Let’s begin by getting Claravox Centennial
properly positioned, attaching the antennas,
making the right connections, and then adjust-
ing the antenna tuning so that you can begin to
enjoy playing your instrument.
Placement
The preferred method of playing Claravox
Centennial is to mount the instrument on the
optional Claravox Stand, or on a low-profile
microphone stand with a 5/8”-27 UNS mount.
NOTE:
Claravox Centennial is not designed to
sit upright without a stand and should never be
placed directly onto a table or other flat surface
for playing.
Once mounted to its stand, no objects should
be within a foot or two of the instrument. Clar-
avox Centennial should be positioned away
from walls and other large stationary objects.
Using the Mounting Plate/
Stand Adapter
Refer to Figure 1
The mounting plate was created to make setup
quicker and more efficient. No tools are needed.
The mounting plate consists of a small met-
al oval that fits into a recess in the bottom of
the instrument. In the center of the mounting
plate is a threaded hole. On either side are two
smaller holes containing captive thumbscrews.
These thumbscrews attach the mounting plate
to the Claravox Centennial body.
This design allows the adapter plate to remain
attached to the stand. The stand and mounting
plate remain stationary, and the thumbscrews
SETUP AND
CONNECTIONS
14
Summary of Contents for Claravox Centennial
Page 1: ......
Page 2: ...CELE BRATI N G YE ARS OF T HE T HEREMIN...
Page 3: ......
Page 8: ...Clara Rockmore PR photo with theremin New York 1932...
Page 12: ...Clara Rockmore Recital Poster 1938...
Page 20: ...19...
Page 24: ...23...
Page 25: ...Claravox Centennial Moog Music Inc...
Page 28: ...Figure 7...
Page 29: ...28 Figure 9 Figure 8 Learning How to Play...
Page 33: ...Figure 13...
Page 46: ...45 Figure 28 Figure 29 Controls Functions Figure 26 Figure 27...
Page 48: ......
Page 67: ...Clara Rockmore PR photo playing theremin New York mid to late 1930s...
Page 70: ...69 69...
Page 71: ...70 70...
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