Rane AC 23 Operator'S Manual Download Page 11

Manual-11

STEP BY STEP PROCEDURE

A 3-Way mode consisting of High, Mid and Low drivers

is used here as an example. For other configurations, use the
same procedure starting with the highest crossover point and
repeating steps 2 through 5 for each lower crossover point.
NOTE: If you are running two separate Channels on the
crossover, tune up only 

one

 Channel at a time, using the same

procedure for both.

1. Place the analyzer microphone about 15 feet in front of the

speaker stack and at a height about midway between the
high and mid drivers. Turn all crossover LEVEL controls
fully down.

2. Connect the pink noise source to the INPUT of the cross-

over (or mixer or wherever is convenient). Turn up the
crossover MASTER LEVEL control and the MID OUT
control until noise is heard only from the mid driver at a
comfortable volume.

3. With a healthy but not uncomfortable volume of noise from

the mid driver, set the analyzer DISPLAY LEVEL control
so the LED’s corresponding to the high crossover fre-
quency are reading 0 dB (this would be a green LED at the
crossover frequency with the Rane analyzer). For example,
if your high crossover frequency is 2 kHz, set the RA 27 in
the ±1 dB mode and then adjust the RTA LEVEL control
until the green LED is lit in the 2 kHz band. There...easy.

4. Now press in the MID MUTE switch on the crossover so

that the tone is removed from the mid driver. Without
re-adjusting either the meter or the crossover Input or Mid
Level controls,
 turn up the HIGH LEVEL control until the
tone coming from only the high driver reads 0 dB (a green
LED at the crossover frequency).

5. Now release the MID MUTE switch on the crossover so

that pink noise is heard from both the high and mid drivers.
Switch the display sensitivity to ±3 dB on the Rane
analyzer (not necessary with full scale analyzers) and
observe the display reading at the crossover frequency:

i. If the display shows a +3 dB reading (red LED on with

the Rane analyzer in the +3 dB mode), then the drivers
are properly phase aligned and no delay is necessary;
leave the MID DELAY control at minimum.

ii.If the display shows less than +3 dB reading (still in

green or in yellow on the Rane analyzer), slowing turn
up the MID DELAY control on the crossover until the
display shows +3 dB (red LED just on with the Rane
analyzer). Now the drivers are electronically phase
aligned and the Delay control should be left in this
position at all times unless the speaker system is
physically altered.

iii. If you have turned the MID DELAY control all the way

up and still do not have a +3 dB (red) reading, you will
have to physically move the high driver farther forward

Fig. 1 In-Phase Axis Response Without Time Delay

Fig. 2 Corrected In-Phase Axis Response With Electronic Time Delay on

Low Frequency Driver

Time Delay Adjustment Using
Realtime Analyzer & Pink Noise

This method outlines the use of a realtime analyzer, pink

noise generator and flat response microphone to set crossover
time delay. Some references will be made to the Rane RA 27
realtime analyzer for those with the intelligence and good
taste to use one regularly. The procedure applies to virtually
any analyzer system. We recommend using a 1/3 or 2/3
octave analyzer as either of these is more likely to match your
specific crossover points than a one-octave analyzer. And it is
important to match the analyzer to the crossover point as
closely as possible for proper phase alignment, otherwise the
analyzer readings may be misleading.

Summary of Contents for AC 23

Page 1: ...e some dead channels in the unit when looking for output in places where there shouldn t be any The even more automatically confusing part is the way that the Output connectors decide whether the unit...

Page 2: ...tting the Output Level Controls on page Manual 15 LOW MUTE switch When pressed to the in position all signal is removed from the Low Frequency Output This eases tune up procedures as described on page...

Page 3: ...1 Input CHANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of th...

Page 4: ...to 2 ms of time delay to the Low Frequency Output only This allows a low frequency driver to be electronically phase aligned with a mid frequency driver whose diaphragm is situated behind the low fre...

Page 5: ...ANNEL 2 will drive BOTH Channels of the AC 23 internally HIGH FREQUENCY OUTPUTS These are TS tip sleeve unbalanced Output jacks Connect the CHANNEL 1 HIGH OUT to the left channel input of the high fre...

Page 6: ...the Subwoofer and Low Outputs Refer to page Manual 10 to determine the proper setting for your system LOW LEVEL control Sets the Level going to the Low frequency Output LOW MUTE switch Removes all sig...

Page 7: ...PLUG INTO THIS OUTPUT FOR 4 WAY MONO OPERATION IMPORTANT NOTE CHASSIS GROUNDING If after hooking up your system it exhibits excessive hum or buzzing there is an incompatibility in the grounding config...

Page 8: ...Use this output only for Mono 5 Way applications Omit this output when using the AC 23 as a Mono 4 Way Crossover As long as no plug is inserted into this jack the AC 23 internally bypasses the Hi Mid...

Page 9: ...hannel 2 input Note For this alternate Mono 4 Way installation connect a patch cord from the CHANNEL 1 HIGH OUT to the CHANNEL 2 INPUT as shown See warnings above SUBWOOFER OUTPUT These are TS tip sle...

Page 10: ...nd a moment here to re affirm why this delay is really necessary For a short course on time delay Linkwitz Riley and other mouth watering details we recommmend the Linkwitz Riley Crossovers RaneNote A...

Page 11: ...the crossover so that pink noise is heard from both the high and mid drivers Switch the display sensitivity to 3 dB on the Rane analyzer not necessary with full scale analyzers and observe the display...

Page 12: ...PL Meter Tone Generator Now that good quality realtime analyzers are becoming more affordable and easier to use there are few reasons why one of these should not be regularly used in any sound system...

Page 13: ...er is actually in front of the mid driver adding delay to the mid driver then only worsens the situation There are a couple of ways to deal with this a Try to move the high driver back as far as possi...

Page 14: ...river response will cause erroneous alignment attempts Using pink noise as a source each driver is individually tuned to an arbitrary 0 dB level on the analyzer display only at the crossover frequency...

Page 15: ...nded methods of setting the crossover output Levels Setting Levels Using a Realtime Analyzer NOTE If you are running two Channels tune up only one Channel at a time 1 Set all LEVEL controls on the cro...

Page 16: ...ng any settings on the SPL meter adjust the cross over MID LEVEL control until you obtain a 0 dB reading on the SPL meter Now the low and mid speakers are set at the same level 7 Now press the MID MUT...

Page 17: ...ind the Channel 1 LF LEVEL pot find the jumper labeled W22 3 To remove the Delay 3 circuit from the Low Frequency output remove both the W28 and W22 jumpers 4 To get the Low Frequency output to work a...

Page 18: ...vity Horn Equalization Modification Constant Directivity or CD horns need additional equalization to help cover the same area a long throw horn can cover Additional circuitry has been added to the AC...

Reviews: