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Manual-1

AC 23

ACTIVE CROSSOVER

OPERATORS MANUAL

AC 23 CONNECTION

Balanced/Unbalanced Inputs

The ¼" Input jacks on the AC 23 are TRS (tip-ring-

sleeve). We recommend connecting the AC 23 with a bal-
anced cable from the balanced output of a mixer or equalizer.

If a balanced output is not available, and the cable run is

less than ten feet (three meters), inserting an unbalanced ¼"
TS (tip-sleeve) plug works in most situations.

Unbalanced Outputs

The ¼" Output jacks on the AC 23 are unbalanced TS

(tip-sleeve). We recommend that cables to the amplifiers be
no longer than ten feet (three meters).

See the “Sound System Interconnection” RaneNote

included with this manual for more information on cabling
and grounding requirements.

QUICK START

This is an automatic crossover!

 By automatic, we mean that the AC 23 is smart enough to know whether you want to

run it as a two channel crossover, or as a single channel unit. It knows by the way the plugs are inserted how your system is
to be configured. However, just because it is automatic, doesn’t mean that it will not automatically confuse you when you
try to connect it in a bench test situation. 

Note: Labels

 above

 the controls refer to the unit being operated in the 2- or 3-

Way 

Stereo

 mode. Labels 

below 

the controls refer to the unit being operated in the 4- or 5-Way 

Mono

 mode.

Plugging a signal into the 

CHANNEL 1 INPUT

 and nothing into the 

CHANNEL 2 INPUT

 tells the unit that you are

running a single channel system in 

Mono 4-

 or 

5-Way 

mode, and therefore sets the unit up to be a single channel device.

This can lead one to think that there are some dead channels in the unit when looking for output in places where there
shouldn’t be any. The even more automatically confusing part is the way that the Output connectors decide whether the unit
is a 4-Way or 5-Way crossover. It is actually rather straightforward.

To test the unit as a 

Mono 4-Way

, first slide the 

CHANNEL 1

 and 

2

 switches on the back to 

3-WAY

. Connect the

INPUT

 source to 

CHANNEL 1

 only. Following the labels below the jacks, look at 

SUB OUT

, then look at 

LOW OUT

,

now go back to 

MID OUT

, and then proceed to the 

HIGH OUT

. So far, so good.

To test the AC 23 as a 

Mono 5-Way

, the only precaution required is there must be a “dummy” plug (¼" unconnected

plug) inserted into the 

HI MID OUT

 to program the crossover properly. When you reach the point where you want to

measure the output of the channel with the dummy in it, simply remove it and insert your test output plug in that location.

When operating the AC 23 as a 

Stereo 3-Way

, follow the diagram on page Manual-5, reading the labels above the jacks

and controls. To drive both Channels with a mono signal, connect only to the 

CHANNEL 2 INPUT

. This approach is the

same as if you used a wye cable to both Inputs.

The 

AC 23B

 is available as a fully balanced output version equipped with XLR connectors (for inputs and outputs)

instead of the ¼" jacks. If you are connecting to balanced amplifiers from the AC 23 or are running crossover output cable
lengths greater than 10 feet (or 3 meters), we highly recommmend you purchase an AC 23B.

Never connect anything except an RS 1 or other approved Rane AC power supply to the thing that looks like a

telephone jack on the rear.

 This is  an 18 VAC center-tapped power unit. Consult the Rane factory for replacement or

substitution.

WEAR PARTS:

 This product contains no wear parts.

Summary of Contents for AC 23

Page 1: ...e some dead channels in the unit when looking for output in places where there shouldn t be any The even more automatically confusing part is the way that the Output connectors decide whether the unit...

Page 2: ...tting the Output Level Controls on page Manual 15 LOW MUTE switch When pressed to the in position all signal is removed from the Low Frequency Output This eases tune up procedures as described on page...

Page 3: ...1 Input CHANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of th...

Page 4: ...to 2 ms of time delay to the Low Frequency Output only This allows a low frequency driver to be electronically phase aligned with a mid frequency driver whose diaphragm is situated behind the low fre...

Page 5: ...ANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of the high fre...

Page 6: ...the Subwoofer and Low Outputs Refer to page Manual 10 to determine the proper setting for your system LOW LEVEL control Sets the Level going to the Low frequency Output LOW MUTE switch Removes all sig...

Page 7: ...PLUG INTO THIS OUTPUT FOR 4 WAY MONO OPERATION IMPORTANT NOTE CHASSIS GROUNDING If after hooking up your system it exhibits excessive hum or buzzing there is an incompatibility in the grounding config...

Page 8: ...Use this output only for Mono 5 Way applications Omit this output when using the AC 23 as a Mono 4 Way Crossover As long as no plug is inserted into this jack the AC 23 internally bypasses the Hi Mid...

Page 9: ...hannel 2 input Note For this alternate Mono 4 Way installation connect a patch cord from the CHANNEL 1 HIGH OUT to the CHANNEL 2 INPUT as shown See warnings above SUBWOOFER OUTPUT These are TS tip sle...

Page 10: ...nd a moment here to re affirm why this delay is really necessary For a short course on time delay Linkwitz Riley and other mouth watering details we recommmend the Linkwitz Riley Crossovers RaneNote A...

Page 11: ...the crossover so that pink noise is heard from both the high and mid drivers Switch the display sensitivity to 3 dB on the Rane analyzer not necessary with full scale analyzers and observe the display...

Page 12: ...PL Meter Tone Generator Now that good quality realtime analyzers are becoming more affordable and easier to use there are few reasons why one of these should not be regularly used in any sound system...

Page 13: ...er is actually in front of the mid driver adding delay to the mid driver then only worsens the situation There are a couple of ways to deal with this a Try to move the high driver back as far as possi...

Page 14: ...river response will cause erroneous alignment attempts Using pink noise as a source each driver is individually tuned to an arbitrary 0 dB level on the analyzer display only at the crossover frequency...

Page 15: ...nded methods of setting the crossover output Levels Setting Levels Using a Realtime Analyzer NOTE If you are running two Channels tune up only one Channel at a time 1 Set all LEVEL controls on the cro...

Page 16: ...ng any settings on the SPL meter adjust the cross over MID LEVEL control until you obtain a 0 dB reading on the SPL meter Now the low and mid speakers are set at the same level 7 Now press the MID MUT...

Page 17: ...ind the Channel 1 LF LEVEL pot find the jumper labeled W22 3 To remove the Delay 3 circuit from the Low Frequency output remove both the W28 and W22 jumpers 4 To get the Low Frequency output to work a...

Page 18: ...vity Horn Equalization Modification Constant Directivity or CD horns need additional equalization to help cover the same area a long throw horn can cover Additional circuitry has been added to the AC...

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