CMMR

>40 dB

1 kHz, max gain

..........S/N

76 dB

Re +4 dBu, max gain, @ insert, 20 kHz BW

..........Tone Control

2-Band

See Figure in Manual

..........Effects Insert Loop

¼" TRS, Tip=Send, Ring=Return

Unbalanced mono

Master Output:

Stereo balanced / unbalanced

¼" TRS phone / RCA jacks

..........Output Impedance

300 Ω balanced each leg

301Ω unbalanced

..........Gain

6 dB balanced

0 dB unbalanced

..........Frequency Response

10 Hz to 30 kHz

+0, -3 dB

..........THD+N

<0.05%

re +4 dBu, 20 to 20 kHz, 20 kHz BW

..........S/N (balanced output)

101 dB

re +4 dBu, 20 kHz BW, unity gain

94 dB

re +4 dBu, 20 kHz BW, 12 dB gain

Auxiliary Output:

Stereo

Unbalanced RCA jacks

..........Output Impedance

301 Ω

..........Gain

Off to +6 dB

FlexFX Send:

Stereo

Unbalanced ¼" TS phone jack

..........Output Impedance

301 Ω

Unity Gain

General Specifications:
..........Control Feed-through

-80 dB

re +4 dBu, all controls

..........Crosstalk

-70 dB

re +4 dBu, 1 kHz

Unit: Agency Listing

UL/cUL/CE

..........Universal Line Voltage

100-240 VAC

50-60 Hz

..........Maximum Power

20 W

Unit: Front Panel Size

13.3"H x 10"W

(33.8 cm x 25.4 cm)

..........Coffin Depth

3" (see detail)

(7.7 cm)

..........Weight

9 lb

(3.7 kg)

Shipping: Size

7.75"H x 12.75"W x 19.25"D

(19.7 x 32.5 x 49 cm)

..........Weight

12 lb

(5.5 kg)

Note: All specifications are typical unless otherwise stated.

Specifications

Summary of Contents for TTM 56S

Page 1: ...t Safety Instructions 2 Quick Start 3 Rear Panel Hook up 4 Mixer Controls 5 Maintaining Magnetic Faders 8 Block Diagram 10 Specifications 12 Dimensions 13 Serato Scratch Live 14 Sound System Interconnection 17 Warranty 25 Declaration of Conformity 27 ...

Page 2: ...perate normally or has been dropped 15 The plug on the power cord is the AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This apparatus shall be connected to a mains socket outlet with a protective earthing connection 17 When permanently connected an all pole mains ...

Page 3: ...pendent level controls give session mixing ability AUX Inputs may be used for a drum machine keyboard etc AUX Input comes in after the Crossfader and after the FlexFX loop AUX Outputs may be used for recording booth monitoring or a second zone AUX Output is the same mix as the Master FlexFX allow individual assignment of PGM 1 PGM 2 or both to the effects loop The effects loop is post fader You ge...

Page 4: ...COMMERCIAL AUDIO EQUIPMENT 24TJ R EFFECTS SEND UNBALANCED FlexFX RETURN TIP SEND RING RTN BALANCED 4 3 2 1 O N Effects Loops MIC EFFECTS insert jack is unbalanced It is wired for TRS meaning Tip Send Ring Return and the Shield or Sleeve This is an independent Effects Loop for the Mic There is no en gage switch so the Mic signal is always processed when you have a plug inserted and an effects box c...

Page 5: ...Low 0 High 0 Low 12 High 12 Combined response of the Mic tone controls Program Sections PGM 1 inputs are sent to the left side of the crossfader with the Fader 1 Reverse switch out and LED off PGM 2 inputs are sent to the right side of the crossfader with the Fader 2 Reverse switch out and LED off SOURCE switches select which inputs are assigned to each of the Programs PGM 1 can switch between inp...

Page 6: ...uick program mute much like the Transform switches on the previous TTM 56 The signal is ON in the up postion the straight out position Kills the signal Aux Input AUX IN adds another line level input to the mix This input comes in after the Crossfader and FlexFX Loop FlexFX Loop FlexFX switches send PGM 1 PGM 2 or both to the stereo effects loop The effects loop is post fader and post crossfader Yo...

Page 7: ...ER CUE switch is used to select the headphone monitor source Use MASTER out to rehearse your performance This signal is the same as the Master Out but is not affected by the Master Level control Use CUE in to monitor the Program Input signal before fading in This signal is not affected by the Program Faders or Crossfader Because the Effects Loop is after the Fader you will not hear effects in the ...

Page 8: ... bad stuff or spill bad things in them A No The faders in the TTM 56S are designed with materials highly resistant to corrosion and most chemicals There are no electrical contacts to clean or damage While bad things may change the feel of the faders bad things will not affect the sound To clean faders that have had a bad thing put in them follow the simple instructions on page Manual 8 Q Can I ins...

Page 9: ...e reinstalling 8 NOTE To achieve the highest possible accuracy each magnetic fader is factory calibrated for the location in which it was shipped If you remove all the faders for cleaning make sure you mark them This helps you to put them back in the correct location 9 Disconnect the ribbon cable noting the orientation of the red stripe 10 Sugary liquids spilled into a fader may be removed by thor...

Page 10: ...OUR CONTOUR A B CH 1 LEFT CH 2 LEFT MIC INPUT CH1VCARIGHT VCA VCA PGM 1L PGM 2L RIAA PHONO LINE RIAA PHONO LINE PGM 2 LEFT 1 SOURCE 2 PGM 1 LEFT RIAA PHONO LINE REVERSE REVERSE REVERSE GAIN TRIM KILL ON KILL ON CH 1 BAL CH 1 RIGHT PGM 1 MONO PGM 2 MONO MIX RIGHT MIX LEFT CROSSFADER GAIN CH 2 BAL CH 2 RIGHT VCA CONTROLLER TOP BOT TOP BOT CH2VCARIGHT LEVEL LEVEL PGM 1L PGM 2L PGM 1R PGM 2R MIXLEFT M...

Page 11: ...ORMANCE MIXER 15 Hz HP SEND RETURN 5 5 LEFT MASTER OUT AUX OUT CH 1 FLEXFX CH 2 FLEXFX FLEXFX LOOP MIC EFFECTS TIP SEND RING RETURN WET DRY UN BAL MIX LEFT AUX OUTPUT LEVEL MAIN OUTPUT LEVEL AUX INPUT LEVEL AUX INPUT ...

Page 12: ... 76 dB Re 4 dBu max gain insert 20 kHz BW Tone Control 2 Band See Figure in Manual Effects Insert Loop TRS Tip Send Ring Return Unbalanced mono Master Output Stereo balanced unbalanced TRS phone RCA jacks Output Impedance 300 Ω balanced each leg 301Ω unbalanced Gain 6 dB balanced 0 dB unbalanced Frequency Response 10 Hz to 30 kHz 0 3 dB THD N 0 05 re 4 dBu 20 to 20 kHz 20 kHz BW S N balanced outpu...

Page 13: ... MADE IN U S A RANE CORP OUT IN OUT IN MIC BALANCED MASTER OUTPUTS R L R L R L R L R L R L LINE PHONO TTM 56S COMMERCIAL AUDIO EQUIPMENT 24TJ R EFFECTS SEND UNBALANCED FlexFX RETURN TIP SEND RING RTN BALANCED 4 3 2 1 O N 3 1 3 9 10 12 55 3 0 13 05 7 MAX PROJECTION WITHOUT CABLES 3 MAX PROJECTION 8 MAX PROJECTION Views are 50 actual size HEADPHONES 3 1 3 9 10 Side View ...

Page 14: ... the ultimate solution for professional DJs giving you the freedom to take your entire digital music collection on the road and equipping you with advanced features that add extra creativity to your DJing This intuitive system replicates the traditional DJing experience for real feel usability With unparalleled performance sound quality and stability you ll soon see why thousands of DJs worldwide ...

Page 15: ...hese are the minimum requirements to run Scratch Live For best performance and for use in professional situations we recommend you buy a higher spec computer We also recommend Intel processors Available 2 0 USB port 1024 x 768 screen resolution 5400 RPM hard drive 7200 RPM for high resolution audio playback 2 GB RAM more for a large library MAC Intel 1 83 GHz Core Duo or better OSX 10 5 8 or highe...

Page 16: ...atures SL2 SL3 SL4 Sixty One Sixty Two Sixty Eight USB 1 1 USB 2 0 Two USB ports Mic input or XLR Phantom power Mic in Second Mic input Mic Input FlexFX 3 band full cut EQ Magnetic faders FlexFX loop USB insert for DJ FX Built in mixer effects USB bus powered Self powered USB In for SP 6 Out SP 6 trigger buttons Cue trigger buttons Loop controls Library Load controls Aux Session Inputs Aux Session...

Page 17: ...erconnections Grounding and EMC practices Shields of connectors in audio equipment containing active circuitry Rane s policy is to accommodate rather than dic tate However this document contains suggestions for external wiring changes that should ideally only be implemented by trained technical personnel Safety regulations require that all original grounding means provided from the factory be left...

