Yamaha DM 2000VCM Brochure & Specs Download | Manualshive

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Summary of Contents for DM 2000VCM

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Page 2: ...d filter processing It sounds complicated but all this powerful technology is packaged in a way that makes it easy and in intuitive to operate The Renowned DM2000 Plus an Extraordinary New Range of Effects and Simulations Yamaha s top of the line DM2000 Digital Production Console is already well established as a standard in the professional audio production field It has become the first choice of ...

Page 3: ...ace Designed for Maximum Productivity Anyone who is familiar with the 02R will immediately feel comfortable with the DM2000 While the comprehensive efficient display format of the 02R has been inherited by the DM2000 the control surface and user interface system has been greatly expanded and enhanced to allow analog style hands on operation with minimum need to refer to the LCD The motto mix with ...

Page 4: ...splay Editing and selection of on screen parameters is easy too via encoders located immediately below the display 3 Selected Channel Section The SELECTED CHANNEL controls form the largest single control group on the DM2000 panel and with good reason Here s where you re likely to be spending most of your time setting up channel EQ dynamics panning or surround positioning matrix send levels and mor...

Page 5: ...recorders without having to switch layers The DM2000 s machine control features are divided into three main sections as summarized below 8 1 Transport Controls Standard transport controls in the familiar layout REW FF STOP PLAY and REC for fast efficient transport operation 8 2 Locator All the locator controls you would normally find on an advanced locator panel plus a few extras are duplicated ri...

Page 6: ...ia word clock inputs and outputs SMPTE and MTC time code inputs MIDI connectors a keyboard connector and both serial and USB to host connectors Cascade in and output connectors allow two DM2000 consoles to be cascaded to provide up to 192 channels Even the cooling fan is specially designed for ultra quiet operation so that machine noise doesn t interfere with critical monitoring or recording opera...

Page 7: ...ighly values for their rich warm sound VCM technology brings these outstanding effects back to life with greater controllability and flexibility than ever MAX100 Born in the late 70 s this phaser is still available in reissue form There are many who believe the original 70 s models sounded better than the current models and so the K s Lab team have painstakingly modeled the original circuit and co...

Page 8: ...e 0dB setting only if the destination environment home theatre etc has the LFE gain set to 0dB Otherwise use the default setting THXD THX DVD THXF THX Film THXM THX Music THX Bass Management Presets The following presets have been approved by THX Ltd for use in THX pm3 Certified Studios They are designed to provide dedicated parameters for the proper playback of multi channel audio content in bass...

Page 9: ...ls of high resolution digital AES EBU audio can then be transferred to the console over distances of up to 200 meters without loss or degradation If you also use the DM2000 s 24 built in microphone inputs you have a total of 72 inputs available on a par with large live sound systems but with relatively simple setup and operation In the system example a second DM2000 is used for monitoring as well ...

Page 10: ... 1 65 Max100 VCM technology modulation 1 1 1 66 Vintage Phaser VCM technology phaser 1 1 1 67 Dual Phaser VCM technology dual phaser 1 1 1 Effects marked with an asterisk can only be recalled for the EFFECT 1 and EFFECT 2 processors If an effect which uses 4 DSP processors is used the total number of effects that can be used simultaneously is reduced by three For example if REVERB 5 1 is selected ...

Page 11: ...E E 9 E E 41 Q 2 9 9 E 9 E G 4 9 A 32 5 5 354 523 O 4P 9 E 9 E 0 Q 34 9 A 1 4 5 354 523 4 O 4P 9 E 9 E G 4 9 A 1 4 5 354 523 O 4P 9 E 9 E G 4 9 A 5 523 9 9 7 9 E 9 E 0 Q 34 9 A 9 9 E 9 E 43 523 9 E 9 E 0 Q 34 9 A 5 C C 0 Q 34 2 9 A C F C A G 4 9 8 8 53 8 15 A 0 K 9 3 8 53 4 8 15 8 A 5 0 K 9 3 8 3 4 8 4 3 8 R 3 4 5 523 O 4P 9 E 7 9 E R 0 7 I0 9 7 9 7 9 FF E R 43 523 GAIN SW Output Level Digital Inp...

Page 12: ...3 OMNI 4 OMNI 5 OMNI 6 OMNI 7 OMNI 8 2 12 8 8 96 126 8 STEREO AUX1 12 MTRX1L 4R BUS1 8 DIRECT OUT 1 96 INSERT OUT SURROUND MONITOR OUTPUT PATCH SOLO R SOLO L MATRIX2L MATRIX2R MATRIX3L MATRIX3R MATRIX4L MATRIX4R MATRIX1R MATRIX1L PAN LEVEL Same Above Same Above Same Above from BUS1 8 from AUX1 12 TALK BACK AD IN 1 24 USE AD IN 1 24 AS TALKBACK SLATE TB AD CASCADE OUT SINE 100Hz SINE 1kHz SINE 10kH...

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