Phonic Powerpod 1062 Plus, User Manual

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POWERPOD 1062 PLUS / 1062R / 1062FR / 1082 PLUS / 1082R
English
Channel Controls
15. HIGH (High Frequency) Control
This control is used to give a shelving boost
or cut of ±15 dB to high frequency (12 kHz)
sounds. This will adjust the amount of
treble included in the audio of the channel,
adding strength and crispness to sounds
such as guitars, cymbals, synthesizers and
Michael Jackson.
16. MID (Middle Frequency) Control
This control is used to provide a peaking
style of boost and cut to the level of middle
frequency sounds at a range of ±15 dB.
changing middle frequencies of an audio
feed can be rather difficult when used in
a professional audio mix, as it is usually
more desirable to cut middle frequency
sounds rather than boost them, soothing
overly harsh vocal and instrument sounds
in the audio.
17. LOW (Low Frequency) Control
This control is used to give a shelving boost or cut of ±15 dB to
low frequency (80 Hz) sounds. This will adjust the amount of bass
included in the audio of the channel, and bring more warmth and
punch to drums, bass guitars and Isaac Hayes.
18. MON (Monitor) Level Control
This control alters the signal level that is being sent to the Monitor
mixing buses, the signal of which is suitable for connecting stage
monitors, allowing artists to listen to the music that is being playing.
19. EFX (Effect) Level Control
This control alters the signal level that is sent to the EFX output,
which can be used in conjunction with external signal processors
(this signal of which can be returned to mixer via the stereo return
inputs), or simply as additional auxiliary outputs for any means
required. These controls also adjust the level of audio that is sent
to the built-in digital effect panel.
20. Pan / Balance Controls
This alternates the degree or level of audio that the left and right
side of the main mix should receive. On mono channels, this control
will adjust the level that the left and right should receive, where as
on a stereo channel, adjusting the Bal control will attenuate the
left or right audio signals accordingly.
21. Channel Level Control
This control will alter the signal level that is sent from the
corresponding channel to the Main mixing bus.
22. PAD -25 Button
The PaD -25 button, located above the 1/4” Phone Jack of mono
channels, is used to attenuate the input signal by 25 dB. This
should only be pushed in when using line-level input devices.
Digital Effect Processor
23. Effects On Button and Indicator
Pushing this button will turn the built-in effect processor on and off.
When the effect processor is activated, the corresponding lED will
light up to indicate so.
24. Program Control
This control will allow users to select one of the 16 built-in digital
effects of the Powerpod powered mixer. The effect names that
correspond with the numbers can be found on the top of the
mixer’s face, or in the digital effect table.
25. Parameter Control
Turning this control will adjust the one main parameter of the
selected effect. Each effect’s parameter can be found on the
digital effect table.
Master Section
26. EFX To Monitor Control
This controls the level of the processed signal from the built-in
effect processor, that is sent to the Monitor mixing bus.
27. EFX To Main Control
This controls the level of the processed signal from the built-in
effect processor, that is sent to the Main l/R mixing bus.
28. AUX In Controls
The Powerpod 1062 and 1082 models feature
2 AUX in Controls. One that adjusts the final
level that is sent to the Monitor mixing bus
(the upper control), another that controls the
final level that is sent to the Main L-R mixing
bus (the lower control).
29. Tape In
The Powerpod 1062 and 1082 models
feature 2 Tape in controls. One that adjusts
the final level that is sent to the Monitor
mixing bus (the upper control), another that
controls the final level that is sent to the Main
mixing bus (the lower control).
30. Graphic Equalizers
These graphic equalizer allows you to adjust the frequency
response of a signal, with a maximum of ±12 dB of signal boost
or cut for each of the frequencies. The Powepod 1062 and
1082 models all feature dual 10-band Graphic Equalizers. The
uppermost equalizer is for alteration of the Monitor signal (when
the EQ switch is in the appropriate position it becomes the Main
left EQ, where the lower equalizer is for the Main l-R signal.
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