Page 18: ...nal grounding system improperly thus creating balanced equipment that is not immune to the cabling s noise currents This is one reason for the bad reputation sometimes given to bal anced interconnect A second reason for balanced interconnect s bad reputation comes from those who think connecting unbalanced equipment into superior balanced equip ment should improve things Sorry Balanced inter conne...

Page 19: ...on Figure 1b Recommmended practice CASE COMMON WRONG PRACTICE RECOMMENDED PRACTICE OPTIONAL CASE 1 2 3 3 1 2 CHASSIS GROUND SIGNAL GROUND CHASSIS GROUND CHASSIS GROUND Not using signal ground is the most radical depar ture from common pro audio practice Not that there is any argument about its validity There isn t This is the right way to do it So why doesn t audio equipment come wired this way We...

Page 20: ...h consistent success indicates this and other acceptable solutions to RF issues exist though the increasing use of digital and wireless technology greatly increases the possibility of future RF problems If you ve truly isolated your hum problem to a spe cific unit chances are even though the documentation indicates proper chassis grounded shields the suspect unit is not internally grounded properl...

Page 21: ...References 1 Neil A Muncy Noise Susceptibility in Analog and Digi tal Signal Processing Systems presented at the 97th AES Convention of Audio Engineering Society in San Fran cisco CA Nov 1994 2 Grounding Shielding and Interconnections in Analog Digital Signal Processing Systems Understanding the Basics Workshops designed and presented by Neil Muncy and Cal Perkins at the 97th AES Convention of Aud...

Page 22: ... 20 24 24 19 18 17 B B B B A A A A A A FEMALE BALANCED XLR NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE FEMALE BALANCED XLR EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE BALANCED TRS NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE BALANCED TRS EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE FLOATING UNBALANCED TRS TIP RING SLEEVE SLEEVE IN UNIT NC OR 3 5 mm UNBALANCED TS TIP S...

Page 23: ... RED SHIELD RED SHIELD SHIELD RED RED BLACK N C N C N C RED BLACK RED SHIELD N C BLACK RED BLACK RED 3 NC 2 RED 1 SHIELD 2 RED 1 SHIELD 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 SHIELD SHIELD FEMALE FEMALE FEMALE RED SHIELD RED BLACK SHIELD SHIELD RED BLACK RED BLACK BLACK RED RED SHIELD RED SHIELD RED SHIELD RED SHIELD RED BLACK 2 CONDUCTOR SHIELDED CABLE 2 CONDUCTOR SHIELDED CABLE 2 ...

Page 24: ...D 3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD SHIELD BLACK SHIELD RED BLACK SHIELD RED BLACK RED SHIELD SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD RED SHIELD RED SHIELD RED SHIELD RED BLACK RED N C N C BLACK RED BLACK RED BLACK RED RED SHIELD RED SHIELD RED SHIELD RED 24 S BLACK T RED CROSS COUPLED OUTPUT ONLY CONNECT BLACK ...

Page 25: ...KMANSHIP THE SPECIFIC PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE Rane Corporation does not however warrant its products against any and all defects 1 arising out of materials or workmanship not provided or furnished by Rane or 2 resulting from abnormal use of the product or u...

Page 26: ... THE UNIT WAS PURCHASED OR if product was purchased in the U S AT THE RANE FACTORY IN THE U S If the product is being sent to Rane for repair please call the factory for a Return Authorization number We recommend advance notice be given to the repair facility to avoid possible needless shipment in case the problem can be solved over the phone UNAUTHORIZED SERVICE PERFORMED ON ANY RANE PRODUCT WILL...

Page 27: ...tive and EMC directive in the event that the equipment is modified without written consent of the manufacturer This declaration of conformity is issued under the sole responsibility of Rane Corporation Type of Equipment Professional Audio Signal Processing Brand Rane Model TTM 56S Immunity Results THD N 4 dBu 400 Hz BW 20 Hz 20 kHz Test Description Specification Conditions RF Electromagnetic Field...

Page 28: ...e com AUX PHONO GROUNDS POWER PGM 1 PGM 2 4 3 2 1 4 4 3 3 2 2 1 1 4321 100 240V 50 60 Hz 20 WATTS ACN 001 345 482 MADE IN U S A RANE CORP OUT IN OUT IN MIC BALANCED MASTER OUTPUTS R L R L R L R L R L R L LINE PHONO TTM 56S COMMERCIAL AUDIO EQUIPMENT 24TJ R EFFECTS SEND UNBALANCED FlexFX RETURN TIP SEND RING RTN BALANCED 4 3 2 1 O N ...

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