Rane AC 23 Operator'S Manual Download Page 13

Manual-13

4. Now press in the MID MUTE switch on the crossover so

that the tone is removed from the mid driver. Without
re-adjusting either the meter or the crossover Input or Mid
frequency Level controls,
 turn up the HIGH LEVEL
control until the tone coming from only the high driver
reads 0 dB on the SPL meter.

5. Now release the MID MUTE switch so that the tone is

emitted from both the high and mid drivers. Check the
reading on the SPL meter:

i.  If the meter reads +3 dB, then the drivers are properly

phase aligned and no delay is necessary; leave the MID
DELAY control at full minimum.

ii. If the meter reads less than +3 dB, slowly turn up the

MID DELAY control until the meter just reads +3 dB.
Now the drivers are electronically phase aligned and the
delay control should be left in this position at all times,
unless the speaker system is physically altered.

iii. If you have turned the MID DELAY control all the way

up and still do not obtain a +3 dB reading, you will have
to physically move the high driver farther forward until
the SPL meter reads +3 dB. The amount of displacement
corrections available from the delay depends on the
actual crossover frequency: the higher the frequency the
less amount of correction capability. If the drivers are
built into a single cabinet and/or it is impossible to
change relative positions, then you will have to obtain
additional delay to achieve proper phase alignment.

iv. If turning the MID DELAY control up makes the SPL

reading decrease instead of increase, this means that the
high driver is actually in front of the mid driver; adding
delay to the mid driver then only worsens the situation.
There are a couple of ways to deal with this:

a. Try to move the high driver back as far as possible

without losing stability in balancing the speaker stack.
You may want to raise it up as well to restore disper-
sion close to the stack. If you cannot move the high
driver, then you will have to obtain an additional
external delay source to align the high and mid
drivers. The built-in delay system in the AC 23 is
designed to accommodate the majority of common
speaker configurations; if you encounter confusion or
difficulty with your particular system, it is best to
consult your dealer or the Rane factory for assistance.

b. If this decrease in the display due to the LOW

DELAY control occurs at a low frequency crossover
point below about 150 Hz, set the LOW DELAY
control to minimum and leave it there. Frequencies
below 150 Hz are actually omnidirectional, so that
phase misalignment is virtually inaudible below this
point. Subwoofers will often possess long folded or
straight horns, resulting in the diaphragm being well
behind the rest of the stack. Most authorities agree
that phase alignment of subwoofers is unnecessary.
Otherwise you will have to obtain additional delay
equipment to align these to the rest of the system.

6. Tune the tone generator to the next lower crossover

frequency and then repeat steps 2 through 5, using the
appropriate level and delay controls. Once the DELAY
control is set, you may re-adjust any of the crossover
LEVEL controls at the beginning of each alignment
procedure. Once all of the crossover DELAY controls are
set, then re-adjust the output LEVEL controls as outlined
on page Manual-15.

Summary of Contents for AC 23

Page 1: ...e some dead channels in the unit when looking for output in places where there shouldn t be any The even more automatically confusing part is the way that the Output connectors decide whether the unit...

Page 2: ...tting the Output Level Controls on page Manual 15 LOW MUTE switch When pressed to the in position all signal is removed from the Low Frequency Output This eases tune up procedures as described on page...

Page 3: ...1 Input CHANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of th...

Page 4: ...to 2 ms of time delay to the Low Frequency Output only This allows a low frequency driver to be electronically phase aligned with a mid frequency driver whose diaphragm is situated behind the low fre...

Page 5: ...ANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of the high fre...

Page 6: ...the Subwoofer and Low Outputs Refer to page Manual 10 to determine the proper setting for your system LOW LEVEL control Sets the Level going to the Low frequency Output LOW MUTE switch Removes all sig...

Page 7: ...PLUG INTO THIS OUTPUT FOR 4 WAY MONO OPERATION IMPORTANT NOTE CHASSIS GROUNDING If after hooking up your system it exhibits excessive hum or buzzing there is an incompatibility in the grounding config...

Page 8: ...Use this output only for Mono 5 Way applications Omit this output when using the AC 23 as a Mono 4 Way Crossover As long as no plug is inserted into this jack the AC 23 internally bypasses the Hi Mid...

Page 9: ...hannel 2 input Note For this alternate Mono 4 Way installation connect a patch cord from the CHANNEL 1 HIGH OUT to the CHANNEL 2 INPUT as shown See warnings above SUBWOOFER OUTPUT These are TS tip sle...

Page 10: ...nd a moment here to re affirm why this delay is really necessary For a short course on time delay Linkwitz Riley and other mouth watering details we recommmend the Linkwitz Riley Crossovers RaneNote A...

Page 11: ...the crossover so that pink noise is heard from both the high and mid drivers Switch the display sensitivity to 3 dB on the Rane analyzer not necessary with full scale analyzers and observe the display...

Page 12: ...PL Meter Tone Generator Now that good quality realtime analyzers are becoming more affordable and easier to use there are few reasons why one of these should not be regularly used in any sound system...

Page 13: ...er is actually in front of the mid driver adding delay to the mid driver then only worsens the situation There are a couple of ways to deal with this a Try to move the high driver back as far as possi...

Page 14: ...river response will cause erroneous alignment attempts Using pink noise as a source each driver is individually tuned to an arbitrary 0 dB level on the analyzer display only at the crossover frequency...

Page 15: ...nded methods of setting the crossover output Levels Setting Levels Using a Realtime Analyzer NOTE If you are running two Channels tune up only one Channel at a time 1 Set all LEVEL controls on the cro...

Page 16: ...ng any settings on the SPL meter adjust the cross over MID LEVEL control until you obtain a 0 dB reading on the SPL meter Now the low and mid speakers are set at the same level 7 Now press the MID MUT...

Page 17: ...ind the Channel 1 LF LEVEL pot find the jumper labeled W22 3 To remove the Delay 3 circuit from the Low Frequency output remove both the W28 and W22 jumpers 4 To get the Low Frequency output to work a...

Page 18: ...vity Horn Equalization Modification Constant Directivity or CD horns need additional equalization to help cover the same area a long throw horn can cover Additional circuitry has been added to the AC...

Reviews: